Husband material or heartbreaker? Since her husband’s death in a dangerous police raid, another hero is the last thing Dr Rachel Simmonds wants…until she meets gorgeous local cop Ben Armstrong. He’s the father figure her adorable little boy Riley desperately needs—and the lover she yearns for. Can Rachel’s fragile heart withstand getting close to another man who does danger for a living?
Every autumn, the monarch butterflies east of the Rockies migrate from as far north as Canada to Mexico. Memory is not their guide — no one butterfly makes the round trip — but each year somehow find their way to the same fifty acres of forest on the high slopes of Mexico’s Neovolcanic Mountains, and then make the return trip in the spring. In Four Wings and a Prayer, Sue Halpern sets off on an adventure to delve into the secrets behind this extraordinary phenomenon. She visits scientists and butterfly lovers across the country, offering a keenly observed portrait of the monarchs’ migration and of the people for whom they have become a glorious obsession. Combining science, memoir, and travel writing, Four Wings and a Prayer is an absorbing travelogue and a fascinating meditation on a profound mystery of the natural world.
Casebook of Clinical Neuropsychology features actual clinical neuropsychological cases drawn from leading experts' files. Each chapter represents a different case completed by a different expert. Cases cover the lifespan from child, to adult, to geriatric, and the types of cases will represent a broad spectrum of prototypical cases of well-known and well-documented disorders as well as some rarer disorders. Chapter authors were specifically chosen for their expertise with particular disorders. When a practitioner is going to see a child or an adult with "X" problem, they can turn to the "case" and find up to date critical information to help them understand the issues related to the diagnosis, a brief synopsis of the literature, the patient's symptom presentation, the evaluation including neuropsychological test results and other results from consultants, along with treatments and recommendations. Clinical cases represent a long-established tradition as a teaching vehicle in the clinical sciences, most prominently in medicine and psychology. Case studies provide the student with actual clinical material - data in the form of observations of the patient, examination/test data, relevant history, and related test results - all of which must be integrated into a diagnostic conclusion and ultimately provide the patient with appropriate recommendations. Critical to this educational/heuristic process is the opportunity for the reader to view the thought processes of the clinician that resulted in the conclusions and recommendations offered. With the science of the disorder as the foundation of this process, readers learn how the integration of multiple sources of data furthers critical thinking skills.
This book explores the relationship between tourism and the moving image, from the early era of silent moving pictures through to cinema as mass entertainment. It examines how our active and emotional engagement with moving images provides meaning and connection to a place that can affect our decision-making when we travel. It also analyses how our touristic experiences can inform our film-viewing. A range of genres and themes are studied including the significance of the western, espionage, road and gangster movies, along with further study of film studio theme parks and an introduction to the relationship between gaming and travel. This book will appeal to tourism scholars as well as film studies professionals, and is written in an accessible manner for a general audience.
In 2015, New Madrid County Missouri celebrated its courthouse centennial. To mark the occasion, the classical Greek revival courthouse gained a spruced-up stained glass dome over the rotunda, a resurrected 1821 County Seal, new portraits of founding fathers, festive banners surrounding the building and branching down Main Street, and special events for the citizens. This book recounts tales, old and new, of the courthouse. The reader begins in the frontier world of early judges sitting in unheated or stifling log cabins as they sort out justice and bring the law to a wilderness area. Hear how in the old days, the all-male jurors were sequestered in the attic overnight. A sheriff tells how he reluctantly hung two men convicted of murder. He had to do it; he had asked for the office. One official found himself running for office against his own son. This story made news all around the state. Come inside the distinguished courthouse building today, as county officials talk candidly about their current roles as well as recall a few tall tales.
Just after midnight on 22 April 1916 on the Western Front, a sergeant from the 15th (1st London) Royal Welsh Fusiliers came sliding and stumbling along the dark, mud-filled trench towards the four men, huddled together and soaked-through, in the shallow dugout. He was clutching his postbag in which there were four parcels for one of them, William McCrae, whose twentieth birthday fell on this day. A hand-written account by William, my grandfather, was found in my mother’s papers, long after his death. This book describes a year of his time fighting in the First World War, from December 1915 to December 1916. Two months after his birthday, he was marching towards the Somme, where he was to act as a runner during the key Welsh engagement in the Battle of Mametz Wood. Later, he went on to volunteer and train as a sniper. He continued in this role for over a year, becoming a lance corporal in the 38th Divisional Sniping Company while fighting on the Ypres Salient. His words emphasise the key role snipers played in the collecting of intelligence about the enemy, through close observation and careful reporting. His account stops abruptly in mid-sentence, just at the point where he indicates he is about to reveal more to us about ‘a new, interesting part of the line to be manned by us Snipers’. Piecing together clues from his sketches, maps and photos, and this book paints a picture of Williams’ time during the rest of the war. In 1917 he returned to England to train as a temporary officer in the 18th Officer Cadet Battalion at Prior Park, Bath. He came back to the Western Front as a 2nd Lieutenant in the Duke of Wellington’s (West Riding) Regiment, where he was seconded to the 1/5 Lancashire Fusiliers until the end of the war. During this time, it is likely that his interest and experience as a sniper continued, with evidence that he may have taught at one of the Sniping Schools set up across France.
The winner of four Academy Awards for directing, John Ford is considered by many to be America’s greatest native-born director. Ford helmed some of the most memorable films in American cinema, including The Grapes of Wrath, How Green Was My Valley, and The Quiet Man, as well as such iconic westerns as Stagecoach, My Darling Clementine, She Wore a Yellow Ribbon, The Searchers, and The Man Who Shot Liberty Valance. In The John Ford Encyclopedia, Sue Matheson provides readers with detailed information about the acclaimed director’s films from the silent era to the 1960s. In more than 400 entries, this volume covers not only the films Ford directed and produced but also the studios for which he worked; his preferred shooting sites; his World War II documentaries; and the men and women with whom he collaborated, including actors, screenwriters, technicians, and stuntmen. Eleven newly discovered members of the John Ford Stock Company are also included. Encompassing the entire range of the director’s career—from his start in early cinema to his frequent work with national treasure John Wayne—this is a comprehensive overview of one of the most highly regarded filmmakers in history. The John Ford Encyclopedia will be of interest to professors, students, and the many fans of the director’s work.
This book presents a new examination of Victorian nurses which challenges commonly-held assumptions about their character and motivation. Nineteenth century nursing history has, until now, concentrated almost exclusively on nurse leaders, on the development of nursing as a profession and the politics surrounding registration. This emphasis on big themes, and reliance on the writings of nursing’s upper stratum, has resulted in nursing history being littered with stereotypes. This book is one of the first attempts to understand, in detail, the true nature of Victorian nursing at ground level. Uniquely, the study views nursing through an economic lens, as opposed to the more usual vocational focus. Nursing is placed in the wider context of women’s role in British society, and the changing prospects for female employment in the high Victorian period. Using St George’s Hospital, London as a case study, the book explores the evolution of nurse recruitment, training, conditions of employment and career development in the second half of the nineteenth century. Pioneering prosopographical techniques, which combined archival material with census data to create a database of named nurses, have enabled the generation – for the first time – of biographies of ordinary nurses. Sue Hawkins’ findings belie the picture of nursing as a profession dominated by middle class women. Nursing was a melting pot of social classes, with promotion and opportunity extended to all women on the basis of merit alone. This pioneering work will interest students and researchers in nursing history, the social and cultural history of Victorian England and women’s studies.
A Garden for Esmee is a delightful story about a house spider who knows she is meant to be a garden spider. Follow Esmee and the Spinworthy family as they immigrate from England and eventually settle in a beautiful Victorian house in Kansas with an amazing garden. Follow Esmee as she gains some unlikely allies as she finds a way to become what she knows she is meant to be. This story was inspired when the author lived in a beautiful Victorian house in Kansas with a wonderful garden that had a beautiful garden spider.
Sue Wilkes reveals the shadowy world of Britain's spies, rebels and secret societies from the late 1780s until 1820. Drawing on contemporary literature and official records, Wilkes unmasks the real conspirators and tells the tragic stories of the unwitting victims sent to the gallows. In this 'age of Revolutions', when the French fought for liberty, Britain's upper classes feared revolution was imminent. Thomas Paine's incendiary Rights of Man called men to overthrow governments which did not safeguard their rights. Were Jacobins and Radical reformers in England and Scotland secretly plotting rebellion? Ireland, too, was a seething cauldron of unrest, its impoverished people oppressed by their Protestant masters. Britain's governing elite could not rely on the armed services even Royal Navy crews mutinied over brutal conditions. To keep the nation safe, a 'war chest' of secret service money funded a network of spies to uncover potential rebels amongst the underprivileged masses. It had some famous successes: dashing Colonel Despard, friend of Lord Nelson, was executed for treason. Sometimes in the deadly game of cat-and-mouse between spies and their prey, suspicion fell on the wrong men, like poets Wordsworth and Coleridge. Even peaceful reformers risked arrest for sedition. Political meetings like Manchester's 'Peterloo' were ruthlessly suppressed, and innocent blood spilt. Repression bred resentment and a diabolical plot was born. The stakes were incredibly high: rebels suffered the horrors of a traitor's death when found guilty. Some conspirators' secrets died with them on the scaffold... The spy network had some famous successes, like the discoveries of the Despard plot, the Pentrich Rising and the Cato St conspiracy. It had some notable failures, too. However, sometimes the 'war on terror' descended into high farce, like the 'Spy Nozy' affair, in which poets Wordsworth and Coleridge were shadowed by a special agent.
The only people living along the banks of the LaCreole River before 1842 were Native Americans and a few itinerant French Canadian fur trappers who, according to local lore, bestowed its name. Wagon trains first arrived in 1843 with these pioneers settling along the LeCreole River's banks. The community of Cynthian grew on the north side of the LaCreole River, the area of north Dallas today. The LaCreole River evolved into the Rickreall, and Cynthian was renamed Dallas when it relocated to the south banks of the river. Dallas, the county seat of Polk County, is rich both in its history and its heritage, with many of the old buildings and early homes still in use. Numerous descendants of those original 1843 and 1844 pioneer families continue to call modern Dallas home.
Film-induced tourism has the potential to revitalise flagging regional/rural communities and increase tourism to urban centres, however, it carries with it unique problems. This book explores the downside of the phenomenon.
Jesse Owens was one of the greatest athletes in track-and-field history. Follow his life from running on Alabama roads with his father to winning gold in the 1936 Olympic Games.
Within the context of 'learning age' and the Teacher Training Agency's National Standards, this book explores many of the key issues facing those both aspiring to and already involved in leadership and management, whether at middle or senior levels. It also evaluates issues central to leadership in a variety of professional educational settings.
This book takes a broad perspective and analyses the ways in which the British film industry has dealt with women and their creativity from 1930 to the present. The first part of the book deals comprehensively with different historical periods in British film culture, showing how the 'agency' of production company, director, distribution company or scriptwriter can bring about new patterns of female stereotyping. The second part looks at the input of women workers into the film process. It assesses the work of women in a variety of roles: directors such as Wendy Toye and Sally Potter, producers such as Betty Box, scriptwriters such as Clemence Dane and Muriel Box, costume designers such as Shirley Russell and Jocelyn Rickards, and editors and art directors. This is a polemical book which is written in a lively and often confrontational manner. It uses fresh archival material and takes energetic issue with those explanatory models of film analysis which impose easy answers onto complex material.
In the fall of 1992, in a small room in Boston, MA, an extraordinary meeting took place. For the first time, the sons and daughters of Holocaust victims met face-to-face with the children of Nazis for a fascinating research project to discuss the intersections of their pasts and the painful legacies that history has imposed on them. Taking that remarkable gathering as its starting point, Justice Matters illustrates how the psychology of hatred and ethnic resentments is passed from generation to generation. Psychologist Mona Weissmark, herself the child of Holocaust survivors, argues that justice is profoundly shaped by emotional responses. In her in-depth study of the legacy encountered by these children, Weissmark found, not surprisingly, that in the face of unjust treatment, the natural response is resentment and deep anger-and, in most cases, an overwhelming need for revenge. Weissmark argues that, while legal systems offer a structured means for redressing injustice, they have rarely addressed the emotional pain, which, left unresolved, is then passed along to the next generation-leading to entrenched ethnic tension and group conflict. In the grim litany of twentieth-century genocides, few events cut a broader and more lasting swath through humanity than the Holocaust. How then would the offspring of Nazis and survivors react to the idea of reestablishing a relationship? Could they talk to each other without open hostility? Could they even attempt to imagine the experiences and outlook of the other? Would they be willing to abandon their self-definition as aggrieved victims as a means of moving forward? Central to the perspectives of each group, Weissmark found, were stories, searing anecdotes passed from parent to grandchild, from aunt to nephew, which personalized with singular intensity the experience. She describes how these stories or "legacies" transmit moral values, beliefs and emotions and thus freeze the past into place. For instance, cdxfmerged that most children of Nazis reported their parents told them stories about the war whereas children of survivors reported their parents told them stories about the Holocaust. The daughter of a survivor said: "I didn't even know there was a war until I was a teenager. I didn't even know fifty million people were killed during the war I thought just six million Jews were killed." While the daughter of a Nazi officer recalled: "I didn't know about the concentration-camps until I was in my teens. First I heard about the [Nazi] party. Then I heard stories about the war, about bombs falling or about not having food." At a time when the political arena is saturated with talk of justice tribunals, reparations, and revenge management, Justice Matters provides valuable insights into the aftermath of ethnic and religious conflicts around the world, from Rwanda to the Balkans, from Northern Ireland to the Middle East. The stories recounted here, and the lessons they offer, have universal applications for any divided society determined not to let the ghosts of the past determine the future.
This research-based monograph presents an introduction to the concept of film-induced tourism, building on the work of the seminal first edition. Many new case studies exploring the relationship between film and TV and tourism have been added and existing cases have been updated. The book incorporates studies on film studio theme parks, the impact of film-induced tourism on communities and the effect of film on tourists’ behaviour. It introduces new content including film-induced tourism in non-Western cultures, movie tours and contents tourism. The book is an essential resource for postgraduate students and researchers in the fields of tourism, film and media studies.
A play by one of Britain's best-selling writers Bazaar and Rummage brings together a neurotic do-gooder, a trainee social worker and three agoraphobics who have been persuaded to venture out of their homes to run a jumble sale. "As a study of agoraphobia, Bazaar and Rummage...is written with great verve, style and wit." (Benedict Nightingale); Set in an adult literacy class where the student's fear of ignorance is as much of a handicap as their inability to read, Groping for Words is a "close up of the social scrap-heap, written in a fine vein of comic indignation and giving a voice to people whose lives are mainly spent in queues and waiting rooms." (Irving Wardle, The Times); Womberang shows free spirit Rita Onions bringing joy and anarchy to the grim waiting-room of a gynaecology clinic. "A daydream of mastered fear" (New Society)
There is now compelling evidence that the complexity of higher organisms correlates with the relative amount of non-coding RNA rather than the number of protein-coding genes. Previously dismissed as “junk DNA”, it is the non-coding regions of the genome that are responsible for regulation, facilitating complex temporal and spatial gene expression through the combinatorial effect of numerous mechanisms and interactions working together to fine-tune gene expression. The major regions involved in regulation of a particular gene are the 5’ and 3’ untranslated regions and introns. In addition, pervasive transcription of complex genomes produces a variety of non-coding transcripts that interact with these regions and contribute to regulation. This book discusses recent insights into the regulatory roles of the untranslated gene regions and non-coding RNAs in the control of complex gene expression, as well as the implications of this in terms of organism complexity and evolution.
The history of a school in Great Barton, Suffolk, and of education in the region from early times until the present, and the story of those associated with that school who were either pupils or members of staff.
How Running Saves Lives: The Story of Dickie Longo A Man for Our Times as Told by Sue Oaks By: Dickie Longo & Sue Oaks Beginners Walk/Run Program This program was designed by Dickie Longo, an 83 year old everyday runner who runs a race every weekend. He has been running for 70 years. 2 DAYS - Walk Around Block 2 DAYS - Walk Around 2 Blocks 2 DAYS - Walk Down Block, Slow Run The End, Walk Down Other Side, Run End. 2 DAYS - Run Down Block, Walk End, Run Down Other Side, Walk End. 1 DAY - Run Around Block To Standing Ovation Of Neighbors. 2 DAYS - Run Around 2 Blocks 3 DAYS - Run Around 3 Blocks 3 DAYS - Run Around 4 Blocks - HALF MILE Continue increasing number of blocks until you run a mile. ALL RUNS AT SLOW PACE. At this point when advancing toward 5k distance you can start the run/walk method if you want to. RUN for 5 minutes, then WALK BRISKLY for 1 minute, and contiue this sequence for the 5k distance of 3.1 miles. Goal is to run a slow 5k when you feel comfortable with your progress. See you at the next 5k race. We will run it together.
Sue Spence is a gifted horsewoman, who has made it her life's work to use her horse whispering skills to help humans. All her life, Sue has found solace and companionship with her horses. After a brush with cancer in her late thirties, Sue and her husband opted for a tree change. As a result, she was able to fulfil a long-held dream: to work with horses every day. Her horse training and compassion for others quickly turned into a business, Horses Helping HumansTM - giving people a chance to learn from these intelligent, soulful creatures, including Sunny, the horse with whom Sue has a special bond. Horses Who Heal is the story of one woman's deep love for horses and the powerful life lessons they've taught her along the way. With Sunny always by her side, Sue's equine team are inspiring others on their own journey of healing, helping thousands of people - from juvenile offenders to company CEOs - discover the power of communication, using more than just words.
Drought, flood, harrowing isolation and horrific accidents. . . the Australian outback is no place for a lady. But the women of the Outback are a different breed: tough, resilient and endlessly resourceful. They're both the backbone and the heart of Australia, keeping their farms going, their families together and their communities alive - and often against overwhelming odds. Maree was left with three small daughters when her husband and young son were killed in a light plane crash. Molly lived alone in a 1920s homestead in the middle of the Simpson Desert for twenty years without even a phone. Alice admits she couldn't tell a cow from a bull when she first went to live in the Outback. This book tells the inspiring stories of fourteen remarkable women, from high-achievers to everyday heroes. Their tales are often heart-rending and regularly touched by tragedy, but are always life-affirming. They portray Outback Australian women as they really are - and as we all wish we might be. 'every word cried out to be read . . . [a] remarkable book.' Bookseller & Publisher 'humbling and awe-inspiring.' Woman's Day
From horse whispering to crocodile hunting to single-handedly changing an 80-kilo flat tyre on a road train in 40-degree heat...there is nothing these modern-day outback women can't do. But when it comes to hardship and heartbreak, they've endured far more than their fair share. Living and working in some of the most remote spots in the world, they've had to become experts at turning tragedy into triumph. Our former Miss World finds a new start in the bush; an adventurer crosses one of the world's harshest deserts on camelback; a single mum becomes a truck driver to make ends meet and a former nurse takes over the famous Birdsville Hotel. This book is a tribute to the great Australian Outback from those who live and work at the heart of it. '[These women] simply took my breath away with the kind of courage, daring and resilience that have seen them overcome sometimes crushing difficulties.' Georgie Parker
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