technical committee. The outcome from this meeting will help the ongoing research and communication for researchers active within the ?eld during the 18 months between the conferences.
The Middle East and North Africa region has been plagued with civil wars, international interventions, and increasing militarization, making it one of the most war-affected areas in the world today. Despite numerous mediation processes and initiatives for conflict resolution, most have failed to transform conflicts from war to peace. Seeking to learn from these past efforts and apply new research, Fraihat and Svensson present the first comprehensive approach to mediation in the Arab world, taking on cases from Yemen to Sudan, from Qatar to Palestine, Syria, and beyond. Conflict Mediation in the Arab World focuses on mediation at three different levels of analysis: between countries, between governments and armed actors inside single countries, and between different communities. In applying this holistic method, the editors identify similarities and differences in the conditions for conflict resolution and management. Drawing upon the work of experts in the field with a deep understanding of the increasing complexities and changing dynamics of the region, this volume offers a valuable resource for academics, policy makers, and practitioners interested in conflict resolution and management in the Middle East and North Africa.
1888 skickar August Strindberg manus till sitt nyskrivna sorgespel "Fröken Julie" till Karl Otto Bonnier. Förlaget refuserar med orden: ”alltför riskabelt, alltför naturalistiskt”. Idag är Fröken Julie ett av världens mest spelade och lästa verk, inte minst på grund av Strindbergs manifestartade förord. 2015 gör Josefine Adolfsson och Fia-Stina Sandlund en operation i "Fröken Julie" och går i dialog med Strindbergs frågeställningar om kultur, könsroller, biologi, myt och klass. "She’s Wild Again Tonight" är en rolig, absurd och tankeväckande bok i två delar. Den innehåller ett förord och ett manus, i vilket Shima Niavarani och Gustaf Norén möts i New York inför en filminspelning. Manuset ligger till grund för filmen med samma namn med premiär på Stockholms filmfestival i november 2015.
Based on an extended empirical research project, this book advances the theoretical, normative and practical understanding of civil society under the conditions of digital mediatization and in relation to a set of particular historical and geopolitical circumstances. Digital Media and the Dynamics of Civil Society adds to existing knowledge of the democratizing role of digital media in communication studies by carefully tracing the trajectory of the emergent communicative and representational practices of civil society in a pair of new European democracies – Estonia and Bulgaria – facing distinctive socio-cultural and political challenges. The book combines macro and micro perspectives to illuminate the activities of civic activist and civil society organizations in the new media environment taking into account the social and cultural developments characteristic of each country. Have digital media contributed to the constitution of a new public space fostering the vitality and democratic potency of civil society in countries where it has suffered historical obstacles? The book addresses this question by traversing the whole range between personal, group and societal beliefs, lived experiences and actions unfolding in a concrete region at a time when civic activists around the world are grappling to understand and harness the powers of digital communication.
Professional Emotions in Court examines the paramount role of emotions in the legal professions and in the functioning of the democratic judicial system. Based on extensive interview and observation data in Sweden, the authors highlight the silenced background emotions and the tacitly habituated emotion management in the daily work at courts and prosecution offices. Following participants ‘backstage’ – whether at the office or at lunch – in order to observe preparations for and reflections on the performance in court itself, this book sheds light on the emotionality of courtroom interactions, such as professional collaboration, negotiations, and challenges, with the analysis of micro-interactions being situated in the broader structural regime of the legal system – the emotive-cognitive judicial frame – throughout. A demonstration of the false dichotomy between emotion and reason that lies behind the assumption of a judicial system that operates rationally and without emotion, Professional Emotions in Court reveals how this assumption shapes professionals’ perceptions and performance of their work, but hampers emotional reflexivity, and questions whether the judicial system might gain in legitimacy if the role of emotional processes were recognized and reflected upon.
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