This is a part of my life story which I hold dear and cherish. In a small country town, all the fun I had growing up along the banks of the Ole Rolling Fork.
Truth is a powerful marketing tool—and really the only way to promote a message and brand effectively. Truth in advertising has long been something to ignore, or at least downplay. The role of advertising has been to position and manipulate brands to convince consumers that they're imbued with qualities they don't necessarily possess, or presume to tell them which ones matter. It worked when the brand's voice was the only voice, but with the rise of social media that era is over. Marketers have focused their messages on entertainment, creating funny or engaging campaigns that win awards but don't always sell products. Consumers determine what's true, and smart companies have realized that every communications medium can and will be used to contribute to those conclusions. In Tell the Truth, Jonathan Baskin and Sue Unerman look at the content and context of marketing communications. They provide the research of hundreds of companies and in-depth case studies on more than 50 global brands to show us that truthful brands deliver sales, profits, and sustainable relationships. Truth truly yields true competitive advantage.
Sue Thornham's study explores issues in feminist filmmaking through an examination of a wide range of films by women filmmakers, ranging from the avant-garde to mainstream Hollywood, and from the 1970s to the present day, discussing directors including Sally Potter, Jane Campion, Julie Dash, Patricia Rozema and Lynne Ramsay.
Johnnie Sue Bridges incredible life story began with the release of her first book, the highly acclaimed Shadows And Scars, a beautiful story that captures the essence of living in the mountains of Middlesboro, Kentucky, with vivid imagery, comical moments and raw emotion. In one cold blue night, she writes of an already painful world turning into nothing short of a nightmare. Bitter coldness and survival starts the reader on a journey that portrays a young mothers fight against poverty, loneliness, and alcoholism, concluding in the riot-torn and racially divided city of Detroit. Shadows And Scars reveals a birds-eye view of the child that struggled to maintain stability in her hauntingly unstable world. Readers will gain the knowledge of endurance within themselves, despite adversity. Book # 2 Motown Girl Sister Golden Hair chronicles her roller coaster ride through the early 70s growing up in the inner city of Detroits Westside. Hitting the teen years during the underground time of extreme change, uprisings, experimenting with everything under the sun, came at a very high pricerobbery of her self worth and most importantly, the stolen innocence of the ones she dearly loved. Highly educated in cultured urban habit, she was forevermore restless and ran incessantly. And by the grace of God, she eventually changed and escaped. However, some of those she held closest to her heart paid the piper with their lives. In her own words, No one told us that stuff would kill ya. Book # 3 of the series Run BabyGirl Run Just Published! The year was 1973. A fourteen-year-old girl hitchhiked across the country to the Pacific Coast, then back to the Atlantic Ocean. Her mother died when she was only eleven years old and never knowing a father, there had to be a way of validating her very existence and to discover why she was on this planet. The answers were all around her; however, she would not be able to recognize them until years later. Meeting with many life-threatening situations, its a thousand wonders she is still alive to tell her story. Run BabyGirl Run is written with gutwrenching honesty and allows the reader to see into the very depths of this beautiful young girls soul. Editor: Jackie Hurst www.johnniesuebridges.com
The year was 1973. A fourteen-year-old girl hitchhiked across the country to the Pacific Coast, then back to the Atlantic Ocean. Her mother died when she was only eleven years old and never knowing a father, there had to be a way of validating her very existence and to discover why she was on this planet. The answers were all around her; however, she would not be able to recognize them until years later. Meeting with many life-threatening situations, it’s a thousand wonders she is still alive to tell her story. Run Baby Girl Run is written with gut-wrenching honesty and allows the reader to see into the very depths of this beautiful young girl’s soul. Editor: Jackie Hurst www.johnniesuebridges.com Johnnie Sue Bridges incredible life story began with the release of her first book, the highly acclaimed Shadows and Scars, a beautiful story that captures the essence of living in the mountains of Middlesboro, Kentucky, with vivid imagery, comical moments, and raw emotion. In one cold blue night, she writes of an already painful world turning into nothing short of a nightmare. Bitter coldness and survival starts the reader on a journey that portrays a young mother’s fight against poverty, loneliness, and alcoholism, concluding in the riot-torn and racially divided city of Detroit. Shadows and Scars reveals a birds-eye view of the child that struggled to maintain stability in her hauntingly unstable world. Readers will gain the knowledge of endurance within themselves, despite adversity. Book # 2 Motown Girl Sister Golden Hair chronicles her roller coaster ride through the early 70s growing up in the inner city of Detroit’s Westside. Hitting the teen years during the underground time of extreme change, uprisings, experimenting with everything under the sun, came at a very high price—robbery of her self worth and, most importantly, the stolen innocence of the ones she dearly loved. Highly educated in a cultured urban habit, she was forevermore restless and ran incessantly. And by the grace of God, she eventually changed and escaped. However, some of those she held closest to her heart paid the piper with their lives. In her own words, “No one told us that stuff would kill ya.”
She's a bad girl but a great bartender - Ruby Ann's big sister Donna has spent most of her life mixing drinks at the Blue Whale Strip Club. Here she lets readers in on the little professional secrets that have made her the highly skilled drinker she is today. Filled with characteristic Boxcar humour, this edition comes with a foreword by Ruby Ann.
Known for its unique blend of social science and legal research, Crime and Criminology, Fifteenth Edition uses an interdisciplinary approach to bring a sprawling subject into sharp relief. From the history and theory of criminal law to today’s hot-button topics, leading scholar Reid clearly explains to students how criminology affects and relates to criminal justice policies. Key Features: An effective and unique balance of social science and legal research. Media Focus and Global Focus boxes that give context to theories with discussions of current, real-life events. Student-friendly chapter outlines, chapter summaries, key terms, exhibits, study questions, and Internet assignments. Case excerpts and related material organized in a supplement to make the book more flexible for a variety of class structures. New material on: medical marijuana, mental illness, cybercrime, crimes by and against the police, and the impact of gender and race in sentencing decisions.
This book, first published in 1993, examines in detail the bureaucratic and political manoeuvring surrounding the enactment of banking and monetary reforms in the 1930s. Although banking reform influenced the politics of both the Hoover and Roosevelt presidencies, most surveys devote only a few pages to monetary disturbances and the reforms passed as a result.
Jane Austen's career as a novelist began in 1811 with the publication of Sense and Sensibility. Her work was finally adapted for the big screen with the 1940 filming of Pride and Prejudice (very successful at the box office). No other film adaptation of an Austen novel was made for theatrical release until 1995. Amazingly, during 1995 and 1996, six film and television adaptations appeared, first Clueless, then Persuasion, followed by Pride and Prejudice, Sense and Sensibility, the Miramax Emma, and the Meridian/A&E Emma. This book traces the history of film and television adaptations (nearly 30 to date) of Jane Austen manuscripts, compares the adaptations to the manuscripts, compares the way different adaptations treat the novels, and analyzes the adaptations as examples of cinematic art. The first of seven chapters explains why the novels of Jane Austen have become a popular source of film and television adaptations. The following six chapters each cover one of Austen's novels: Sense and Sensibility, Pride and Prejudice, Emma, Mansfield Park, Persuasion, and Northanger Abbey. Each chapter begins with a summary of the main events of the novel. Then a history of the adaptations is presented followed by an analysis of the unique qualities of each adaptation, a comparison of these adaptations to each other and to the novels on which they are based, and a reflection of relevant film and literary criticism as it applies to the adaptations.
The automobile has always symbolized freedom, and in this book we meet the first generation of female motorists who drove cars for fun, profit, and to make a statement about the evolving role of women. From the advent of the auto in the 1890s to the 1920s, when the breaking down of barriers for women was in full swing, readers will examine historical photos, art, and artifacts and to discover the many ways these women influenced fashion, the economy, politics, and the world around them.
Spanning five hundred years of American history, this definitive reference provides an incisive look at the contributions that women have made to the social, cultural, political, economic, and scientific development of the United States. Original.
When Harlee finally made that hard choice, she knew that Grace would stand by her. Through the tears and the crying and the screaming in frustration, Grace always had been there. When a friendship turned into more, Harlee wasn't sure what to do. Should she run the risk of ruining a friendship she's had for 8 years just to try out a relationship? Does she take the chance when it could mean breaking up an 8 year team? A hard decision was an understatement but it was a choice she'd have to make. Zack Walker had been part of Harlee's band for what felt like forever. When he saw her relationship with Jake crumbling around her, all he wanted to do was jump in and save her from it all. After telling her that he'd spent his life waiting for her to be single, Harlee almost laughed him right out of the room. He'd had the typical rock star past full of one night stands and girlfriends who didn't mean much to him, but would she really hold all of that against him? When the right time came, he'd jumped at the chance to be with her, and wasn't about to give it up. When Grace saw Zack and Harlee together, part of her questioned it it was right, the other part questioned what Jake would do when he found out. She had to put her feelings aside when her relationship was rekindled with Kevin, but would she be able to hide Harlee's new love from Jake? She had to hide a lot from Kevin and Jake, but she knew that there was that chance that Harlee was going to lose it all. When you have to make the hardest choice ever, it better be what you want. Living with the hard choices was easy if it was the right choice and the right man.
Zoopolis offers a new agenda for the theory and practice of animal rights. Most animal rights theory focuses on the intrinsic capacities or interests of animals, and the moral status and moral rights that these intrinsic characteristics give rise to. Zoopolis shifts the debate from the realm of moral theory and applied ethics to the realm of political theory, focusing on the relational obligations that arise from the varied ways that animals relate to human societies and institutions. Building on recent developments in the political theory of group-differentiated citizenship, Zoopolis introduces us to the genuine "political animal". It argues that different types of animals stand in different relationships to human political communities. Domesticated animals should be seen as full members of human-animal mixed communities, participating in the cooperative project of shared citizenship. Wilderness animals, by contrast, form their own sovereign communities entitled to protection against colonization, invasion, domination and other threats to self-determination. `Liminal' animals who are wild but live in the midst of human settlement (such as crows or raccoons) should be seen as "denizens", resident of our societies, but not fully included in rights and responsibilities of citizenship. To all of these animals we owe respect for their basic inviolable rights. But we inevitably and appropriately have very different relations with them, with different types of obligations. Humans and animals are inextricably bound in a complex web of relationships, and Zoopolis offers an original and profoundly affirmative vision of how to ground this complex web of relations on principles of justice and compassion.
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