By the close of the eighteenth century, the theatrical memoir had become a popular and established genre. This ten-volume facsimile collection presents the lives of some of the most celebrated actresses of their day. These memoirs also provide insights into contemporary constructions of gender, sexuality and fame.
Sue Merrell, long-time theater reviewer for The Grand Rapids Press in Michigan has written a "memoir on the joys (and headaches) of covering theater and some of its most well-known performers"--P. [4] of cover.
Directing the Decades is an examination of the development of theatre in the UK since the revolution of the 1950s until the present day, viewed through the individual progress of a female director from a working-class background. In this book, theatre history and lessons on directing are interwoven: the history is presented decade by decade, examining particular productions. Each historical theatre chapter is followed by a method chapter examining directorial influences and techniques predominant in each decade, as well as examining the working experience of the author in that decade. The book also includes practical advice on the directing process, including exercises, plans for rehearsals, and camera plans. Sue Dunderdale offers a unique perspective on the evolution of theatre directing in the UK, and her work, which served as the foundation of the creation of the Theatre Lab and Directing program at RADA, continues to influence working directors today. Directing the Decades will be of interest to students and practitioners of theatre directing, acting, and theatre history, and to theatregoers with a consciousness of class and how it impacts on our lives. The book also offers access to online transcripts of interviews with 16 practitioners, including Rufus Norris, Michelle Terry, Kwame Kwei-Armah, Indhu Rubasingham, Nadia Latif, and Nadia Fall.
Novelty knitters will love this collection of mini Christmas projects to knit ready for the festive season. Susan Stratford has designed twenty different projects, with alternatives in different colour schemes. There are mini Christmas stockings, a holly wreath, reindeer, a snowman, a robin, an egg cosy, a star, a Christmas pudding, gingerbread hearts, a mini Christmas sweater and much more. Full knitting instructions are given, and each project is simply photographed so that knitters have a clear look at the design, and also shown in a sumptuous styled photograph, showing the beautiful possibilities of the finished pieces. There are plenty of ideas for ways of displaying the projects. The mini knits will appeal to those looking for ways to finish up ends of yarn.
Insight Study Guides are written by experts and cover a range of popular literature, plays and films. Designed to provide insight and an overview about each text for students and teachers, these guides endeavor to develop knowledge and understanding rather than just provide answers and summaries.
Contains 150 ideas for drama. This book features advice on setting up a group, defining and negotiating aims and objectives, and how to ensure a successful session. It includes activities which encourage memory, interaction, concentration, feedback, and other skills. It also includes games and closures. It helps everyone to run drama sessions.
The book is a reference guide to James Michener and his work. A general section about Michener relating to his origins in Bucks County is followed by synopses of Michener's books. The focus is on information that does not appear elsewhere and a bit of a tour of Doylestown. Meet a Michener you may not have met before.
From paranormal manifestations at the Bristol Old Vic to the ghostly activity of a grey monk who is said to haunt Bristol's twelfth-century cathedral, this spine-tingling collection of supernatural tales is sure to appeal to anyone interested in Bristol's haunted heritage.
With its mix of family drama, sex and violence, Britain's Tudor dynasty (1485-1603) has long excited the interest of filmmakers and moviegoers. Since the birth of movie-making technology, the lives and times of kings Henry VII, Henry VIII, and Edward VI and queens Mary I, Jane Grey and Elizabeth I have remained popular cinematic themes. From 1895's The Execution of Mary Stuart to 2011's Anonymous, this comprehensive filmography chronicles every known movie about the Tudor era, including feature films; made-for-television films, mini-series, and series; documentaries; animated films; and shorts. From royal biographies to period pieces to modern movies with flashbacks or time travel, this work reveals how these films both convey the attitudes of Tudor times and reflect the era in which they were made.
This title considers a wide range of 20th and 21st century literary works that feature literary deceptions and false memories and in which the relationship between text and author is not what it seems. By exploring a variety of examples of false or embellished memoirs, purportedly autobiographical novels that are in fact thoroughly fictional, as well as bogus authorial personae, it discusses whether it is possible to judge veracity by means of textual clues alone. It also argues that literary deceptions and false memoirs have particular cultural value and significance.
Fascinating ... to be eagerly devoured’ Clarissa Dickson-Wright Most people today, if they have heard of her, associate Constance Spry with the cookery book bearing her name. But Connie was much, much more than the author of a bestselling cookery book. She was deeply unconventional, extremely charming and very determined; Spry’s life took her from the back streets of Victorian Derby to running a hugely successful business as the florist of choice for the highest of high society, organizing the flowers for royal weddings and indeed for the Queen's coronation. She endured a violent first marriage, had a lesbian affair with a cross-dressing artist and was a pioneer for working women at a time when few women had careers. Sue Shephard tells her extraordinary story with insight, wit and flair. 'Riveting.’ Jane Fearnley-Whittingstall ‘Makes you fall utterly in love with its subject’ New York Times Magazine ‘Reveals with the greatest skill and sympathy an extraordinary person - complicated, driven, sometimes secretive but gifted and artistic to an nth degree. What a story.' Elizabeth Buchan
This book triggers laughing out loud, turning to spinal shivers as the gripping drama of Alma and Will's stories unfolds. A fascinating and emotional true-life story packaged in a fun filled holiday diary with detective elements. Discover how an uneasy truce between a mother and son is threatened when a visiting friend accidentally unlocks secrets that have poisoned their lives. Discover too how the visitor, Sue, draws on her own life experiences to help troubled friends come to terms with their harrowing past, on a paradoxically hilarious yet traumatic joint holiday. Wefound much to admire in HomeStretch Juliet Pickering, AP Watt & Co. Literary Agents, London Lively and well written Henry Dunow, Dunow, Carlson & Lerner Literary Agency, New York very competent and compelling Lee Brown, Assistant Editor, Tindal Street Press, Birmingham
Feminist Theatre Then & Now – Celebrating 50 Years of women theatre makers in the UK and Ireland and their battle to make their voices heard, have their work produced professionally, and promote social justice. Here, the pioneers and leading lights of the newly energised feminist theatre movement continue to fight for an equitable, diverse and inclusive theatre which speaks for all. In 30+ essays, covering three generations, the interviews and essays in this book give important insight into the lived experience of women working in theatre and what it takes to rise in an industry where race, gender, class and parenthood can be serious obstacles to success. Interviews and essays by playwrights, directors, producers and actors including: Asian Women’s Theatre in Britain by Rukhsana Ahmad Derby Theatre by Sarah Brigham Interview with Moira Buffini Intersectional Feminism at Work by Kelly Burke The Personal was very Political by Clair Chapwell Behind The Lines by Alison Child How Feminism has Influenced my Playwriting by April de Angelis Interview with Suzanne Gorman Clean Break by Anna Herrmann Interview with Hannah Khalil The Women in Theatre Lab by Polly Kemp and Jennifer Tuckett Persistence, Expression and Evolution by Peta Lily Interview with Roberta Livingston Ecofeminism by Bibi Lucille The Third World of Irish Women by Jaki McCarrick Monstrous Regiment by Mary McCusker Open Clasp Theatre by Catrina McHugh Interview with Suzie Miller Interview with Ann Mitchell Interview with Rebecca Mordan Interview with Amy Ng Untold Stories by Maeve O’Neill Girls’ Night Out by Rachel O’Regan Interview with Kaite O’Reilly Sphinx by Sue Parrish and Susan McGoun Interview with Julia Pascal Out of the Attic – WTW by Cheryl Robson and Anna Birch Scylla’s Bite by Rebekah Smith and Abbie Lowe Interview with Dame Rosemary Squire Women in their own Words by Lucy Stevens Stella Quines & After by Gerda Stevenson Differences Matter by SuAndi Theatre from a Lesbian Perspective by Clare Summerskill Interview with Imy Wyatt Corner Index Reviews “On the 50th anniversary of the first Women’s Theatre festival and the explosion of work by women that has built in quantity, wealth and diversity since then this is an important new book celebrating and giving voice to many of the key contributors to that rich history and exciting present. “ – Susan Croft, Director – Unfinished Histories “Fascinating histories and perspectives from a selection of feminist theatre practitioners fighting to achieve equality over half a century of patriarchy.” – Lisa Goldman, Writer & Director “A necessary read for drama students and anyone interested in our cultural history. Highly recommended.” – Beatie Edney, Actor & Director “The interview and essay structure of the book makes its near 300 pages easily digestible and the editor has quite carefully avoided a chronological structure. The intermingled ‘then’ and ‘now’ approach works remarkably well, a continual reminder of how past, present and future are feeding into one another all the time. While the book is strong on the impacts of earlier feminist theatremakers, the very similar or partially evolved restrictions that today’s women are still facing are given equivalent weight. It becomes a meaningful arrangement in which a wide range of voices are heard without singling out or forgetting eras or areas of the industry, making room for everything from clowning to lesbian theatre, exploring how all forms of feminist theatre from West End platforms to grassroots activism always blends the political and the personal onstage and off.” – Maryam Philpott, The Reviews Hub
For four centuries, New England has been a cradle of crime and murder—from the Salem witch trials to the modern-day mafia. Nineteenth century New England was the hunting ground of five female serial killers: Jane Toppan, Lydia Sherman, Nellie Webb, Harriet E. Nason, and Sarah Jane Robinson. Female killers are often portrayed as caricatures: Black Widows, Angels of Death, or Femme Fatales. But the real stories of these women are much more complex. In Pretty Evil New England, true crime author Sue Coletta tells the story of these five women, from broken childhoods, to first brushes with death, and she examines the overwhelming urges that propelled these women to take the lives of a combined total of more than one-hundred innocent victims. The murders, investigations, trials, and ultimate verdicts will stun and surprise readers as they live vicariously through the killers and the would-be victims that lived to tell their stories.
Covering all aspects of living with diabetes, this fully revised book gives details of recent advances in equipment, drugs and new forms of insulin. It also contains new sections on memory loss, exercising, skin conditions and intercurrent illnesses.
This edition is for Issue 5 of the Pearson Edexcel A-level Geography specification, for last examination in Summer 2025. Cramming all new-case studies, new geographic data and reams of new questions, this new edition Pearson Edexcel A-level Geography student book will capture imaginations as it travels around the globe. This new book will help your students develop the geographical skills and knowledge they need to succeed. It has been written by our expert author team and structured to provide support for learners of all abilities. The book includes: · Activities and regular review questions to reinforce geographical knowledge and build up core geographical skills · Clear explanations to help students to grapple with tricky geographical concepts and grasp links between topics · Case studies from around the world to vividly demonstrate geographical theory in action · Exciting fieldwork projects that meet the fieldwork and investigation requirements This student book is supported by digital resources on our new digital platform Boost, providing a seamless online and offline teaching experience.
A highly illustrated step-by-step guide to designing and making contemporary tableware in clay, featuring inspirational pieces by leading designers. 'This book is a go to book for the art of creating tableware... The level of experience between the pages of this book from Sue and Linda is unquestionably invaluable to the reader.' Keith Brymer Jones, Master Potter and judge on The Great Pottery Throw Down The tableware we use is very important in our everyday lives, whether plates, bowls, mugs, cups or teapots. This stylishly illustrated guide helps budding and established ceramicists alike to create practical and attractive ranges, starting with design principles, working through appropriate construction techniques, and leading on to decoration and finishes. Leading designers Sue Pryke and Linda Bloomfield explain the importance of inspiration and consistency in design, providing step-by-step guides to the main making methods, which include hand building, pinching, coiling, throwing and slipcasting. They also offer advice on using various clay materials – such as recycled and reused clay bodies – and the combination of clay with other materials including wood, metal, textiles and synthetics. Tips are provided on glaze fit, dishwasher- and microwave-safe glazes, firing and finishing. Featuring beautiful photographs of the work of such prominent tableware makers as Sasha Wardell, James and Tilla Waters, Reiko Kaneko and Nico Conti, there are many sources of inspiration for those wishing to further their tableware ambitions.
This book shows how to establish good practice in early years settings so that all children can develop positive interactions with one another, explains the features of an 'emotionally literate' environment and provides lots of practical ideas.
Biography of three artists closely associated with the Pre-Raphaelites whose letters give a vivid insight into the dramas of their personal life. Joanna, George and Henry tells the story of the intertwined lives of three young artists in the 1850s. When the transcript of the material on which this group portrait is based came to light ten years ago, no one could haveimagined the drama within. They were family letters: letters from a young woman to her brother and later to her suitor - of interest chiefly because all three were painters, and all were active participants in the youthful Pre-Raphaelite revolution that swept England in the 1850s. They turned out to be a revelation - giving not only a comprehensive picture of what it was like to be an artist in the mid-19th century, but containing within them a powerful family drama and a most unusual love story. It is a love story, moreover, told largely from a woman's point of view. Joanna Boyce's dedication to her art was absolute: she studied in Paris under Thomas Couture and had her first painting exhibited at the Academy when she was only 24. She was headstrong, self-critical, opinionated and teasing - "an artist with her pen as well as her brush". She died tragically young. Between them, Joanna, her brother George and suitor Henry Wells knew all the artistic luminaries of the day, among them Ruskin, Millais and Rossetti (with whom George shared a great deal, including mistresses). They wrote to each other not just about art, butabout their friends, their favourite books, their travels, their illnesses, their passions and their quarrels. In this book, they tell their story in their own vivid words - a story which portrays the age in which they lived andthe powerful drama of their emotional and professional lives. Sue Bradbury taught in Spain for three years before joining The Folio Society in 1973. She became Editorial Director in 1984, a post she held for twenty-fiveyears. Her own publications include translations of Three Tragedies by Federico Garcia Lorca, a novel, Midnight Madonna, set in the Spanish Civil War, and a four-volume history of the world in contemporary accounts - Eyewitness to History - with Robert Fox. She was awarded the OBE in 2010.
Matt is a humble farm hand who leaves home against his parents' wishes to better his lot in life. He and Sarah meet and fall in love after he saves the life of Tom, a ploughman working on Wellern's Farm where she lives. When Sarah is almost raped by her guardian Jack Wellern, his long-suffering wife takes her far away, telling no-one where they have gone for fear he might find them. In the years to come, Matt and Sarah's lives take a completely different course and they both rise in business and society encountering loss, heartache, tragedy and deception along the way. But despite everything they never forget each other until, almost 25 years later, fate throws them together again in a most unexpected way.
It has been much disputed to what extent thinkers in Greek and Roman antiquity adhered to ideas of evolution and progress in human affairs. Did they lack any conception of process in time, or did they anticipate Darwinian and Lamarckian hypotheses? The Origins of Civilization in Greek and Roman Thought, first published in1986, comprehensively examines this issue. Beginning with creation myths – Mother Earth and Pandora, the anti-progressive ideas of the Golden Age, and the cyclical theories of Orphism – Professor Blundell goes on to explore the origins of scientific speculation among the Pre-Socratics, its development into the teleological science of Aristotle, and the advent of the progressivist views of the Stoics. Attention is also given to the ‘primitivist’ debate, involving ideas about the noble savage and reflections of such speculation in poetry, and finally the relationship between nature and culture in ancient thought is investigated.
A fully updated second edition of Sue Cowley's practical guide which provides a range of effective strategies for developing children's writing in the classroom. Written with her usual practicality, humour and optimism, Sue Cowley guides colleagues through all the stages of teaching writing - from motivating students to want to write through to helping them shape, structure and correct their work. This new edition contains two new chapters: one which will be of particular interest to primary teachers and the other concentrating on ways of developing writing right across the curriculum.
Tracing the impact of the 'memory wars' on science and culture, Relational Remembering offers a vigorous philosophical challenge to the contemporary skepticism about memory that is their legacy. Campbell's work provides a close conceptual analysis of the strategies used to challenge women's memories, particularly those meant to provoke a general social alarm about suggestibility. Sue Campbell argues that we cannot come to an adequate understanding of the nature and value of memory through a distorted view of rememberers. The harmful stereotypes of women's passivity and instability that have repopulated discussions of abuse have led many theorists to regard the social dimensions of remembering only negatively, as a threat or contaminant to memory integrity. Such models of memory cannot help us grasp the nature of harms linked to oppression, as these models imply that changed group understandings of the past are incompatible with the integrity of personal memory. Campbell uses the false memory debates to defend a feminist reconceptualization of personal memory as relational, social, and subject to politics. Memory is analyzed as a complex of cognitive abilities and social/narrative activities where one's success or failure as a rememberer is both affected by one's social location and has profound ramifications for one's cultural status as a moral agent.
“Not go??” cried Chloe. “Not go to the Earthquake Ball?? What about all those poor, homeless earthquake victims? Think of the music! The fights! The jealousy! The broken hearts.” It’s clear: Zoe and Chloe must go to the ball. But there’s one problem—who’s going to take them? All the guys they know are so immature they’re practically fetuses. It’s time for some fresh prospects, and what better way to find them than a want ad: “Strong, fit young man wanted for exciting weekend venture.” Now that should produce results. Readers will find the antics of Zoe and Chloe deliciously captivating.
There was a lot that we kept from my mother. My dad would say to me as a teenager "Don't tell your mother." We couldn't face the disapproval.' Sue Johnston always seemed to be disappointing her mother. As a girl she never stayed clean and tidy like her cousins. As she grew older, she spent all her piano lesson money on drinks for her mates down the pub, and when she discovered The Cavern she was never at home. The final straw was when Sue left her steady job at a St Helen's factory to try her hand at that unsteadiest of jobs: acting. Yet when Sue was bringing up her own child alone, her mother was always there to help. And playing her much-loved characters Sheila Grant in Waking the Dead and Barbara in The Royle Family- although her mum wouldn't say she was proud as such, she certainly seemed to approve. And in her mother's final months, it was Sue she needed by her side. The relationship with your mother is perhaps the most precious and fraught of any woman's life. When she began writing, Sue set out to record 'all the big things, and all the small things. Everything I wanted to tell my mother but felt I never could'. The result is a warm, poignant and often very funny memoir by one of Britain's favourite actresses.
“I was the only woman.” These words appear again and again in the stories of women planners working in Canada from the 1940s to the 1970s. Despite their small numbers, women were active in the Community Planning Association of Canada and the Town Planning Institute of Canada (later called the Canadian Institute of Planners) during those years. This book tells their stories, expanding our understanding of what constitutes “planning” and who counts as “planners.” It challenges us to re-evaluate not only the profession’s past, but also its role in creating a more inclusive and equitable future.
Before Fulton County, there was DeKalb County; before Atlanta, there was Decatur. It is a community rich in history and the "mother county" of the city of Atlanta. A tiny town called Terminus was established in 1846 and from this early settlement in DeKalb County, the South's most thriving city, its cosmopolitan center, was born. DeKalb County in Vintage Postcards depicts the tranquil days before the boom of Atlanta, revealing a landscape unfamiliar to present-day residents of the area. Postcard scenes of the famed Stone Mountain, Camp Gordon, and the historic neighborhood of Druid Hills are featured within these pages, along with a variety of churches and educational institutions.
Providing an overview of rural (spatial) planning for students on planning, geography and related programmes, this book charts the major patterns and processes of rural change affecting the British countryside, its landscape, its communities and its economies in the twentieth century. The authors examine the role of ‘planning’ in shaping rural spaces, not only the statutory ‘comprehensive’ planning that emerged in the post-war period, but also planning and rural programme delivery undertaken by central, regional and local policy agencies. The book is designed to accompany a typical teaching programme in rural planning and considers: the nature of rural areas and the emergence of statutory planning in England the agents of rural policy delivery and the potential for current planning practice to become a ‘policy hub’ at the local level, co-ordinating the actions and programmes of different agents economic change in the countryside and the influence planning has in shaping rural economies social change, the nature of rural communities and recent debates on housing and rural service provision environmental change, the changing fortunes of farming, landscape protection, and the idea of a multi-functional landscape made by forces that can be shaped by the planning process key areas of current concern in spatial rural planning, including debates surrounding city-regions, the rural the challenge of managing rural change in the twenty-first century through new planning and governance processes. A comprehensive coverage of the forces, processes and outcomes of rural change whilst keeping planning’s influence and role in clear view at all times.
Intended for students of A-Level geography, this book on recreation and tourism offers a wide range of case studies and an integated approach to all aspect of geographical study. Students are helped to progress from GCSE and Standard Grade as they work through the questions that appear at regular intervals in the book and the enquiry activities at the end of each chapter. One of a series of books, this title also provides exam support.
A grieving woman finds solace in the rugged beauty of Ireland’s Atlantic coast in this “elegiac tale of loss and valediction” (Guardian, UK). Newly widowed, Martha Cassidy has returned to a remote cottage in a nearly abandoned village on the west coast of Ireland. There, she reflects on another loss in her life: that of her ten-year-old son, Bruno, who met an untimely death twenty years earlier. Alone on the windswept headland, Martha searches for a way forward beyond grief. But she finds herself drawn into a standoff between the successful hotel developer Eugene Riordan and an elderly local hill farmer Paddy O’Connell. As the crisis between these men escalates and Paddy suspiciously ends up in the hospital, Martha encounters Colm, a talented but much younger musician and poet—roughly the same age that Bruno would have been if he’d lived. Caught between her history and future, and that of a rapidly changing Ireland, Martha is beset with choices that will alter her life forever. In in richly poetic language, Rainsongs conjures the remote Irish coastline as well as the inner landscapes of its characters. It moves effortlessly between the lives of people and the life of the terrain, between the forces that shape character and those that shape the world.
The final chapter in the beloved chronicles of an angsty Brit begun in The Secret Diary of Adrian Mole Aged 13¾ is “a tour de force by a comic genius” (Daily Mail). Am I turning into one of those middle-aged men who think the country has gone to the dogs and that there has been no decent music since Abba? Hard to believe! Adrian Mole is pushing forty, a beleaguered bookseller looking back through the wistful eyes of an unrecognized intellectual and, admittedly, pretty much of an Everyman. But he’s also looking forward, despite a few things: His five-year-old daughter is showing alarming Stalinist traits; his son is fighting the Taliban and he’s worried sick; his unfaithful wife is keeping a diary of her own and it’s all rather heartbreaking; frequent urination has made him fear trouble “down there;” and his mother is penning a misery memoir that is one gross slog of a lie (born an aristocrat in a Norfolk potato field, indeed!). Then one day he receives a phone call out of the blue from the great and only love his life: Pandora Braithwaite. “Do you think of me?” she asks. Only ever since he was 13¾ . . . Adrian Mole’s epic and hilarious chronicle of angst over a quarter century has sold more than twenty million copies worldwide, and been adapted for television and staged as a musical—truly “a phenomenon” (The Washington Post). This final volume is “like rediscovering an old school friend on Facebook” (Time Out), and “if [it] isn’t the best book published this year, I’ll eat my bookshelf” (Daily Mail).
Internationally focused textbook to support Cambridge International AS and A Level Travel and Tourism, for first examination in 2017. Endorsed by Cambridge International Examinations, this second edition of Cambridge International AS and A Level Travel and Tourism has been fully updated for the Cambridge Syllabus (9395) for examination from 2017. Written by experienced authors in an engaging and accessible style, this Coursebook contains a wealth of internationally focussed case studies and links to the key concepts throughout. This book offers comprehensive coverage with an international perspective and in-depth analysis of topics.
It's never fun when a great summer comes to an end. Particularly when one argues with one’s adorable, but grossly insensitive, boyfriend the night before school starts. It’s such a terrible fight, Jess doesn’t know—are they broken up? Should she apologize? Too bad Jess is spending all her time in detention and can’t talk to Fred to figure it out. A sadistic new English teacher has decided Jess needs an attitude adjustment, and Jess can’t seem to stop making terrible mistakes. When she ends up pantless in her own backyard, Jess is left to ask herself: Where did she go wrong? And what can be done to make it up to Fred and salvage this horrible, horrible year? From the Hardcover edition.
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