This book advances a new interpretation of the timing and character of French (and more broadly European) liberalism, and contributes to the ongoing debate concerning the place of morality, sociability, and conceptions of the "self" in modern liberal thought.
Two grave robbers unearth more than Civil War relics when they desecrate hallowed ground in a Civil War Battlefield. The author tells a story of searching and redemption and shines a new light on one of America=s bloodiest battles. Ghost Cavalry is the story of a family searching for meaning, and finding it generations earlier in the shallow graves of Shiloh, Tennessee. It=s a ghost story, a thriller and a story about family, all in one. Steven Robert Alexander comes from a long line of service members. Among his ancestors are Corp William Edward Alexander of the 155th Pennsylvania Volunteer Infantry and Louis Joe Kelley, Confederate Soldier who fought at Shiloh. Son of a WWII P 47 Pilot in the Pacific and Korean War Pilot, Steven is a retired Lieutenant Colonel of the US Army. LTC (R) Alexander served throughout the globe, most recently in Operation Iraqi Freedom, his military awards include the Purple Heart, the Combat Action Badge, and many others. Steven makes his home in Colorado Springs, Colorado with his wife Laurie, where he continues his writing. Steven is also a playwrite and Board Game Designer. Visit his website at www.stevenralexander.com. As this story takes place in 1974 and 1863, I see, with their backs to us, a man in a Park Ranger Uniform, with his arm around his 10 year old, looking into a ghostly but real vision of a Confederate Cavalry unit on the move riding towards a line of Union Soldiers with the Stars and Stripes behind them. It could be that the father and son are standing next to a National Park Vehicle, somehow incorporated into the artwork, just to separate the 101 year difference
The Amish have always struggled with the modern world. This title explores diversity and evolving identities within this distinctive American ethnic community, and its transformation and geographic expansion. It provides an authoritative and sensitive understanding of Amish society.
Born of a country's collective desire for riches, Sacramento was resolute in its survival while other Gold Rush towns faded into history. It battled catastrophic fires, floods, and epidemics to become the original western hub and laid claim to the capital of a state that would one day have the world's fifth largest economy. The community's flourishing growth is not just a product of its economic viability, but a direct result of the cultural vibrance and fortitude of a diverse populace that remains the backbone of our country's most dynamic state.
In The Moderns, we meet the men and women who invented and shaped Midcentury Modern graphic design in America. The book is made up of generously illustrated profiles, many based on interviews, of more than 60 designers whose magazine, book, and record covers; advertisements and package designs; posters; and other projects created the visual aesthetics of postwar modernity. Some were émigrés from Europe; others were homegrown—all were intoxicated by elemental typography, primary colors, photography, and geometric or biomorphic forms. Some are well-known, others are honored in this volume for the first time, and together they comprised a movement that changed our design world.
The Nation of Islam promises African Americans a new identity and purpose. But can it deliver? In this intriguing study Steven Tsoukalas helps us understand the struggle, history, and theology behind black nationalism, so that we may respond with compassion and truth.
A groundbreaking collection of photographs and essays that shed new light on the history of Black America, from the Picturing Black History project. “An astonishing work." —Henry Louis Gates, Jr. Picturing Black History uncovers untold stories and rarely seen images of the Black experience, providing new context around culturally significant moments. This beautiful collectible volume makes a thoughtful gift and is full of rousing, vibrant essays paired with rarely seen photographs that expand our understanding of Black history. The book is a collaborative effort between Getty Images, Origins: Current Events in Historical Perspective, and the History departments at The Ohio State and Miami Universities. It informs, educates, and inspires our current moment by exploring the past, blending the breadth and depth of Getty Images’s archives with the renowned expertise of Origins contributors and The Ohio State’s and Miami’s History departments, including Daniela Edmeier, Damarius Johnson, Nicholas Breyfogle, and Steve Conn. Created by a growing collective of professional historians, art historians, Black Studies scholars, and photographers and showcasing Getty Images’s unmatched collection of photographs, Picturing Black History embraces the power of visual storytelling to relay little-known stories of oppression and resistance, perseverance and resilience, freedom, dreams, imagination, and joy within the United States and around the world. In collecting these new photographic essays, this book furthers an ongoing dialogue on the significance of Black history and Black life, sharing new perspectives on the current status of prejudice and discrimination bias with a wider audience. Picturing Black History uses the latest academic learning and scholarship to recontextualize and dispel prejudices, while uncovering, digitizing, and preserving new archival materials to amplify a more inclusive visual landscape. "Picturing Black History offers a trove of both famous and unseen photos with brief, poignant accompanying essays to show not only the centrality of Black people to American history but also how African Americans used the photographer’s lens to tell their own stories. The editors, authors, and Getty images have created a beautiful book that stands on its own as a work of art, a veritable museum in print.” —Henry Louis Gates, Jr., Alphonse Fletcher University Professor, Harvard University
For all its recent popularity among poets and critics, prose poetry continues to raise more questions than it answers. How have prose poems been identified as such, and why have similar works been excluded from the genre? What happens when we read a work as a prose poem? How have prose genres such as the novel affected prose poetry and modern poetry in general? In Invisible Fences Steven Monte places prose poetry in historical and theoretical perspective by comparing its development in the French and American literary traditions. In spite of its apparent formal freedom, prose poetry is constrained by specific historical circumstances and is constantly engaged in border disputes with neighboring prose and poetic genres. Monte illuminates these constraints through an examination of works that have influenced the development of the prose poem as well as through a discussion of genre theory and detailed readings of poems ranging from Charles Baudelaire's "La Solitude" to John Ashbery's "The System." Monte explores the ways in which literary-historical narratives affect interpretation: why, for example, prose poetry tends to be seen as a revolutionary genre and how this perspective influences readings of individual works. The American poets he discusses include Ralph Waldo Emerson, William Carlos Williams, T. S. Eliot, Gertrude Stein, and Ashbery; the French poets range from Baudelaire, Arthur Rimbaud, and Stephane Mallarmä to Max Jacob. In exploring prose poetry as a genre, Invisible Fences offers new perspectives not only on modern poetry, but also on genre itself, challenging current theories of genre with a test case that asks for yet eludes definition.
The French Revolution had a marked impact on the ways in which citizens saw the newly liberated spaces in which they now lived. Painting, gardening, cinematic displays of landscape, travel guides, public festivals, and tales of space flight and devilabduction each shaped citizens’ understanding of space. Through an exploration of landscape painting over some 40 years, Steven Adams examines the work of artists, critics and contemporary observers who have largely escaped art historical attention to show the importance of landscape as a means of crystallising national identity in a period of unprecedented political and social change.
In Why Beethoven Threw the Stew, renowned cellist Steven Isserlis sets out to pass on to children a wonderful gift given to him by his own cello teacher - the chance to people his own world with the great composers by getting to know them as friends. Witty and informative at the same time, Isserlis introduces us to six of his favourite composers: the sublime genius Bach, the quicksilver Mozart, Beethoven with his gruff humour, the shy Schumann, the prickly Brahms and that extraordinary split personality, Stravinsky. Isserlis brings the composers alive in an irresistible manner that can't fail to catch the attention of any child whose ear has been caught by any of the music described, or anyone entering the world of classical music for the first time. The lively black and white line illustrations provide a perfect accompaniment to the text, and make this book attractive and accessible for children to enjoy on their own or share with an adult.
Presents a workable approach for implementing hazardous materials regulation. Focusing on the development of comprehensive tactical plans, the authors, both veteran researchers of the EPA's regulatory procedures, offer a blueprint for future environmental management programmes.
Juvenile Justice: A Guide to Theory, Policy, and Practice takes students through the practical realities of the juvenile justice system and the most current topics in the field. The Tenth Edition features real-life examples, excellent pedagogical features, and complete digital resources to help students learn interactively.
Released in 1984, Steven E. Rhoads' classic was considered by many to be among the best introductions to the economic way of thinking and its applications. This anniversary edition has been updated to account for political and economic developments - from the greater interest in redistributing income and the ascendancy of behaviorism to the Trump presidency. Rhoads explores opportunity cost, marginalism, and economic incentives and explains why mainstream economists - even those well to the left - still value free markets. He critiques economics for its unbalanced emphasis on narrow self-interest as controlling motive and route to happiness, highlighting philosophers and positive psychologists' findings that happiness is far more dependent on friends and family than on income or wealth. This thought-provoking tour of the economist's mind is a must read for our times, providing a clear, lively, non-technical insight into how economists think and why they shouldn't be ignored.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.