A free ebook version of this title is available through Luminos, University of California Press’s new open access publishing program for monographs. Visit www.luminosoa.org to learn more. Hindu devotional traditions have long been recognized for their sacred geographies as well as the sensuous aspects of their devotees' experiences. Largely overlooked, however, are the subtle links between these religious expressions. Based on intensive fieldwork conducted among worshippers in Bengal’s Navadvip-Mayapur sacred complex, this book discusses the diverse and contrasting ways in which Bengal-Vaishnava devotees experience sacred geography and divinity. Sukanya Sarbadhikary documents an extensive range of practices, which draw on the interactions of mind, body, and viscera. She shows how perspectives on religion, embodiment, affect, and space are enriched when sacred spatialities of internal and external forms are studied at once.
Hindu devotional traditions have long been recognized for their sacred geographies as well as the sensuous aspects of their devotees' experiences. Largely overlooked, however, are the subtle links between these religious expressions. Based on intensive fieldwork conducted among worshippers in Bengal's Navadvip-Mayapur sacred complex, this book discusses the diverse and contrasting ways in which Bengal-Vaishnava devotees experience sacred geography and divinity. Sukanya Sarbadhikary documents an extensive range of practices, which draw on the interactions of mind, body, and viscera. She shows how perspectives on religion, embodiment, affect, and space are enriched when sacred spatialities of internal and external forms are studied at once. This work was published by Saint Philip Street Press pursuant to a Creative Commons license permitting commercial use. All rights not granted by the work's license are retained by the author or authors.
The anthropology of Hinduism has amply established that Hindus have strong involvement with sacred geography. The Hindu sacred topography is dotted with innumerable pilgrimage places, and popular Hinduism is abundant with spatial imaginings. Thus Shiva and his partner, the mother goddess, live in the Himalayas, goddesses descend on earth as beautiful rivers, the goddess Kali's body parts are imagined to have fallen in various sites of Hindu geography sanctifying them as sacred centres, and yogis meditate in forests. Bengal similarly has a thriving culture of exalting sacred centres and pilgrimage places, one of the most important among them being the Navadvip-Mayapur sacred complex, Bengal's greatest site of guru-centred Vaishnavite pilgrimage and devotional life. The main question my book seeks to answer is what sites and senses of place beyond physical geographical ones can do to our notions of space/place, affect, and sanctity. While the contemporary anthropology of place and embodiment, following Edward Casey's philosophy (1993), is dominated by the idea of body-in-place, my book seeks to extend his formulations by also analysing cultural constructions and experiences of place in the body, mind etc. Traveling through both exterior and interior landscapes, I show that the practitioner inhabits Krishna's world through every daily religious practice. The synaesthesia that results from the overlap of these different planes of experience confirms the intensely transformative power of Vaishnava ritual processes"--Provided by publisher.
This book examines the performance of Bauls, ‘folk’ performers from Bengal, in the context of a rapidly globalizing Indian economy and against the backdrop of extreme nationalistic discourses. Recognizing their scope beyond the musical and cultural realm, Sukanya Chakrabarti engages in discussing the subversive and transformational potency of Bauls and their performances. In-Between Worlds argues that the Bauls through their musical, spiritual, and cultural performances offer ‘joy’ and ‘spirituality,’ thus making space for what Dr. Ambedkar in his famous 1942 speech had identified as ‘reclamation of human personality’. Chakrabarti destabilizes the category of ‘folk’ as a fixed classification or an origin point, and fractures homogeneous historical representations of the Baul as a ‘folk’ performer and a wandering mendicant exposing the complex heterogeneity that characterizes this group. Establishing ‘folk-ness’ as a performance category, and ‘folk festivals’ as sites of performing ‘folk-ness,’ contributing to a heritage industry that thrives on imagined and recreated nostalgia, Chakrabarti examines different sites that produce varied performative identities of Bauls, probing the limits of such categories while simultaneously advocating for polyvocality and multifocality. While this project has grounded itself firmly in performance studies, it has borrowed extensively from fields of postcolonial studies and subaltern histories, literature, ethnography and ethnomusicology, and cosmopolitan studies.
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