An introductory guide to Othello in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of screen adaptations, a sampling of critical opinion and further reading.
Peter Hall (1930–2017) is one of the most influential directors of Shakespeare's plays in the modern age. Under his direction, the Royal Shakespeare Company and the National Theatre rediscovered Shakespeare as a writer who could comment incisively on the modern world. Productions such as Coriolanus, The Wars of the Roses and Hamlet established his reputation as a director able to bring Shakespeare to the heart of contemporary politics. He later cemented his reputation with epic productions of Coriolanus and Antony and Cleopatra at the National. With the Peter Hall Company, Hall continued to work intensively on Shakespeare, directing plays in the UK and America. Reviewing Hall's work in its cultural and creative context, this study explores his approach to directing and rehearsal. This is the first book to analyse all of Hall's professional Shakespeare productions in a historical context, from the Suez crisis to the 9/11 attacks and beyond.
An introductory guide to Othello in performance offering a scene-by-scene theatrically aware commentary, contextual documents, a brief history of the text and first performances, case studies of key productions, a survey of screen adaptations, a sampling of critical opinion and further reading.
Measure for Measure generates much debate and is strikingly modern. This introductory guide offers a scene-by-scene theatrically aware commentary, a brief history of the text and first performance, studies of influential performances, a survey of film and TV adaptation, a wide sampling of critical opinion and annotated further reading.
Peter Hall (1930–2017) is one of the most influential directors of Shakespeare's plays in the modern age. Under his direction, the Royal Shakespeare Company and the National Theatre rediscovered Shakespeare as a writer who could comment incisively on the modern world. Productions such as Coriolanus, The Wars of the Roses and Hamlet established his reputation as a director able to bring Shakespeare to the heart of contemporary politics. He later cemented his reputation with epic productions of Coriolanus and Antony and Cleopatra at the National. With the Peter Hall Company, Hall continued to work intensively on Shakespeare, directing plays in the UK and America. Reviewing Hall's work in its cultural and creative context, this study explores his approach to directing and rehearsal. This is the first book to analyse all of Hall's professional Shakespeare productions in a historical context, from the Suez crisis to the 9/11 attacks and beyond.
The Henry VI plays are exciting, dark plays. In their day, they were among Shakespeare's most popular works, but they fell out of fashion - until the twentieth century, when the theatre rediscovered the plays' potency and their uncanny resonance with contemporary issues. In a story which stretches over thirty years, Shakespeare dramatises the fall of the House of Lancaster and creates some of his most compelling characters, among them the Queen Margaret and the wildly ambitious Richard, Duke of Gloucester (the future Richard III). With these plays, Shakespeare shows 'England bleeding'. This book, the first major study of the Henry VI plays in performance, focuses on the cultural context of modern British productions which have explored Shakespeare's troubling depiction of England in crisis. Chapters are devoted to full-length studies of the following productions: the Birmingham Rep's, staged during the Festival of Britain; Peter Hall and John Barton's landmark The Wars of the Roses; Terry Hands' Folio-text trilogy; Michael Bogdanov's 'punk' Shakespeare; Adrian Noble's dazzling The Plantagenets; Katie Mitchell's Bosnian Henry VI: Part Three; and Michael Boyd's award-winning cycle for the RSC. The plays have also been televised several times and we look at the rarely-seen series An Age of Kings and Jane Howell's celebrated productions for the BBC.
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