An elegant and counterintuitive guide to achieving perfect timing Timing is everything. Whether we are making strategic business decisions or the smallest personal choice, we must decide not only what to do, but when to do it. Act too early—or too late—and the results can be disastrous. Based on a 20-year investigation into more than 2,000 timing issues and errors, When presents a single and practical approach for dealing with timing in life and business. Good timing, Albert argues, is not just a matter of luck, intuition, or past experience—all of which may be unreliable—but a skill. He describes that skill and details the tools and methods needed to conduct a successful timing analysis. The book is the first to offer an efficient and comprehensive way to think through any timing issue Filled with dozens of lively stories illustrating good and bad timing in all walks of life—business, warfare, medicine, sports, entertainment and the arts Written by Stuart Albert, one of the foremost timing experts in the world and developer of the first practical, research-based method for turning the skill of timing into a competitive advantage Engaging and counterintuitive, When will show everyone, regardless of the work they do, or the life they live, that "it's all in the timing.
This collection belongs on the shelf of anyone teaching American labor history, but it also should prove useful to scholars with related interests." -- Illinois Historical Journal
The floodgates holding back anarchy are constantly under strain. The liberal would ease the pressure by diverting some of the water; the conservative would shore up the dykes, the totalitarian would construct a stronger dam. But is anarchy a destructive force? The absence of government may alarm the authoritarian, but is a liberated people really its own worst enemy—or is the true enemy of mankind, as the anarchists claim, the means by which he is governed? Without government the world could manage to end exploitation and war. Anarchy should not be confused with weak, divided or manifold government. As Christie and Meltzer point out, only with the total abolition of government can society develop in freedom.
This collection belongs on the shelf of anyone teaching American labor history, but it also should prove useful to scholars with related interests." -- Illinois Historical Journal
With almost forty years' experience as a labor leader by 1909, Samuel Gompers had learned the value of practical achievements. Shorter hours, higher wages, safer and more sanitary workplaces, and a voice in establishing working conditions were the hallmarks of trade unionism in the Progressive Era, and these hard-won, incremental gains had significantly improved working-class lives. While these were not all he hoped to achieve, they represented, Gompers believed, essential victories in a bitter class struggle that was far from over. This installment of the multivolume documentary history of the nation's premier labor leader covers a period marked by industrial tragedies--such as the 1909 Cherry Hill mine disaster and the 1911 Triangle Shirtwaist fire--and industrial violence, including the 1910 bombing of the Los Angeles Times building. These years were punctuated by hard-fought strikes and judicial proceedings directed against trade unionists, most notably the Danbury Hatters' and Buck's Stove cases and the prosecution of the McNamaras. For Gompers, these were demanding years that taxed his health and energy but ultimately strengthened his resolve as he became a crucial player in the AFL's efforts to establish collective bargaining as the basis of industrial democracy.
Focusing on Albert Sanguinetti from his early life to his retirement from the legal sector, including his tenures in Gibraltar, Kenya, and Hong Kong, this biography provides an in-depth view of the life of a prominent figure in the legal field in the late twentieth century. It is written from an objective, external viewpoint and paints a colourful and lively picture of Sanguinetti in a voice that could almost be his own. Using Sanguinetti’s life experiences, the biographer touches on various historical events, including the Mau Mau revolution in Kenya and the 1957 riots in Hong Kong, and details the social and political problems of the times, such as lingering colonialism, class structure issues, and human rights violations, among others. These glimpses of history through Sanguinetti’s eyes are accessible, thought-provoking, and truly representative of the man himself. Offering a well-rounded image of the eccentric subject, this book fulfils Sanguinetti’s common response to questions about both his personal and professional life — “more when I know you better”. It will undoubtedly be of interest to those who knew Sanguinetti as well as legal professionals, young barristers, and readers with an interest in post-war history in Gibraltar, Kenya, and especially Hong Kong.
Ever since Norman Lear remade the BBC series Till Death Us Do Part into All in the Family, American remakes of British television shows have become part of the American cultural fabric. Indeed, some of the programs currently said to exemplify American tastes and attitudes, from reality programs like American Idol and What Not to Wear to the mock-documentary approach of The Office, are adaptations of successful British shows. Carlen Lavigne and Heather Marcovitch's American Remakes of British Television: Transformations and Mistranslations is a multidisciplinary collection of essays that focuses on questions raised when a foreign show is adapted for the American market. What does it mean to remake a television program? What does the process of 'Americanization' entail? What might the success or failure of a remade series tell us about the differences between American and British producers and audiences? This volume examines British-to-American television remakes from 1971 to the present. The American remakes in this volume do not share a common genre, format, or even level of critical or popular acclaim. What these programs do have in common, however, is the sense that something in the original has been significantly changed in order to make the program appealing or accessible to American audiences. The contributors display a multitude of perspectives in their essays. British-to-American television remakes as a whole are explained in terms of the market forces and international trade that make these productions financially desirable. Sanford and Son is examined in terms of race and class issues. Essays on Life on Mars and Doctor Who stress television's role in shaping collective cultural memories. An essay on Queer as Folk explores the romance genre and also talks about differences in national sexual politics. An examination of The Office discusses how the American remake actually endorses the bureaucracy that the British original satirizes; alternatively, another approach breaks down The Office's bumbling boss figures in terms of contemporary psychological theory. An essay on What Not to Wear discusses how a reality show about everyday fashion conceals the construction of an ideal national subject; a second essay explains the show in terms of each country's discourses surrounding femininity. The success of American Idol is explained by analyzing the role of amateur music in American culture. The issue of translation itself is interrogated by examining specific episodes of Cracker, and also by asking why a successful series in the U.K., Blackpool, was a dismal failure as an American remake. This collection provides a rich and multifaceted overview of approaches to international television studies.
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