This Handbook, pinpoints salient features of known information about Terpenoids in a readily accessible and readable format. Terpenoids have singularly enriched organic chemistry by its variety of structural types, by its wealth ofunexpected reactions, rearrangements and spectral features, and by offering exciting targets for synthesis. Much imaginative experimental work has been invested in exploring their natural pathways. Recent years have revealed an increasingly important biological and ecological role for several of its members.
Ragamala Paintings Have A Special Significance In The World Of Art, Which Has Not So Far Been Fully Realised. They Not Only Display Their Own Technique And Art Of Colour And Line But Also Express, Interpret And Exhibit The Soul/Spirit And Beauty Of Another Art, The Art Of Music, The Art Of Svara-Laya And Cultivated/Cultured Voice. Music Was Considered To Be Of Divine Origin And Was Supposed To Possess The Property Of Evoking An Ecstatic State Of Mind Or Mood, Called Rasa-Anubhuti, In The Musician As Well As The Listerner. This Conception Of Rasa Is The Basis Of All Art In India. The Sadhakas (Practitioners) Devised Some Formulas In Order To Capture And Comprehend The Divine Quality Of Music And To Evoke Rasa Or Brahmananda. These Were Formulated In The Form Of Prayers In Which The Conceptual Form, Dhyana-Murti, Of The Raga Was Described. Thus The Ragas Were Personified Or Deified. This Fact Provided A Rich And Expressive Theme To Indian Painters And It Has Considerably Enriched The Art Treasure Of India. Whether The Dhyana-Theory Of Ragas Is Scientific Or Otherwise It Certainly Furnished A Rich Source Of Theme For The Indian Artists Who Painted Some Of The Most Charming And Inspiring Pictures Representing The Ragas (Melodies). The Two Ragamala Mss Discovered In A Manuscripts Collection At Jammu Are A Part Of The Extensive Art Treasure Created All Over India During The Period From 16Th To 19Th Centuries. The Jammu Ragamala Paintings Were Done Expressly With The Usual Object Of Depicting Their Dhyana-Murtis Or Icons In Order To Create The Relevant Rasa Situation In Those Looking At Them.
The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.
This handbook covers the medicinal and chemical properties of Ayurvedic medicines, the plants that produce them and the currently known organic compounds that occur therein. It provides therapeutic attributes of each plant as well as indicates its potential for use as modern herbal or molecular drug. It combines the works of Ayurvedic folk medicine with modern pharmacology, botany, and chemistry in a singularly effective way. It also provides a useful standardization of classical Ayurvedic formulations. Consisting of numerous photographs of medicinal plants, this handbook will serve as an excellent reference work for chemists, botanists, pharmacists, and medical professionals.
Witness the rebirth of India in an unforgettable love story of Pearly Ruby Princessa, spun around the fascinating background of the Coronation of King Edward V11 in 1902, his spectacular State Durbar and the reign of maharajas, nawabs, and aristocrats in the Indian princely states. Baby Pearly was born towards the turn of 19th century. She arrived precisely after the stroke of midnight under the full moon. The time of her birth was as ominous for her English born mother and aunt residing in India as it was for the British Empire. The birth of Pearly symbolized many things to many people, British and Indian, but most importantly it symbolized change a beginning and an end. For her native Indian parents, her birth marked the much hoped for new beginning of Swatantra, the self-rule for the land of India. For her British counterpart, it marked the final chapter the end of the British raj. It is a tale of two nations entering an era of new beginnings, coinciding with the story of Princessa. The story is woven with powerful imagery and amazing riddles. It is a tale of mystery, intrigue and obsession exploring the magical connection between the physical and the metaphysical; matter and spirit; good and evil; demon and divine and ultimately, the undeniably compelling connection between the power of forgiveness and the gift of deliverance- the deliverance from the cycle of life and death, leading to the state of NIRVANA...the ultimate peace.
The book on Value Education, based on all the religions of the world, is an anthology. During Dr. Promilla Kapur s. Travels, she was approached by many eminent scholars to compile a book based on the teachings of all the religions of the world. It was a Herqulion task but the efforts were worth the trouble. In the month of January 2001 she started approaching the eminent. Scholars and religious heads to write chapters of the book. The most eminent scholars in Hinduism, Jainism, Aryaa Samaj, Islam, Christianity, Zorastrisism, Sikhism Bhai s faith and so on were contacted. Almost hundred reminders to each were sent. At one stage it gave the feelings that it was an impossible task, but the tenacity of Dr. Promilla Kapur kept her on the track. By January of 2004 the chapters started arriving. All the religious leaders and eminent scholars gave the word of wisdom on all the religions of the world. It was heartening to read that not a single chapter writer differed form the positive image of each religion. The preaching was almost identical. Love, affection, caring and sharing. Forgiveness, tolerance and compassion for the entire human beings were the common theme revealed in all the papers. The book is the need of the hour and will earn its proper place in the human society all over the world.
Nature has often provided valuable molecules either as lead compounds or for use in the fight against pests. Though a number of conference proceedings deal with the control of insects using natural products, there is no comprehensive account of what materials have been studied and what results have been obtained. Examining the material scattered across various disciplines, this book meets a recognized need by consolidating this information in one volume. The first section of the book covers chemistry and biological activity of major classes of naturally occurring pesticides, including the development of more potent insecticides based on natural lead-in structures. The second section consists of monographs on each compound by product.
This Handbook, pinpoints salient features of known information about Terpenoids in a readily accessible and readable format. Terpenoids have singularly enriched organic chemistry by its variety of structural types, by its wealth ofunexpected reactions, rearrangements and spectral features, and by offering exciting targets for synthesis. Much imaginative experimental work has been invested in exploring their natural pathways. Recent years have revealed an increasingly important biological and ecological role for several of its members.
The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.
A compilation of all the known information on terpenoids specifically triterpenoids, is presented in these volumes. The most important available information on a particular compound is discussed, such as its isolation/occurence, available spectral data, and leading references on structural determination. Additionally, triterpenoids synthesis, biosynthesis, proven pharmacological properties, and any known applications are explained. A comprehensive general introduction has been included which surveys the development of triterpenoid chemistry from the beginning to the present. Extremely helpful is the selected list of references to books and reviews dealing with various aspects of triterpenoid chemistry.
Ragamala Paintings Have A Special Significance In The World Of Art, Which Has Not So Far Been Fully Realised. They Not Only Display Their Own Technique And Art Of Colour And Line But Also Express, Interpret And Exhibit The Soul/Spirit And Beauty Of Another Art, The Art Of Music, The Art Of Svara-Laya And Cultivated/Cultured Voice. Music Was Considered To Be Of Divine Origin And Was Supposed To Possess The Property Of Evoking An Ecstatic State Of Mind Or Mood, Called Rasa-Anubhuti, In The Musician As Well As The Listerner. This Conception Of Rasa Is The Basis Of All Art In India. The Sadhakas (Practitioners) Devised Some Formulas In Order To Capture And Comprehend The Divine Quality Of Music And To Evoke Rasa Or Brahmananda. These Were Formulated In The Form Of Prayers In Which The Conceptual Form, Dhyana-Murti, Of The Raga Was Described. Thus The Ragas Were Personified Or Deified. This Fact Provided A Rich And Expressive Theme To Indian Painters And It Has Considerably Enriched The Art Treasure Of India. Whether The Dhyana-Theory Of Ragas Is Scientific Or Otherwise It Certainly Furnished A Rich Source Of Theme For The Indian Artists Who Painted Some Of The Most Charming And Inspiring Pictures Representing The Ragas (Melodies). The Two Ragamala Mss Discovered In A Manuscripts Collection At Jammu Are A Part Of The Extensive Art Treasure Created All Over India During The Period From 16Th To 19Th Centuries. The Jammu Ragamala Paintings Were Done Expressly With The Usual Object Of Depicting Their Dhyana-Murtis Or Icons In Order To Create The Relevant Rasa Situation In Those Looking At Them.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.