Spanning three centuries of Brooklyn history from the colonial period to the present, A Covenant with Color exposes the intricate relations of dominance and subordination that have long characterized the relative social positions of white and black Brooklynites. Craig Steven Wilder -- examining both quantitative and qualitative evidence and utilizing cutting-edge literature on race theory -- demonstrates how ideas of race were born, how they evolved, and how they were carried forth into contemporary society. In charting the social history of one of the nation's oldest urban locales, Wilder contends that power relations -- in all their complexity -- are the starting point for understanding Brooklyn's turbulent racial dynamics. He spells out the workings of power -- its manipulation of resources, whether in the form of unfree labor, privileges of citizenship, better jobs, housing, government aid, or access to skilled trades. Wilder deploys an extraordinary spectrum of evidence to illustrate the mechanics of power that have kept African American Brooklynites in subordinate positions: from letters and diaries to family papers of Kings County's slaveholders, from tax records to the public archives of the Home Owners Loan Corporation. Wilder illustrates his points through a variety of cases, including banking interests, the rise of Kings County's colonial elite, industrialization and slavery, race-based distribution of federal money in jobs, and mortgage loans during and after the Depression. He delves into the evolution of the Brooklyn ghetto, tracing how housing segregation corralled African Americans in Bedford-Stuyvesant. The book explores colonial enslavement, the rise of Jim Crow, labor discrimination and union exclusion, and educational inequality. Throughout, Wilder uses Brooklyn as a lens through which to view larger issues of race and power on a national level. One of the few recent attempts to provide a comprehensive history of race relations in an American city, A Covenant with Color is a major contribution to urban history and the history of race and class in America.
Traces the development of African-American community traditions over three centuries From the subaltern assemblies of the enslaved in colonial New York City to the benevolent New York African Society of the early national era to the formation of the African Blood Brotherhood in twentieth century Harlem, voluntary associations have been a fixture of African-American communities. In the Company of Black Men examines New York City over three centuries to show that enslaved Africans provided the institutional foundation upon which African-American religious, political, and social culture could flourish. Arguing that the universality of the voluntary tradition in African-American communities has its basis in collectivism—a behavioral and rhetorical tendency to privilege the group over the individual—it explores the institutions that arose as enslaved Africans exploited the potential for group action and mass resistance. Craig Steven Wilder’s research is particularly exciting in its assertion that Africans entered the Americas equipped with intellectual traditions and sociological models that facilitated a communitarian response to oppression. Presenting a dramatic shift from previous work which has viewed African-American male associations as derivative and imitative of white male counterparts, In the Company of Black Men provides a ground-breaking template for investigating antebellum black institutions.
Billy Wilder's Sunset Boulevard was a critical and commercial success on its release in 1950 and remains a classic of film noir and one of the best-known Hollywood films about Hollywood. Both its opening, with William Holden as the screenwriter Joe Gillis floating facedown in ageing star Norma Desmond's (Gloria Swanson) pool, and lines such as 'I am big, it's the pictures that got small' are some of the most memorable in Classical Hollywood cinema. Steven Cohan's study of the film draws on original archival research to shed new light on the film's production history, and the contribution to the film's success and meanings of director Wilder, stars Holden and Swanson but also supporting actors Erich von Stroheim, Nancy Olson (who plays Betty Schaefer), Cecil B. DeMille, and Hedda Hopper, as well as costumier Edith Head, and composer Franz Waxman. Cohan considers the film both as a 'backstudio' picture (a movie about Hollywood) and as a film noir, and in the context of McCarthyism, blacklisting and the Hollywood Ten. Cohan explores how the film was marketed, its reception and afterlife, tracing how the film is at once a product of its own particular historical moment as the movie industry was transitioning out of the studio era, yet one that still speaks powerfully to contemporary audiences, and speculates on the reasons for its enduring appeal.
From the stages of Berlin to anti-Nazi efforts and silver-screen stardom, Steven Bach reveals the fascinating woman behind the myth surrounding Marlene Dietrich in a biography that will stand as the ultimate authority on a singular star. Based on six years of research and hundreds of interviews—including conversations with Dietrich—this is the life story of one of the century’s greatest movie actresses and performers, an icon who embodied glamour and sophistication for audiences around the globe.
When Vicksburg fell to Union forces under General Grant in July 1863, the balance turned against the Confederacy in the trans-Appalachian theater. The Federal success along the river opened the way for advances into central and eastern Tennessee, which culminated in the battle of Chickamauga and then a struggle for the strategically important city of Chattanooga. Chickamauga, one of the bloodiest battles in a war noted for carnage, is usually counted as a Confederate victory, albeit a costly one. That battle - indeed the entire campaign - is marked by muddle and blunders occasionally relieved by strokes of brilliant generalship and high courage. The campaign ended significant Confederate presence in Tennessee. It also left the Union poised for advance upon Atlanta and the Confederacy on the brink of defeat in the western theater.
More than half a century has passed since the publication of An American Dilemma: The Negro Problem and Modern Democracy, Gunnar Myrdal's agonizing portrait of the pervasiveness of racially prejudiced attitudes and discriminatory practices in American life. Central to Myrdal's work was the paradox posed by the coexistence of race-based social, economic, and political inequality on the one hand, and the cherished American cultural values of freedom and equality on the other. In the five decades since the publication of this work, there has been a dramatic decline in white Americans' overt expressions of anti-black and anti-integrationist sentiments and in many of the inequalities Myrdal highlighted in his monumental work. Yet the persistence of racial antipathy is evidence of the continuing dilemma of race in American society. This collection of original essays by leading race relations experts focuses on the recent history and current state of racial attitudes in the United States. It addresses key issues and debates in the literature, and it includes chapters on the racial attitudes of African-Americans as well as whites. The volume will be of great importance to students and scholars concerned with the sociology and politics of contemporary American race relations.
Broadway, once upon a time. A place where people buy tickets at the box office, with cash; where patrons dress for theatre, with no sneakers, no water bottles, and no backpacks; and the only text messages are the ones put there by the playwright. A place where iconic legends of stage and screen can be found in plain view, smiling politely or egotistically preening. Where three dollars will get you a balcony seat at the biggest hit—or the lowliest flop—in town. And a place where an innocent teenager from the suburbs can buy a ticket, slip through the stage door, and wander o'er the threshold into the magical world backstage. Steven Suskin introduces Broadway, once upon a time, in Offstage Observations: Tales of the Not-So-Legitimate Theatre. The drama critic and noted chronicler of Broadway takes the reader through a decade's worth of adventures, working his way from a menial pencil sharpener for producer David Merrick toward a career as a full-fledged manager, producer, and drama critic. The book follows the author's progress from the wintry night after his sixteenth birthday, when he unexpectedly finds himself alone on the empty stage of a Broadway theatre, peering out at the silent, empty auditorium lit only by a solitary ghost light to the matinee eight summers later when he finds himself accidentally and uncomfortably acting in a Broadway musical, bombarded by roars of laughter from a houseful of playgoers. A keen observer of the impertinent with an ear for amusing anecdotes, whimsical curiosities, and exaggerated tales of life upon the wicked stage, Suskin draws a portrait of a not-so-long-ago theatre world that has all but vanished.
When you fly high, you fall hard. A sleazy playboy’s private plane crashes in Brooklyn without a pilot, but with six kilos of cocaine on board. The playboy’s body washes up on the beach a few days later. Why did he jump out of his aircraft with a faulty parachute? It screams murder to Detective Erin O’Reilly. Meanwhile, the New York underworld is in turmoil after the death of a Mafia chieftain. The narcotics trade is up for grabs and everybody wants a piece of the action. To protect her undercover reputation, Erin will have to play every side against the others. Irish mobsters, Sicilians, Colombian cartel thugs, and a DEA agent with nothing to lose set the stage for a violent showdown. Erin, her K-9 Rolf, and the rest of her squad crash headlong into the volatile mix of cops and criminals, with explosive consequences. Erin is trying to chart a safe course to victory, but when the bad guys don’t care if they die, she may have to choose between winning and survival.
Curtain up! A Must See! proudly presents a visual feast of Broadway ballyhoo. For this compendium of graphic design excellence, theatre historian Steven Suskin combed through rare archives to bring us more than fifty years of plays and 175 compelling pieces of Broadway art. Dazzling shows and their glittering stars spill off the pages in artwork from top illustrators of the day, such as Al Hirshfeld, William Steig, Peter Arno, Alberto Vargas, and even Norman Rockwell. Covering every genre, A Must See! includes great hits (Oklahoma!, A Streetcar Named Desire), ignominious flops (Kelly, Carrie), and assorted delights in between. Throughout, Suskin peppers the text with insider information and juicy asides. Much of this material hasn't been seen since the shows closed eons ago, making A Must See! a bonanza of a browsebook -- shining with well-loved classics and surprising oddities from the beloved world of Broadway.
David Kyle is the man in black, a ruthless hitman who takes justice into his own hands. Everything was going well on his latest hit until his victim turned out to be more than human. The man in black is then pulled into a dark underworld of immortal enemies and unbeatable odds, the fate of the world hanging in the balance. Forced to team up with the FBI agent that has tracked him for years, the man in black leads a motley crew of killers and cops against the forces of evil to prevent the destruction of the world.
Interrogates the connections between a city’s physical landscape and the poverty and social problems that are often concentrated at its literal lowest points. In Urban Lowlands, Steven T. Moga looks closely at the Harlem Flats in New York City, Black Bottom in Nashville, Swede Hollow in Saint Paul, and the Flats in Los Angeles, to interrogate the connections between a city’s actual landscape and the poverty and social problems that are often concentrated at its literal lowest points. Taking an interdisciplinary perspective on the history of US urban development from the nineteenth to the mid-twentieth century, Moga reveals patterns of inequitable land use, economic dispossession, and social discrimination against immigrants and minorities. In attending to the landscapes of neighborhoods typically considered slums, Moga shows how physical and policy-driven containment has shaped the lives of the urban poor, while wealth and access to resources have been historically concentrated in elevated areas—truly “the heights.” Moga’s innovative framework expands our understanding of how planning and economic segregation alike have molded the American city.
Citizen Kane • Boogie Nights • Sunset Boulevard • My Fair Lady • Almost Famous • Jaws • A Hard Day's Night • Lord of the Rings • Monsoon Wedding • Apocalypse Now Redux • Moulin Rouge • Butch Cassidy and the Sundance Kid • A Beautiful Mind • Shakespeare in Love THEY'RE NOT JUST MOVIES ANYMORE. THEY'RE DVDs. Supplements...special collector's edition...extras...Words that set the heart pounding of every DVD lover. But how do you decide which DVDs to buy? Where do you begin collecting? Which special features are really special? What commentaries are informative or entertaining? Which disks are worth your time and money? Here at last is the portable, one-of-a-kind DVD buyer's guide -- from veteran film and television critics Steven H. Scheuer and Alida Brill-Scheuer. Director/star/crew audio commentaries • Outtakes • Filmographies and biographies • Alternate takes, music, and endings • Celebrity interviews • Deleted scenes • Trailers • Lost footage • Hidden features and Easter eggs • Animated menus • Production notes • Storyboards • Promotional art • DVD-rom extras • Behind-the-scenes footage • Screenplays • Souvenir booklets • and a special afterword on the best DVDs for kids
This comprehensive musical theatre reference book chronicles the work of Broadway's great composers, from 1904 to 1999. Nine hundred shows and almost 9000 show tunes are included, comprising the entire theatrical output of 36 important Broadway composers along with notable musicals by others.
David Mamet is arguably the most important living American playwright. This Guide provides an up-to-date study of the key criticism on the full range of Mamet's work. It engages with his work in film as well as in the theatre, offering a synoptic overview of, and critical commentary on, the scholarly criticism of each play, screenplay or film.
For those who believe the Bible to be true, there is a major problem which is not often addressed. All are guilty of sin as the Bible states in Romans 3:23, but when a baby dies, he or she goes to heaven. So, the question is how? Jesus is the only way to heaven according to John 14:6, but how does a child who cannot make the decision of receiving Christ get forgiveness of sin? Nobody wants to say that God would put an innocent baby in hell, and nobody should! There is a scriptural answer that gives a definite reason to believe that these innocents are safely and lovingly with the Lord at their death.
A thrilling WWII tale based on the real-life exploits of the Long Range Desert Group, an elite British special forces unit that took on the German Afrika Korps and its legendary commander, Field Marshal Erwin Rommel, "the Desert Fox." Autumn 1942. Hitler’s legions have swept across Europe; France has fallen; Churchill and the English are isolated on their island. In North Africa, Rommel and his Panzers have routed the British Eighth Army and stand poised to overrun Egypt, Suez, and the oilfields of the Middle East. With the outcome of the war hanging in the balance, the British hatch a desperate plan—send a small, highly mobile, and heavily armed force behind German lines to strike the blow that will stop the Afrika Korps in its tracks. Narrated from the point of view of a young lieutenant, Killing Rommel brings to life the flair, agility, and daring of this extraordinary secret unit, the Long Range Desert Group. Stealthy and lethal as the scorpion that serves as their insignia, they live by their motto: Non Vi Sed Arte—Not by Strength, by Guile as they gather intelligence, set up ambushes, and execute raids. Killing Rommel chronicles the tactics, weaponry, and specialized skills needed for combat, under extreme desert conditions. And it captures the camaraderie of this “band of brothers” as they perform the acts of courage and cunning crucial to the Allies’ victory in North Africa. Combining scrupulous historical detail and accuracy with remarkable narrative momentum, Pressfield powerfully renders the drama and intensity of warfare, the bonds of men in close combat, and the surprising human emotions and frailties that come into play on the battlefield to create a vivid and authoritative depiction of the desert war.
Why should Audrey Hepburn still matter today? This book revises the contemporary view of Hepburn that sees her primarily as a fashion icon and style guru. It argues that her films, more than her biography or her likeness, are essential to understanding both her importance as one of the all-time major stars to emerge in Hollywood after World War II and her lasting popularity. On Audrey Hepburn examines her screen presence and persona while at the same time emphasizing her skill as an actress. While cognizant of the many contradictions inhering in her films, the book examines the liminality she represented in her comedies and musicals, demonstrating how her characters' desiring and intelligence supply the primary motors of the plots, resist the films' patriarchal template, and complicate her asymmetrical casting opposite older male stars. Moreover, Hepburn's close relation with designer Hubert de Givenchy, which established her identification with haute couture, enabled her characters' movement onscreen and was a basis for understanding transformation through fashion as an turning-point event in the narrative, which forged a pathway through spectacle for viewer identification with Hepburn's difference, as symbolized by her unorthodox body, which the clothes did not disguise but amplified. On Audrey Hepburn, finally, examines her skilful performances in thrillers and dramas, studying her expert timing and use of props, her expressive face as it revealed interior emotions and thinking, her interaction with other actors in an ensemble, and the overall nuance with which she developed complex characterizations"--
Earth, A.D. 2519. Less than a year has passed since the clone military of the Enlisted Man’s Empire toppled the government of the Unified Authority. Now the clones rule Earth, but a new enemy has emerged—and set off civil war… Formerly trained to fight for the U.A., clone Marine Wayson Harris had led the Enlisted Man’s Empire invasion of Earth and wrested control away from the old regime. He’s now ready to do what it takes to ensure the new balance of power isn’t jeopardized. When a trio of religious fanatics from Mars attempts to attack Harris, he fears there is more unrest among the colony’s residents. Hoping to stave off an uprising, he leads a troop of Marines to Mars. But once there, they learn the situation is much graver than they first feared. The red planet’s refugees have decided the clones are their number one enemy, and measures to eradicate them are underway. And when Harris is kidnapped and drugged, he discovers something disturbing about himself. He can be reprogrammed…
Clitics are grammatical elements that are treated as independent words in syntax but form a phonological unit with the word that precedes or follows it. This volume brings together the facts about clitics in the Slavic languages, where they have become a focal points of recent research. The authors draw relevant generalizations across the Slavic languages and highlight the importance of these phenomena for linguistic theory.
From two esteemed Civil War historians comes an unparalleled portrait of the war that altered the foundation of America. Pithy text is accented by black and white photography and illustrations that bring key characters and settings to life.
The author of more than 50 books--125 million copies in print--Clive Cussler is the current grandmaster of adventure literature. Dirk Pitt, the sea-loving protagonist of 22 of Cussler's novels, remains among the most popular and influential adventure series heroes of the past half-century. This first critical review of Cussler's work features an overview of Pitt and the supporting characters and other heroes, an examination of Cussler's themes and influences, a review of his most important adventures, such as Raise the Titanic! and Iceberg, and a look at adaptations of his work in other media. Cussler joins the pantheon of such as Rudyard Kipling, Sir Arthur Conan Doyle and Ian Fleming, and this overdue volume demonstrates that beneath Cussler's immense popularity lies a literary depth that well merits scholarly attention.
In an age of ubiquitous music and countless new songs releasing every minute, the Great American Songbook endures. After all, the Songbook—that sprawling canon of popular songs, standards, and show tunes from roughly the 1920s through the 1950s—is a foundational text of American pop music. Rare indeed is the song that doesn’t in some way draw on this magnificent corpus, and rare is the person who hasn’t heard at least a few of its most enduring melodies. Nonetheless, the Songbook is broader and deeper than most listeners can imagine, and on the margins, the question of whether this or that song should be included is the source of regular arguments among scholars and buffs alike. Attempting to plumb its depths can be a daunting prospect. Enter Steven Suskin, who has been writing about music since the days that Rodgers, Arlen, and Berlin still roamed the streets of Manhattan. In this carefully curated and cheerfully opinionated guidebook, Suskin surveys 201 of the most significant selections from the Songbook, ranging from celebrated masterpieces to forgotten gems. Year by year, he puts songwriters and their contributions in their context, and explains what makes each song such a distinctive treat—whether felicitous melody, colorful harmony, compositional originality, or merely the sheer, irreducible joy of listening to it. Old and new favorites await all readers of this painstakingly compiled, enthusiastically written catalog.
An effective filmmaker needs to have a good understanding of how film language works, and more importantly, how to actively influence an audience's thoughts and feelings and guide their gaze around the screen. Packed with examples from classic and contemporary cinema, The Language of Film reveals the essential building blocks of film and explains how the screen communicates meaning to its audience. You will learn about fundamental theories and concepts, including film semiotics, narrative structures, ideology, and genre, as well as how elements such as shot size, camera movement, editing technique, and color come together to create the cinematic image. With insightful case studies and discussion questions, dozens of practical tips and exercises, and a new chapter on film sound, this new edition of The Language of Film is a must-have guide for aspiring filmmakers.
Here is the perfect text you need to provide your learners with real-life clinical scenarios that are ideal for Case-Based Learning and Discussion. - Presents real-world patients in a real-world clinical setting, making learning fun and engaging. - The Case-Based Learning approach focuses learners and clinicians on the key elements for each diagnosis and helps develop a deep understanding of how to diagnose and treat each condition. - Covers everyday clinical problems such as costosternal syndrome, Tietze's syndrome, devil's grip, fractured ribs, post-thoracotomy pain, acute and chronic pancreatitis, diverticulitis, and more. - Cases unfold just the way they do in your clinic. Each case is accompanied with thoughtful clinical commentary and key messages from the author. - Each chapter uses high-quality radiographic images, clinical photos, and full-color drawings to facilitate a clear, easy-to-understand approach to evaluation and diagnosis. - An ideal self-assessment and review tool for pain medicine practitioners and trainees, as well as those preparing for the American Board of Anesthesiology Pain Medicine certification and recertification exam.
This textbook provides comprehensive coverage of the development, regulation and management of outdoor recreation in America. The authors consider the challenges for outdoor recreation in the 21st century, such as its role within education, resources, planning and the environment.
Too often, the lives and works of authors who called Upstate New York home are overshadowed by the icons of New York City. Resting among Us uncovers the region’s rich literary heritage through Steven Huff’s journeys to the graves of writers both famous and celebrated as well as those that have been forgotten. While most Upstate residents are aware that Mark Twain’s grave is in Elmira and that James Fenimore Cooper’s is in Cooperstown, many people don’t realize a noted author may be buried in their local cemetery. For instance, Paul Bowles is buried in Lakemont, John Gardner in Batavia, Rod Serling in Interlaken, John Burroughs in Roxbury, and Adelaide Crapsey in Rochester. Interwoven with these remarkable literary lives are the connected stories of the region’s history and Huff’s own encounters and friendships with some of the writers included in the book. With directions to each author’s grave, as well as photographs of the graves and authors themselves, Resting among Us is the perfect companion for your own enlightening literary pilgrimage.
Philippe Sands has extensively revised this leading textbook to include all new developments since 1994, including all the international case-law (ICJ, ITLOS, WTO, human rights etc.) and new international legislation (genetically modified organisms, the Kyoto Protocol, oil pollution, chemicals etc.). It is the most comprehensive account of the principles and rules relating to the protection of the environment and the conservation of natural resources. It incorporates all the key material from the 1992 Rio Declaration and subsequent developments. Topics include: the legal and institutional framework; the field's historic development; standards for general application in addition to the protection of the atmosphere, oceans etc.; the techniques available for implementation such as the environmental impact assessment and liability/compensation for environmental damage. It will be used on its own as an academic course text, as well as a reference text for practitioners.
Paramount: City of Dreams brings to life the operations of the world’s grandest movie lot as never before by opening its famous gates and revealing – for the first time – the wonderful myriad of soundstages and outdoor sets where, for one hundred years, Paramount has produced the world’s most famous films. With hundreds and hundreds of rare and unpublished photographs in color and black & white, readers are launched aboard a fun and entertaining “virtual tour” of Hollywood’s first, most famous and most mysterious motion picture studio. Paramount is a self-contained city. But unlike any community in the real world, this city’s streets and lawns, its bungalows and backlots, will be familiar even to those who have never been there. Now, for the first time, these much-filmed, much-haunted acres will be explored and the mysteries and myths peeled away – bringing into focus the greatest of all of Hollywood’s legendary dream factories.
I stand in the midst of creation's wheel And watch in wonder the quiet majesty of its turning. We are in the care of a love without limit or definition Under the protection of a love that never looks away. When the Spirit speaks to him in his daily prayers, Choctaw elder and spiritual explorer Steven Charleston takes a pen and writes down the messages. He then shares these thoughts with thousands on social media. In these musings, Charleston taps into the universal questions that draw us to prayer, no matter our spiritual background: Why am I here? Where do I belong? Where am I going? This stunning collection of more than two hundred meditations introduces us to the Spirit Wheel and the four directions that ground Native spirituality: tradition, kinship, vision, and balance. The life we inhabit together has been called many things by Indigenous people: the Spirit Wheel, the hoop of the nations, the great circle of existence, the medicine wheel. We are all on that ever-turning wheel, Charleston says--all of creation, people and animals, rocks and trees, the whole universe. Together we can turn toward the wisdom of our ancestors, kinship with all of Mother Earth's creatures, the vision of the Spirit, and mindful balance of life. We are all searching for belonging and a vision of the world that makes sense. We can meet those longings as we ponder the blessings of Spirit Wheel, in the breathtaking moments when insight becomes an invitation to wonder.
Provides encyclopedic coverage of female sexuality in 1940s popular culture. 2015 CHOICE Outstanding Academic Title Popular culture in the 1940s is organized as patriarchal theater. Men gaze upon, evaluate, and coerce women, who are obliged in their turn to put themselves on sexual display. In such a thoroughly patriarchal society, what happens to female sexual desire? Wolf-Women and Phantom Ladies unearths this female desire by conducting a panoramic survey of 1940s culture that analyzes popular novels, daytime radio serials, magazines and magazine fiction, marital textbooks, Hollywood and educational films, jungle comics, and popular music. In addition to popular works, Steven Dillon discusses many lesser-known texts and artists, including Ella Mae Morse, a key figure in the founding of Capitol Records, and Lisa Ben, creator of the first lesbian magazine in the United States. Steven Dillon is Professor of English at Bates College and the author of Derek Jarman and Lyric Film: The Mirror and the Sea and The Solaris Effect: Art and Artifice in Contemporary American Film.
The first book on ovarian cancer for the general reader, this is a comprehensive, compassionate look at a disease millions of people first became aware of with the tragic death of comedienne Gilda Radner in 1989. Dr. Piver, a leading cancer surgeon, discusses the causes of ovarian cancer, preventative measures, classic signs and symptoms, diagnostic tests and genetic screening, the different types of ovarian cancer, the four stages in the disease's progression, and the most effective treatments. Gene Wilder's intimate commentary, letters from Gilda's fans, and excerpts from her book, It's Always Something, bring a personal perspective to Dr. Piver's expert medical advice. This remarkable collaboration will help women feel more hopeful, and less scared and alone, when faced with ovarian cancer.
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