Martin Peters stumbles upon an odd light that morphs into a black oval. Swallowed up the by shape, he finds himself inside a UFO. Alien creatures perform unimaginable experiments on him. Finally, Martin is returned to Earth, left in the high mountains of Spain. He is found and taken to a hospital where specialists discover that his condition is something not of this world. When he awakens, he realizes he is now in another prison, where his "mentors" will hold him, at any cost, to discover secrets that may be locked inside his subconscious. Will Martin escape from his prison-like existence? And who should he fear most, captors from another world or his own?
OXFORD SHAKESPEARE TOPICS General Editors: Peter Holland and Stanley Wells Oxford Shakespeare Topics provide students and teachers with short books on important aspects of Shakespeare criticism and scholarship. Each book is written by an authority in its field, and combines accessible style with original discussion of its subject. The book shows how the reception and remodelling of the works and the man directed the Victorian construction of identity, personal, national and aesthetic, as well as laying foundations that later Shakespeareans could continue, extend or reject. Shakespeare was one of the most pervasive intellectual, aesthetic, and social forces of the Victorian period, with the plays in print, performance, and as moral examples penetrating to every aspect of life in every social class and situation. Shakespeare and the Victorians offers an analytical survey of the main forms and paths of this presence. It begins with a discussion of the processes of editing and publishing the plays, embracing both cholarly and popular editions. It moves to consider performance styles, quoting original reviews to assess methods of acting and production. Music for the Shakespearean stage, now largely forgotten, is reassessed, as is the varied tradition of Shakespeare painting that extends far beyond the familiar images of the Pre-Raphaelites. Shakespearian themes dominate in the novel, especially the conflict between town and country and the changing status of women; poetry shows the power of Shakespeare in the use of iambic pentameter and the sonnet form. The plays are fragmented through the study of individual character and their use as moral compendia, and the search for 'Shakespeare the man' in biographies, portraiture and pilgrimages to the birthplace. A concluding chapter looks at the last two decades in terms of editing, performance, the renewed importance of the Sonnets, and new performance styles.
Martin Peters stumbles upon an odd light that morphs into a black oval. Swallowed up the by shape, he finds himself inside a UFO. Alien creatures perform unimaginable experiments on him. Finally, Martin is returned to Earth, left in the high mountains of Spain. He is found and taken to a hospital where specialists discover that his condition is something not of this world. When he awakens, he realizes he is now in another prison, where his "mentors" will hold him, at any cost, to discover secrets that may be locked inside his subconscious. Will Martin escape from his prison-like existence? And who should he fear most, captors from another world or his own?
Jack is a whistle blowing Scientist. An unpleasant, interfering, troublemaker, he's convinced work colleagues are falsifying reports, even breaking the law in an effort at gaining results. With his battle cry being 'No-one cares any more' he determines to release details of their transgressions, without, of course, incriminating himself. Matt is a reporter full of anger and resentment, opinionated and ready to blame others for his shortcomings. Whilst he's a competent reporter, he's easily distracted and likes a tipple. He would never be considered for promotion, regardless to the number of times he applies. Anne writes a twice weekly gossipy 'show-biz' column, its success down to her hard work. Since her husband's death, alone with no family, she struggles with even the simplest of tasks and appears to be heading for a breakdown. Jack, Matt and Anne, not the likeliest of partnerships to champion a cause, undeterred they take on the might of the government and step into a world of espionage and treason. However, it's not long before they understand an Inconvenient Truth - The fact something is true doesn't imply they can automatically publish the incriminating details.
The heroine of this novel is a rational, rural Maine physician who finds herself courted by a Boston lawyer who insists that marriage will not end her career. The novel takes on a subject unusual for 1882: women's conflict between marriage and meaningful work. Phelps (1844-1911), one of the most prolific and popular authors of her time, masterfully entertains while raising class and gender consciousness.
Featuring case vignettes from nearly 30 years of Dr. Yudofsky's clinical practice and incorporating the knowledge of gifted clinicians, educators, and research scientists with whom he has collaborated throughout that time, Fatal Flaws: Navigating Destructive Relationships With People With Disorders of Personality and Character uniquely captures the rapidly increasing body of clinical and research information about people with severe and persistent personality and character disorders. Within these pages, the author brings to life the psychopathologies of personality and character disorders through vivid vignettes based on composites of his many patients and their most important relationships -- while meticulously changing the identifying facts and relevant details to protect confidentiality. Covering the clinical course, treatment, genetics, biology, psychology, and destructive consequences of hysterical (histrionic), narcissistic, antisocial, paranoid, obsessive-compulsive, addictive, borderline, and schizotypal personality disorders, Fatal Flaws stands out in the literature for these powerful reasons: It is written for an unusually broad audience, from mental health students and trainees of all disciplines, to highly experienced clinicians, to patients who suffer from or are in destructive relationships with people with personality disorders. It is a hybrid -- part psychiatric textbook for clinicians and part self-help manual for patients and clients with personality and character disorders. It is designed to supplement treatment by providing patients with practical, evidence-based information about personality disorders and character flaws. It is particularly valuable to patients who are in psychotherapy, in part, because they are entangled in destructive relationships with people with disorders of personality and/or character. It is written in the first person, with the author directly communicating with a patient who either has a personality or character disorder or is in an important relationship with a person who has such a disorder. It is useful for people who are uncertain whether they or their loved ones have personality or character disorders, and who want to know more about these conditions and their treatments before making a decision about securing the help of a mental health professional. Fatal Flaws: Navigating Destructive Relationships With People With Disorders of Personality and Character is a compelling volume that provides the essential information and a realistic sense of the clinical experience required to inform, orient, and support novice mental health professionals and seasoned practitioners alike as they face the ongoing challenges of treating patients or clients with personality or character disorders. It should also prove to be an invaluable resource for those who wish practical and effective help in understanding and changing their destructive relationships with people who have severe and persistent disorders of personality and/or character.
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