In this assured debut about loneliness and passion in Africa, Sue Eckstein enthrals with a deliciously intricate plot, compelling characters and razor-sharp dialogue.West Africa in the early 1990s. Isabel Redmond is tiring of her iconoclastic husband's penchant for pendulous black breasts; the High Commissioner and his wife Fenella are both enjoying illicit affairs; an old English judge is wandering through the scrub following a tribe of Fulani herdsmen; Bob Newpin is about to make a killing in timeshares; and just what Father Seamus is up to is anyone's guess.Enter new diplomat Daniel Maddison on his first posting abroad. Rebelling against the endless rounds of cocktail parties, golf and gossip, he finds himself drawn to people and places that lie way beyond the experience of his High Commission colleagues -- and specifically to the dusty warehouse in the heart of the city where a thin white woman is silently measuring out lengths of brightly coloured cloth.
When Julia Rosenthal returns to the suburban estate of her childhood, the unspoken tensions that permeated her seemingly conventional family life come flooding back. Trying to make sense of the secrets and half truths, she is forced to question how she has raised her own daughter -- with an openness and honesty that Susanna has just rejected in a very public betrayal of trust. Meanwhile her brother, Max, is happy to forge an alternative path through life, leaving the past undisturbed. But in a different place and time, another woman struggles to tell the story of her early years in wartime Germany, gradually revealing the secrets she has carried through the century, until past and present collide with unexpected and haunting results. In her devastating and beautifully understated second novel, Sue Eckstein takes the reader on a skilfully plotted journey where our growing awareness of Julia and Max's true heritage is in stark contrast to Julia's own interpretation of the past. Interweaving universal themes -- the nature of identity, the meaning of family, the emotional legacy of the past -- Interpreters magnificently unravels the impact of a war that resonates across four generations.
Responsible for some of the greatest films of the 20th century—The Grapes of Wrath, How Green Was My Valley, and The Quiet Man among others—John Ford was best known for motion pictures that defined the American West and the face of wartime military. A Hollywood celebrity, Ford lived his life against the background that Twentieth Century-Fox fashioned for him. As he did, the facts of his life merged with—and became inseparable from—his multifaceted legend, fostered by Hollywood’s studio culture and his own imagination. In The Westerns and War Films of John Ford Sue Mathesonoffers an engaging look at one of America’s greatest directors and the two genres of films that solidified his reputation. Drawing on previously unreleased material, this volume explores the man, the filmmaker, the veteran, and the legend—and the ways in which all of those roles shaped Ford’s view of America, national character, and his creative output. Among the films discussed here in depth are Ford’s early productions, such as The Iron Horse and Drums along the Mohawk, his military films, such as Submarine Patrol, The Battle of Midway, and They Were Expendable, and his Westerns, including Fort Apache, She Wore a Yellow Ribbon, The Searchers, and Cheyenne Autumn. Ford imbued many of his creations with a point of view that represented his ideals, and the films discussed here illustrate their director’s distinct vision of American life on the frontier and in service of the country. That vision—Ford’s idealization of the American Character—would, in turn, shape the worldview of several generations. The Westerns and War Films of John Ford will appeal to critics and scholars, but also to any fan of this iconic filmmaker’s work.
Institutions of higher education are experiencing the largest influx of enrolled veterans since World War II, and these student veterans are transforming post-secondary classroom dynamics. While many campus divisions like admissions and student services are actively moving to accommodate the rise in this demographic, little research about this population and their educational needs is available, and academic departments have been slower to adjust. In Generation Vet, fifteen chapters offer well-researched, pedagogically savvy recommendations for curricular and programmatic responses to student veterans for English and writing studies departments. In work with veterans in writing-intensive courses and community contexts, questions of citizenship, disability, activism, community-campus relationships, and retention come to the fore. Moreover, writing-intensive courses can be sites of significant cultural exchanges—even clashes—as veterans bring military values, rhetorical traditions, and communication styles that may challenge the values, beliefs, and assumptions of traditional college students and faculty. This classroom-oriented text addresses a wide range of issues concerning veterans, pedagogy, rhetoric, and writing program administration. Written by diverse scholar-teachers and written in diverse genres, the essays in this collection promise to enhance our understanding of student veterans, composition pedagogy and administration, and the post-9/11 university.
Casebook of Clinical Neuropsychology features actual clinical neuropsychological cases drawn from leading experts' files. Each chapter represents a different case completed by a different expert. Cases cover the lifespan from child, to adult, to geriatric, and the types of cases will represent a broad spectrum of prototypical cases of well-known and well-documented disorders as well as some rarer disorders. Chapter authors were specifically chosen for their expertise with particular disorders. When a practitioner is going to see a child or an adult with "X" problem, they can turn to the "case" and find up to date critical information to help them understand the issues related to the diagnosis, a brief synopsis of the literature, the patient's symptom presentation, the evaluation including neuropsychological test results and other results from consultants, along with treatments and recommendations. Clinical cases represent a long-established tradition as a teaching vehicle in the clinical sciences, most prominently in medicine and psychology. Case studies provide the student with actual clinical material - data in the form of observations of the patient, examination/test data, relevant history, and related test results - all of which must be integrated into a diagnostic conclusion and ultimately provide the patient with appropriate recommendations. Critical to this educational/heuristic process is the opportunity for the reader to view the thought processes of the clinician that resulted in the conclusions and recommendations offered. With the science of the disorder as the foundation of this process, readers learn how the integration of multiple sources of data furthers critical thinking skills.
Intersecting art, science and the scenographic mise-en-scène, this book provides a new approach to anatomical drawing, viewed through the contemporary lens of scenographic theory. Sue Field traces the evolution of anatomical drawing from its historical background of hand-drawn observational scientific investigations to the contemporary, complex visualization tools that inform visual art practice, performance, film and screen-based installations. Presenting an overview of traditional approaches across centuries, the opening chapters explore the extraordinary work of scientists and artists such as Andreas Vesalius, Gérard de Lairesse, Santiago Ramón y Cajal and Dorothy Foster Chubb who, through the medium of drawing dissect, dismember and anatomize the human form. Anatomical Drawing examines how forms, fluids and systems are entangled within the labyrinthine two-dimensional drawn space and how the body has been the subject of the spectacle. Corporeal proportions continue to be embodied within the designs of structures, buildings and visual art. Illustrated throughout, the book explores the drawings of 17th-century architect and scenographer Inigo Jones, through to the ghostly, spectral forms illuminated in the present-day X-ray drawings of the artist Angela Palmer, and the visceral and deeply personal works of Kiki Smith. Field analyses the contemporary skeletal manifestations that have been spawned from the medieval Danse Macabre, such as Walt Disney's drawn animations and the theatrical staging, metaphor and allegorical intent in the contemporary drawn artworks of William Kentridge, Peter Greenaway, Mark Dion and Dann Barber. This rigorous study illustrates how the anatomical drawing shapes multiple scenographic encounters, both on a two-dimensional plane and within a three-dimensional space, as the site of imaginative agency across the breadth of the visual and performance arts. These drawings are where a corporeal, spectacularized representation of the human body is staged and performed within an expanded drawn space, generating something new and unforeseen - a scenographic worlding.
The Third Edition of Terrorism in Perspective, like its two successful predecessors, takes a broad-based approach that emphasizes the historical, cultural, political, religious, social, and economic factors that underlie an understanding of both global and domestic terrorism. This unique text-reader combines original essays with the best of the existing literature on terrorism. Each chapter of this text begins with an overview essay written by the authors, followed by two relevant and engaging articles culled from a wide variety of popular, academic, and governmental sources. This is the only major terrorism text to incorporate readings from top terrorism experts into a traditional textbook format, allowing readers to deepen their understanding of each aspect of terrorism.
This book explores the multiple ways students process information and examines multiple intelligences through the relationship between rainbows, colors, and how individuals learn. If we consider the full range of human potential as the spectrum of the rainbow, then each individual is unique and has the potential to develop all of the intelligences using different areas of the brain. The author has included several lesson plans that can be adapted for students of any age, and has written them to meet U.S. and California standards. This book will be a valuable resource for educators and administrators, school boards, and parents.
“Bonnie-Sue Hitchcock’s Alaska is beautiful and wholly unfamiliar…. A thrilling, arresting debut.” —Gayle Forman, New York Times bestselling author of If I Stay and I Was Here “[A] singular debut. . . . [Hitchcock] weav[es] the alternating voices of four young people into a seamless and continually surprising story of risk, love, redemption, catastrophe, and sacrifice.” —The Wall Street Journal This deeply moving and authentic debut set in 1970s Alaska is for fans of Rainbow Rowell, Louise Erdrich, Sherman Alexie, and Benjamin Alire Saenz. Intertwining stories of love, tragedy, wild luck, and salvation on the edge of America’s Last Frontier introduce a writer of rare talent. Ruth has a secret that she can’t hide forever. Dora wonders if she can ever truly escape where she comes from, even when good luck strikes. Alyce is trying to reconcile her desire to dance, with the life she’s always known on her family’s fishing boat. Hank and his brothers decide it’s safer to run away than to stay home—until one of them ends up in terrible danger. Four very different lives are about to become entangled. This unforgettable William C. Morris Award finalist is about people who try to save each other—and how sometimes, when they least expect it, they succeed. Praise: William C. Morris Finalist Shortlisted for the Carnegie Medal Amelia Elizabeth Walden Book Award for Young Adult Fiction Tayshas Reading List—Top 10 List New York Public Library’s Best 50 Books for Teens Chicago Public Library, Best of the Best List Shelf Awareness, Best Children’s & Teen Books of the Year Nominated to the Oklahoma Sequoya Book Award Master List Nominated to the Colorado Blue Spruce Young Adult Book Award “Hitchcock’s debut resonates with the timeless quality of a classic. This is a fascinating character study—a poetic interweaving of rural isolation and coming-of-age.” —John Corey Whaley, award-winning author of Where Things Come Back and Highly Illogical Behavior “As an Alaskan herself, Bonnie Sue Hitchcock is able to bring alive this town, and this group of poor teens and their families that live there.” —Bustle
As we approach the end of the 'era of the witness', given the passing on of the generation of Holocaust survivors, Claude Lanzmann's archive of 220 hours of footage excluded from his ground-breaking documentary Shoah (1985) offers a remarkable opportunity to encounter previously unseen interviews with survivors and other witnesses, recorded in the late 1970s. Although the archive is all available freely to view online and includes extra footage of those who appear in Shoah, this book focuses on the interviews from which no extracts appear in the finished film or in any subsequent release. The material analysed features interviews with such significant figures as the former partisan Abba Kovner, wartime activist Hansi Brand, Kovno Ghetto leader Leib Garfunkel, rescuer Tadeusz Pankiewicz and members of Roosevelt's War Refugee Board, and focuses throughout on the efforts at rescue and resistance by those within and outside occupied Europe. Sue Vice contends that watching and analysing this wholly excluded footage gives us new insights into the making of Shoah through what was left out. Moreover, she reveals that the near-impossibility of rescue and often suicidal implications of resistance emerge through these excluded interviews as inextricable from the process of genocide. She concludes by arguing that the outtakes show the potential for new filmic forms envisaged on Lanzmann's part in order to represent the crucial topics of attempted Holocaust rescue and resistance.
Mexican Americans are unique in the panoply of American ethno-racial groups in that they are the descendants of the largest and longest lasting immigration stream in US history. Today, there are approximately 24 million Americans of Mexican descent living in the United States, many of whose families have been in the US for several generations. In Durable Ethnicity, Edward Telles and Christina A. Sue examine the meanings behind being both American and ethnically Mexican for contemporary Mexican Americans. Rooted in a large-scale longitudinal and representative survey of Mexican Americans living in San Antonio and Los Angeles across 35 years, Telles and Sue draw on 70 in-depth interviews and over 1,500 surveys to examine how Mexicans Americans construct their identities and attitudes related to ethnicity, nationality, language, and immigration. In doing so, they highlight the primacy of their American identities and variation in their ethnic identities, showing that their experiences range on a continuum from symbolic to consequential ethnicity, even into the fourth generation. Durable Ethnicity offers a comprehensive exploration into how, when, and why ethnicity matters for multiple generations of Mexican Americans, arguing that their experiences are influenced by an ethnic core, a set of structural and institutional forces that promote and sustain ethnicity.
Providing vital updates, this two volume set describes the central role and aim of health care needs assessment in the NHS health care reforms, and explains the 'epidemiological approach' to needs assessment, and the effectiveness and availability of services.
Sally Ride Shooting for the Stars Astronaut Dr. Sally Ride took a deep breath and nervously waited as the powerful engines of the Space Shuttle Challenger roared to life. This was the most frightening, yet exciting moment of Sally's life! She was determined to prove that an American woman could perform in space as well as a man. Countdown to History! Sally Ride: Shooting for the Stars profiles the life of America's first woman astronaut to fly in space. Jain Sally's astronaut training as she learns to fly jets, practices sea rescue missions, and floats weightlessly in a special "zero gravity" aircraft. Witness her breathtaking view of Earth from 184 miles out in space while traveling aver 17,400 miles per hour! Then dare to share her dream of joining NASA's astronaut program.
Recent feminist research has demonstrated how women have been neglected or misrepresented in virtually every discipline in the humanities and social sciences. The most exciting research growing out of this body of work is the attempt to see what kinds of changes are required in the assumptions, results, and even the methods of these disciplines to
Wally Worsley's autobiography describes one man's extensive experience with the Hollywood studio system, beginning on the bottom rung at M-G-M in the 1930s, at the time of The Wizard of OZ, and culminating in the 1980s with E.T. His career bridged a half-century and provides a comprehensive overview of the development of Hollywood studio production. His autobiography has been assembled from his voluminous business diaries, a project first begun by Worsley himself, then completed by his widow following his death. The book presents a fascinating picture of Hollywood at work, from the Old Golden Age to the new one, with excursions to the film worlds of postwar Singapore and Europe.
This book reflects the most current scholarship on states, socioeconomic development, and feminist theory to emerge this decade. Addressed are issues such as the role of state policies and ideologies in defining gender differences, state influence over the boundaries between public and domestic spheres, state control over women's productive and reproductive lives, and the efforts of women to influence state policy. Women, the State, and Development shows that state elites promote male domination as one way of maintaining social order when nation-states are created and strengthened, and that issues defined as male by the sexual division of labor are given priority in state policies that promote security and economic development such as foreign policy, international trade, agricultural development, and resource extraction. It analyzes these policies in terms of their impact on gender relations and also identifies ways in which women have responded.
A personal but also scholarly journey into the clandestine and confusing world of ritual abuse, this book provides unique insights into the catastrophic experiences of ritual abuse survivors and their efforts to find healing through psychological treatment. This revised edition provides contemporary revelations about cults in existence today and also new therapies developed since the first edition was published in 1995. Co-authored by a clinical psychologist and the executive director of a professional organization dedicated to treating survivors of cult and ritual abuse, this edition will be of interest to both academic and professional markets. The special legal dilemmas, survival problems and day-to-day life experiences of these survivors are examined in a scholarly but sensitive manner. The book presents the idea that ritual abuse is an age-old phenomenon found in many cultures throughout the world. That ritual abuse causes a variety of specific psychiatric symptoms is noted. Special attention is given to the diagnosis dissociative identity disorder that is frequently found among ritual abuse survivors. Suggestions are offered for effectively dealing with the various social and legal problems that result from this severe form of abuse. New diagnoses--cult and ritual trauma disorder--are proposed for this newly identified problem.
In this assured debut about loneliness and passion in Africa, Sue Eckstein enthrals with a deliciously intricate plot, compelling characters and razor-sharp dialogue.West Africa in the early 1990s. Isabel Redmond is tiring of her iconoclastic husband's penchant for pendulous black breasts; the High Commissioner and his wife Fenella are both enjoying illicit affairs; an old English judge is wandering through the scrub following a tribe of Fulani herdsmen; Bob Newpin is about to make a killing in timeshares; and just what Father Seamus is up to is anyone's guess.Enter new diplomat Daniel Maddison on his first posting abroad. Rebelling against the endless rounds of cocktail parties, golf and gossip, he finds himself drawn to people and places that lie way beyond the experience of his High Commission colleagues -- and specifically to the dusty warehouse in the heart of the city where a thin white woman is silently measuring out lengths of brightly coloured cloth.
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