A coming-of-age and picaresque story, with a continuum of knee-jerk humor and descriptive details, sees its way through the unpleasantness of abuse and not having any permanent roots or family. Readers follow the main character from childhood to adulthood as he is shifted from multiple homes and states. Throughout the character's journey, the persona he develops is born from innocence, natural-given talents, and his desires to make happiness exist. Although the story begins with horrific abuse, the reader soon realizes that this is not the focus of the book but rather the beginning of a quest. The author's intent is for readers to question "What happened?" Some questions cannot be answered and remain a mystery. The coming-of-age and rite-of-passage events remind readers of their own stories to tell and compare. A collage of images and feelings will take readers back to their childhood memories as they shadow the main character. The happiness, bitterness, and humor are fueled by extreme turning points and multiple changes of ideologies, cultures, and idiosyncrasies that molded the main character into a psychedelic hodgepodge of personality. Readers will take on all the emotional elements, experiences, and constant changes as they were happening. They uncover the answers and realizations of feeling alone and unwanted until they are warmed and tickled by the character's way of viewing the world. The title of the book and each chapter reflects the constant changes during the main character's life. The theme, style, and language are comparable to Angela's Ashes, A Child Called "It,", and I'm Nobody's Child. It is not a woe-is-me book. The detailed descriptions allow readers to feel the despair of what it is like being an anomaly but, more importantly, to enjoy and have fun learning about typical boy fantasies, thoughts, rationales, and the angst and anxieties of growing up.
ROLLIN BLUESTONE A GRAPHIC NOVEL The year is 2252. The Earth is in chaos, its environment and creatures threatened with destruction. Humans share consciousness with animals, androids, and dozens of alien species. Uneasy alliance and dangerous confrontation are part of everyone's life. This is the work of sinister One Eyed aliens who came to Earth to create killer armies for their galactic conquests. After 20 years, they are still struggling to dominate with their brutal Lizard Militia. Frustrated in his efforts, a dapper One Eye forms a partnership with a genius dwarf, a perverted scientist who seeks to rule the world through his own robot creations. The greatest challenge to their plans will come from a place they least expect. On a clear Los Angeles night, a lizard warrior loses a game of billiards to a pool hustling pig in a Westside joint called, "The Pig's Eye". The lizard is a sore loser and quickly lets everyone in the place know just how sore. This ruins the evening for a lonely young man nursing a cup of java at the bar. He is ROLLIN BLUESTONE, bounty hunter for the Renegade Intelligence Division, a police force of heroic figures who fight to maintain order in a troubled world. When the lizard escapes, Rollin gives chase. Rollin doesn't give up easily. " My name was given to me by the Blackfoot Indian tribe who found me abandoned as a baby and raised me. They gave me the blue stone. It means the Spirits of the Earth protect me.
A group of seniors, members of a poetry class in Mosholu-Montefiore Senior Center, has created a collection of poems; exciting, humorous, and tender as nature. These poems will make the readers look at life in a different way. The new perspective will be to celebrate life, and invite others to join the feast of fulfillment. Seniors wrote this unique selection of poems, to share their inspiration with others. Their memories are intact, with accuracy in their approach. Their ages range between sixty-two and ninety. Celebrating life is their philosophy of living, transmitting a message in every word of their poems. It is like a rainbow of emotions, each one unique in beauty, and deep in their metaphors and allegories. This book was written to fit the readers of this new millennium, regardless of their age, race, beliefs, gender and social status. Taking a little time to read these poems releases ones spirit to appreciate things, people and ideas otherwise taken for granted. These poems make us linger on beautiful thoughts, memories and hopes for the bright hours ahead. Rabbi Eugene S. Katz Chaplain, Montefiore Medical Center This collection of poems is heartfelt, sweet and funny. The poetry depicts a voice of a certain era and portrays an awareness of the outside world as well as a personal experience. Robin Lettieri, Library Director Port Chester/Rye Brook A truly heartwarming and thought-provoking collection of poems from those who have a lifetime of thoughts and ideas to share. Francine Nowes, Regional Coordinator Mosholu-Montefi ore Senior Center
This groundbreaking book is the most comprehensive volume to-date that explores in depth the concept of reverence and strengths-based approaches in the psychotherapy healing process as manifested in a wide variety of treatment modalities such as child and play therapy, family therapy, therapeutic assessments and in training programs.
The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco. The San Francisco Bay Area boasts one of the richest and most continuous traditions of landscape art in the entire country. Looking back over the past one hundred years, the contributors to this in-depth survey consider the diverse range of artists who have been influenced by the region's compelling union of water and land, peaks and valleys, and fog and sunlight. Paintings, sculpture, graphic arts, photography, landscape architecture, earthworks, conceptual art, and designs in city planning and architecture are all represented. The diversity reflects not just the glories of nature but also an exploration of what constitutes "landscape" in its broadest, most complete sense. Among the more than two hundred works of art are those by well-known artists and designers such as Bernard Maybeck, Diego Rivera, Dorothea Lange, Ansel Adams, Richard Diebenkorn, Joan Brown, Lawrence Halprin, and Christo. Lesser-known artists are here as well, resulting in an exceptional array of approaches to the natural environment. The essays also explore key themes in the Bay Area's landscape art tradition, including the ethnic perspectives that have played an essential role in the region's art. The inexhaustible ability of the land to stimulate different personal meanings is made clear in this volume, and the effect yields a deeper understanding of how art can shape our lives in ways both spiritual and practical, how the landscape without constantly merges with the landscape within. Published in association with The Fine Arts Museums of San Francisco.
The second edition of The Sociology of Katrina again brings together the nation's top sociological researchers in an effort to catalogue and deepen our understanding of the modern catastrophe of Hurricane Katrina. The new edition has been updated and revised throughout, including data about recovery efforts and conditions, and discussions of social issues like education, health care, crime, and the economy. This edition features a new chapter focused on the Katrina experience for people in the primary impact area, or ""gr.
How a Michigan farm boy became the richest man in America is a classic, almost mythic tale, but never before has Henry Ford’s outsized genius been brought to life so vividly as it is in this engaging and superbly researched biography. The real Henry Ford was a tangle of contradictions. He set off the consumer revolution by producing a car affordable to the masses, all the while lamenting the moral toll exacted by consumerism. He believed in giving his workers a living wage, though he was entirely opposed to union labor. He had a warm and loving relationship with his wife, but sired a son with another woman. A rabid anti-Semite, he nonetheless embraced African American workers in the era of Jim Crow. Uncovering the man behind the myth, situating his achievements and their attendant controversies firmly within the context of early twentieth-century America, Watts has given us a comprehensive, illuminating, and fascinating biography of one of America’s first mass-culture celebrities.
Alcohol and Speech" serves as a single, unifying reference source for those interested in speech motor effects evident in the acoustic record, reaction times, speech communication strategies, and perceptual judgments. Written by a linguist and a psychologist, the book provides an analytic orientation toward speech and alcohol with an emphasis on laboratory-based research in acoustic-phonetics and speech science. It is a comprehensive review of the effects of alcohol on speech and compares the various theoretical concerns which form this research. Studies of both alcohol and speech have been rare because each field has its own experimental protocols, methodologies, and research agendas. This book fills a long-standing gap and is unique in providing both breadth of coverage and depth of analysis. A case study involving the 1989 Exxon Valdez oil spill in Prince William Sound develops some of the legal implications of this research. It illustrates a unified perspective for the study of alcohol and speech. It contains the benefit of years of research on alcohol and speech. It provides a wealth of research to investigators in a wide variety of disciplines: medicine, psychology, speech, forensics, law, and human factors. It demonstrates how alcohol and speech research applies in a practical situation: the Exxon Valdez grounding. It includes a glossary as well as numerous tables and graphs for a quick overview of data and results.
A contribution to the field of theological aesthetics, this book explores the arts in and around the Pentecostal and charismatic renewal movements. It proposes a pneumatological model for creativity and the arts, and discusses different art forms from the perspective of that model. Pentecostals and other charismatic Christians have not sufficiently worked out matters of aesthetics, or teased out the great religious possibilities of engaging with the arts. With the flourishing of Pentecostal culture comes the potential for an equally flourishing artistic life. As this book demonstrates, renewal movements have participated in the arts but have not systematized their findings in ways that express their theological commitments—until now. The book examines how to approach art in ways that are communal, dialogical, and theologically cultivating.
A set of probing and fascinating essays by leading scholars, Alta California illuminates the lives of missionaries and Indians in colonial California. With unprecedented depth and precision, the essays explore the interplay of race and culture among the diverse peoples adapting to the radical transformations of a borderland uneasily shared by natives and colonizers."—Alan Taylor, author of The Divided Ground: Indians, Settlers, and the Northern Borderland of the American Revolution "In the eighteenth and nineteenth centuries the missions of California and the communities that sprang up around them constituted a unique laboratory where ethnic, imperial, and national identities were molded and transformed. A group of distinguished scholars examine these identities through a variety of sources ranging from mission records and mitochondrial DNA to the historical memory of California's early history."—Andrés Reséndez, author of Changing National Identities at the Frontier: Texas and New Mexico, 1800-1850
Filled with the same inriguing characters and stunning local color that made the first two books in the series such a success, Precinct Puerto Rico: Book 3 is nonstop, surprise-a-minute crime fiction from a not-to-be-missed crime writer. After having spent most of a Friday night making sure that the town's teenage revelers got home safely, the sheriff of Angustias, Puerto Rico, Luis Gonzalo climbs wearily into bed. Moments later he is jolted awake by a woman's piercing scream. He finds 16-year-old Luisa Ferre: barely conscious, naked and beaten. The ring of suspects range from family to lover, and with Gonzalo on the trail they are taken under custody. And yet the closer he comes to solving the case, the more his own life begins to fall apart...
This comprehensive musical theatre reference book chronicles the work of Broadway's great composers, from 1904 to 1999. Nine hundred shows and almost 9000 show tunes are included, comprising the entire theatrical output of 36 important Broadway composers along with notable musicals by others.
In the spring of 2004, army reservist and public affairs officer Steven J. Alvarez waited to be called up as the U.S. military stormed Baghdad and deposed Saddam Hussein. But soon after President Bush’s famous PR stunt in which an aircraft carrier displayed the banner “Mission Accomplished,” the dynamics of the war shifted. Selling War recounts how the U.S. military lost the information war in Iraq by engaging the wrong audiences—that is, the Western media—by ignoring Iraqi citizens and the wider Arab population, and by paying mere lip service to the directive to “Put an Iraqi face on everything.” In the absence of effective communication from the U.S. military, the information void was swiftly filled by Al Qaeda and, eventually, ISIS. As a result, efforts to create and maintain a successful, stable country were complicated and eventually frustrated. Alvarez couples his experiences as a public affairs officer in Iraq with extensive research on communication and government relations to expose why communications failed and led to the breakdown on the ground. A revealing glimpse into the inner workings of the military’s PR machine, where personnel become stewards of presidential legacies and keepers of flawed policies, Selling War provides a critical review of the outdated communication strategies executed in Iraq. Alvarez’s candid account demonstrates how a fundamental lack of understanding about how to wage an information war has led to the conditions we face now: the rise of ISIS and the return of U.S. forces to Iraq.
A portrait of the priest and colonialist who is one of the most important figures in California's history In the 1770s, just as Britain's American subjects were freeing themselves from the burdens of colonial rule, Spaniards moved up the California coast to build frontier outposts of empire and church. At the head of this effort was Junípero Serra, an ambitious Franciscan who hoped to convert California Indians to Catholicism and turn them into European-style farmers. For his efforts, he has been beatified by the Catholic Church and widely celebrated as the man who laid the foundation for modern California. But his legacy is divisive. The missions Serra founded would devastate California's Native American population, and much more than his counterparts in colonial America, he remains a contentious and contested figure to this day. Steven W. Hackel's groundbreaking biography, Junípero Serra: California's Founding Father, is the first to remove Serra from the realm of polemic and place him within the currents of history. Born into a poor family on the Spanish island of Mallorca, Serra joined the Franciscan order and rose to prominence as a priest and professor through his feats of devotion and powers of intellect. But he could imagine no greater service to God than converting Indians, and in 1749 he set off for the new world. In Mexico, Serra first worked as a missionary to Indians and as an uncompromising agent of the Inquisition. He then became an itinerant preacher, gaining a reputation as a mesmerizing orator who could inspire, enthrall, and terrify his audiences at will. With a potent blend of Franciscan piety and worldly cunning, he outmaneuvered Spanish royal officials, rival religious orders, and avaricious settlers to establish himself as a peerless frontier administrator. In the culminating years of his life, he extended Spanish dominion north, founding and promoting missions in present-day San Diego, Los Angeles, Monterey, and San Francisco. But even Serra could not overcome the forces massing against him. California's military leaders rarely shared his zeal, Indians often opposed his efforts, and ultimately the missions proved to be cauldrons of disease and discontent. Serra, in his hope to save souls, unwittingly helped bring about the massive decline of California's indigenous population. On the three-hundredth anniversary of Junípero Serra's birth, Hackel's complex, authoritative biography tells the full story of a man whose life and legacies continue to be both celebrated and denounced. Based on exhaustive research and a vivid narrative, this is an essential portrait of America's least understood founder.
This online Clinics series provides evidence-based answers to clinical questions that practicing hospitalists face daily. This issue of Hospital Medicine Clinics is Guest Editored by Dr. Steven Deitelzweig. Dr. Deitelzweig has assembled a group of expert authors to review the following topics: Bradyarrhythmias; Acute Respiratory Distress Syndrome; Tick Associated Ailments; Magnesium Disorders; Inpatient Management of Post- hepatic Transplant; Allergic Reactions and Angioedema; Optimal Glycemic Control in Hospitalized Patients; Ethics of Physician Relationships with Industry; Management of Benzodiazepine Withdrawal and Intoxication; and LEAN / Sig Sigma with Applicability to Healthcare.
What happens when a Native or indigenous person turns a video camera on his or her own culture? Are the resulting images different from what a Westernized filmmaker would create, and, if so, in what ways? How does the use of a non-Native art-making medium, specifically video or film, affect the aesthetics of the Native culture? These are some of the questions that underlie this rich study of Native American aesthetics, art, media, and identity. Steven Leuthold opens with a theoretically informed discussion of the core concepts of aesthetics and indigenous culture and then turns to detailed examination of the work of American Indian documentary filmmakers, including George Burdeau and Victor Masayesva, Jr. He shows how Native filmmaking incorporates traditional concepts such as the connection to place, to the sacred, and to the cycles of nature. While these concepts now find expression through Westernized media, they also maintain continuity with earlier aesthetic productions. In this way, Native filmmaking serves to create and preserve a sense of identity for indigenous people.
Mexico, with some 90 million people, holds a special place in Latin America. It is a large, complex hybrid, a bridge between North and South America, between the ancient and the modern, and between the developed and the developing worlds. Mexico's importance to the United States cannot be overstated. The two countries share historical, economic, and cultural bonds that continue to evolve. This book offers students and general readers a deeper understanding of Mexico's dynamism: its wealth of history, institutions, religion, cultural output, leisure, and social customs.
The Undisputed Champions of Europe is a trilogy-ending homage to the golden era of the European Cup. A place where the gods of the game battled for the biggest prize in club football; a place where the likes of Di Stefano, Eusebio, Best, Cruyff, Beckenbauer, Dalglish, Gullit and so many others became legends, as they skated across thin ice to glory, in the colours of clubs that are now considered European royalty. An entirely different beast than the Champions League, it was a competition where you had to win your domestic league title to gain entry. With no safety net of group stages, one bad night of football was enough to send you back to square one. In contrast to today's Champions League winners - whose status as Europe's best team is regularly disputed - the winners of the European Cup truly were the undisputed kings of Europe. These are the stories and glories of football's highest achievers.
What does it mean to “eat Christ’s flesh” (John 6:53)? And what does this eating have to do with the bread and wine of the eucharistic meal which Jesus called his “body” and “blood” (1 Cor 11:23–25)? These are central questions in the theology of the Eucharist. Memorialism says that to eat Christ’s flesh is to take joy in Christ’s person and work. The bread and wine of the Eucharist make it possible to engage in this sort of eating sacramentally by serving as symbols that represent Christ’s person and work. This book presents a systematic case for memorialism. It addresses the biblical loci classici (the bread of life discourse, the words of institution, and 1 Corinthians), important early church sources (the Didache, Ignatius, Justin Martyr, Irenaeus, and Tertullian), and the philosophical-phenomenological interpretation of the Eucharist in Huldrych Zwingli and Michel Henry. It also argues against the alternative pneumatic and real presence paradigms in conversation with their historic and contemporary advocates.
On the football field, Sean Taylor was feared by opposing teams. Off the field, he was loved by those who knew him best, as well as his many fans. Tragically, Sean was killed in a home invasion gone wrong. However, “Going Full Speed, the Sean Taylor Stories” is not just about being at the wrong place at the wrong time. It's Sean’s father, Pedro “Pete” Taylor's recollection of raising, training, then losing his superstar son. But Sean Taylor was no saint. And in the words of his father, he wants to give readers "the good, the bad and the ugly." Sean Taylor touched many lives. In "Going Full Speed" you'll be touched by stories from family, friends, teammates, coaches, and the owner of the Washington Redskins and more. Thirty-three people in all share their favorite personal stories of the fallen superstar. You’ll “hear” from names such as University of Miami coaches Larry Coker, Curtis Johnson, Don Soldinger and teammates Buck Ortega and Jon Vilma. From the Washington Redskins, coaches Gregg Williams and Steve Jackson, teammates Santana Moss, Clinton Portis, Renaldo Wynn and team owner Daniel Snyder share their favorite anecdotes. Some stories are hilarious, some heartwarming, and some are heartbreaking. So you may want to read this book with a box of tissues close by. Highlights of the book include: - revelations, Sean stories never before told; - life lessons, talks that would serve Sean -- or frankly anyone -- well in life; and, - training tips, things Pete Taylor taught Sean in order to get his body and mind ready for school and competition. This book is a must have for football fans, Sean's fans, student athletes, and parents of athletes.
The hit movie La Bamba (based on the life of Richie Valens), the versatile singer Linda Ronstadt, and the popular rock group Los Lobos all have roots in the dynamic music of the Mexican-American community in East Los Angeles. With the recent "Eastside Renaissance" in the area, barrio music has taken on symbolic power throughout the Southwest, yet its story has remained undocumented and virtually untold. In Barrio Rhythm, Steven Loza brings this hidden history to life, demonstrating the music's essential role in the cultural development of East Los Angeles and its influence on mainstream popular culture. Drawing from oral histories and other primary sources, as well as from appropriate representative songs, Loza provides a historical overview of the music from the nineteenth century to the present and offers in-depth profiles of nine Mexican-American artists, groups, and entrepreneurs in Southern California from the post-World War II era to the present. His interviews with many of today's most influential barrio musicians, including members of Los Lobos, Eddie Cano, Lalo Guerrero, and Willie chronicle the cultural forces active in this complex urban community.
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