CBC BOOKS' "CANADIAN POETRY COLLECTIONS TO WATCH FOR IN FALL 2024" Imagining a vast blue expanse of what a poem might be The Sky Is a Sky in the Sky is a laboratory of poetic approaches and experiments. It mines the personal and imaginary lives of Stuart Ross and portraits of his grief and internal torment, while paying homage to many of the poet’s literary heroes. It contains new entries in Ross’s ongoing Razovsky poems, prose poems, a remix of an entire poetry book by dear friend Nelson Ball, a couple of collaborative poems, some one-line poems, and lots more. In an era of thematic poetry and conceptual poetry books, this collection is a celebration of possibilities and miscellany. "Stuart Ross doesn’t hold back, happily for us. In letting his poems go where they want to go, sometimes by leaps and bounds, he reminds us that poetic rules are meant to be broken and that the results, in the hands of a skillful poet, can be moving, or amusing, or subversive, or exhilarating, or all of the above. His work brims with surprises. From start to finish, The Sky Is a Sky in the Sky is a delightful and thoroughly engaging book." – Charles North, author of News, Poetry and Poplars: Poems/Selected Prose "Here, we’re invited to gawk at horror and kick it in the pants, but also to notice the horror within us, because we all have it, and Ross doesn’t shy away from the odd and uncomfortable. He’s easy with sentiment, honest about grief, clear about death being our final destination, and behooves us mightily to enjoy it while we can. This book contains some of Ross’s greatest love songs for the dead as well as some sideways laments for the living – in these poems we can see ourselves and our friendships, our future losses, and present mysteries examined with no preference or perfunctory reverence. Each time I read Stuart Ross’s work I feel grateful, hopeful, reminded to lift my skeleton up and enjoy the abundant wonders the world holds." – Gillian Wigmore, author of Orient "Stuart Ross is one of the most important poets to have found himself somehow on planet Earth, where readers have been rejoicing in his work for nearly six decades. He makes it seem easy: open your eyes, your ears, your heart; look into the world and write. However, to do so with such unflinching candour, many-layered humour, the deepest emotional intelligence, and rarest lyric acumen? No, you have to be Stuart Ross to bring all of everything to bear upon being alive in one’s time. To rejoice is also to mourn, of course, and these poems are afraid to do neither. Ross trusts poetry more than any of us, so poetry trusts him back: this book dazzles the very sunlight with what it knows, including of the estrangements of the self upon which poetry so often insists, and the fictitiousness of borders between the present and the past, dream and not-dream, hilarity and grief. Whoever you are, including the laws of physics, you will be startled and moved by The Sky Is a Sky in the Sky. At times a momentarily posthumous point of view propels the poems, but do not grieve (or do): the book is immortal." – Lisa Fishman, author of Mad World, Mad Kings, Mad Composition
Spanning three different cities across the United States, Stuart Cosgrove's bestselling Soul Trilogy blends history, culture and music to paint a vivid picture of social change through the last years of the 1960s. Strap in for a journey through urban riots, escalating war in Vietnam, police corruption, the assassination of Martin Luther King, the rise of musical pioneers such as Aretha Franklin, Elvis Presley and Johnny Cash, the arrest of the Black Panther members and their controversial trials, and much, much more. Award-winning and critically acclaimed, these are books that no soul music enthusiast should be without. 'Cosgrove's lucid, entertaining prose is laden with detail, but never at the expense of the wider narrative' – Clash Magazine Titles included in this bundle are: Detroit 67 Memphis 68 Harlem 69
English Translation and Classical Reception is the first genuine cross-disciplinary study bringing English literary history to bear on questions about the reception of classical literary texts, and vice versa. The text draws on the author’s exhaustive knowledge of the subject from the early Renaissance to the present. The first book-length study of English translation as a topic in classical reception Draws on the author’s exhaustive knowledge of English literary translation from the early Renaissance to the present Argues for a remapping of English literary history which would take proper account of the currently neglected history of classical translation, from Chaucer to the present Offers a widely ranging chronological analysis of English translation from ancient literatures Previously little-known, unknown, and sometimes suppressed translated texts are recovered from manuscripts and explored in terms of their implications for English literary history and for the interpretation of classical literature
Francey Neeley's life has been torn to pieces. Her handsome and charming Irish boyfriend turned out to be a terrorist who was only after her fortune and planned to kill her once he got it. His "sister" forced Francey to help her attempt a rescue when his cover was blown during a mission to assassinate a world leader. Francey barely escaped with her life in the shoot-out. Now Francey's secluded herself amidst the beautiful, healing atmosphere of Belle Reste, her cousin's resort on a Jamaican island. She's emotionally shattered and remains under a cloud of suspicion even after being interrogated by every major law enforcement agency. Warning bells go off from the moment British school teacher Michael Dowd arrives to recuperate from a car accident. Though he's obviously recovering from serious injuries, she sees glimpses of a coldly efficient predator that make her wary of her intense attraction to him. She made one horrible mistake already . . . Michael Dowd is there to find out the truth about her involvement; he'll seduce her if that's what it takes. And if he learns she was one of the terrorists, he'll kill her. But someone on the island is trying to kill them both. How will Francey know who to trust when Michael disappears and reappears as a perfect stranger? Who is the villain, and who is the savior? The wrong answer means death. Anne Stuart is currently celebrating forty years as a published novelist. She has won every major award in the romance field and appeared on the NYT Bestseller List, Publisher's Weekly, and USA Today. Anne Stuart currently lives in northern Vermont.
Along the coast of Fife, in villages like Culross and Pittenweem, history records that some women were executed as witches. Nevertheless, the reality of what happened the night that Janet Cornfoot was lynched at Pittenweem is hard to grasp as one sits by the harbour watching the fishing boats unload their catch and the pleasure boats rising with the tide. How could people do this to an old woman? Why was no-one ever brought to justice? And why would anyone defend such a lynching? The task of the historian is to try to make events in the past come alive and seem less strange. The details of the witch-hunt are fascinating. Some of the anecdotes are strange. The modern reader finds it hard to imagine illness being blamed on the malevolence of a beggar woman denied charity, or the economic failure of a sea voyage being attributed to the village hag, not bad weather. Witch-hunting was related to ideas, values, attitudes and political events. It was a complicated process, involving religious and civil authorities, village tensions and the fears of the elite. The witch-hunt in Scotland also took place at a time when one of the main agendas was the creation of a righteous or godly society. As a result, religious authorities had control over aspects of people's lives which seem as strange to us today as beliefs about magic or witchcraft. It was not accidental that the witch-hunt in Scotland, and specifically in Fife, should have happened at this time. This book tells the story of what occurred over a period of a century and a half, and offers some explanation as to why it occurred.
Detroit 67 is the story of Motor City in the year that changed everything. Twelve chapters take you on a turbulent year-long journey through the drama and chaos that ripped through the city in 1967 and tore it apart in personal, political and interracial disputes. It is the story of Motown, the break-up of The Supremes and the damaging disputes at the heart of the most successful African-American music label ever. Set against a backdrop of urban riots, escalating war in Vietnam and police corruption, the book weaves its way through a year when soul music came of age and the underground counterculture flourished. LSD arrived in the city with hallucinogenic power and local guitar band MC5 – self-styled holy barbarians of rock – went to war with mainstream America. A summer of street-level rebellion turned Detroit into one of the most notorious cities on earth, known for its unique creativity, its unpredictability and self-lacerating crime rates. The year 1967 ended in social meltdown, rancour and intense legal warfare as the complex threads that held Detroit together finally unravelled. Features the true story of DETROIT, now a major motion picture.
Does anthropology have more to offer than just its texts? In this timely and remarkable book, Stuart Kirsch shows how anthropology can—and why it should—become more engaged with the problems of the world. Engaged Anthropology draws on the author’s experiences working with indigenous peoples fighting for their environment, land rights, and political sovereignty. Including both short interventions and collaborations spanning decades, it recounts interactions with lawyers and courts, nongovernmental organizations, scientific experts, and transnational corporations. This unflinchingly honest account addresses the unexamined “backstage” of engaged anthropology. Coming at a time when some question the viability of the discipline, the message of this powerful and original work is especially welcome, as it not only promotes a new way of doing anthropology, but also compellingly articulates a new rationale for why anthropology matters.
Ogden Nash was a rare poet. He celebrated the ordinary with delight and curiosity: husbands and wives at work, children at play, a society in motion. He studied popular culture with a penetrating eye and wrote about America, its icons, habits, and affectations with humor and levity. He struggled with comparisons to “serious” poets, those heroes of the canon who abandoned the rhyme and meter that Nash found crucial to his style of writing. His witty, insightful, and graceful vignettes captured those moments in life that defy heavy-handed treatment. Nash did not live out the stereotype of the aloof poet-recluse. In addition to his writing, Nash pursued publishing, screenwriting, and a rigorous lecture circuit. This self-styled [pet of wide appeal appeared in newspapers and magazines found in homes across the country, accessible publications such as Life, New Yorker, Cosmopolitan, SportsIllustrated, Reader’sDigest, and McCall’s. At a time when children’s literature meant Winnie-the-Pooh, Nash produced verses for and about young people that amused, educated, and more importantly, didn’t pander or lecture. These poems and collections, including Custard the Dragon, The New Nutcracker Suite and Other Innocent Verses, A Boy Is a Boy, and Girls Are Silly, were classics of the genre. Nash left behind an invaluable body of work: charming, clever, and utterly unique.
This book, first published in 1983, looks at discipline in industry and shows how private justice is integrally bound up with formal law. It is a timely examination of the forms of social control that exist ostensibly outside the formal legal system but on which it crucially depends. Private Justice: Towards Integrated Theorising in the Sociology of Law will be of interest to students of law, sociology, and criminology. Dr. Stuart Henry is currently Professor and Director of the School of Public Affairs at San Diego State University where he has been since 2006. Since leaving Trent Polytechnic (now Nottingham Trent University) in 1983 he has held positions in the United States at Eastern Michigan University, Wayne State University, and the University of Texas at Arlington. He is the author or editor of 30 books and over 100 articles on crime, deviance and social control.
Are you struggling to revise for Macbeth? Are you finding it difficult to remember all the characters, alongside the plot, themes and key quotations? If you are 100 for 100: Macbeth has got you covered! 100 for 100: Macbeth is a revision workbook to help GCSE students revise the play thoroughly, regardless of exam board. Containing 100 days' worth of activities, 100 for 100: Macbeth covers the entirety of Shakespeare's tragedy, allowing you to revise in great detail over an extended period of time to help reduce the stress of exams. Accompanied by a full set of answers and guidance, each day contains: - a series of 20 to 25 minute activities designed to help you revise the plot, characters, themes, motifs, symbols and the context of the play. - a quotation of the day with accompanying commentary and analysis so that you can confidently sit your exams armed with a wealth of ideas about Shakespeare's intent. - directions as to what scenes you need to revise if you are struggling with the knowledge needed to complete the tasks. - ideas for extra revision that will push, stretch and challenge those of you who are aiming for 7, 8 or 9. 100 days. 100 activities. Your time starts now!
Synthesizing the evidence for magic and witchcraft in 16th-century Scotland, this book profiles unpublished manuscripts, 19th- and early-20th-century transcriptions, and passing remarks in the histories of shires and boroughs. Preliminary suggestions are made about how these sources can be interpreted, so that nature scholars of Scottish witchcraft in particular will be able to more easily construct their theories with the analyses provided.
This fast-moving narrative, taking place in the Regency era, brings to life contemporary issues of empire and international conflict and explores some of the major social issues of the time, such as colonialism and slavery. It vividly recreates the intimate life of a man on the edge of upper-class society, who became embroiled in the tumult of duels and adulterous liaisons. Drawing heavily on meticulously researched, fully notated and fully referenced primary material, the book ranges from the American Revolutionary War to the life of a naval officer in the fight against the tyranny of Napoleon, sharing the triumphs and hardships of life ashore and on board a man o’ war. James Murray’s mother, the extraordinary Eliza Smith, flies in the face of the conventional well-bred Regency lady as she claims mother status for six children from at least four different fathers and becomes a wealthy woman through her involvement in slave-based plantation agriculture. James’ father, the illegitimate offspring of the illustrious Elibank Murrays, was a British Army Officer who left a unique diary of his involvement in the American Revolutionary War. The story moves from early colonial settlement in Florida, Quebec and the Bahamas and ends in the Highlands, where James’ new wife becomes involved in a adulterous liaison. James, who was then challenged to two duels, succumbed to ill health and moved back to his childhood home in New Abbey in southwest Scotland. A Scion of Heroes is an easy-to-read but fully referenced and researched adult biography that will be of interest not only to biography aficionados but also to local history enthusiasts and students of social and military history of the Georgian period of British history.
The second book in the dramatic and intriguing story about the colonisation of Australia: a country built on blood, passion, and dreams. Life in the new colony of Australia is tough — tough for those who are free and even tougher for the prisoners. Many succumb to disease and starvation. Many try to escape, but only few succeed, and those who fail are brutally punished. Yet some, including Jenny Taggart, are determined to make this savage land their own. She is betrayed in friendship and in love, but she never parts with her vision: a future as a free woman. Rebels and outcasts, they fled halfway across the earth to settle the harsh Australian wastelands. Decades later — ennobled by love and strengthened by tragedy — they had transformed a wilderness into a fertile land. And themselves into The Australians.
A New York Times Notable Book and Winner of The Los Angeles Times Book Prize, Neville's debut remains "a flat-out terror trip" (James Ellroy) and "one of the best Irish novels, in any genre, of recent times" (John Connolly). Northern Ireland’s Troubles may be over, but peace has not erased the crimes of the past. Gerry Fegan, a former paramilitary contract killer, is haunted by the ghosts of the twelve people he slaughtered. Every night, at the point of losing his mind, he drowns their screams in drink. But it’s not enough. In order to appease the ghosts, Fegan is going to have to kill the men who gave him orders. From the greedy politicians to the corrupt security forces, the street thugs to the complacent bystanders who let it happen, all are called to account. But when Fegan’s vendetta threatens to derail a hard-won truce and destabilize the government, old comrades and enemies alike want him dead.
This well-established and accessible text has been completely revised in this expanded fifth edition. Each chapter has been updated, often extensively, to reflect current thinking, and an important new chapter on death, dying and bereavement has been added. Providing a comprehensive overview of the psychological processes of ageing, the text examines what constitutes older age, and presents the latest theory and research in a variety of domains, including intellectual change in later life; ageing and memory; ageing and language; ageing, personality and lifestyle; and mental health and ageing. Consideration is given to the problems inherent in measuring the psychological status of older people, and the author looks to the future to answer the question “what will constitute 'being old'?” This new edition is essential reading for all those working or training to work with older people, and a key text for students.
The political life of Ernest W. McFarland—lawyer, judge, senator, governor, Arizona Supreme Court justice, and businessman—is well documented. Less known is his life as a family man, country lawyer, rural judge, and visionary. In Call Him Mac, Gary L. Stuart renders a nuanced portrait of a young, ambitious, restless, and smiling man on the verge of becoming a political force headed for the highest levels of governance in Arizona and America. Stuart reveals how Mac became an expert on water law and a visionary in Arizona’s agricultural future. Using interviews with friends and family and extensive primary source research, Stuart spotlights Mac’s unerring focus as a loving husband, father, and grandfather, even in times of great personal tragedy. Mac’s commitments to his family mirrored his sense of fiduciary duty in public life. His enormous political successes were answers to how he dealt with threats to his own life in 1919, the loss of his first wife and three children in the 1930s, and a political loss in 1952 that no one saw coming. Stuart writes the little-known story of how Arizona’s culture and citizens shaped this energetic, determined, likable lawyer. The fame Mac created was not for himself but for those he served in Arizona and beyond. Mac’s unparalleled political success was fermented during his early Arizona years, the bridge that brought him to his future as an approachable and likable elder statesman of Arizona politics.
Wright and Palmer explore the implications of heightened state repression and control of minority religions in an increasingly multicultural, globalized world."--Back cover.
In this landmark book, Stuart Macintyre explains how a country traumatised by World War I, hammered by the Depression and overstretched by World War II became a prosperous, successful and growing society by the 1950s. An extraordinary group of individuals, notably John Curtin, Ben Chifley, Nugget Coombs, John Dedman and Robert Menzies, re-made the country, planning its reconstruction against a background of wartime sacrifice and austerity. The other part of this triumphant story shows Australia on the world stage, seeking to fashion a new world order that would bring peace and prosperity. This book shows the 1940s to be a pivotal decade in Australia. At the height of his powers, Macintyre reminds us that key components of the society we take for granted – work, welfare, health, education, immigration, housing – are not the result of military endeavour but policy, planning, politics and popular resolve.
Societal notions of fathers have evolved from the distant breadwinner through genial dad and masculine role model to today's equal co-parent. This book seeks to explore the spaces and movements of men-as-fathers. Weaving together theories of space, sexuality and political identity with the stories of fathers from a range of sources, including popular culture, it discusses the way in which geographies of space can disconnect and disempower fathers, while societal notions marginalize and disassociate them from raising children. It explores how fathering identities are shaped by family and community spaces and aims to move the definition of 'fathering' beyond its definition in opposition to 'mothering'. In doing so, it provides insights into the contradictory nature of father's lives and argues that, rather than moving away from the traditional notions of masculine roles, that the emotional work of fathering in itself is an heroic act.
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