Chris Carson was a rebellious teen who faced a choice: either join the army or spend time in jail. He chose the army and was sent to Viet Nam. Later his company was caught and faced a firing squad. They were all killed, of course, and only Chris woke up weeks later rolling off a bed in New York, having been shot in the forehead, in the back, and with three fingers missing. In the meantime, he had met Jesus, who sent him back with a mission. From then on, Chris was able to invent amazing technology while still being subject to all the trials and frustrations everyone faces. This story is based on a real man's life-at least part one of it. Then it goes on to speculate what might happen to Chris and to the world with his artificial intelligence creation-Perceptor. This is a Christian action-adventure story that includes intrigue and evil-along with a love story or two-as we look into the possible future in the last days.
This is a powerful collection of poems, calling out to contemplatives and inter-faith grandmothers, church members, artists, athletes, patients, and all manner of humans desiring to sense the Sacred in the many textures of life. Kim Beyer-Nelson and Sue Sutherland-Hanson respond to the different names of the Divine drawing from the Christian West, Muslim Middle-East, and the Eastern home of Hindus and Buddhists. These poems invite a spectrum of seekers, from new mothers to seasoned monks, in liturgical community or in solitude, to open to the depth of every season's NOW. While this collection shows how the arts can be used in meditative community, it's important to share that the first year's proceeds from the sale of this book will be donated to the social justice cause of healthy oceans. In this way, the poets invite you into an active demonstration of how the contemplative arts can participate in social action.
Tracing the impact of the 'memory wars' on science and culture, Relational Remembering offers a vigorous philosophical challenge to the contemporary skepticism about memory that is their legacy. Campbell's work provides a close conceptual analysis of the strategies used to challenge women's memories, particularly those meant to provoke a general social alarm about suggestibility. Sue Campbell argues that we cannot come to an adequate understanding of the nature and value of memory through a distorted view of rememberers. The harmful stereotypes of women's passivity and instability that have repopulated discussions of abuse have led many theorists to regard the social dimensions of remembering only negatively, as a threat or contaminant to memory integrity. Such models of memory cannot help us grasp the nature of harms linked to oppression, as these models imply that changed group understandings of the past are incompatible with the integrity of personal memory. Campbell uses the false memory debates to defend a feminist reconceptualization of personal memory as relational, social, and subject to politics. Memory is analyzed as a complex of cognitive abilities and social/narrative activities where one's success or failure as a rememberer is both affected by one's social location and has profound ramifications for one's cultural status as a moral agent.
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