Colonial India in Children’s Literature is the first book-length study to explore the intersections of children’s literature and defining historical moments in colonial India. Engaging with important theoretical and critical literature that deals with colonialism, hegemony, and marginalization in children's literature, Goswami proposes that British, Anglo-Indian, and Bengali children’s literature respond to five key historical events: the missionary debates preceding the Charter Act of 1813, the defeat of Tipu Sultan, the Mutiny of 1857, the birth of Indian nationalism, and the Swadeshi movement resulting from the Partition of Bengal in 1905. Through a study of works by Mary Sherwood (1775-1851), Barbara Hofland (1770-1844), Sara Jeanette Duncan (1861-1922), Rudyard Kipling (1865-1936), Upendrakishore Ray (1863-1915), and Sukumar Ray (1887-1923), Goswami examines how children’s literature negotiates and represents these momentous historical forces that unsettled Britain’s imperial ambitions in India. Goswami argues that nineteenth-century British and Anglo-Indian children’s texts reflect two distinct moods in Britain’s colonial enterprise in India. Sherwood and Hofland (writing before 1857) use the tropes of conversion and captivity as a means of awakening children to the dangers of India, whereas Duncan and Kipling shift the emphasis to martial prowess, adaptability, and empirical knowledge as defining qualities in British and Anglo-Indian children. Furthermore, Goswami’s analysis of early nineteenth-century children’s texts written by women authors redresses the preoccupation with male authors and boys’ adventure stories that have largely informed discussions of juvenility in the context of colonial India. This groundbreaking book also seeks to open up the canon by examining early twentieth-century Bengali children’s texts that not only draw literary inspiration from nineteenth-century British children’s literature, but whose themes are equally shaped by empire.
A concise account of all major branches of sedimentary geology, highlighting the connecting links between them. Introduction; Processes of sedimentation; Sedimentary texture; Sedimentary petrology; Hydraulics, sediment transportation and structures of mechanical origin; Sedimentary environments and facies; Tectonics and sedimentation; Stratigraphy and sedimentation; Basin analysis: A synthesis; References; Index.
Bangalore is looked at in depth in Supriya Baily's exploration of one of India’s most dynamic cities. Booklist praises the book, saying, "This deeply researched book is especially timely in light of recent gender-based violence in India.” Through the stories of a group of school girls in what used to be India’s most progressive city, Bangalore Girls reveals how the freedom women once enjoyed in the “Silicon Valley of India” has been eroded by the rising tide of right-wing nationalism, misogyny, and religious fundamentalism. Author Supriya Baily explores one of India’s most dynamic cities through the eyes of a group of women who grew up and went to school together in the late 1980s and early 1990s. As they enjoyed the trappings of a burgeoning middle class, these classmates also watched their country move to the right politically and socially, spurred on by the Ayodhya riots that tore down the Babri Masjid Mosque in 1992 and the sectarian violence that followed—a Hindu nationalist tide that continues to rise today. The book offers us a window into these women’s lives and shows us how they are responding to the breakdown of progressivism across multiple domains. They discuss not only their own safety and the educational opportunities and challenges confronting their families; they also talk about such society-wide issues as anti-Muslim sentiment, the backlash against science, and the dangers of independent thinking. Baily gives voice to their worries about political cults of personality and government policies that seek to marginalize and ostracize anyone who speaks out against the authorities, but especially women. As Indian prime minister Narendra Modi now consecrates the new Ram Temple in Ayodhya, it has never been more important to understand the wave of nationalism that began in 1992. The stories of these women told by Supriya Baily are a must-read tale of extremism’s threat to women’s rights and human rights.
The definitive biography of the eldest son of Emperor Shah Jahan, whose death at the hands of his younger brother Aurangzeb changed the course of South Asian history. Dara Shukoh was the eldest son of Shah Jahan, the fifth Mughal emperor, best known for commissioning the Taj Mahal as a mausoleum for his beloved wife Mumtaz Mahal. Although the Mughals did not practice primogeniture, Dara, a Sufi who studied Hindu thought, was the presumed heir to the throne and prepared himself to be India’s next ruler. In this exquisite narrative biography, the most comprehensive ever written, Supriya Gandhi draws on archival sources to tell the story of the four brothers—Dara, Shuja, Murad, and Aurangzeb—who with their older sister Jahanara Begum clashed during a war of succession. Emerging victorious, Aurangzeb executed his brothers, jailed his father, and became the sixth and last great Mughal. After Aurangzeb’s reign, the Mughal Empire began to disintegrate. Endless battles with rival rulers depleted the royal coffers, until by the end of the seventeenth century Europeans would start gaining a foothold along the edges of the subcontinent. Historians have long wondered whether the Mughal Empire would have crumbled when it did, allowing European traders to seize control of India, if Dara Shukoh had ascended the throne. To many in South Asia, Aurangzeb is the scholastic bigot who imposed a strict form of Islam and alienated his non-Muslim subjects. Dara, by contrast, is mythologized as a poet and mystic. Gandhi’s nuanced biography gives us a more complex and revealing portrait of this Mughal prince than we have ever had.
Whether it is getting the scoop on insider influence or anointing game changers, Caravan has made a place for itself in the minds of readers in India and beyond, winning countless awards and accolades and showcasing the finest writers and thinkers in long-form journalism. Twelve definitive profiles of our agents of change are presented in this volume, with new insight from their authors on their place in contemporary Indian history: Praveen Donthi on finance minister Arun Jaitley; Leena Reghunath on Swami Aseemanand; Krishn Kaushik on former Attorney-General Goolam Vahanvati; Mira Sethi on Pakistan Prime Minister Nawaz Sharif; Deepak Adhikari on Nepal Prime Minister Prachanda; Mark Bergen on Raghuram Rajan; Samanth Subramanian on Sameer Jain; Mehboob Jeelani on Ponty Chadha; Rahul Bhatia on N. Srinivasan; T.M. Krishna on musician M.S. Subbulakshmi; Ali Sethi on Farida Khanum; Baradwaj Rangan on Vikram; and Vinod K. Jose on Prime Minister Manmohan Singh. In this invaluable collection, the pioneering journal presents a valuable and far-reaching record of our times for readers, citizens and students of journalism alike.
This is the story of my life, an honest account of living through grief and hopefully conquering it. My husband, who was also my best friend for 15 years, passed away in a car accident. It was unexpected and shattering. There he was standing at the door one afternoon, waving me good-bye and the same evening he was dead. It was incomprehensible – still is. This is a story of my fight to bring him back; to have his child – a miracle of faith and science. This is a story of memories, grief, despair, bravery, craziness, and love. It’s also a story of fighting odds, prejudices, perceptions, and loneliness. Of being able to move on, yet not forgetting the long years of togetherness. Of how you realize the important things in life, and the lessons you learn. It’s my heart, out on paper.
Running close to five hours and thirty minutes and boasting of no big stars, Gangs of Wasseypur is unlike any Hindi film you might have watched.It is also one of the most feted Hindi films of recent times in international circles. It has been spoken of as India's answer to landmark gangster films of the west, like The Godfather. In Gangs of Wasseypur: The Making of a Modern Classic, the authors go behind the scenes through its chaotic gestation to bring to life the trials and tribulations, the triumphs and ecstasies involved in following one's dream. Including the complete screenplay, the book is as much a testimony to the spirit of everyone associated with the film as it is a tribute to the intellectual honesty and indefatigable spirit of its director, Anurag Kashyap.
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