Singing the Lord's Song in a New Land is one of the first books to address ministry in Korean American contexts and the first from the highly regarded Valparaiso Project to explore how faith practices work differently in a racial ethnic community. The groundbreaking work identifies eight key practices of the Korean American culture: keeping the Sabbath, singing, fervent prayer, resourcing the life cycle, bearing wisdom, living as an oppressed minority, fasting, and nurturing.
Discussions about leadership, even those centered on women, often overlook contributions made by Asian and Asian North American women. Now, Su Yon Pak and Jung Ha Kim share stories of Asian and Asian North American women who found their ways, sometimes circuitously, sometimes unexpectedly, into leadership roles. Divided into three sectionsRemembering Wisdom, Unsettling Wisdom, and Inciting Wisdomthe book presents narratives of leadership experiences in the fields of social activism, parish ministry, teaching, U.S. Army chaplaincy, religious history, Christian denominational work, theology, nonprofit organization, theological social ethics, clinical spiritual care education in healthcare systems, and community organizing. Leading Wisdom challenges conventional understanding through its creative reimagining of what it means to lead.
In Imperial Romance, Su Yun Kim argues that the idea of colonial intimacy within the Japanese empire of the early twentieth century had a far broader and more popular influence on discourse makers, social leaders, and intellectuals than previously understood. Kim investigates representations of Korean-Japanese intimate and familial relationships—including romance, marriage, and kinship—in literature, media, and cinema, alongside documents that discuss colonial policies during the Japanese protectorate period and colonial rule in Korea (1905–45). Focusing on Korean perspectives, Kim uncovers political meaning in the representation of intimacy and emotion between Koreans and Japanese portrayed in print media and films. Imperial Romance disrupts the conventional reading of colonial-period texts as the result of either coercion or the disavowal of colonialism, thereby expanding our understanding of colonial writing practices. The theme of intermarriage gave elite Korean writers and cultural producers opportunities to question their complicity with imperialism. Their fictions challenged expected colonial boundaries, creating tensions in identity and hierarchy, and also in narratives of the linear developmental trajectory of modernity. Examining a broad range of writings and films from this period, Imperial Romance maps the colonized subjects' fascination with their colonizers and with moments that allowed them to become active participants in and agents of Japanese and global imperialism.
In 1948, two years before Cold War tensions resulted in the invasion of South Korea by North Korea that started the Korean War, the first major political confrontation between leftists and rightists occurred on the South Korean island of Cheju, where communist activists disrupted United Nations-sanctioned elections and military personnel were deployed. What began as a counterinsurgency operation targeting 350 local rebels resulted in the deaths of roughly 30,000 uninvolved civilians, 10 percent of the island's population. Su-kyoung Hwang's Korea's Grievous War recounts the civilian experience of anticommunist violence, beginning with the Cheju Uprising in 1948 and continuing through the Korean War until 1953. Wartime declarations of emergency by both the U.S. and Korean governments were issued to contain communism, but a major consequence of their actions was to contribute to the loss of more than two million civilian lives. Hwang inventories the persecutions of left-leaning intellectuals under the South Korean regime of Syngman Rhee and the executions of political prisoners and innocent civilians to "prevent" their collaboration with North Korea. She highlights the role of the United States in observing, documenting, and yet failing to intervene in the massacres and of the U.S. Air Force's three-year firebombing campaign in North and South Korea. Hwang draws on archival research and personally conducted interviews to recount vividly the acts of anticommunist violence at the human level and illuminate the sufferings of civilian victims. Korea's Grievous War presents the historical background, political motivations, legal bases, and social consequences of anticommunist violence, tracing the enduring legacy of this destruction in the testimonies of survivors and bereaved families that only now can give voice to the lived experience of this grievous war and its aftermath.
Chong Son's albums of landscape paintings celebrate the scenic beauty of Korean rivers and mountains, focusing on the capital Hanyang, now Seoul, the Han River, the East Sea and the world-famous Diamond Mountain. This title offers an insight into the distinctive art and literati culture of Korea in the early eighteenth century.
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