When I listen to Bach, I seem to turn into a fish'. - Bach (Pau) in Love. 'We forget because we want to live. We forget because we live in hope for a better life. It's this wretched hope that demands that we forget the unforgettable'. - The Last Smile of Graf Tolstoy. These stories explore the nature of love, loss and memory: central to them is the uneasiness the narrators feel about their place in the world. A critical moment in the life of each narrator illuminates these themes in remarkable ways. For instance, in the story 'Walter Benjamin's Pipe' the narrator wants to comprehend that critical moment when Walter Benjamin, the famous Jewish-German philosopher and literary critic, decided to end his life. In the story 'Bach (Pau) in Love,' the famous Catalan cellist Pablo Casals imagines the situation which would have inspired Bach to compose his six suites for cello. In the story 'Anna and Fyodor in Basel,' Anna, Fyodor Dostoevsky's wife waits for that moment when Holbein's famous painting about the dead Christ makes its appearance in the novel The Idiot. In 'The Quartz Hill,' a Cantonese photographer looks at the prints of Paddy Bedford's paintings about the Bedford Downs massacre and decides to visit Halls Creek in search for her Gija grandmother's roots.
Aflame begins in Soviet Moscow and ends with a Tibetan Buddhist monk's self-immolation; residing between them - improvisations after celebrated Japanese Haikus. Written in an intricate and polyphonic structure, Subhash Jaireth's rare and carefully crafted rhythms reveal the creeping melancholic joy of silence and life's elusive beauty.
When I listen to Bach, I seem to turn into a fish'. - Bach (Pau) in Love. 'We forget because we want to live. We forget because we live in hope for a better life. It's this wretched hope that demands that we forget the unforgettable'. - The Last Smile of Graf Tolstoy. These stories explore the nature of love, loss and memory: central to them is the uneasiness the narrators feel about their place in the world. A critical moment in the life of each narrator illuminates these themes in remarkable ways. For instance, in the story 'Walter Benjamin's Pipe' the narrator wants to comprehend that critical moment when Walter Benjamin, the famous Jewish-German philosopher and literary critic, decided to end his life. In the story 'Bach (Pau) in Love,' the famous Catalan cellist Pablo Casals imagines the situation which would have inspired Bach to compose his six suites for cello. In the story 'Anna and Fyodor in Basel,' Anna, Fyodor Dostoevsky's wife waits for that moment when Holbein's famous painting about the dead Christ makes its appearance in the novel The Idiot. In 'The Quartz Hill,' a Cantonese photographer looks at the prints of Paddy Bedford's paintings about the Bedford Downs massacre and decides to visit Halls Creek in search for her Gija grandmother's roots.
Don't be deceived by this tardis of a book, its three small monologues contain multitudes. Through the gently detailed lives of its subjects whole civilisations emerge: the fifteenth-century India of the dying and illiterate poet, Kabir; the Stalinist Russia of Chekhov's younger sister, Maria; and the early seventeenth-century, Inquisition-ravaged Italy of the Calabrian theologian and poet, Tommaso Campanella. The characters, at the end of their lives, are haunted by their pasts, and in prose of simple, meditative, elegiac beauty, Jaireth suggests that this nostalgia is neither a longing for a lost place or a lost time, but is, rather, a homelessness in time - his own included - an uneasiness that has driven all that they have and have not done. The book is ultimately about the mystery of creation itself, the silence from which all things come and to which they inevitably return.- John Hughes Subhash Jaireth lives in Canberra. Between 1969 and 1978 he spent nine years in Moscow. He has published three books of poetry: Yashodhara: Six Seasons without You (Wild Peony, 2003), Unfinished Poems for Your Violin (Penguin Australia, 1996) and Before the Bullet Hit Me (Vani Prakashan, 1994, in Hindi).
‘It starts to rain as I step out of my hotel ....’ So begins Subhash Jaireth's striking collection of essays on the writers, and their writing, that have enriched his own life. The works of Franz Kafka, Marina Tsvetaeva, Mikhail Bulgakov, Paul Celan, Hiromi Ito, Dutch philosopher Baruch Spinoza and others ignite in him the urge to travel (both physically and in spirit), almost like a pilgrim, to the places where such writers were born or died or wrote. In each essay a new emotional plane is reached revealing enticing connections. As a novelist, poet, essayist and translator born into a multilingual environment, Jaireth truly understands the power of words across languages and their integral connections to life of the body and the spirit. Drawing on years of research, translation and travel Spinoza's Overcoat – and its illuminations of loss, mortality and the reverie of writing – will linger with readers. ‘Eloquent and original, Jaireth’s meditations on the lives-of-poets are full of astonishing details, tender connections and the magnificent melancholy of devotion to words. Encompassing matters of translation, love, mortality and homage, this is a rare model of what might be called “literary philosophy” and an utter joy and surprise for anyone interested in the reading and writing life …’ – GAIL JONES, author of The Death of Noah Glass Subhash Jaireth was born in India. Between 1969 and 1978 he spent nine years in Russia studying geology and Russian literature. In 1986 he migrated to Australia. He has published writing in Hindi, English and Russian and his novel After Love (Transit Lounge 2012) was published in Spain in 2018.
Vasu, a young Indian student of architecture, arrives in Moscow in the late 1960s. He falls in love with Anna, an archaeologist and an accomplished cellist, yet his romanticism about the Soviet Union clashes with her experience. He goes back to India to design a village for a co-operative of coffee farmers, but he cannot forget Anna and on his return they marry. Anna wants to leave Moscow but isn’t keen to go to India. They decide to go to Venice where Vasu has been offered a teaching position. In Italy their life unravels when Anna mysteriously disappears without a trace. Years later, Vasu discovers a painful but wonderful truth. A beautifully written story full of music and emotions that moves with ease across continents,After Love is destined to touch the hearts of readers everywhere
In his new collection of essays Subhash Jaireth traverses the globe in an exploration of the personal and collective memory held within natural and built landscapes. His roving curiosity takes us from his early life in Delhi to his years as a student in Soviet-era Moscow. We travel to Burma with George Orwell and battle windmills in Spain with Don Quixote. Jaireth walks us through the landscapes around Uluru, Canberra and Sydney with the sharp gaze of a geologist and the imagination of a poet. We follow the roots of an old banksia tree in his garden, the traces left by ancient rivers and seas, and stories passed down from time immemorial. In George Orwell’s Elephant & Other Essays, Jaireth draws his life’s emotional map right on the soil under his feet, and in the process unearths narratives, characters and places that leave us aware of the layers of memory and meaning that shimmer all around us.
In Incantations, Subhash Jaireth responds through a series of short prose pieces to portraits of famous and everyday Australians in an attempt to rethink the role of place, identity and the self. It is an ekphrastic exercise, in that it reinterprets an artwork in writing, but it is also a lyrical exploration of what art can mean: its power to move, to know, and to feel.
‘It starts to rain as I step out of my hotel ....’ So begins Subhash Jaireth's striking collection of essays on the writers, and their writing, that have enriched his own life. The works of Franz Kafka, Marina Tsvetaeva, Mikhail Bulgakov, Paul Celan, Hiromi Ito, Dutch philosopher Baruch Spinoza and others ignite in him the urge to travel (both physically and in spirit), almost like a pilgrim, to the places where such writers were born or died or wrote. In each essay a new emotional plane is reached revealing enticing connections. As a novelist, poet, essayist and translator born into a multilingual environment, Jaireth truly understands the power of words across languages and their integral connections to life of the body and the spirit. Drawing on years of research, translation and travel Spinoza's Overcoat – and its illuminations of loss, mortality and the reverie of writing – will linger with readers. ‘Eloquent and original, Jaireth’s meditations on the lives-of-poets are full of astonishing details, tender connections and the magnificent melancholy of devotion to words. Encompassing matters of translation, love, mortality and homage, this is a rare model of what might be called “literary philosophy” and an utter joy and surprise for anyone interested in the reading and writing life …’ – GAIL JONES, author of The Death of Noah Glass Subhash Jaireth was born in India. Between 1969 and 1978 he spent nine years in Russia studying geology and Russian literature. In 1986 he migrated to Australia. He has published writing in Hindi, English and Russian and his novel After Love (Transit Lounge 2012) was published in Spain in 2018.
Don't be deceived by this tardis of a book, its three small monologues contain multitudes. Through the gently detailed lives of its subjects whole civilisations emerge: the fifteenth-century India of the dying and illiterate poet, Kabir; the Stalinist Russia of Chekhov's younger sister, Maria; and the early seventeenth-century, Inquisition-ravaged Italy of the Calabrian theologian and poet, Tommaso Campanella. The characters, at the end of their lives, are haunted by their pasts, and in prose of simple, meditative, elegiac beauty, Jaireth suggests that this nostalgia is neither a longing for a lost place or a lost time, but is, rather, a homelessness in time - his own included - an uneasiness that has driven all that they have and have not done. The book is ultimately about the mystery of creation itself, the silence from which all things come and to which they inevitably return.- John Hughes Subhash Jaireth lives in Canberra. Between 1969 and 1978 he spent nine years in Moscow. He has published three books of poetry: Yashodhara: Six Seasons without You (Wild Peony, 2003), Unfinished Poems for Your Violin (Penguin Australia, 1996) and Before the Bullet Hit Me (Vani Prakashan, 1994, in Hindi).
Vasu, a young Indian student of architecture, arrives in Moscow in the late 1960s. He falls in love with Anna, an archaeologist and an accomplished cellist, yet his romanticism about the Soviet Union clashes with her experience. He goes back to India to design a village for a co-operative of coffee farmers, but he cannot forget Anna and on his return they marry. Anna wants to leave Moscow but isn’t keen to go to India. They decide to go to Venice where Vasu has been offered a teaching position. In Italy their life unravels when Anna mysteriously disappears without a trace. Years later, Vasu discovers a painful but wonderful truth. A beautifully written story full of music and emotions that moves with ease across continents,After Love is destined to touch the hearts of readers everywhere
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