My wife, I want to eat your tofu ..." "Eat your sister!"" I was reborn into the body of a poor country girl, Su Jinsi said, and it's all not a big deal, I have one spoon in my hand even in the world, I'll be a cook, I'll be the king of kitchens, and I'll gain the reputation of a deity eater. But, that handsome man, why does he always have one spoon in his mouth?
After all the plots, who would accompany her to see all the mountains and rivers? "Empress? Save it! " What sister? They were all poisonous snakes! He could only look on helplessly as his parents' heads fell to the ground! Phoenix Nirvana, she returned with hatred. Do you think you're the eldest miss? Kneel! Do you think you're a prince or something? I'm sorry, but I don't want it! Hey, what are you doing? What he had missed out on in his previous life, in this life, he would never be able to escape. Those whom he hated from his previous life would never leave it. After all the plots, who would accompany her to see all the mountains and rivers?
This book examines China and Australia’s economic and security relations against the background of China’s increasing economic and political role. Utilizing the theory of complex interdependence, the authors consider whether greater interdependence between Beijing and Canberra augments closer economic cooperation and trade or prompts political leverage and a security challenge. Exploring China-Australia relations from the mainstream Chinese perspective this book will be of interest to scholars and students of international relations, Chinese studies, global political economy, governmental and intergovernmental organizations.
The descendents of the Heavenly Dynasty brought the mysterious spirit pearl across the world, accepted beauties. fought geniuses, and traveled all the way to the cultivation world ...
A History of China's Financial Thought presents the history and evolution of China's financial thought across its dynasties to the 20th century. Being the first work to cover both the ancient and modern ages, even going as far back as the Pre-Qin period, this comprehensive book fills in research gaps and provides the most thorough research into the history of China's financial thought, advancing the study of financial and economic history. It delves into a myriad of topics, such as monetary theory and banking systems, and collects diverse perspectives from thinkers across the different eras.This translation presents the history of China's financial thought in a pioneering and unique way, offering an instructive reading experience. It is an essential reference for students and scholars interested in China's finance, history and culture.
What kinds of human individuals, events, things and commodities can best represent China? How have those representative symbols evolved in Chinese history? How have they been highlighted, disseminated and accepted? In this book, a full range of symbols and seemingly discrete social phenomena, hidden in diverse fields of Chinese society, are given lucid explanations based on the interdisciplinary theories of semiotics and communication. It studies the evolution of classic Chinese symbols through history and investigates the root causes for the communication of negative Chinese images in modern times. Besides, this book explicates the pattern of interaction between groups communication and mass communication in the Chinese society by exploring the different paths of transmutation and communication for the symbol of the "APEC Blue." How the image of China is constructed via non-government symbols is also addressed. By pointing out that classic semiotics has been reduced to an embarrassing dilemma of "a severe lack of historical sense," this book seeks to make Western semiotic findings bear closely on Chinese social reality and accomplish an updated contribution to this academic discipline. This book will appeal to scholars and students of semiotics and communication. Readers who are interested in modern Chinese society will also benefit from it.
Nan Jun" Jiang Haonan and "Commander of the North" Hong Beifei were the most dazzling constellations in the martial arts world. They shone brightly like the sun and moon in the sky. Duo Xiong's confrontation between the North and the South became the main theme of this flourishing Jianghu. As a daughter of the Wangchuan City, the Overlord Flower, Qin Yue-er, had fled her marriage and fled to Zhenjiang in order to become a victim of the war between the Venerable families. The men of the four noble families poured into Zhenjiang, stirring up the martial arts world. Close]
“The most revealing book ever published on Mao, perhaps on any dictator in history.”—Professor Andrew J. Nathan, Columbia University From 1954 until Mao Zedong's death twenty-two years later, Dr. Li Zhisui was the Chinese ruler's personal physician, which put him in daily—and increasingly intimate—contact with Mao and his inner circle. in The Private Life of Chairman Mao, Dr. Li vividly reconstructs his extraordinary experience at the center of Mao's decadent imperial court. Dr. Li clarifies numerous long-standing puzzles, such as the true nature of Mao's feelings toward the United States and the Soviet Union. He describes Mao's deliberate rudeness toward Khrushchev and reveals the actual catalyst of Nixon's historic visit. Here are also surprising details of Mao's personal depravity (we see him dependent on barbiturates and refusing to wash, dress, or brush his teeth) and the sexual politics of his court. To millions of Chinese, Mao was more god than man, but for Dr. Li, he was all too human. Dr. Li's intimate account of this lecherous, paranoid tyrant, callously indifferent to the suffering of his people, will forever alter our view of Chairman Mao and of China under his rule. Praise for The Private Life of Chairman Mao “From now one no one will be able to pretend to understand Chairman Mao's place in history without reference to this revealing account.”—Professor Lucian Pye, Massachusetts Institute of Technology “Dr. Li does for Mao what the physician Lord Moran's memoir did for Winston Churchill—turns him into a human being. Here is Mao unveiled: eccentric, demanding, suspicious, unregretful, lascivious, and unfailingly fascinating. Our view of Mao will never be the same again.”—Ross Terrill, author of China in Our Time “An extraordinarily intimate portrait of Mao. [Dr. Li] portrays [Mao's imperial court] as a place of boundless decadence, licentiousness, selfishness, relentless toadying and cutthroat political intrigue.”—Richard Bernstein, The New York Times “One of the most provocative books on Mao to appear since the publication of Edgar Snow's Red Star Over China.”—Paul G. Pickowicz, The Wall Street Journal
Hong Kong's story in the Second World War has been predominantly told as a story of the British forces and their defeat on Christmas Day 1941. But there is another story: the Chinese guerrilla forces who harassed the Japanese throughout the occupation played a crucial part in the escapes from Hong Kong's prisoner of war camps and in rescuing Allied airmen. This neglected part of Hong Kong's war is Chan Sui-jeung’s topic in this pioneering book informed by his many contacts with participants in the guerrilla warfare. The guerrilla group usually described as the East River Column gathered momentum in 1937 after China and Japan embarked on full-fledged war. Chan reports on its precursors and the formation of more formal structures that provided the basis for the guerrilla activities in Hong Kong between 1941 and 1945. Just as the guerrilla's story starts before the Second World War, so it goes on after 1945 and is entwined with the civil war and the establishment of the People's Republic of China. An important and valuable part of this book recounts how the leaders of the East River Column fared in the period up to and after the Communist victory. The book also sheds new light on the struggle between the Guangdong party members and the cadres from the north and "the problem of Guangdong" as it was characterized by Mao Zedong. This book thus finally gives due prominence to the role of the Chinese guerrillas in Hong Kong during the war, while at the same time setting that struggle into the broader contexts of Guangdong province, the long war between China and Japan, and the victory of the Communists and the early years of their rule in the South.
Nan Jun" Jiang Haonan and "Commander of the North" Hong Beifei were the most dazzling constellations in the martial arts world. They shone brightly like the sun and moon in the sky. Duo Xiong's confrontation between the North and the South became the main theme of this flourishing Jianghu. As a daughter of the Wangchuan City, the Overlord Flower, Qin Yue-er, had fled her marriage and fled to Zhenjiang in order to become a victim of the war between the Venerable families. The men of the four noble families poured into Zhenjiang, stirring up the martial arts world. Close]
Nan Jun" Jiang Haonan and "Commander of the North" Hong Beifei were the most dazzling constellations in the martial arts world. They shone brightly like the sun and moon in the sky. Duo Xiong's confrontation between the North and the South became the main theme of this flourishing Jianghu. As a daughter of the Wangchuan City, the Overlord Flower, Qin Yue-er, had fled her marriage and fled to Zhenjiang in order to become a victim of the war between the Venerable families. The men of the four noble families poured into Zhenjiang, stirring up the martial arts world. Close]
Nan Jun" Jiang Haonan and "Commander of the North" Hong Beifei were the most dazzling constellations in the martial arts world. They shone brightly like the sun and moon in the sky. Duo Xiong's confrontation between the North and the South became the main theme of this flourishing Jianghu. As a daughter of the Wangchuan City, the Overlord Flower, Qin Yue-er, had fled her marriage and fled to Zhenjiang in order to become a victim of the war between the Venerable families. The men of the four noble families poured into Zhenjiang, stirring up the martial arts world. Close]
In one of the two great powers of the Milky Way, the Yale Empire, there was a well-known and mysterious rumor that in some unknown place, there was a heaven like dream-like garden hidden. It is said that there is no seasonal change there, the four seasons are like spring. It is said that it is full of all kinds of flowers and clusters of flowers. It was said that the place was filled with a natural atmosphere, making people yearn for it. "Dreamscape", this was simply the lowest level of description an outsider could give. It was like a dream or illusion, a world where no one knew where it came from. It was so fascinating ...
In Kunqu: A Classical Opera of Twenty-First-Century China, Joseph S. C. Lam offers a holistic and interdisciplinary view on kunqu, a 600-year-old genre of Chinese opera that is being fashionably performed inside and outside of China. He explains how and why the genre charms and signifies Chinese culture, history, and personhood. As the first comprehensive and scholarly book on kunqu written in English, the book not only discusses the genre in cultural and historical terms but also analyzes its shows as performative, cultural, social, and political communications. It approaches the genre from several perspectives, ranging from those of performers and producers to those of casual audience, dedicated connoisseurs, and scholarly critics. Lam also employs a judicious blend of Chinese and international theories and methods. Through this comprehensive study of kunqu, Lam has established the significance of the genre not only in the sphere of Chinese music, but also among the cultural heritage and performing arts at a global level. “This work would be of terrific interest to amateur kunqu performers and to kunqu supporters. It will also be an essential reference work for scholars conducting research not only on kunqu, but on all forms of Chinese opera, particularly as they are being performed contemporarily.” —Nancy Guy, UC San Diego; author of Peking Opera and Politics in Taiwan “It is the first book-length work devoted to studying kunqu opera from historical and ethnomusicological perspectives. At the same time, the study engages various sociocultural theories and methods of humanities studies. It will be a significant addition to the scholarships of ethnomusicology, Chinese cultural history, Chinese drama, and theater/performance studies.” —Yung Sai-shing, National University of Singapore
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.