No star burned more ferociously than Judy Garland. And nobody witnessed Garland's fierce talent at closer range than Stevie Phillips. During the Mad Men era, Stevie Philips was a young woman muscling her way into the manscape of Manhattan's glittering office towers. After a stint as a secretary, she began working for Freddie Fields and David Begelman at Music Corporation of America (MCA) under the glare of legendary über-agent Lew Wasserman. When MCA blew apart, Fields and Begelman created Creative Management Associates (CMA), and Stevie went along. Fields convinced Garland to come on board, and Stevie became, as she puts it, "Garland's shadow," putting out fires-figurative and literal-in order to get her to the next concert in the next down-and-out town. Philips paints a portrait of Garland at the bitter end and although it was at times a nightmare, Philips says, "She became my teacher," showing her "how to" and "how not to" live. Stevie also represented Garland's fiercely talented daughter, Liza Minnelli, as well as Robert Redford, Paul Newman, Henry Fonda, George Roy Hill, Bob Fosse, Cat Stevens, and David Bowie. She produced both films and Broadway shows and counted her colleague, the legendary agent Sue Mengers, among her closest confidantes. Now Stevie Phillips reveals all in Judy & Liza & Robert & Freddie & David & Sue & Me..., a tough-talking memoir by a woman who worked with some of the biggest names in show business. It's a helluva ride.
If house cleaning were an Olympic sport, Stevie Markovich would be in the running for a medal. Bob Hagerty, The Wall Street Journal Becoming healthier is not about a gym routine or new health club membership; its about a change of heart and change of attitude toward all physical activities that can be found in every day life. The Aerobic House Cleaning Lifestyle is about helping the overweight get from point A to point Healthier as simply as possible. No weights. No gym. No Spandex. Just real stuff I have been doing since 1995 to stay fit.
font size="+0.5"'Absolutely delightful, surprisingly useful and pleasingly absurd' - Rachel Parris font size="+0.5"'Tessa and Stevie are two of the funniest people I know' - Nish Kumar font size="+0.5"'A must-read for anyone struggling to be a convincing grown up' - Richard Herring font size="+0.5"'Bloody funny and genuinely informative' - Ellie Taylor Trying to get your life together? Got three dead houseplants, no debit card, and an exploded yoghurt in your bag? Useful, funny and life-affirming, Nobody Panic is an instruction manual for anyone with absolutely no idea what they're doing. From the creators of the critically acclaimed podcast comes a series of How To guides for everything from job interviews to leaving a WhatsApp group, from understanding the oven to dealing with your best friend's new (astoundingly dull) partner. There's also a poem about taxes. Comedians and professional panickers Tessa Coates and Stevie Martin are here to help you learn from their many, many mistakes, and remind you that when it comes to life, we're all in this together - so nobody panic. Praise for the podcast: font size="+0.5"'Hilarious and brilliant' - Grazia font size="+0.5"'Witty, smart and oh-so-relatable' - Evening Standard font size="+0.5"'Jaunty' - The Times
The Feminine Reclaimed breaks new ground in the field of Renaissance scholarship. Stevie Davies considers the feminine principle as it was developed through the humanist and Neoplatonic revival of ancient classical learning and from this perspective approaches the major works of the three great literary figures of the English Renaissance—Spenser, Shakespeare, and Milton. Through close, perceptive readings of their most crucial works, informed by a familiarity with the whole range of their context in the European literature and thought of their time, Stevie Davies is able to demonstrate the great importance of the feminine principle in the consciousness of these writers and their age, a time of political, religious, and social upheaval in which perceptions of woman and her status in society underwent momentous changes. She analyzes guiding symbols, mythical allusions, and literary structures in major works by the three poets to show that this rediscovered image of the feminine was incorporated into The Faerie Queene, Shakespeare's last plays, and Paradise Lost in such a manner as to create an alternative system of values which either redefined or criticized the patriarchal structures of the contemporary world.
This book is a backstage pass to the ups, downs, and all-out craziness of arena rock—deep discussions with Rod Stewart, jamming with legends like Mick Jagger and Justin Timberlake, gaining groupies, and striking out solo. Stevie Salas was one of many boys coming of age in the 1980s—when the American dream was rock superstardom. As lead guitarist for a San Diego band, Salas played backyard parties and school dances and even scored the music for the cult classic Bill & Ted’s Excellent Adventure. When he auditioned for Rod Stewart—where he was the youngest band member by a decade—Salas’s life truly hit a turning point. Salas pulls no punches to describe the initial skepticism and hazing he faced as the youngest member of Stewart’s band, the night he stood up for himself on the tour plane, and the emotional late-night talk with Rod Stewart that restored the frontman’s faith in his young, untested guitar player and his new group that was struggling to find its groove. Yet they became a band of brothers and formed a camaraderie they share to this day. When We Were the Boys revolves around the year Salas began as an inexperienced musical prodigy and finished as a seasoned rock ’n’ roll veteran—more mature as a man and musician.
Verteran investigative journalist Stevie Cameron first began following the story of missing women in 1998, when the odd newspaper piece appeared chronicling the disappearances of drug-addicted sex trade workers from Vancouver's notorious Downtown Eastside. It was not until February 2002 that pig farmer Robert William Pickton would be arrested, and 2008 before he was found guilty, on six counts of second-degree murder. These counts were appealed and in 2010, the Supreme Court of Canada rendered its conclusion. The guilty verdict was upheld, and finally this unprecedented tale of true crime could be told. Covering the case of one of North America's most prolific serial killers gave Stevie Cameron access not only to the story as it unfolded over many years in two British Columbia courthouses, but also to information unknown to the police - and not in the transcripts of their interviews with Pickton - such as from Pickton's long-time best friend, Lisa Yelds, and from several women who survived terrifying encounters with him. Cameron uncovers what was behind law enforcement's refusal to believe that a serial killer was at work.
Uncover never-before-told stories in this epic tale of self-discovery by a Rock n Roll disciple and member of the E Street Band. What story begins in a bedroom in suburban New Jersey in the early '60s, unfolds on some of the country's largest stages, and then ranges across the globe, demonstrating over and over again how Rock and Roll has the power to change the world for the better? This story. The first true heartbeat of Unrequited Infatuations is the moment when Stevie Van Zandt trades in his devotion to the Baptist religion for an obsession with Rock and Roll. Groups like the Beatles and the Rolling Stones created new ideas of community, creative risk, and principled rebellion. They changed him forever. While still a teenager, he met Bruce Springsteen, a like-minded outcast/true believer who became one of his most important friends and bandmates. As Miami Steve, Van Zandt anchored the E Street Band as they conquered the Rock and Roll world. And then, in the early '80s, Van Zandt stepped away from E Street to embark on his own odyssey. He refashioned himself as Little Steven, a political songwriter and performer, fell in love with Maureen Santoro who greatly expanded his artistic palette, and visited the world's hot spots as an artist/journalist to not just better understand them, but to help change them. Most famously, he masterminded the recording of "Sun City," an anti-apartheid anthem that sped the demise of South Africa's institutionalized racism and helped get Nelson Mandela out of prison. By the '90s, Van Zandt had lived at least two lives—one as a mainstream rocker, one as a hardcore activist. It was time for a third. David Chase invited Van Zandt to be a part of his new television show, the Sopranos—as Silvio Dante, he was the unconditionally loyal consiglieri who sat at the right hand of Tony Soprano (a relationship that oddly mirrored his real-life relationship with Bruce Springsteen). Underlying all of Van Zandt's various incarnations was a devotion to preserving the centrality of the arts, especially the endangered species of Rock. In the twenty-first century, Van Zandt founded a groundbreaking radio show (Little Steven's Underground Garage), created the first two 24/7 branded music channels on SiriusXM (Underground Garage and Outlaw Country), started a fiercely independent record label (Wicked Cool), and developed a curriculum to teach students of all ages through the medium of music history. He also rejoined the E Street Band for what has now been a twenty-year victory lap. Unrequited Infatuations chronicles the twists and turns of Stevie Van Zandt's always surprising life. It is more than just the testimony of a globe-trotting nomad, more than the story of a groundbreaking activist, more than the odyssey of a spiritual seeker, and more than a master class in rock and roll (not to mention a dozen other crafts). It's the best book of its kind because it's the only book of its kind. **Instant International Bestseller, New York Times Bestseller, USA Today Bestseller, Wall Street Journal Bestseller, Los Angeles Times Bestseller, Publishers Weekly Bestseller**
This book offers unparalleled insight into the ways in which hate crime affects individuals and communities across the world. Drawing from the testimonies of more than 2,000 victims of hate crime, the book identifies the physical, emotional and community-level harms associated with hate crimes and key implications for justice in the context of punitive, restorative, rehabilitative and educative interventions. Hate crime constitutes one of the biggest global challenges of our time and blights the lives of millions of people across the world. Within this context the book generates important new knowledge on victims’ experiences and expectations, and uses its compelling evidence-base to identify fresh ways of understanding, researching and responding to hate crime. It also documents the sensitivities associated with undertaking complex fieldwork of this nature, and in doing so offers an authentic account of the very necessary – and sometimes unconventional – steps which are fundamental to the process of engaging with ‘hard-to-reach’ communities.
This study provides an authoritative overview of all Marlowe's work. It includes thorough investigations of his major plays, Tamburlaine, Edward II, The Jew of Malta and Doctor Faustus as well as a full discussion of The Massacre at Paris, Dido Queen of Carthage and all his extant poetry. Analysis of Faustus takes full account of both A and B text versions. Thoroughly researched and yet presented in an accessible, engaging style, A Preface to Marlowe reads Marlowe's life and times, as well as his work, in the light of current critical theory. Consequently, it is a vital guide for all students of early modern drama. As well as providing sharp analysis of stage history, Dr Simkin reflects on the wider significance of a stage-oriented approach. The result is a reading of Marlowe that re-opens debates about his status as a radical figure and as a subversive playwright and invites the reader to experience the plays as immediate, exciting, 'live' documents.
Sam Peckinpah's Straw Dogs ignited fierce debate among censors, critics and audiences on both sides of the Atlantic on its release in 1971. When Amy (Susan George) returns to her home village with her American peacenik husband David (Dustin Hoffman), the residents of this tight-knit Cornish community slowly turn on them. The sexual tension and latent violence finally erupt in an explosion of violence that includes a rape scene that has remained controversial to this day. The film was heavily cut for theatrical release in the US, and the pressinspired furore in the UK led to several local councils cutting or banning it outright. Later, caught in the wake of the 'video nasties' panic of the 1980s, Straw Dogs was refused a home-video certificate in the UK for nearly twenty years. Stevie Simkin's study sheds light on the film's treatment by the British Board of Film Classification (BBFC) and tracks its subsequent tortuous journey towards home-video release, buffeted by various shifts in the BBFC's policy on representations of sexual violence. But, equally importantly, Simkin provides a highly original accountof themaking of the film, drawing on extensive research in Peckinpah's archive, including analysis of draft scripts, notes, memos and contemporary press items, as well as insights from a number of Peckinpah's associates, and key figures at the BBFC. 'A swift, compelling read. Thorough and scholarly without the faintest whiff of academic stuffiness, Stevie Simkin's study of Straw Dogs summons up the turmoil of the 1960s and 70s and illuminates the highly charged subject of sexual violence on film.' Stephen Farber, Film Critic, The Hollywood Reporter Stevie Simkin is Reader in Drama and Film at the University of Winchester, UK. He is the author of, among other works, Revenge Tragedy: A New Casebook (2001), Early Modern Tragedy and the Cinema of Violence (2005), and, also in the Controversies series, a volume on Basic Instinct (forthcoming, 2013).
This history of the Saltire Society Literary Awards demonstrates the significance the awards have had within Scottish literary and cultural life. The book explores how the prizes have influenced understandings of Scottish literature over eight decades and explores what they reveal about the wider mechanisms of how literary prize culture functions in the UK today.
Lesson Planning for High School Physical Education offers more than 240 lesson plans that are standards-based and ready-to-use. These innovative plans are great for fostering physical literacy in your students. The book also provides guidance on how to plan effective lessons that align with SHAPE America’s National Standards and Grade-Level Outcomes for K-12 Physical Education.
This book examines the lived reality of 'everyday multiculturalism', and the ways that young people make sense of the diverse world around them. Currently we know very little about how multiculturalism shapes our lives, our interactions and our identity. This is especially pertinent for young people. How do young people from largely white, disadvantaged backgrounds interpret multiculturalism? How do they engage with people from 'different' minority ethnic and faith communities? How do they negotiate the challenges that arise within ever-diversifying environments? Drawing on empirical research, Stevie-Jade Hardy uncovers the fears and tensions that both undermine, and are caused by, doing multiculturalism. In doing so, she shines a light on the 'hidden' phenomenon of youth hate crime perpetration. This book will be of particular interest to scholars of criminology, sociology and cultural studies, as well as to professionals and policy-makers working in the fields of diversity and hate crime.
Author, interior designer, and faux flower expert Stevie Storck is based out of York, Pennsylvania and has been featured in the Huffington Post, Susquehanna Style, Lancaster Online, and Houzz Also includes artist profiles of other talented designers and influencers in the floral industry Provides high-quality photography and helpful tips on design, color schemes, texture, technique, and composition Organized by season for year-round faux floral ideas Includes step-by-step instructions for 12 projects, such as flower arrangements, wreaths, garlands, wall hangings, and more Learn to make beautiful, long-lasting home décor accents and arrangements using affordable silk flowers that can be easily found in any craft store
The eccentric landmark novel by the legendary English poet Stevie Smith: “a rare bird, a Maltese falcon” (The New Yorker) I am a forward-thinking girl, and don’t stay where I am. ‘Left right, be bright.’ Pompey Casmilus, Stevie Smith’s loquacious alter ego, works as a secretary and writes down on yellow office paper this wickedly amusing novel. “Dear Reader,” she addresses us politely in the whirlwind of her opinions on death, sex, anti-Semitism, art, Greek tragedy, friendship, marriage, Nazism, gossip, and the suburbs. But most of all Pompey talks about love. When Smith first tried to get her poems published in 1935, she was told by a publisher to “go away and write a novel.” Novel on Yellow Paper, the happy result of this advice, made its author an instant celebrity and was acclaimed as “a curious, amusing, provocative and very serious piece of work” (The London Times Literary Supplement, 1936).
They were the pioneers of American hardcore, forming in California in 1978 and splitting up 8 years later leaving behind them a trail of blood, carnage and brutal, brilliant music. Throughout the years they fought with the police, record industry and their own fans. This is the band's story from the inside, drawing upon exclusive interviews with the group's members, their contemporaries and the groups who were inspired by them. It's also the story of American hardcore music, from the perspective of the group who did more to take the sound to the clubs, squats and community halls of America than any other.
Stevie Cameron turns her renowned analytical eye from the "crooks in suits" of her previous books to the case of Vancouver's missing women and the man who has been charged with killing 27 of them, who if convicted will have the horrific distinction of being the worst serial killer in Canadian history. It's a shocking story that may not be over anytime soon. When the police moved in on Pickton's famous residence, the "pig farm" of Port Coquitlam, in February 2002, the entire 14-acre area was declared a crime scene -- the largest one in Canadian history. Well over 150 investigators and forensics experts were required, including 102 anthropology students from across the country called in to sift through the entire farm, one shovelful of dirt at a time. A woman who is considered by many to be this country's best investigative journalist, Cameron has been thinking about the missing women of Vancouver's Downtown Eastside since 1998, when the occasional newspaper story ran about families and friends of some of the 63 missing women agitating for action -- and being ignored by police and politicians. Robert William "Willie" Pickton has been on her mind since his arrest, that February five years ago, for the murders of two of the women, Mona Wilson and Sereena Abotsway, both drug-addicted prostitutes from the impoverished neighbourhood where all the missing women had connections. Living half-time in Vancouver for the last five years, Stevie Cameron has come to know many of the people involved in this case, from families of the missing women to the lawyers involved on both sides. She writes not only with tireless investigative curiosity, but also with enormous compassion for the women who are gone and the ones who still struggle to ply their trade on the Downtown Eastside. "We had no idea [in 2002] how massive the investigation would be. We had no notion that the police would sift every inch of dirt on the Pickton farm, a process that lasted from the spring of 2002 to late 2004. We did not foresee the broad publication ban that would prevent any word printed or broadcast of what was being said in court in case it influenced a potential juror. We couldn't know that there would be, by 2006, 27 charges of first-degree murder against Pickton and that the police would continue to investigate him on suspicion of many other deaths. And we didn't know that the police and other personnel involved in the case, under threat of ruined careers, were forbidden to talk to reporters. In blissful ignorance, all I could do was begin…" --Excerpt from The Pickton File
New poetry from Stevie Edwards, author of Sadness Workshop Quiet Armor, the third full-length collection from poet Stevie Edwards, examines how capitalism and patriarchy impact romantic relationships and, more broadly, intimacy. Edwards considers the ways in which confessional performances of vulnerability can be coercive, whether popular culture encourages men to seek validation through sexual excess and aggression, and how we encourage women to be complicit in figurative and literal violence against other women. Drawing on historical and mythological figures—including Medusa, Persephone, Shakespeare’s Lavinia, Saint Agatha, and Saint Christina—Edwards builds a fierce investigation into how rape culture has shaped the literary canon, academia, and the world at large. She brings readers into the quiet and intimate spaces we create despite trauma—or perhaps even because of it. Ultimately, Quiet Armor seeks to reclaim positive intimacy, showing us not only the desperate battles but also the healing embraces. All the while, these poems ask us: What does the end of rape culture look like? How do we get there?
Woodworkers will enjoy building these 21 good-looking and functional pieces of outdoor furniture, thanks to easy-to-follow instructions, full-color photos, and detailed drawings. Every project is attractive, inexpensive, and requires only basic tools and off-the-shelf lumber to construct. There's plenty of variety, including an Adirondack chair, chaise longue, dining table, Victorian loveseat, and hammock stand.
This is the popular, one-stop, starting-from-scratch, fully illustrated furniture-making sourcebook that novice woodworkers want. There’s no need to have loads of experience and expensive lumber to make attractive furniture: just a few 2x4 boards will do to make pieces as good as anything on the market, and these no-nonsense instructions outline the techniques so clearly that even beginners will follow the instructions easily. They’ll learn how to select lumber, work with it once they get it home, make the cuts and simple joints required, and create cabinets, shelves, desks, tables, chests, and more. Over twenty projects range from an elegant armoire to a practical kitchen cabinet. There are complete materials lists, numbered illustrations, and full-color photos of each finished project.
No star burned more ferociously than Judy Garland. And nobody witnessed Garland's fierce talent at closer range than Stevie Phillips. During the Mad Men era, Stevie Philips was a young woman muscling her way into the manscape of Manhattan's glittering office towers. After a stint as a secretary, she began working for Freddie Fields and David Begelman at Music Corporation of America (MCA) under the glare of legendary über-agent Lew Wasserman. When MCA blew apart, Fields and Begelman created Creative Management Associates (CMA), and Stevie went along. Fields convinced Garland to come on board, and Stevie became, as she puts it, "Garland's shadow," putting out fires-figurative and literal-in order to get her to the next concert in the next down-and-out town. Philips paints a portrait of Garland at the bitter end and although it was at times a nightmare, Philips says, "She became my teacher," showing her "how to" and "how not to" live. Stevie also represented Garland's fiercely talented daughter, Liza Minnelli, as well as Robert Redford, Paul Newman, Henry Fonda, George Roy Hill, Bob Fosse, Cat Stevens, and David Bowie. She produced both films and Broadway shows and counted her colleague, the legendary agent Sue Mengers, among her closest confidantes. Now Stevie Phillips reveals all in Judy & Liza & Robert & Freddie & David & Sue & Me..., a tough-talking memoir by a woman who worked with some of the biggest names in show business. It's a helluva ride.
In this sixth book in her successful 2 x 4 series, Henderson gives less-than-expert woodworkers a complete guide for building useful, attractive items for backyards, decks, and porches. Readers need only basic tools, stock lumber, and ready-made parts available from any home improvement store.
With a few basic tools, readily available and inexpensive off-the-shelf lumber, and this great book, it's amazingly easy to build and array of decorative accessories for your home.
This is a lavishly illustrated book packed with exciting do-it-yourself gift, food, and decorating ideas. There are projects for you to create in wood, fabric, paper, and yarn -- in every skill level from beginner to advanced.
(Piano/Vocal/Guitar Artist Songbook). 20 of the greatest hits from this legendary Motown superstar's illustrious career. Includes: Ebony and Ivory * For Once in My Life * Higher Ground * I Just Called to Say I Love You * I Was Made to Love Her * I Wish * Isn't She Lovely * Living for the City * My Cherie Amour * Signed, Sealed, Delivered I'm Yours * Sir Duke * Superstition * Uptight (Everything's Alright) * You and I * You Are the Sunshine of My Life * and more.
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