Commentators from Bill Cosby to Barack Obama have observed the phenomenon of black schoolchildren accusing studious classmates of "acting white." How did this contentious phrase, with roots in Jim Crow-era racial discord, become a part of the schoolyard lexicon, and what does it say about the state of racial identity in the American system of education?The answer, writes Stuart Buck in this frank and thoroughly researched book, lies in the complex history of desegregation. Although it arose from noble impulses and was to the overall benefit of the nation, racial desegegration was often implemented in a way that was devastating to black communities. It frequently destroyed black schools, reduced the numbers of black principals who could serve as role models, and made school a strange and uncomfortable environment for black children, a place many viewed as quintessentially "white."Drawing on research in education, history, and sociology as well as articles, interviews, and personal testimony, Buck reveals the unexpected result of desegregation and suggests practical solutions for making racial identification a positive force in the classroom.
Take a journey with accomplished poet Stu Buck as he contemplates the world and the the universe around us. Envision your world again for the very first time and let your imagination wander through Buck's engaging work. Any fan of poetry will see the magic that is presented and come back to dig deeper, over and over again. The illustrations by Peter Hall only add to the journey and often seek deeper contemplation for themselves.
For many Southern men living in or close to rural landscapes, hunting is a passion. But it is not a timeless activity in a cultural void. Whether pursuers of fox or raccoon, deer or rabbits, quail or dove, Southern hunters reveal for Stuart Marks complex patterns of male bonding, social status, and relationships with nature. Marks, who has written two outstanding books on hunting in Africa, was born and has long lived in the South. Examining Southern hunting from frontier times through the antebellum era to the present day, he shows it to be a litmus test of rural identity. "Drawing on the latest anthropological theory, statistical sources, extensive interviews, and historical research, [Marks] has crafted a multifaceted account of Southern hunting. Relations of race, property, gender, and region appear in fresh guises in this innovative and intriguing study. The portrayal of the contemporary state of hunting is especially interesting, revealing both the continuities with the past and the new pressures on the sport."--Virginia Quarterly Review
Here are twenty-one tales from Kentucky's inimitable and beloved storyteller, Jesse Stuart. Full of high, rambunctious humor, quick-paced as a mountain square dance, bright as a maple tree against an October hill -- these stories are Stuart in his best form -- the form that has made him one of the most widely read authors in America. Read here about the man who coveted a steam shovel and stole it piece by piece, or about the celebrated eating contest between Sam Whiteapple and the game rooster, or about the hill farmer who wanted to clear and farm one last spot of new ground before he died. Although he has a sharp eye for human foibles and infirmities, Stuart never fails to write of his people with affection or to see that justice is done them. Originally published in 1950, Clearing in the Sky was inadvertently declared out of print after three years and never reprinted. Now for Jesse Stuart's many readers it is once more available with an appreciative foreword by Ruel Foster.
If he [Bigfoot] is here...as we get better and better things to spy on him with, it seems likely that he will eventually be found and perhaps caught. Then what do we do?" Buck, Tim, and Bright Eyes need to find Bigfoot to warn him of the disasters that could happen if others find him first. But how should they do it?
Naturally human work was more creative, more inspiring, more important than robot drudgery. Naturally it was the most important task in all the world … or was it?
This work recounts aspects of Stuart Bell's life through the short story form, from his colliery origins to London and Paris and politics, with acute observation and ironic humour.
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