More than four decades after the premiere of his first film, Steven Spielberg (b. 1946) continues to be a household name whose influence on popular culture extends far beyond the movie screen. Now in his seventies, Spielberg shows no intention of retiring from directing or even slowing down. Since the publication of Steven Spielberg: Interviews in 2000, the filmmaker has crafted some of the most complex movies of his extensive career. His new movies consistently reinvigorate entrenched genres, adding density and depth. Many of the defining characters, motifs, tropes, and themes that emerge in Spielberg’s earliest movies shape these later works as well, but often in new configurations that probe deeper into more complicated subjects—dangerous technology rather than man-eating sharks, homicidal rather than cuddly aliens, lethal terrorism instead of rampaging dinosaurs. Spielberg's movies continue to display a remarkably sophisticated level of artistry that matches, and sometimes exceeds, the memorable visual hallmarks of his prior work. His latest series of films continue to demonstrate an ongoing intellectual restlessness and a willingness to challenge himself as a creative artist. With this new collection of interviews, which includes eleven original interviews from the 2000 edition and nine new interviews, readers will recognize the themes that motivate Spielberg, the cinematic techniques he employs to create his feature films, and the emotional connection he has to his movies. The result is a nuanced and engaging portrait of the most popular director in American cinema history.
Spanning 25 years of Spielberg's career, this book explores the issues, themes, and financial considerations surrounding his works. The blockbuster creator of "E.T., Jaws, " and "Schindler's List" talks about dreams and the almighty dollar. Includes 10 film stills, chronology, filmography, and index.
Since the early 1970s, Steven Spielberg has directed more than two dozen films, many of which have achieved classic status. In addition to critical and commercial successes that include E.T. the Extra-Terrestrial, Schindler’s List, Saving Private Ryan, and Lincoln, Spielberg’s name has become synonymous with such thrilling adventure films as Jaws, Raiders of the Lost Ark, Jurassic Park, and Minority Report. Before he became a world-renowned filmmaker, however, Spielberg established himself on television, helming episodes of Rod Serling’s Night Gallery; Marcus Welby, M.D.; and Columbo. But it was the small-screen version of a Richard Matheson short story that brought the young director’s work to the attention of critics and viewers alike. In Steven Spielberg and Duel: The Making of a Film Career, Steven Awalt provides an exhaustive study commemorating the film that decisively launched the career of a major film artist. Through in-depth research and interviews with the film’s creative and technical crew, the author tracks the film from genesis through production to release. Awalt conducted lengthy one-on-one interviews with Spielberg, Matheson, assistant director James Fargo, editor Frank Morriss, composer Billy Goldenberg, former MCA/Universal president Sidney J. Sheinberg, and writer-producer Steven Bochco, among others. Spielberg provided access to many rare documents from his archives, including multiple drafts of Duel’s teleplay, the shooting schedule, shooting logistics breakdowns, and production correspondence. The first book-length examination of this important production in the director’s early career, Steven Spielberg and Duel also includes the original teleplay by Matheson, four additional scenes created for the international theatrical release of the film, photos, and storyboards of the film’s final sequence. A fascinating look behind the scenes of an acclaimed work, this book will interest not only scholars and film historians but anyone interested in the work of Richard Matheson and Steven Spielberg.
The devastation of Hungarian Jewry was among the worst atrocities of World War II, encompassing the murder of hundreds of thousands of men, women and children in the final months of the war. Facing defeat, Hitler and his allies brought the Holocaust to Hungary with unprecedented speed and barbarity. The Hungarian Jewish population was rounded up and deported to concentration camps in just 54 days. 437,402 Jews. 148 trains. Destination: Auschwitz. The German plan for annihilation of the Jews-called the 'Final Solution'-set the goal that not a single survivor would be left to bear witness to the events. Fifty years later, Steven Spielberg established Survivors of the Shoah Visual History Foundation to record the testimony of as many survivors as possible. From the ashes of the Holocaust these voices now emerge to share their stories and to represent the nearly six million Jews who did not survive. Survivors and liberators share what they experienced in gripping, firsthand testimony. Archival photographs document history, and powerful color images chronicle the survivors' emotional return to the places of their pasts:from homes unseen for fifty years to the ghettos and concentration camps of their imprisonment. Top scholars have been brought together to share their insights into one of humanity's darkest chapters. These elements are poignantly synthesized in The Last Days as a warning for all mankind.
Spanning 25 years of Spielberg's career, this book explores the issues, themes, and financial considerations surrounding his works. The blockbuster creator of "E.T., Jaws, " and "Schindler's List" talks about dreams and the almighty dollar. Includes 10 film stills, chronology, filmography, and index.
Since the early 1970s, Steven Spielberg has directed more than two dozen films, many of which have achieved classic status. In addition to critical and commercial successes that include E.T. the Extra-Terrestrial, Schindler’s List, Saving Private Ryan, and Lincoln, Spielberg’s name has become synonymous with such thrilling adventure films as Jaws, Raiders of the Lost Ark, Jurassic Park, and Minority Report. Before he became a world-renowned filmmaker, however, Spielberg established himself on television, helming episodes of Rod Serling’s Night Gallery; Marcus Welby, M.D.; and Columbo. But it was the small-screen version of a Richard Matheson short story that brought the young director’s work to the attention of critics and viewers alike. In Steven Spielberg and Duel: The Making of a Film Career, Steven Awalt provides an exhaustive study commemorating the film that decisively launched the career of a major film artist. Through in-depth research and interviews with the film’s creative and technical crew, the author tracks the film from genesis through production to release. Awalt conducted lengthy one-on-one interviews with Spielberg, Matheson, assistant director James Fargo, editor Frank Morriss, composer Billy Goldenberg, former MCA/Universal president Sidney J. Sheinberg, and writer-producer Steven Bochco, among others. Spielberg provided access to many rare documents from his archives, including multiple drafts of Duel’s teleplay, the shooting schedule, shooting logistics breakdowns, and production correspondence. The first book-length examination of this important production in the director’s early career, Steven Spielberg and Duel also includes the original teleplay by Matheson, four additional scenes created for the international theatrical release of the film, photos, and storyboards of the film’s final sequence. A fascinating look behind the scenes of an acclaimed work, this book will interest not only scholars and film historians but anyone interested in the work of Richard Matheson and Steven Spielberg.
Brimming with more than 140 dramatic images, this is the stunning, visual companion to Steven Spielberg's epic adventure, set in rural England and Europe, about a young man and his horse and their separate journeys through the battlefields of the First World War. One of the great stories of friendship and war, the successful novel War Horse not only inspired the award-winning stage play, but also inspired one of the great directors in film history to commit his talent, vision, and resources to make this extraordinary movie, which was shot in the countryside of England. "I first fell in love with the story of War Horse because I was moved by the relationship between a boy and an animal in Michael Morpurgo's novel and the screenplay by Richard Curtis and Lee Hall," writes Steven Spielberg in his foreword. "But, ultimately, I made it because of what the book and the screenplay say about courage. I t is about the courage of the horse Joey and what he endures to survive, and the courage of Albert in his attempt to find his best friend in a time of war. With every frame of this film, it was my hope to issue a call for courage in our daily lives. A call to ‘be brave.'" Additional forewords by producer Kathleen Kennedy, novelist Michael Morpurgo, and co-screenwriter Richard Curtis reveal their feelings about the story and the process of moving it from page to screen. The main body of the book is divided into three sections: Part 1: Joey's Journey—A visual retelling, along with script excerpts and filmmakers' comments, of the journey taken by Joey, the horse trained by his beloved Albert, from the striking verdant countryside of Dartmoor, Devon, to training in the British cavalry, to trench warfare in France. Part 2: The Making of War Horse—An insider's glimpse of the movie-making process highlighted with fascinating insights from the international cast and the crew about the casting, locations, costumes, horse training, and much more. Part 3: The History of War Horses—An illuminating section on the role of horses in battle, illustrated with iconic images from history, vivid drawings, paintings and photographs. This beautiful book is a testament to what can be done when people become impassioned about a goal. As producer Kathleen Kennedy expresses in her foreword: "War Horse was one of those unusual productions that comes together in an incredibly short time, and for all the right reasons. Everyone involved understood the film's potential, the richness of the characters, the depth of emotion, and the strength of the story's message.
Five survivors of the Holocaust in Hungary describe their lives before the war; the swift and barbarous execution of Hitler's policies from March 1944; and their experiences in hiding and in Auschwitz, Buchenwald and Dachau. The book also follows their return to the camps 50 years later.
Over 50,000 sold—the only illustrated companion book to the extraodinary film. Includes excerpts from Stephen Ambrose's books, screenplay extracts, and commentary by Steven Spielberg, Tom Hanks, Matt Damon, Janusz Kaminski and others. 100 illustrations, 130 color plates.
This illustrated, large-format book, Testimony: The Legacy of Schindler’s List and the USC Shoah Foundation—A 20th Anniversary Commemoration combines, for the first time, the behind-the-scenes story of the making of Schindler’s List with the history of the remarkable organization inspired by that landmark film. Steven Spielberg’s encounters with Holocaust survivors who visited the set and personally told him their stories set him on a quest to collect and preserve survivor testimony for generations to come. In 1994, he established the Shoah Foundation, and in the following four years nearly 52,000 eyewitness interviews were video recorded in 56 countries and 32 languages. This commemorative book relates how the foundation accomplished this feat through a worldwide network of dedicated people, pioneering interview methods, and state-of-the art technologies. A special 140-page section tells the riveting story of the film in photos, script excerpts, and the words of the cast and crew, including Liam Neeson, Ben Kingsley, and Spielberg. Drawing from the Universal Pictures archives and exclusive interviews, here are details on Spielberg’s struggle to bring Oskar Schindler’s story from novel to script to screen, the casting, cinematography, and especially what happened during the difficult shoot in Poland in 1993—on locations where actual events of the Holocaust occurred. Partnered with the University of Southern California since 2006, the USC Shoah Foundation has broadened its mission and now collects and preserves testimonies from other genocides, including those in Armenia, Cambodia, and Rwanda, while expanding its educational outreach, especially to young people. Its Visual History Archive—digitized, fully searchable, and hyperlinked to the minute—has become the largest digital collection of its kind in the world. As Spielberg writes in his introduction, “I believe the work of the USC Shoah Foundation is the most important legacy of Schindler’s List.”
FLY BY NIGHT is about the helicopter crash on the set of "Twilight Zone: The Movie" – the Warner Bros. film co-produced by Steven Spielberg and John Landis – that killed actor Vic Morrow, and two children who had been hired illegally. Confidential sources in the studios and in the private worlds of Spielberg and Landis – and in the DA's office, the sheriff's office, Interpol and the FBI – and newly uncovered internal Warner Bros. documents – let the author show the cover-up that ensued, a $5-million-dollar scheme to keep Landis out of jail and Spielberg out of the headlines, resulting in an unbelievable acquittal by a jury that had fallen under the spell of Hollywood. From John Huston, Jackie Cooper, Ralph Bellamy and Don Ameche to Chevy Chase, George Lucas, Dan Aykroyd and Carrie Fisher, both old and new Hollywood found themselves party to this unprecedented event.
FLY BY NIGHT is about the helicopter crash on the set of "Twilight Zone: The Movie" – the Warner Bros. film co-produced by Steven Spielberg and John Landis – that killed actor Vic Morrow, and two children who had been hired illegally. Confidential sources in the studios and in the private worlds of Spielberg and Landis – and in the DA's office, the sheriff's office, Interpol and the FBI – and newly uncovered internal Warner Bros. documents – let the author show the cover-up that ensued, a $5-million-dollar scheme to keep Landis out of jail and Spielberg out of the headlines, resulting in an unbelievable acquittal by a jury that had fallen under the spell of Hollywood. From John Huston, Jackie Cooper, Ralph Bellamy and Don Ameche to Chevy Chase, George Lucas, Dan Aykroyd and Carrie Fisher, both old and new Hollywood found themselves party to this unprecedented event.
The Truth about Patriotism is a bracing repudiation of the claim that patriotism is essential—or even beneficial—to democracy. Contending that even at its best patriotism subverts the democracy it purports to value, Steven Johnston turns to patriotism’s defenders to show how they must jettison much of democracy to champion patriotism. Closely examined, patriotism itself effectively demonstrates the impossibility of love of country. Patriotism, Johnston argues, tends toward narcissistic self-regard, blind to its violent ways of being in the world and its dependence on death. Thus we would be better off without it. Drawing largely from aspects of American political and popular culture, this wide-ranging book presents a wealth of examples to disclose patriotism’s self-defeating character. They include Richard Rorty’s and John Schaar’s enmity-driven love of country, Socrates’s angry judicial suicide, the violent obsessions of High Noon and Saving Private Ryan, the triumphalist self-display of the World War II Memorial, Oliver Stone’s and Don DeLillo’s spectacular representations of the assassination of President Kennedy, George W. Bush’s symbolic sacrifice of more Americans in commemoration of September 2001, and yet other memorials to and apologies for patriotism. Ultimately, Johnston calls for a vision of democracy that uses the tragic possibilities inherent in politics as a spur to a life-affirming civic ethos of reciprocal generosity.
Bestselling author Steven Gaines's "richly entertaining" (People) and juicy social history of the Hamptons. As one of America's most fabled communities--long a magnet for artists, celebrities, the very rich, and their respective hangers-on--the Hamptons have been a scene of constant collision among the established old guard, New Money, and the local families who farmed and fished the region for generations. In serving up three centuries of Hamptons history, Steven Gaines introduces a host of colorful characters including Jackson Pollock, Ron Perelman, Lauren Bacall, and the Bouvier Beales of Grey Gardens infamy. Philistines at the Hedgerow is a mesmerizing feat of storytelling--a book that takes us behind the privet hedges and rolling sand dunes and brings vivid life to the curious passions and personalities that animate the Hamptons.
This illustrated, large-format book, Testimony: The Legacy of Schindler’s List and the USC Shoah Foundation—A 20th Anniversary Commemoration combines, for the first time, the behind-the-scenes story of the making of Schindler’s List with the history of the remarkable organization inspired by that landmark film. Steven Spielberg’s encounters with Holocaust survivors who visited the set and personally told him their stories set him on a quest to collect and preserve survivor testimony for generations to come. In 1994, he established the Shoah Foundation, and in the following four years nearly 52,000 eyewitness interviews were video recorded in 56 countries and 32 languages. This commemorative book relates how the foundation accomplished this feat through a worldwide network of dedicated people, pioneering interview methods, and state-of-the art technologies. A special 140-page section tells the riveting story of the film in photos, script excerpts, and the words of the cast and crew, including Liam Neeson, Ben Kingsley, and Spielberg. Drawing from the Universal Pictures archives and exclusive interviews, here are details on Spielberg’s struggle to bring Oskar Schindler’s story from novel to script to screen, the casting, cinematography, and especially what happened during the difficult shoot in Poland in 1993—on locations where actual events of the Holocaust occurred. Partnered with the University of Southern California since 2006, the USC Shoah Foundation has broadened its mission and now collects and preserves testimonies from other genocides, including those in Armenia, Cambodia, and Rwanda, while expanding its educational outreach, especially to young people. Its Visual History Archive—digitized, fully searchable, and hyperlinked to the minute—has become the largest digital collection of its kind in the world. As Spielberg writes in his introduction, “I believe the work of the USC Shoah Foundation is the most important legacy of Schindler’s List.”
This critical text offers a behind-the-scenes look at fifteen of the most important American war films of the last 60 years. Based on original interviews and archival research and featuring rare photographs, this book covers films considered unusually realistic for the genre. The original edition (1981) covered war films through World War II, while the present, expanded edition includes seven new chapters covering the Civil War, the American gunboat presence in China in the 1920s, the Korean War, the Vietnam War, the fighting in Mogadishu in 1993 and the war in Iraq.
The definitive behind-the-scenes history of the dawn of video games and their rise into a multibillion-dollar business “For industry insiders and game players alike, this book is a must-have.”—Mark Turmell, designer for Midway Games and creator of NBA Jam, NFL Blitz, and WrestleMania With all the whiz, bang, pop, and shimmer of a glowing arcade, volume 1 of The Ultimate History of Video Games reveals everything you ever wanted to know and more about the unforgettable games that changed the world, the visionaries who made them, and the fanatics who played them. Starting in arcades then moving to televisions and handheld devices, the video game invasion has entranced kids and the young at heart for nearly fifty years. And gaming historian Steven L. Kent has been there to record the craze from the very beginning. The Ultimate History: Volume 1 tells the incredible tale of how this backroom novelty transformed into a cultural phenomenon. Through meticulous research and personal interviews with hundreds of industry luminaries, Kent chronicles firsthand accounts of how yesterday’s games like Space Invaders, Centipede, and Pac-Man helped create an arcade culture that defined a generation, and how today’s empires like Sony, Nintendo, and Electronic Arts have galvanized a multibillion-dollar industry and a new generation of games. Inside, you’ll discover • the video game that saved Nintendo from bankruptcy • the serendipitous story of Pac-Man’s design • the misstep that helped topple Atari’s $2-billion-a-year empire • the coin shortage caused by Space Invaders • the fascinating reasons behind the rise, fall, and rebirth of Sega • and much more! Entertaining, addictive, and as mesmerizing as the games it chronicles, this book is a must-have for anyone who’s ever touched a joystick.
This study provides the first book-length critical history of storyboarding, from the birth of cinema to the present day and beyond. It discusses the role of storyboarding in key films including Gone with the Wind , Psycho and The Empire Strikes Back , and is illustrated with a wide range of images.
What do contemporary American movies and directors have to say about the relationship between nature and art? How do science fiction films like Steven Spielberg's A.I. and Darren Aronofsky's π represent the apparent oppositions between nature and culture, wild and tame? Steven Dillon's intriguing new volume surveys American cinema from 1990 to 2002 with substantial descriptions of sixty films, emphasizing small-budget independent American film. Directors studied include Steven Soderbergh, Darren Aronofsky, Todd Haynes, Harmony Korine, and Gus Van Sant, as well as more canonical figures like Martin Scorcese, Robert Altman, David Lynch, and Steven Spielberg. The book takes its title and inspiration from Andrei Tarkovsky's 1972 film Solaris, a science fiction ghost story that relentlessly explores the relationship between the powers of nature and art. The author argues that American film has the best chance of aesthetic success when it acknowledges that a film is actually a film. The best American movies tell an endless ghost story, as they perform the agonizing nearness and distance of the cinematic image. This groundbreaking commentary examines the rarely seen bridge between select American film directors and their typically more adventurous European counterparts. Filmmakers such as Lynch and Soderbergh are cross-cut together with Tarkovsky and the great French director, Jean-Luc Godard, in order to test the limits and possibilities of American film. Both enthusiastically cinephilic and fiercely critical, this book puts a decade of U.S. film in its global place, as part of an ongoing conversation on nature and art.
With his signature elan, Gaines weaves a gossipy tapestry of brokers, buyers, co-op boards, and eccentric landlords and tells of the apartment hunting and renovating adventures of many celebrities -- from Tommy Hilfiger to Donna Karan, from Jerry Seinfeld to Steven Spielberg, from Barbra Streisand to Madonna. Gaines uncovers the secretive, unwritten rules of co-op boards: why diplomats and pretty divorcees are frowned upon, what not to wear to a board interview, and which of the biggest celebrities and CEOs have been turned away from the elite buildings of Fifth and Park Avenues. He introduces the carriage-trade brokers who never have to advertise for clients and gives us finely etched portraits of a few of the discreet, elderly society ladies who decide who gets into the so-called Good Buildings. Here, too, is a fascinating chronicle of the changes in Manhattan's residential skyline, from the slums of the nineteenth century to the advent of the luxury building. Gaines describes how living in boxes stacked on boxes came to be seen as the ultimate in status, and how the co-operative apartment, originally conceived as a form of housing for the poor, came to be used as a legal means of black-balling undesirable neighbors. A social history told through brick and mortar, The Sky's the Limit is the ultimate look inside one of the most exclusive and expensive enclaves in the world, and at the lengths to which people will go to get in.
ABOUT THE BOOK "I am certain there is too much certainty in the world." Michael Crichton Born on October 23, 1942, John Michael Crichton was raised in Long Island, New York. His parents John Henderson Crichton and Zula Miller Crichton also gave birth to two girls, Kimberley and Catherine Crichton, and one boy, Douglas. His father was a journalist. His mother regularly took the kids to the museum, theatres and movies. Crichton has cited his parents' wide-ranging interests for sparking his own. Crichton was a sickly child, staying indoors for much of his childhood. This home stay combined with his early growth spurt often left him feeling shy and isolated from other children. He would often spend his time indoors playing with model train sets and practicing simple science experiments. He developed an early interest in writing, publishing an article about travel in the New York Times at the age of 14. In 1960 he enrolled in Harvard College to study English Literature. After receiving his professors constant criticism about his writing style, he switched majors to Biological Anthropology. Crichton developed a habit of responding badly to criticisms, often walking away from projects if rewrites were requested and criticizing the person responsible. This habit stayed with him through his career. After his professors criticism of one particular essay, he plagiarised an essay originally written by George Orwell and handed it in. The essay received a B-minus. EXCERPT FROM THE BOOK Michael Crichton's first novel called Odds On was published under the pseudonym John Lange in 1966. In 1969, his novel A Case In Need won a Mystery Writers of America Edgar Allan Poe Award under the pseudonym Jeffery Hudson, and he followed this with his first best-seller The Andromeda Strain. Crichton wrote quickly, often churning out 10,000 words a day. In these periods of writing he would lock himself away and eat the same meal for lunch every day, which he believed aided his concentration. For example, during the writing of Jurassic Park, Crichton ate egg salad sandwiches with extra pepper every day. During these intensely focused periods, Crichton would be capable of releasing three novels a year. In 1970, he published Drug of Choice, Dealing and Grave Descend. In 1972, he published Terminal Man and Binary. Binary became a TV movie called Pursuit, which was Crichtons directorial debut. Buy a copy to keep reading! CHAPTER OUTLINE Biography of Michael Crichton + Introduction + Crichton’s Accomplishments + Personal Life + Michael Crichton Quick Facts + ...and much more
In 1975, after his two Godfather epics, Francis Ford Coppola went to the Philippines to film Apocalypse Now. He scrapped much of the original script, a jingoistic narrative of U.S. Special Forces winning an unwinnable war. Harvey Keitel, originally cast in the lead role, was fired and replaced by Martin Sheen, who had a heart attack. An overweight Marlon Brando, paid a huge salary, did more philosophizing than acting. It rained almost every day and a hurricane wiped out the set. The Philippine government promised the use of helicopters but diverted them at the last minute to fight communist and Muslim separatists. Coppola filmed for four years with no ending in the script. The shoot threatened to be the biggest disaster in movie history. Providing a detailed snapshot of American cinema during the Vietnam War, this book tells the story of how Apocalypse Now became one of the great films of all time.
Written by one of the world's leading experts on D-Day, Smashing Hitler's Guns is a ground-breaking new history of the legendary Rangers' attack on Pointe-du-Hoc. The Ranger attack on the German gun batteries at Pointe-du-Hoc in the early morning hours of D-Day is the stuff of legend. The gun batteries were strategically positioned between the two American D-Day landing beaches, and were considered the main threat to the Operation Neptune landings. In spite of the confusion and chaos of the June 6, 1944 mission, the Rangers succeeded in scaling the 100-foot cliffs, but the guns were nowhere to be found. Spreading out in all directions, a Ranger team managed to find and spike the guns at their hidden location south of Pointe-du-Hoc. For two days, this small force fought off repeated German attacks, until an American relief force finally arrived on 8 June, by which time more than half the Rangers were casualties. The heroic Ranger mission at Pointe-du-Hoc has indeed become a sacred legend, and as a result there are many unexplored controversies. This new book on this famous raid takes a fresh and comprehensive look at the attack on Pointe-du-Hoc, examining the creation of the German gun battery, the initial Allied intelligence assessments of the threat, and the early plans to assault the site. The forgotten Allied bombing attacks on Pointe-du-Hoc are detailed, as well as the subsequent Allied intelligence investigations of the results. While most accounts of Pointe-du-Hoc are based on the published US Army history, the author has tracked down the long-forgotten original, unedited report in the archives that contains a number of curious changes from the better-known and widely accepted version. Little-known interviews of the Rangers who took part in the mission also shed fresh light and a significant number of German records provide the enemy perspective of the battle for control of the guns.
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