In 1991, author and Jungian psychotherapist Steven Herrmann was “called” by the poet-shaman William Everson to collaborate on writing a book. It is from that event that the subtitle of this book emerged, The Shaman’s Call. Its aim is to instill in readers that if one follows one’s calling from the shamanic archetype with the right attitude, it could culminate in true cosmic awareness. And, it would interconnect the psyche with nature, or what C.G. Jung called the “Self.” Such awareness is made clear through the transfiguring power of American poet-shamans, who transmit what they are called by nature to convey: that an experience of the Self is a life-altering experience. The calling can be transmitted by way of an animal power to a person through dreams, transformative relationships, in-depth psychotherapy, religious experiences, art, scientific endeavor, or through the hearing, reading or writing of shamanic poetry. During the conversations with Everson, emerged a vision of the way shamanism has been portrayed in American poetry, from Herman Melville's Moby Dick, to Walt Whitman’s Leaves of Grass, to Emily Dickinson’s The Complete Poetry, to what Everson achieved in his seminal poems, October Tragedy, The Encounter and Black Hills, and in his literature course at the University of California, Santa Cruz. The conversations form a link between the 80-year-old poet-shaman and the 35-year-old Jungian author Steven Herrmann, who was just beginning to find his own wings as a poet. The Expanded edition commemorates William Everson’s birth on September 10, 1912. Herrmann co-organized three Centennial events to celebrate Everson’s work in the fall of 2012. Part II contains Seven Meditations: William Everson’s Basic Teachings on Vocation, a final conversation with Everson on vocatypes, and Herrmann’s Centennial essays and poems.
A sweeping history of the 1840s, Manifest Destinies captures the enormous sense of possibility that inspired America’s growth and shows how the acquisition of western territories forced the nation to come to grips with the deep fault line that would bring war in the near future. Steven E. Woodworth gives us a portrait of America at its most vibrant and expansive. It was a decade in which the nation significantly enlarged its boundaries, taking Texas, New Mexico, California, and the Pacific Northwest; William Henry Harrison ran the first modern populist campaign, focusing on entertaining voters rather than on discussing issues; prospectors headed west to search for gold; Joseph Smith founded a new religion; railroads and telegraph lines connected the country’s disparate populations as never before. When the 1840s dawned, Americans were feeling optimistic about the future: the population was growing, economic conditions were improving, and peace had reigned for nearly thirty years. A hopeful nation looked to the West, where vast areas of unsettled land seemed to promise prosperity to anyone resourceful enough to take advantage. And yet political tensions roiled below the surface; as the country took on new lands, slavery emerged as an irreconcilable source of disagreement between North and South, and secession reared its head for the first time. Rich in detail and full of dramatic events and fascinating characters, Manifest Destinies is an absorbing and highly entertaining account of a crucial decade that forged a young nation’s character and destiny.
Over 20 thematically organized weekend getaways throughout all corners of Long Island, including the Belmont Stakes, Shelter Island, Montauk, and more. From the old “Gold Coast” of Long Island’s North Shore, made famous by F. Scott Fitzgerald, to the sparkling waters of Jones Beach, the Hamptons and Montauk, Great Escapes: Long Island provides a series of itineraries for packing in all there is to do and see on Long Island. There’s something for everyone—from fishing to family fun to wine tours and food tours to visits to little-known historic sites. Each itinerary offers an in-depth narrative about the destination along with pertinent recommendations for lodging, dining, shopping, and sightseeing.
A cultural history of freelance critics and an exploration of their collective effort to construct a viable public intellectual life in the US. Independence and social engagement were the terms of self- definition and the aspirations that bound together a broad range of critics, including Randolph Bourne, Max Eastman, Walter Lippmann, Margaret Sanger, Van Wyck Brooks, Edmund Wilson, H.L. Mencken, Lewis Mumford, Malcolm Cowley, and Waldo Frank. Annotation copyright by Book News, Inc., Portland, OR
Offers a variety of day trips and weekend getaways in Long Island, providing information on sights, accommoations, restaurants, outdoor activities, shopping, entertainment, special events, and transportation.
Spanning three centuries of Brooklyn history from the colonial period to the present, A Covenant with Color exposes the intricate relations of dominance and subordination that have long characterized the relative social positions of white and black Brooklynites. Craig Steven Wilder -- examining both quantitative and qualitative evidence and utilizing cutting-edge literature on race theory -- demonstrates how ideas of race were born, how they evolved, and how they were carried forth into contemporary society. In charting the social history of one of the nation's oldest urban locales, Wilder contends that power relations -- in all their complexity -- are the starting point for understanding Brooklyn's turbulent racial dynamics. He spells out the workings of power -- its manipulation of resources, whether in the form of unfree labor, privileges of citizenship, better jobs, housing, government aid, or access to skilled trades. Wilder deploys an extraordinary spectrum of evidence to illustrate the mechanics of power that have kept African American Brooklynites in subordinate positions: from letters and diaries to family papers of Kings County's slaveholders, from tax records to the public archives of the Home Owners Loan Corporation. Wilder illustrates his points through a variety of cases, including banking interests, the rise of Kings County's colonial elite, industrialization and slavery, race-based distribution of federal money in jobs, and mortgage loans during and after the Depression. He delves into the evolution of the Brooklyn ghetto, tracing how housing segregation corralled African Americans in Bedford-Stuyvesant. The book explores colonial enslavement, the rise of Jim Crow, labor discrimination and union exclusion, and educational inequality. Throughout, Wilder uses Brooklyn as a lens through which to view larger issues of race and power on a national level. One of the few recent attempts to provide a comprehensive history of race relations in an American city, A Covenant with Color is a major contribution to urban history and the history of race and class in America.
First published in 1985, Habits of the Heart continues to be one of the most discussed interpretations of modern American society, a quest for a democratic community that draws on our diverse civic and religious traditions. In a new preface the authors relate the arguments of the book both to the current realities of American society and to the growing debate about the country's future. With this new edition one of the most influential books of recent times takes on a new immediacy.
This work demonstrates that twentieth-century Nicaraguan poetry can not be comprehended in its fullest dimension without an understanding of the literary traditions of France and the United States. Ever since Ruben Dario established Hispanic America's literary independence from Spain in the nineteenth century with his modernista revolution, poets in Nicaragua actively have engaged in a dialogue with the works of French and North American authors as a means of assimilating and transforming them and thereby inventing a profoundly Nicaraguan literary identity. This process has resulted in what might be called a double genealogy in Nicaraguan poetry: certain poets attracted to the alchemical properties of the poetic word and a transcendent, mythic, meta-reality seem to have descended from French literary forebears; others, interested in an expansive, poeticized version of history and verisimilitude, have roots that might be traced to North American soil. This division is a provisional, experimental means of grouping Nicaraguan poets based not on the traditional compartmentalization of literary generations, but on the "family resemblances" of poetic affinities. Presented here is an effective analysis of the "familial" nature of the Nicaraguan poets achieving their own literary independence by taking into account socio-political and historical considerations, common literary themes, as well as the intertextual relations that form the basis of international literary dialogues. This rigorous, but flexible, approach to modern Nicaraguan poetry enables the reader to accompany the poets on their journeys toward God and the end of the world; into a timeless Nicaraguan landscape invaded by U.S. Marines; beyond a contemporary urban portrait of Los Angeles; through the horrifying European battlefields of World War I and the trenches of Nicaragua's revolution against the Somoza dictatorship. The English-speaking reader probably will be unfamiliar with most of the seven preeminent Nicarguan poets whose works are the subject of this book, but it is hoped that the reader will realize that the poetry of Nicaraguans Alfonso Cortes, Salomon de la Selva, Jose Coronel Urtecho, Pablo Antonio Cuadra, Joaquin Pasos, Carlos Martinez Rivas, and Ernesto Cardenal is worthy of serious study. Furthermore, the poems of these authors take on a richer meaning when they are studied as co-presences in relation to certain texts by Baudelaire, Rimbaud, Mallarme, and Supervielle, or - in an "American" context - by poets such as Whitman, Pound, Eliot, and Masters. A relatively small country with a rich, diverse tradition in poetry, Nicaragua has maintained high literary standards generation after generation and has produced poets of a world-class stature whose time has come for greater recognition.
Hot Music, Ragmentation, and the Bluing of American Literature examines the diverse ways in which African American "hot" music influenced American culture - particularly literature - in early twentieth-century America. Steven C. Tracy provides a history of the fusion of African and European elements that formed African American "hot" music, and considers how terms like ragtime, jazz, and blues developed their own particular meanings for American music and society. He draws from the fields of literature, literary criticism, cultural anthropology, American studies, and folklore to demonstrate how blues as a musical and poetic form has been a critical influence on American literature. -- from dust jacket.
Richman provides a rare photographic and poetic journey across 60 of New Jersey's bridges, ranging from impressive suspension spans such as the Ben Franklin and George Washington Bridges, to the small wrought iron and stone bridges that are cherished by local citizens.
ABOUT THE BOOK Walt Whitman is considered one of the most important poets in American history. Whitman is known as the father of free verse, because his poetry was a palpable blend of words and feeling which flowed freely from his pen. His style changed forever the nature of American literature. Whitman was a humanist, who ascribed to schools of both realism and transcendentalism. His poems had a wonderfully natural feel that celebrated humanity it its purest form. Whitman's most famous work was a collection of poems, "Leaves of Grass," which he paid to have published multiple times throughout his life. Considered by many to be the quintessential American poet, Walt Whitman challenged the ideals of American culture and inspired others to do the same. Whitman lived during one of the most tumultuous periods in American history, a time marred by conflict and bloodshed. Although he was never a soldier, he saw first hand the pain and suffering that took place during the American Civil War. After the assassination of President Lincoln shocked the nation, Whitman wrote a poem in honor of the fallen leader titled, "When Lilacs Last in the Dooryard Bloom'd." During his life, Whitman also worked as a journalist, a civil servant and a teacher, but his true passion was his poetry. Whitman was a perfectionist who continued to revise his masterpiece, "Leaves of Grass," until his death in 1892, and left a legacy like no other. EXCERPT FROM THE BOOK Walt Whitman was always close to his family, and helped his brothers whenever he could. His brother, George, fought for the Union army during the Civil War, and kept in touch with Whitman through his letters. When the letters stopped arriving, Whitman feared that George had been injured or killed in battle, and he immediately left for the southern United States on foot. Unbelievably, he located his brother and was relieved to find that George had sustained only superficial injuries. Whitman also had the difficult task of committing his brother, Jesse, to the Kings County Lunatic Asylum. Walt Whitman's romantic life has been the topic of much scholarly inquiry over the years. Whitman was never married, and had no children that we know of. However, the fact that his poetry is rife with allusions to sexual desire caused many scholars to seek out answers about the poet's own sexuality. Many Whitman scholars believe that the writer was either homosexual or bisexual, although there is no definitive evidence of his sexual relationships. One of the men with whom Whitman shared a lasting friendship was Peter Doyle, a bus conductor that many people believe was Whitman's lover. Buy a copy to keep reading! CHAPTER OUTLINE Biography of Walt Whitman + Introduction + Early Life + Major Accomplishments + Personal Life + ...and much more
First published in 1855 with Whitman’s own money, Leaves of Grass is a highly sensual collection of verses that became a monument to American poetry. The journalist, philosopher, clerk, and Civil War nurse spent the following four decades revising and expanding the work from twelve poems to a massive four-hundred-poem compilation. Celebrating nature and human sexuality with explicit imagery, his poetry was controversial but also drew high praise from the likes of Alfred Tennyson and D. H. Lawrence, who called him the “greatest modern poet.” With its sensuous and highly imaginative free-form verses, Walt Whitman’s greatest masterpiece is now available in an elegantly designed clothbound edition with an elastic closure and a new introduction.
Combining ?biography and intellectual history, Steven Rockefeller offers an illuminating introduction to the philosophy of John Dewey, with special emphasis on the evolution of the religious faith and moral vision at the heart of his thought. This study pays particular attention to Dewey's radical democratic reconstruction of Christianity and his many contributions to the American tradition of spiritual democracy. Rockefeller presents the first full exploration of Dewey's religious thought, including its mystical dimension. Covering Dewey's entire intellectual life, the author provides a clear introduction to Dewey's early neo-Hegelian idealism as well as to his later naturalistic metaphysics, epistemology, theory of education, theory of evaluation, and philosophy of religion. The author tells the story of the evolution of this faith and philosophical vision, offering fresh insight into the enduring value of the thought of America's foremost philosopher.
Now in its Fifth Edition, America and Its Peoples presents American history filled with the drama and conflict that holds the attention of all students. Social history-with an emphasis on sports, leisure, and popular culture-is effectively integrated with more traditional coverage of military history, politics, and diplomacy. This edition highlights the rich ethnic diversity of the American people with vivid character sketches, colorful anecdotes, primary sources, new pedagogy, and a spirited narrative.
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