Three-Million-Dollar Messenger recounts the true story of a mid-level Chinese bureaucrat who gets swirled up in historic events in China preceding World War II. Sung Chiao Chen's sparsely but beautifully written memoir tells how he smuggled China's state seal and three million Chinese dollars past Japanese checkpoints to a key Chinese government agency, as the two countries clashed for control of the Chinese mainland. Mr. Chen's story unfolds amid a backdrop of a China in transformation and of his own victorious struggle against a life of poverty and lost love.
The first comprehensive English-language study of literary trends in the fiction of Taiwan over the last forty years, this pioneering work explores a rich tradition of literary Modernism in its shifting relationship with Chinese politics and culture. Situating her subject in its historical context, Sung-sheng Yvonne Chang traces the connection between Taiwan's Modernists and the liberal scholars of pre-Communist China. She discusses the Modernists' ambivalent relationship with contemporary Taiwan's conservative culture, and provides a detailed critical survey of the strife between the Modernists and the socialistically inclined, anti-Western Nativists. Chang's approach is comprehensive, combining Chinese and comparative perspectives. Employing the critical insights of Raymond Williams, Peter Burger, M. M. Bahktin, and Fredric Jameson, she investigates the complex issues involved in Chinese writers' appropriation of avant-gardism, aestheticism, and various other Western literary concepts and techniques. Within this framework, Chang offers original, challenging interpretations of major works by the best-known Chinese Modernists from Taiwan. As an intensive introduction to a literature of considerable quality and impact, and as a case study of the global spread of Western literary Modernism, this book will be of great interest to students of Chinese and comparative literature, and to those who wish to understand the broad patterns of twentieth-century literary history.
Buddhist Faith and Sudden Enlightenment explains how sudden enlightenment occurs through the awakening of patriarchal faith. This is the non-dual affirmation that one is already Buddha as opposed to the doctrinal, dualistic faith that one can become Buddha. The essence of the presentation is that patriarchal faith forms the basis for sudden enlightenment in Zen meditation. For the practitioner, this book establishes the Zen method of mind-cultivation on a higher level by introducing a new understanding of awakening right faith. Included is extensive material on the history of faith in Buddhism with the main attention devoted to Ch'an (Zen) and Hua-yen. There are also substantial discussions of Buddhist antecedents to these schools and of the Pure Land School. This is the first book in English to examine the central role of faith in Mahayana Buddhism. The author's approach develops from his personal experiences as a son (Zen) monk of the Chogye order, which was heavily influenced by the integration of meditation and scriptural study established by Chinul.
With monumental changes in the last two decades, Taiwan is making itself anew. The process requires remapping not only the country's recent political past, but also its literary past. Taiwanese literature is now compelled to negotiate a path between residual high culture aspirations and the emergent reality of market domination in a relatively autonomous, increasingly professionalized field. This book argues that the concept of a field of cultural production is essential to accounting for the ways in which writers and editors respond to political and economic forces. It traces the formation of dominant concepts of literature, competing literary trends, and how these ideas have met political and market challenges. Contemporary Taiwanese literature has often been neglected and misrepresented by literary historians both inside and outside of Taiwan. Chang provides a comprehensive and fluent history of late twentieth-century Taiwanese literature by placing this vibrant tradition within the contexts of a modernizing local economy, a globalizing world economy, and a postcolonial and post-Cold War world order.
T'zu's The Washing Away of Wrongs (Hsi yüan chi lu), printed in 1247, is the oldest extant book on forensic medicine in the world. Written as a guide for magistrates in conducting inquests, the book is a major source on early Chinese knowledge of pathology and morbid anatomy. Includes a lengthy introductory essay by the translator.
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