What is the relation between the novel and ethical thought? Henry James and the Promise of Fiction argues that the answer to this question lies not in the content of a work of fiction but in its form. Stuart Burrows explores the relationship between James's ethical vision and his densely metaphorical style, his experiments with narrative time, and his radical reimagining of perspective. Each chapter takes as its starting point a different aspect of an issue at the heart of moral philosophy: the act of promising. Engaging with a range of moral philosophers and literary theorists, most notably David Hume, Friedrich Nietzsche, Paul Ricoeur, and Jacques Derrida, Henry James and the Promise of Fiction argues that James's formal experimentation represents a significant contribution to ethical thought in its own right.
Literary critics have traditionally suggested that the invention of photography led to the rise of the realist novel, which is believed to imitate the detail and accuracy of the photographic image. Instead, says Stuart Burrows, photography's influence on American fiction had less to do with any formal similarity between the two media than with the capacity of photography to render American identity and history homogeneous and reproducible. The camera, according to Burrows, provoked a representational crisis, one broadly modernist in character. Since the photograph is not only a copy of its subject but a physical product of it, the camera can be seen as actually challenging mimetic or realistic theories of representation, which depend on a recognizable gap between original and reproduction. Burrows argues for the centrality of photography to a set of writers commonly thought of as hostile to the camera-including Nathaniel Hawthorne, Henry James, William Faulkner, and Zora Neale Hurston. The photographic metaphors and allusions to the medium that appear throughout these writers' work demonstrate the ways in which one representational form actually influences another--by changing how artists conceive of identity, history, and art itself. A Familiar Strangeness thus challenges the notion of an absolute break between nineteenth-century realism and twentieth-century modernism, a break that typically centers precisely on the two movements' supposedly differing relation to the camera. Just as modernist fiction interrupts and questions the link between visuality and knowledge, so American realist fiction can be understood as making the world less knowable precisely by making it more visible.
Stone Barrington is back in hot water, but prepared with some new tricks, in the latest thriller from #1 New York Times-bestselling author Stuart Woods.
A peaceful country retreat with his latest paramour is interrupted by an unknown, ruthlessly vengeful adversary who orchestrates multiple plots targeting Manhattan rainmaker Stone Barrington and his associates.
Mill's Utilitarianism is one of the most important, controversial, and suggestive works of moral philosophy ever written. Mill defends the view that all human action should produce the greatest happiness overall, and that happiness itself is to be understood as consisting in "higher" and "lower" pleasures. This volume uses the 1871 edition of the text, the last to be published in Mill's lifetime.
When all her islands are taken into consideration, the British coastline spans almost 8,000 miles, which is longer than both Brazil's and Mexico's. From the clear blue waters of serene Cornish bays to the tempestuous seas around rugged Pembrokeshire headlands, this new book journeys around the varied shorelines of England and Wales to complete the most comprehensive survey ever taken. Stuart Fisher, bestselling author of the similarly comprehensive Canals of Britain, visits all the places of interest along the entire coastline of England and Wales: from remote countryside to modern cities, exploring history and heritage, striking architecture and dramatic engineering, wildlife, wonderful flora and fauna, art and literature. His journey takes him from industrial hubs to small villages and fishing communities, providing a keen insight into what makes each stretch of Britain's shoreline unique and special. Evocative and often dramatic colour photographs help capture the great variety of the coast, and maps, book covers, stamps and local artefacts help convey the character of each area. This comprehensive and absorbing survey is a treasure trove of interest and knowledge for walkers, cyclists, boaters, holidaymakers and indeed anyone with an interest in coastal Britain.
Stuarts’ Field Guide to the Tracks & Signs of Southern, Central and East African Wildlife provides detailed coverage of tracks, droppings, bird pellets, nests and shelters, and feeding signs, not only for mammals, but also for birds, reptiles, insects and other invertebrates. First published in 1994, it has since been comprehensively revised and greatly expanded, making it the standard reference on the subject in the region. This new edition – featuring additional updates, a revised title and a new cover – retains the unique approach to identification that made the earlier editions so useful and popular: multiple full-colour photographs of all tracks and signs; detailed descriptions, track sketches and measurements; photographs of animal species to supplement the tracks and signs; advice on where to look for tracks and signs and how to interpret them. Navigation is by means of a set of keys showing the shape and size of the tracks and signs, allowing readers to navigate quickly to the animal or group of species responsible for the track in question. Keys on the inside covers help readers access information even faster. Sales points: Authoritative, highly detailed guide to a popular subject; new cover and title matches distinctive branding of authors’ other books; full-colour photographs throughout; expert authors with extensive field experience.
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