02 A superb selection of drawings from the extraordinary collection of Stuart Cary WelchStuart Cary Welch’s collection of Persian, Turkish, and Indian art is renowned throughout the world for its quality and depth. In 1999, Welch made a generous gift of drawings to the Harvard University Art Museums, which form the basis of the present catalogue. Spanning five centuries and extending from Istanbul to Calcutta, these drawings represent the great empires of the Ottomans in Turkey, the Safavids in Iran, and the Mughals in India as well as numerous regional Hindu kingdoms. This beautifully illustrated book presents more than seventy exquisite drawings—some of which are counted among the greatest Indian, Persian, or Turkish drawings ever made—and explores the connections between the arts and artists of the three cultures.As with drawings from European traditions, the works display an immediacy that is often absent in paintings. The drawings deal with fascinating and diverse subjects ranging from court portraits, stories from fable and myth, and hunting scenes to animals, flowers, and people sketched from life. The contributors to the book shed light on various aspects of the drawings and the artists, and Welch offers an engaging account of his trials and triumphs while acquiring the works in his unparalleled collection. This book is the catalogue for an exhibition at the Asian Art Museum of San Francisco (September 17 to November 28, 2004) and at the Harvard University Art Museums (March 19 to June 12, 2005).Stuart Cary Welch is curator emeritus, Department of Islamic and Later Indian Art, Harvard University Art Museums; Kimberly Masteller is assistant curator of Islamic and Later Indian Art at the Arthur M. Sackler Museum, Harvard University Art Museums. A superb selection of drawings from the extraordinary collection of Stuart Cary WelchStuart Cary Welch’s collection of Persian, Turkish, and Indian art is renowned throughout the world for its quality and depth. In 1999, Welch made a generous gift of drawings to the Harvard University Art Museums, which form the basis of the present catalogue. Spanning five centuries and extending from Istanbul to Calcutta, these drawings represent the great empires of the Ottomans in Turkey, the Safavids in Iran, and the Mughals in India as well as numerous regional Hindu kingdoms. This beautifully illustrated book presents more than seventy exquisite drawings—some of which are counted among the greatest Indian, Persian, or Turkish drawings ever made—and explores the connections between the arts and artists of the three cultures.As with drawings from European traditions, the works display an immediacy that is often absent in paintings. The drawings deal with fascinating and diverse subjects ranging from court portraits, stories from fable and myth, and hunting scenes to animals, flowers, and people sketched from life. The contributors to the book shed light on various aspects of the drawings and the artists, and Welch offers an engaging account of his trials and triumphs while acquiring the works in his unparalleled collection. This book is the catalogue for an exhibition at the Asian Art Museum of San Francisco (September 17 to November 28, 2004) and at the Harvard University Art Museums (March 19 to June 12, 2005).Stuart Cary Welch is curator emeritus, Department of Islamic and Later Indian Art, Harvard University Art Museums; Kimberly Masteller is assistant curator of Islamic and Later Indian Art at the Arthur M. Sackler Museum, Harvard University Art Museums.
One of the most interesting figures to emerge at the turn of the twentieth century was Ambrose Bierce, whose acerbic columns in the San Francisco Examiner spread his fame as America's most bitter cynic and misanthrope, and whose disappearance into Mexico surrounded his name with an aura of mystery. Although best known during his lifetime for his journalism and always critical of his own writing—"the magnificent intention mocked by the actual achievement"—Bierce's fiction endures, especially his short stories about the Civil War. Originally published in the 1890s and rediscovered in the 1920s, the Civil War stories are filled with unsparing descriptions of death and suffering, disillusionment and fatalism. They also show a concern for form and craftsmanship, a controlled irony, and an economy of detail that are distinctly modern. In this pioneering study of Bierce's stories, Stuart Woodruff examines the best and worst of Bierce's fiction with clarity and excellent critical sense, and he traces the causes of Bierce's success and failure as a writer, analyzing his inability to reconcile the extremes of temperament and belief that marked his life and give his stories their characteristic form. Among the pieces discussed: "An Occurrence at Owl Creek Bridge," "The Mocking-bird," "One of the Missing," "Chickamauga," "Ha•ta the Shepherd," "What I Saw at Shiloh," and excerpts from The Devil's Dictionary and Tales of Soldiers and Civilians.
A panoramic social history of hurricanes in the Caribbean The diverse cultures of the Caribbean have been shaped as much by hurricanes as they have by diplomacy, commerce, or the legacy of colonial rule. In this panoramic work of social history, Stuart Schwartz examines how Caribbean societies have responded to the dangers of hurricanes, and how these destructive storms have influenced the region's history, from the rise of plantations, to slavery and its abolition, to migrations, racial conflict, and war. Taking readers from the voyages of Columbus to the devastation of Hurricane Katrina, Schwartz looks at the ethical, political, and economic challenges that hurricanes posed to the Caribbean’s indigenous populations and the different European peoples who ventured to the New World to exploit its riches. He describes how the United States provided the model for responding to environmental threats when it emerged as a major power and began to exert its influence over the Caribbean in the nineteenth century, and how the region’s governments came to assume greater responsibilities for prevention and relief, efforts that by the end of the twentieth century were being questioned by free-market neoliberals. Schwartz sheds light on catastrophes like Katrina by framing them within a long and contentious history of human interaction with the natural world. Spanning more than five centuries and drawing on extensive archival research in Europe and the Americas, Sea of Storms emphasizes the continuing role of race, social inequality, and economic ideology in the shaping of our responses to natural disaster.
Hugh M. Hefner’s legacy of enduring free speech and free press values is embodied in the Hugh M. Hefner First Amendment Awards, established in 1979, which honor leading First Amendment scholars and advocates. Hefner also had a lifelong interest in film censorship issues and supported teaching about them at the University of Southern California for 20 years. His deep commitment to these values was confirmed when the author was granted unrestricted access to over 3,000 personal scrapbooks, which Hefner had kept in order to track free speech and press issues during his lifetime. The format of the book is an homage to the in-depth conversational interviews Hefner pioneered as the editor and publisher of Playboy magazine. Stuart Brotman conducted in-person conversations with eight persons who in their lifetimes have come to represent a “greatest generation” of free speech and free press scholars and advocates. Notably, these conversations include: Geoffrey R. Stone Floyd Abrams Nadine Strossen Burt Neuborne David D. Cole Lucy A. Dalglish Bob Corn-Revere Rick Jewell
Relevant for experienced and emerging social work and human service practitioners alike, this book explores the uniquely challenging, yet seemingly ubiquitous issue of youth violence. It provides an authentic and accessible discussion of the theories and evidence that inform practice with youth violence alongside the voices of practitioners and the young people they work with. These voices are drawn from work with the Name.Narrate.Navigate (NNN) program for youth violence. NNN provides a trauma-informed, culturally safe preventive-intervention for young people who use and experience violence, and specialist training for the workers who support them. The program embraces creative methods as a bridge between contemporary evidence on trauma and violence and Aboriginal healing practice. The dual focus of the program is informed and interconnected by action research involving Aboriginal Elders and community members, practitioners, and key service stakeholders, including young people with a lived experience of violence. This book is ideal for use in professional cross-disciplinary programs, such as criminology, sociology, social work, and psychology, across post-secondary, vocational, and university sectors.
Ogden Nash was a rare poet. He celebrated the ordinary with delight and curiosity: husbands and wives at work, children at play, a society in motion. He studied popular culture with a penetrating eye and wrote about America, its icons, habits, and affectations with humor and levity. He struggled with comparisons to “serious” poets, those heroes of the canon who abandoned the rhyme and meter that Nash found crucial to his style of writing. His witty, insightful, and graceful vignettes captured those moments in life that defy heavy-handed treatment. Nash did not live out the stereotype of the aloof poet-recluse. In addition to his writing, Nash pursued publishing, screenwriting, and a rigorous lecture circuit. This self-styled [pet of wide appeal appeared in newspapers and magazines found in homes across the country, accessible publications such as Life, New Yorker, Cosmopolitan, SportsIllustrated, Reader’sDigest, and McCall’s. At a time when children’s literature meant Winnie-the-Pooh, Nash produced verses for and about young people that amused, educated, and more importantly, didn’t pander or lecture. These poems and collections, including Custard the Dragon, The New Nutcracker Suite and Other Innocent Verses, A Boy Is a Boy, and Girls Are Silly, were classics of the genre. Nash left behind an invaluable body of work: charming, clever, and utterly unique.
Travels with Anne is a hilarious account of vacation misadventures. Join Stuart Anderson and his ever-faithful companion, Anne, as they try their luck in various unlikely vacation spots, including: southern Africa, where Anne and Stuart learn about the perils of traveling with a guide who knows absolutely nothing about the country; Central America, where the vacationers learn about humidity, jungle insects, and why it doesnt pay to drop your eyeglasses into the ocean; the Yukon Territory, where Anne and Stuart find that grizzly bears can be very annoying; the Canadian High Arctic, where it turns outif you can believe itthat the weather can be pretty darned bad; Trinidad and Tobago, where the most notable things about the weather are the rain and the fact that it never stops; Mexicos Copper Canyon, where Stuart and Anne are lucky enough to travel with the quintessential Texas windbag; and, finally, West Texass Chihuahan Desert, where the vacationers enjoy missing car keys, flat tires, and repeated encounters with seemingly insane bird watchers. Along with being endlessly funny, Travels with Anne is also a surefire cure for wanderlust. Read this book, and for heavens sake stay at home.
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