Thousands of books and articles have been written about the Battle of Gettysburg. Almost every topic has been thoroughly scrutinized except one: Paul PhilippoteauxÕs massive cyclorama painting The Battle of Gettysburg, which depicts PickettÕs Charge, the final attack at Gettysburg. The Gettysburg Cyclorama: The Turning Point of the Civil War on Canvas is the first comprehensive study of this art masterpiece and historic artifact. This in-depth study of the history of the cyclorama discusses every aspect of this treasure, which was first displayed in 1884 and underwent a massive restoration in 2008. Coverage includes not only how it was created and what it depicts, but the changes it has undergone and where and how it was moved. Authors Chris Brenneman and Sue Boardman also discuss in fascinating detail how the painting was interpreted by Civil War veterans in the late 19th Century. With the aid of award-winning photographer Bill Dowling, the authors utilized modern photography to compare the painting with historic and modern pictures of the landscape. DowlingÕs remarkable close-up digital photography allows readers to focus on distant details that usually pass unseen. Every officer, unit, terrain feature, farm, and more pictured in the painting is discussed in detail. Even more remarkable, the authors reveal an important new discovery made during the research for this book: in order to address suggestions from the viewers, the cyclorama was significantly modified five years after it was created to add more soldiers, additional flags, and even General George Meade, the commander of the Union Army! With hundreds of rare historic photographs and beautiful modern pictures of a truly great work of art, The Gettysburg Cyclorama: The Turning Point of the Civil War on Canvas is a must-have for anyone interested in the Battle of Gettysburg or is simply a lover of exquisite art.
Barry Hines’s novel A Kestrel for a Knave, adapted for the screen as Kes, is one of the best-known and well-loved novels of the post-war period, while his screenplay for the television drama Threads is central to a Cold War-era vision of nuclear attack. But Hines published a further eight novels and nine screenplays between the 1960s and 1990s, as well as writing eleven other works which remain unpublished and unperformed. This study examines the entirety of Hines’s work. It argues that he used a great variety of aesthetic forms to represent the lives of working-class people in Britain during the 1960s, 1970s, 1980s and into the post-industrial conclusion of the twentieth century. It also makes the case that, as well as his literary flair for poetic realism, Hines’s authorial contributions to the films of his novels show the profoundly collaborative nature of these works.
Classic fantasy adventure set in the mystical world of Skorn, Saranna and Drewin, children of the goddess Iranor, must wander the realms in search of their destinies in mortal lands
This book provides an historical analysis of the TV crime series as a genre, paying close attention not only to the nature of TV dramas themselves, but also to the context of production and reception.
This is a comprehensive introduction for HE students to the provision, organisation, and governance of sport in the UK. Supported by case study material, it introduces the reader to key government policies, and to the ways in which public, private and voluntary sectors provide sporting opportunities. The book focuses on issues of participation, employment, media coverage and commercialisation, and critically examines them in light of the key themes of equality and diversity. Pedagogical features – learning outcomes and learning activities – help students develop an active approach to the study of sport in the UK.
Hospital and hospice chaplains are expected to assist individuals and families face the reality of their mortality via a gentle, calming presence. To the greatest extent possible, chaplains help people die with an awareness of being loved, of loving and forgiving, and of gratitude for the life they have lived. But terminal agitation and spiritual distress are common components of the final stage of life. How do professional chaplains honor and attend to each individual's spiritual/religious needs to the best of their abilities in the days preceding death? This book explores that critical question.
India has a long, rich, and diverse tradition of philosophical thought, spanning some two and a half millennia and encompassing several major religious traditions. This Very Short Introduction emphasizes the diversity of Indian thought, and is structured around six schools which have achieved classic status. Sue Hamilton explores how the traditions have attempted to understand the nature of reality in terms of an inner or spiritual quest, and introduces distinctively Indian concepts such as karma and rebirth. She also shows how Indian thinkers have understood issues of reality and knowledge -- issues which are also an important part of the Western philosophical tradition. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
In 1838, John Gould, the 'father of Australian ornithology' visited Australia with the intention of gathering material for his great work on Australian birds. In the resulting publication, The Birds of Australia: In Seven Volumes (1848), and the accompanying Supplement (1869), Gould named, for the first time, no fewer than 32 Australian bird species. Gould's words about the Norfolk Island Kaka were prophetic-the last bird of its kind died in a cage in London in 1851. Since then, a number of other species illustrated in The Birds of Australia have become extinct and others are now facing extinction. John Gould's Extinct and Endangered Birds of Australia features 59 plates of birds from Gould's eight-volume work, birds that today are threatened or that no longer exist. Featuring exquisite full-colour lithographs reproduced from the National Library of Australia's copy of The Birds of Australia, this book gives an insight into the history of each bird's European discovery, as well as its subsequent fortunes or misfortunes.
Based on government-commissioned research and part of the Supporting Parents initiative, this book addresses each stage of the care process, from placement selection to leaving foster care. The authors consider which kinds of professional support at which stages make a difference, and the foster carer parenting skills that are crucial.
Harry Sue Clotkin is tough. Her mom's in the slammer and she wants to get there too, as fast as possible, so they can be together. But it's not so easy to become a juvenile delinquent when you've got a tender heart. Harry Sue's got her hands full caring for the crumb-snatchers who take up her afternoons at the day care center, and spending time with her best friend Homer, a quadriplegic who sees life from a skylight in the roof of his tree house. When Harry Sue finds an unlikely confidante in her new art teacher, her ambitions toward a life of crime are sidelined as she comes to a deeper understanding about her past--and future. Sue Stauffacher has once again crafted a fast-paced middle-grade novel filled with quirky but lovable characters, a narrator impossible to ignore, a completely original plot, and a whole lot of redemption.
First published in 1999, the overall aim of the book is to provide a comprehensive critical guide to the theory and practice of residential care. This is achieved by analysing the history and development of residential child care, examining the current legislative framework and analysing research. The volume has been written against the background of a crisis of confidence in residential child care. The system is often seen as facing perpetual problems of abuse, lack of control and crime. This book seeks to both understand and respond to this challenging situation. Understanding Residential Child Care commences by providing historical and theoretical perspectives. Having provided this analysis the authors move on to examine the empowerment of young people, the framework provided by the Children Act, the role of the manager, the importance of supporting and supervising staff, abuse in care and the experience of leaving care. The book concludes with a chapter suggesting a way forward for residential child care. The core concept explored and applied throughout the book is that of empowerment. It is suggested that this concept can act as an organising framework for re-casting residential child care in a positive manner, so that a quality environment can be provided which can effectively protect and promote the best interests of the child.
Engaging stories covering current personalities, popular sports figures and events, mysteries, disasters, legends and mythology, and amazing facts in science and nature hold students’ interest and capture their imaginations. A controlled vocabulary averaging two readability levels below content ensures understanding and promotes confidence.
Native American Studies covers key issues such as the intimate relationship of culture to land; the nature of cultural exchange and conflict in the period after European contact; the unique relationship of Native communities with the United States government; the significance of language; the vitality of contemporary cultures; and the variety of Native artistic styles, from literature and poetry to painting and sculpture to performance arts.
This is the first-ever critical work on Jack Rosenthal, the award-winning British television dramatist. His career began with Coronation Street in the 1960s and he became famous for his popular sitcoms, including The Lovers and The Dustbinmen. During what is often known as the golden age of British television drama, Rosenthal wrote such plays as The Knowledge, The Chain, Spend, Spend, Spend and Ptang, Yang, Kipperbang, as well as the pilot for the series London's Burning. This study offers a close analysis of all Rosenthal's best-known works, drawing on archival material as well as interviews with his collaborators and cast members. It traces the events that informed his writing, ranging from his comic take on the permissive society; of the 1960s, through to recession in the 1970s and Thatcherism in the 1980s. Rosenthal's distinctive brand of humour and its everyday surrealism is contrasted throughout with the work of his contemporaries, including Dennis Potter, Alan Bleasdale and Johnny Speight, and his influence on contemporary television and film is analysed. Rosenthal is not usually placed in the canon of Anglo-Jewish writing but the book argues this case by focusing on his prize-winning Plays for Today The Evacuees and Bar Mitzvah Boy. This book will appeal to students and researchers in Television, Film and Cultural Studies, as well as those interested in contemporary drama and Jewish Studies.
Producing for Film and Television offers a comprehensive overview of the different stages of film production, from development of an idea to delivery, distribution and festival entry. Written from the producer's point of view, the book guides the reader through each stage of the process, offering helpful tips, industry guidance and example paperwork. Supported with over fifty illustrations and photographs, this new book includes advice on copyright and working with writers; pitching your idea; raising production finance; budgeting and scheduling; risk assessment and health and safety management; the roles within production teams; post-production work and marketing and distribution. With helpful information on industry terms and timeframes, this essential guide is aimed at film students and aspiring producers who want a greater understanding of the role of the independent producer or is planning their own production, whether feature length, short film or drama series. A comprehensive guide to the different stages of film production, from development of an idea to delivery, distribution and festival entry, it is fully illustrated with 23 colour photos and 34 line artworks.
This book covers new ground in its focus on the Anglican Church congresses 1861-1938 as a public space in which the views of notable women were widely disseminated. It celebrates the contribution made by women to public life and discourse on womanhood as platform speakers, and commemorates the presence of the large numbers of women who joined congresses as audience members. Original research draws on extensive primary sources from official records, diaries and the press to capture women's views and voices and to evoke congress as a communicative social space and a window into topical affairs. Women and the Anglican Church Congress 1861-1938 examines the roles of women in the Church and reflects on how women with a sense of vocation negotiated contemporary attitudes to their positions and spirituality. The book also explores how women's secular aspirations towards citizenship in the context of poverty, work, temperance, eugenics, class and suffrage played out at congress.
In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious feelings and growing sexual discontents of a new generation of consumers. Even the British Board of Film Censors had to adopt a more liberal attitude. The collapse of the studio system also meant that the screenwriters and the art directors had to cede creative control to a new generation of independent producers and film directors. Harper and Porter explore the effects of these social, cultural, industrial, and economic changes on 1950s British cinema.
What happens when our lives spin out of control because we are so busy and overcommitted? The negative consequences of such a lifestyle are well known, but few of us are able to put on the brakes so that we can truly enjoy the gift of one another. Tim and Sue Muldoon take both a meditative and practical approach to this issue. They help us experience the peace that only God can give, and they also share what has and hasn't worked in their own family. While there is no magic bullet, the Muldoons show us that when we put God first in our lives, our other priorities fall into line as well. That makes it possible to discern the best ways to spend our time, both individually and collectively, to build a strong foundation of lasting family relationships.
Advertises and promotes the autobiography, Doreen Kartinyeri : My Ngarrindjeri Calling by Doreen Kartinyeri and Sue Anderson, published by Aboriginal Studies Press, April 2008; includes extracts from the book.
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