This title examines the remarkable life of Steven Spielberg. Readers will learn about his family background, childhood, and education, as well as his career as a movie producer and his famous works. Color photos, detailed maps, and informative sidebars accompany easy-to-read, compelling text. Features include a timeline, facts, additional resources, web sites, a glossary, a bibliography, and an index. Essential Lives is a series in Essential Library, an imprint of ABDO Publishing Company. Grades 6-9.
Wally Worsley's autobiography describes one man's extensive experience with the Hollywood studio system, beginning on the bottom rung at M-G-M in the 1930s, at the time of The Wizard of OZ, and culminating in the 1980s with E.T. His career bridged a half-century and provides a comprehensive overview of the development of Hollywood studio production. His autobiography has been assembled from his voluminous business diaries, a project first begun by Worsley himself, then completed by his widow following his death. The book presents a fascinating picture of Hollywood at work, from the Old Golden Age to the new one, with excursions to the film worlds of postwar Singapore and Europe.
This title examines the remarkable life of Steven Spielberg. Readers will learn about his family background, childhood, and education, as well as his career as a movie producer and his famous works. Color photos, detailed maps, and informative sidebars accompany easy-to-read, compelling text. Features include a timeline, facts, additional resources, web sites, a glossary, a bibliography, and an index. Essential Lives is a series in Essential Library, an imprint of ABDO Publishing Company. Grades 6-9.
The gardens of Britain's National Trust are world-renowned for their beauty and diversity, forming one of the world's most important collection of plants. Here, ten of the Trust's head gardeners offer professional advice to container gardeners, including "recipes" for hanging baskets, hints on planting containers and taking cuttings, and advice on how to make the most of the natural microclimates in a garden.
This is a critical survey of a broad range of fictional representations of the Holocaust over the last twenty years. It brings a new slant to the key debates and issues relevant to those looking at representation and the Holocaust.
These engaging biographies cover athletes, writers, and other famous figures. Students will enjoy reading about Steven Spielberg, Babe Ruth, Jackie Joyner-Kersee, Vincent van Gogh, and more. The controlled vocabulary averages two readability levels below content to ensure understanding and promote confidence. Each biography includes follow-up questions to reinforce key comprehension skills and an answer key for easy assessment.
Compact Preliminary for Schools is a focused, 50 - 60 hour course for Cambridge English: Preliminary for Schools, also known as Preliminary English Test (PET). The Workbook provides further practice of language and vocabulary introduced in the Student's Book with an eight-page section focusing specifically on vocabulary. The accompanying Audio CD contains extra listening material for practice at home including exam-style tasks.
Wally Worsley's autobiography describes one man's extensive experience with the Hollywood studio system, beginning on the bottom rung at M-G-M in the 1930s, at the time of The Wizard of OZ, and culminating in the 1980s with E.T. His career bridged a half-century and provides a comprehensive overview of the development of Hollywood studio production. His autobiography has been assembled from his voluminous business diaries, a project first begun by Worsley himself, then completed by his widow following his death. The book presents a fascinating picture of Hollywood at work, from the Old Golden Age to the new one, with excursions to the film worlds of postwar Singapore and Europe.
Responsible for some of the greatest films of the 20th century—The Grapes of Wrath, How Green Was My Valley, and The Quiet Man among others—John Ford was best known for motion pictures that defined the American West and the face of wartime military. A Hollywood celebrity, Ford lived his life against the background that Twentieth Century-Fox fashioned for him. As he did, the facts of his life merged with—and became inseparable from—his multifaceted legend, fostered by Hollywood’s studio culture and his own imagination. In The Westerns and War Films of John Ford Sue Mathesonoffers an engaging look at one of America’s greatest directors and the two genres of films that solidified his reputation. Drawing on previously unreleased material, this volume explores the man, the filmmaker, the veteran, and the legend—and the ways in which all of those roles shaped Ford’s view of America, national character, and his creative output. Among the films discussed here in depth are Ford’s early productions, such as The Iron Horse and Drums along the Mohawk, his military films, such as Submarine Patrol, The Battle of Midway, and They Were Expendable, and his Westerns, including Fort Apache, She Wore a Yellow Ribbon, The Searchers, and Cheyenne Autumn. Ford imbued many of his creations with a point of view that represented his ideals, and the films discussed here illustrate their director’s distinct vision of American life on the frontier and in service of the country. That vision—Ford’s idealization of the American Character—would, in turn, shape the worldview of several generations. The Westerns and War Films of John Ford will appeal to critics and scholars, but also to any fan of this iconic filmmaker’s work.
The high-interest, low-vocabulary stories in this book feature diversified subject matter, including: current personalities, popular sports figures and events, ghosts, monsters, and mysteries, visual and performing arts, disasters, excerpts from legends and mythology, and amazing facts and wonders in science and nature. The stories are written with a controlled vocabulary averaging two readability levels below the content. A male-female, ethnic, and geographic balance has been maintained in the selections. Follow-up questions reinforce key comprehension skills. These include: recognition of main idea, significant details, word meaning in context, inference, and drawing conclusions. Thoughtful discussions and on-going projects can be generated from many of the stories. Where space permits, a follow-through activity has been included to lead to self-motivated reading or to valuable discussion, also allowing the teacher opportunity to award extra credit.
As we approach the end of the 'era of the witness', given the passing on of the generation of Holocaust survivors, Claude Lanzmann's archive of 220 hours of footage excluded from his ground-breaking documentary Shoah (1985) offers a remarkable opportunity to encounter previously unseen interviews with survivors and other witnesses, recorded in the late 1970s. Although the archive is all available freely to view online and includes extra footage of those who appear in Shoah, this book focuses on the interviews from which no extracts appear in the finished film or in any subsequent release. The material analysed features interviews with such significant figures as the former partisan Abba Kovner, wartime activist Hansi Brand, Kovno Ghetto leader Leib Garfunkel, rescuer Tadeusz Pankiewicz and members of Roosevelt's War Refugee Board, and focuses throughout on the efforts at rescue and resistance by those within and outside occupied Europe. Sue Vice contends that watching and analysing this wholly excluded footage gives us new insights into the making of Shoah through what was left out. Moreover, she reveals that the near-impossibility of rescue and often suicidal implications of resistance emerge through these excluded interviews as inextricable from the process of genocide. She concludes by arguing that the outtakes show the potential for new filmic forms envisaged on Lanzmann's part in order to represent the crucial topics of attempted Holocaust rescue and resistance.
“In 1980 I had a discussion with Elie Wiesel. He told me that it was my obligation to tell the world about the Holocaust. . .that I had survived to tell the world what had happened. I remembered that my mother had once told me the same thing.” -Eliezer Ayalon For ten-year-old Lazorek Hershenfis in Radom, Poland, life with his family is joyful. Lazorek’s father, Israel (known as “Srul”) operates a leather-cutting business, and the family spends idyllic summers harvesting fruit from orchards in the nearby countryside. His brothers Mayer and Abush work as tailors to supplement the family’s income and Lazorek’s sister Chaya is a kindergarten teacher and a playmate especially cherished. A deeply respected healer in the community, Lazorek’s beautiful mother Rivka shows him the meaning of caring unselfishly for others. But what is given does not always appear to be returned in kind, as Lazorek discovers on his journey into the ghetto and the concentration camps. Lazorek survives and journeys to Palestine, taking the name Eliezer Ayalon. A new life begins.. . but can memories be forgotten? With “A Cup of Honey,” Neile Sue Friedman and Eliezer Ayalon impart the richness and endurance of the family love that inspires the Holocaust survivor to perpetuate the lives of those he lost by telling their story.
The Russian critic and theorist Mikhail Bakhtin is once again in favor, his influence spreading across many discourses including literature, film, cultural and gender studies. This book provides the most comprehensive introduction to Bakhtin’s central concepts and terms. Sue Vice illustrates what is meant by such ideas as carnival, the grotesque body, dialogism and heteroglossia. These concepts are then placed in a contemporary context by drawing out the implications of Bakhtin’s writings, for current issues such as feminism and sexuality. Vice’s examples are always practically based on specific texts such as the film Thelma and Louise, Helen Zahavi’s Dirty Weekend and James Kelman's How late it was, how late.
The high-interest, low-vocabulary stories in this book feature diversified subject matter, including: current personalities, popular sports figures and events, ghosts, monsters, and mysteries, visual and performing arts, disasters, excerpts from legends and mythology, and amazing facts and wonders in science and nature. The stories are written with a controlled vocabulary averaging two readability levels below the content. A male-female, ethnic, and geographic balance has been maintained in the selections. Follow-up questions reinforce key comprehension skills. These include: recognition of main idea, significant details, word meaning in context, inference, and drawing conclusions. Thoughtful discussions and on-going projects can be generated from many of the stories. Where space permits, a follow-through activity has been included to lead to self-motivated reading or to valuable discussion, also allowing the teacher opportunity to award extra credit.
Essential Portuguese Grammar will help you get more out of your study of Portuguese. Essential Portuguese Grammar is an up-to-date introduction to Portuguese grammar. You don't need to know a lot about grammar before you start. Everything is explained simply and there are lots of examples to illustrate each point. Unlike more traditional grammars, Essential Portuguese Grammar is structured so that you can look up language forms according to what you want to say, even if you don't know the grammatical term for them. If you already know some grammar, then you can use the 'reference grammar' section at the back of the book to look up the points you need. The course consists of 46 units illustrating the various uses to which the language can be put, for example, giving instructions or talking about the recent past. The more traditional reference grammar deals with grammatical structures, such as the imperative or the perfect tense. All grammatical terms are explained in the glossary at the back of the book. Each unit contains exercises for you to practise what you have learnt and there is a key at the back of the book for you to check your answers. The new page design in this edition means that the book is even easier to use and the main headings are in English so that you can find your way around the book quickly. This edition contains a 'taking it further' section which will direct you to further sources of real Portuguese. Essential Portuguese Grammar will help you to understand and manipulate Portuguese grammar with confidence because: - you need no prior knowledge of grammatical terminology to use it; - the approach is accessible and supportive; - the examples are clear and in context; - exercises help you practise every point. Now in a brand new edition with new, easy-to-follow page design:
Daniel Radcliffe went from shy schoolboy to the world's most famous boy wizard overnight. Aged just ten when he won the iconic role of Harry Potter, Daniel often had to beat his own demons as he met the challenge of combining childhood with being a child star.No one could have envisaged just how huge the Harry Potter movie franchise would be - or how dramatically life-changing it would be for the little boy teachers once wrote off as having no prospects. Daniel won the part out of a staggering 16,000 boys who auditioned. Now it is hard to believe that anyone but he could have ever played the role. Daniel became a film legend before he was out of his teens.But there was much he wanted to prove. In a bid to detach himself from being simply the boy with a wand, Daniel had to make his own magic and bravely took on projects which were often controversial and challenging - but never dull. His courage at diversifying has won him a new army of fans. Daniel's career choices have seen him dancing and singing his way into people's hearts as well as impressing them with his dramatic roles.Now established as one of our leading young actors with a fame that is literally worth a fortune Daniel has managed to conquer the turbulent times as a teenager when his drinking could so easily have meant the end of it all. Today, Daniel is the Half-Blood Prince who has become a full-blooded actor and is looking forward to a future of fulfilled dreams and ambition.
Claude Lanzmann's epic 1985 film 'Shoah' tells the story of the Holocaust through interviews with survivors of the extermination camps, bystanders who watched or participated in mass murder, and some of the perpetrators of genocide. Sue Vice addresses Lanzmann's central role in the film and the issue of representing the unrepresentable.
From Clifford Irving and his Howard Hughes hoax to the great imposter Frank “Catch Me if You Can” Abagnale—a fascinating history of the art of the con. They’re shrewd, cunning, devious—and charmingly trustworthy. While the criminal exploits of these tricksters, frauds, and swindlers can’t be condoned, it’s near-impossible not to be awed by their audacity and ingenuity. Take Victor Lustig, the “Bouncing Czech” who sold the Eiffel Tower—twice; John Stonehouse, a philandering politician who faked his own death to escape his sins; the impotence cure of the bizarre Dr. John Brinkley who transplanted goat testicles on gullible men; embarrassingly successful Goldman Sachs embezzler Joyti De-Laurey; or Robert Hendy-Freegard, a car salesman and serial seducer who convinced scores of women he was an MI5 agent. Here, too, are the exploits of a “friend of the stars” who infiltrated a royal castle; a fake Scots “laird” who operated from the heart of Scotland Yard; evangelists who fell from grace; and other pilferers, parasites, artful dodgers, charming bastards, femme fatales, big fat liars, and grand masters of dishonorable mention.
Film-induced tourism has the potential to revitalise flagging regional/rural communities and increase tourism to urban centres, however it carries with it its own unique problems. This publication explores such elements, delving into the disciplines of sociology and psychology, along with the fields of destination marketing, community development and strategic planning.
Comprehensive and clear explanations of key grammar patterns and structures are reinforced and contextualized through authentic materials. You will not only learn how to construct grammar correctly, but when and where to use it so you sound natural and appropriate. Portuguese Grammar You Really Need to Know will help you gain the intuition you need to become a confident communicator in your new language.
Over the past few decades feminist media scholarship has flourished, to become a major influence on the fields of media, film and cultural studies. At the same time, the cultural shift towards 'post-feminism' has raised questions about the continuing validity of feminism as a defining term for this work. This book explores the changing and often ambivalent relationship between the three terms women, feminism and media in the light of these recent debates. At the same time it places them within the broader discussions within feminist theory - about subjectivity, identity, culture, and narrative - of which they have formed a crucial part.The book is organised around four key topic areas. 'Fixing into Images' offers a rethinking of one of the first preoccupations of feminist media analysis: the relationship between women and images. 'Narrating Femininity' explores the narratives of femininity produced in media texts in the light of theories of narrative and identity. 'Real Women' examines both the continuing absence of women's voices from the genres of news and documentary, and their over-presence within popular 'reality' media forms. Finally, 'Technologies of Difference' examines the relationship between feminism, women and new media technologies. Throughout, the book explores key issues within feminist media studies both through specific examples and via critical engagement with the work of major theoretical writers. Features*A completely up-to-date study of the key areas of issue and debate in feminist media studies.*Includes case studies and discussion of the work of key writers in the field.*Contains readings of specific texts, ranging from news and advertising to reality TV and 'postfeminist' TV drama.
We can’t help but want to be like her: Exuding unmatched poise and style, she continues to fascinate people of all ages. But how would Jackie have handled the twenty-first-century? What would she think about a society that celebrates outsized egos, instant everything, and casual rules of conduct? How might she dress for the office, scan for a man, accessorize a home—and get away from it all when necessary? With intriguing research, commentary from today’s experts, and fond reminiscences from those who knew and admired the first lady of perfection, journalists Shelly Branch and Sue Callaway now offer a sparkling answer to the question, What Would Jackie Do? Applying Jackie’s philosophies to every aspect of contemporary life, including relationships, office politics, family matters, and entertaining, What Would Jackie Do? is a trove of advice, featuring: • Noblesse Oblige for Beginners • How Not to be an Interchangeable Woman • Mastering the Effortless Rich look • The art of attachment: lessons on sex, marriage, and men of consequence • Career Whirl: Pearls for Getting Ahead • Caftan in a Kelly bag: How to travel beautifully • O- Behave! Anti-brat strategies for parents * En Suite Home: Perfecting Your Domestic Pitch The next best thing to having Jackie O. as a personal adviser, What Would Jackie Do? reveals the practical wisdom behind an icon and gives all readers a piece of the Jackie mystique, be it of the heart, the mind, or the home.
This book offers an analysis and summery of the use and limitations of child attachment theory as the basis for decision-making and planning in contemporary child welfare practice. This book explores controversies related to increasing diagnoses of ‘attachment disorder’ in child welfare assessments and arguments both for and against the use of attachment specific therapies for children in care. The author calls for a new pedagogy of relational child welfare and considers the relevance of attachment theory to transnational and migrant families, refugees fleeing conflict, adoptive and surrogate children in diverse families and the increased number of families that are in poverty after the global financial crisis.
This impressive new book from Sue-Ellen Case looks at how science has been performed throughout history, tracing a line from nineteenth century alchemy to the twenty-first century virtual avatar. In this bold and wide-ranging book that is written using a crossbreed of styles, we encounter a glance of Edison in his laboratory, enter the soundscape of John Cage and raid tombs with Lara Croft. Case looks at the intersection of science and performance, the academic treatment of classical plays and internet-like bytes on contemporary issues and experiments where the array of performances include: electronic music Sun Ra, the jazz musician the recursive play of tape from Samuel Beckett to Pauline Oliveros Performing Science and the Virtual reviews how well these performances borrow from spiritualist notions of transcendence, as well as the social codes of race, gender and economic exchange. This book will appeal to academics and graduates studying theatre and performance studies, cultural studies and philosophy.
In the fall of 1992, in a small room in Boston, MA, an extraordinary meeting took place. For the first time, the sons and daughters of Holocaust victims met face-to-face with the children of Nazis for a fascinating research project to discuss the intersections of their pasts and the painful legacies that history has imposed on them. Taking that remarkable gathering as its starting point, Justice Matters illustrates how the psychology of hatred and ethnic resentments is passed from generation to generation. Psychologist Mona Weissmark, herself the child of Holocaust survivors, argues that justice is profoundly shaped by emotional responses. In her in-depth study of the legacy encountered by these children, Weissmark found, not surprisingly, that in the face of unjust treatment, the natural response is resentment and deep anger-and, in most cases, an overwhelming need for revenge. Weissmark argues that, while legal systems offer a structured means for redressing injustice, they have rarely addressed the emotional pain, which, left unresolved, is then passed along to the next generation-leading to entrenched ethnic tension and group conflict. In the grim litany of twentieth-century genocides, few events cut a broader and more lasting swath through humanity than the Holocaust. How then would the offspring of Nazis and survivors react to the idea of reestablishing a relationship? Could they talk to each other without open hostility? Could they even attempt to imagine the experiences and outlook of the other? Would they be willing to abandon their self-definition as aggrieved victims as a means of moving forward? Central to the perspectives of each group, Weissmark found, were stories, searing anecdotes passed from parent to grandchild, from aunt to nephew, which personalized with singular intensity the experience. She describes how these stories or "legacies" transmit moral values, beliefs and emotions and thus freeze the past into place. For instance, cdxfmerged that most children of Nazis reported their parents told them stories about the war whereas children of survivors reported their parents told them stories about the Holocaust. The daughter of a survivor said: "I didn't even know there was a war until I was a teenager. I didn't even know fifty million people were killed during the war I thought just six million Jews were killed." While the daughter of a Nazi officer recalled: "I didn't know about the concentration-camps until I was in my teens. First I heard about the [Nazi] party. Then I heard stories about the war, about bombs falling or about not having food." At a time when the political arena is saturated with talk of justice tribunals, reparations, and revenge management, Justice Matters provides valuable insights into the aftermath of ethnic and religious conflicts around the world, from Rwanda to the Balkans, from Northern Ireland to the Middle East. The stories recounted here, and the lessons they offer, have universal applications for any divided society determined not to let the ghosts of the past determine the future.
Why Love Matters explains why loving relationships are essential to brain development in the early years, and how these early interactions can have lasting consequences for future emotional and physical health. This second edition follows on from the success of the first, updating the scientific research, covering recent findings in genetics and the mind/body connection, and including a new chapter highlighting our growing understanding of the part also played by pregnancy in shaping a baby’s future emotional and physical well-being. The author focuses in particular on the wide-ranging effects of early stress on a baby or toddler’s developing nervous system. When things go wrong with relationships in early life, the dependent child has to adapt; what we now know is that his or her brain adapts too. The brain’s emotion and immune systems are particularly affected by early stress and can become less effective. This makes the child more vulnerable to a range of later difficulties such as depression, anti-social behaviour, addictions or anorexia, as well as physical illness.
Sue Grand offers a phenomenology of terror - through a look at war, genocide, terrorism, torture, and familial abuse - and queries the conditions through which an individual or group retains its humanity through acts of rescue, resistance and memorial activity.
Speaker and author Sue Augustine awakens the innermost passions and aspirations of women with powerful strategies and practical keys that will take anyone from where they are to where they want to go. After surviving a severe illness, Sue sold products door–to–door with a vision of becoming an international speaker and author. She knows first–hand what it takes to turn a dream into a success story. With insight and encouragement, Sue shares 101 inspirational secrets to help women: embrace their unique God-given abilities overcome doubts, fears, and insecurities develop a long-term vision and see it come to pass Packed with ideas, advice, and guidance, this resource will inspire and help anyone, anywhere—from the home front to churches to corporate boardrooms. Rerelease of Turn Your Dreams Into Realities.
Hello World' is the story of a life online. Part travelogue, part memoir, Sue Thomas draws on her online travels as well as her physical journeys in the USA, Australia, Spain and England. While the book is non-fiction, it is a direct descendent of 'Correspondence', Thomas’ extraordinary novel that also deals with the synergies between digital and physical worlds. Like its fictional counterpart, Hello World will trigger feelings in readers of recognition and will stimulate debate on the nature of the physical in a wired world for years to come. First published in 2004. 'This is a book about a love affair. It's also a meditation on a phenomenon that has changed not just our lives but our perceptions of ourselves.' The Independent. '...an essential tour guide to the poetics of time, space and gender in the Information Age. This book is quite simply a Baedeker to the cyber-realm.' Carolyn Guertin. '...engagingly and warmly written, 'Hello World' combines first-person meditations with a wealth of information. Highly recommended for first-time users and those who want to try dipping their toes into the cyberwaters.' N. Katherine Hayles. '...embracing digital media for its freedom and life beyond the physical page, her writings fuse the surfaces, textures, histories and interactions of our bodies and minds.' Robin Rimbaud / Scanner. 'Sue Thomas is one of the most innovation thinkers, promoters and facilitators on the web.' Stelarc. '...anyone who feels both seduced and appalled by the complexities of embedded technology will empathise with this account of the personal highs and lows of an intimate relationship with technology.' Jenny Wolmark. 'Speaking with ease and authority, earned through years of immersive investigation, Sue Thomas critiques virtuality in a manner which makes this book accessible to those who are new to the networked world, as well as a must-read for those already there.' Melinda Rackham. 'Hello World is fascinating, almost hypnotic. Thomas travels all over the physical world, and all over the virtual world, visiting sights and sites of intrinsic and historical interest. She describes what she sees, tells us how the experience affects her, and recounts how past travelers have marked these conceptual landscapes. Thomas invokes Thoreau throughout the book, and the comparison is apt: As Thoreau's observations of the activity around Walden Pond always told us as much about him as they did about the nature he studied, so, too, Thomas's observations reveal much about herself. The intensity of her love for cyberspace is manifest in her attentiveness to the detail of each virtual experience.' Tekka. 'Thomas offers a way of being in the world that refuses hierarchies and primacies and offers us a model of an engaged and creative practice that is both virtual and real.' RealTime. 'As a mix it's intense and entrancing, and it demonstrates the ease with which computers, electronic communications, and lives all intertwine beyond the home.' Alan Sondheim. Originally published in paperback by Raw Nerve Books. Web Supplement http://travelsinvirtuality.typepad.com/helloworld/
The gardens of Britain's National Trust are world-renowned for their beauty and diversity, forming one of the world's most important collection of plants. Here, ten of the Trust's head gardeners offer professional advice to container gardeners, including "recipes" for hanging baskets, hints on planting containers and taking cuttings, and advice on how to make the most of the natural microclimates in a garden.
Kid News editor Sue Robinson reveals retail secrets and insider shopping tips on how to find designer clothes, toys, furniture and more at bargain prices. This indispensable guide, with more than 250 listings of national sources of designer merchandise for children, is the book every family needs.
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