Through the Ages, women the world over, have lived under subjugation; women in India have been subjected to various atrocities as well. Nonetheless, despite the odds stacked against them, many have become shining examples for others to follow; not for them the phrase: Frailty thy name is woman. So it is with the characters, whose stories appear on the pages of this book. Their names may be ordinary, but their show of resilience is extraordinary. Kavita, Pushpa, Poonam, Deepa, Charu, Aru and Madhuri, hailing from different cities and different strata of the Indian Society, all run into problems not of their making. From fighting to keep their foetuses alive, to confronting the problem of impotency, to avoiding unwarranted advances, to being involved in murders, to giving birth to a baby who talks about his past, to taking care of a son who has cancer, to sustaining a brain haemorrhage, to having a tumour and a baby growing together, to being looked down upon as a divorcee - they face it all. But, their never-say-die attitude stands them in good stead. They tackle their individual problems and come up triumphant.
In 1947, the Chatterjee family moves to Ahmednagar from Kolkata, only to find that the old city has lost its splendor. They make it their home and the children in the family, Swapan, Sukumar, Ashish and Jayashree, try to adjust in the new city. The book takes you through the children’s escapades; from going to picnics with friends, shooting arrows at each other and playing surparambya, to befriending a donkey that went to their school, they have plenty of adventure. More importantly the children learn about the history of Ahmednagar, from the tales they hear from Grandpa. Does the family respond, as history beckons in Grandpa's Tales of Ahmednagar?
In the murky atmosphere of hate and violence unleashed by terrorists, love blooms like an unstained lotus flower in a muddy pool. Uma Chopra, a self-reliant middle class Punjabi girl of Delhi, develops great regard for Gopalkrishna Hegday who hails from Karnataka. Her mother is keen on her marrying a ‘Punjabi puttar’. Gopalkrishna suffers multiple tragedies as consequences of terrorist attacks. What is in store for these two people? The story unfolds with many schemes hatched against Uma, a defenseless girl perceived to be easy game… Will her friendship with Virginia, an American millionaire’s daughter, come to Uma’s aid? Does Uma achieve her goals–personal and professional? This is a book of love, intrigue and crime, set in the backdrop of the upheavals caused by mindless terror attacks.
Through the Ages, women the world over, have lived under subjugation; women in India have been subjected to various atrocities as well. Nonetheless, despite the odds stacked against them, many have become shining examples for others to follow; not for them the phrase: Frailty thy name is woman. So it is with the characters, whose stories appear on the pages of this book. Their names may be ordinary, but their show of resilience is extraordinary. Kavita, Pushpa, Poonam, Deepa, Charu, Aru and Madhuri, hailing from different cities and different strata of the Indian Society, all run into problems not of their making. From fighting to keep their foetuses alive, to confronting the problem of impotency, to avoiding unwarranted advances, to being involved in murders, to giving birth to a baby who talks about his past, to taking care of a son who has cancer, to sustaining a brain haemorrhage, to having a tumour and a baby growing together, to being looked down upon as a divorcee - they face it all. But, their never-say-die attitude stands them in good stead. They tackle their individual problems and come up triumphant.
‘If you hear this, you will find your heads are getting muddled. Some of you will fathom fully, some will stay befuddled’ The Bengali language has never been quite such a living, breathing creature of whimsy as in Sukumar Ray’s hands. His creations—wild and wicked, dreamy and delirious—have thrilled children and adults alike. This selection offers you the best of his world—pun-riddled, fun-fiddled poetry from Abol Tabol and Khai-Khai, stories of schoolboy pranks from Pagla Dashu, of madcap explorers from Heshoram Hushiyarer Diary and the unforgettable harum-scarum classic Haw-Jaw-Baw-Raw-Law—for the first time in its entirety. All the stories and poems are accompanied by Sukumar Ray’s inimitable illustrations. Sampurna Chattarji’s vibrant translation captures the freewheeling play of sound and sense we associate with Ray’s writings, and promises to win him a whole new generation of admirers.
&Lsquo;If You Hear This You Will Find Your Heads Are Getting Muddled, Some Of You Will Fathom Fully, Some Will Stay Befuddled.&Rsquo; The Bengali Language Has Never Been Quite So Much A Living, Breathing Creature Of Whimsy As In Sukumar Ray&Rsquo;S Hands, And His Creations&Mdash;Wild And Wicked, Dreamy And Delirious&Mdash;Have Thrilled Children And Adults Alike. T His Selection Offers You The Best Of His World&Mdash;Pun-Riddled, Fun-Fiddled Poetry From Abol Tabol And Khai-Khai, Stories Of Schoolboy Pranks (Pagla Dashu) And Madcap Explorers (Heshoram Hushiyarer Diary), And The Unforgettable Harum-Scarum Classic Of Haw-Jaw-Baw-Raw-Law, Presented Here For The First Time In Its Entirety. All The Stories And Poems Are Accompanied By Sukumar Ray&Rsquo;S Inimitable Illustrations. Sampurna Chattarji&Rsquo;S Lively Translation Captures The Magical Nonsense Groove Of The Bengali Original Through A Freewheeling Play Of Sound And Sense. With A Sparkling New Introduction By Ruskin Bond, This Book Is Sure To Captivate Sukumar Ray&Rsquo;S Fans And Win Him A Whole New Generation Of Admirers. Age Group Of Target Audience (Puffin): 10+ &Nbsp;
India is home to almost every religion in the world, each practised by its own set of believers. But two religions are practised, indeed celebrated, by all Indians across the length and breadth of the country all the time . . . cricket and cinema. Indian cinema is 100 years old. 105 years, to be exact, since Dadasaheb Phalke made India’s first full length silent film Raja Harishchandra in 1913. Sound entered the silent movie when Ardeshir Irani made India’s first talkie film Alam Ara in 1931. Sound brought into movies that magical potent, that elixir craved for by entertainment seeking audiences of all ages, all classes . . . . . MUSIC ! This book showcases some of Bollywood’s immortal music melodies from 1950 to 2010 that have stood the test of Time. And the people behind them. Come, let’s take a trip DOWN BOLLYWOOD STREET, ON MELODY BEAT !
`Dashu got away with it because he was `mad?.? You never know what?s going to happen in Pagla Dashu?s world ? it?s an out-and-out romp. Life is never ordinary or dull when Dashu is around and this round-eyed, curly- haired schoolboy shakes up people and places till everyone and everything is as topsy-turvy as our hero. From his classroom antics to his playtime tactics, Dashu?s impish audacity has you rolling on the floor with laughter. Join him and his equally wacky company of madcap schoolboys and geniuses, show-offs and know-it-alls, scientists and explorers, and many other unforgettable characters who will take you on a crazy roller-coaster ride through poetry epidemics, strange robberies, chaotic school plays, and imaginary lands populated by magical creatures. These 25 classic stories by Sukumar Ray have been put together for the first time in English by the Jadavpur University Translators? Collective and feature rare illustrations by the father-son duo of Sukumar Ray and Satyajit Ray. PLUS! Book Mine Gems: 48 extra-special pages: Know more about the author, his work and his times. Plus things to think about and to do.
This is an elementary introduction to algebra and number theory. The text begins by a review of groups, rings, and fields. The algebra portion addresses polynomial rings, UFD, PID, and Euclidean domains, field extensions, modules, and Dedckind domains. The number theory portion reviews elementary congruence, quadratic reciprocity, algebraic number fields, and a glimpse into the various aspects of that subject. This book could be used as a one semester course in graduate mathematics.
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