Adam lost the woman he loves. If only he had a time machine… Adam, the inheritor of a fortune born from tragedy, grapples with the existential absurdity of it all. His solution? Dive into the cutthroat world of marketing at Bland Corporation's Manhattan headquarters. It's there he meets the boss's daughter, Jenny, and they fall in love. But Bruce, the cunning VP, has other plans… While spearheading a new campaign, Adam visits Bland's science division in Cambridge, where he meets Claire, an eccentric young genius fixated on time travel. Meanwhile, in New York, Bruce devises a scheme to eliminate the bothersome junior executive. He assigns an English lush to "help" Adam. But the Brit becomes an unexpected ally when he uncovers the VP's malevolent plot. The bombshell sends Adam spiraling, and he ends up in a mental hospital. Ashamed to face Jenny, he seeks solace in the Hudson Valley with his mad scientist uncle. There, in a haze of uncertainty, Adam vows to win back Jenny by confronting the extraordinary circumstances that upended his life. But how? If only he had a time machine…
Ivan Stein isn't sure he can survive seventh grade because of all the bullying. One day he finds an old notebook in an abandoned locker and unleashes powerful magic he can use to punish his enemies. But demonic forces control the book's pages--a terrifying evil that will inflict suffering on the good as well as the bad and take his soul as paymen
In this innovative and exhaustive study, Steven A. Ramirez posits that the subprime mortgage crisis, as well as the global macroeconomic catastrophe it spawned, is traceable to a gross failure of law. The rule of law must appropriately channel and constrain the exercise of economic and political power. Used effectively, it ensures that economic opportunity isn’t limited to a small group of elites that enjoy growth at the expense of many, particularly those in vulnerable economic situations. In Lawless Capitalism, Ramirez calls for the rule of law to displace crony capitalism. Only through the rule of law, he argues, can capitalism be reconstructed.
Her only memory is dying from her wounds… Jane wakes up in a lab. She's alone, immersed in a sterilized tank with wires and tubes connected to her. She looks around. There are others–test subjects like her. Except they're all dead. What makes her different? She has no answers, but she wants them. Wants them with a powerful drive that courses through her like the life she lost in a night raid in Afghanistan. It's a life she shouldn't have now. Someone brought her back without her memories–no doubt for a reason. Only it seems they changed their minds. Men in gray suits are trying to kill her now. They shoot her, but she heals. As she flees, she leaves a trail of bodies. She knows they will pursue her unceasingly. Let them come. Jane wants answers because none of this is accidental. Who is she? How was she brought back? What are the limits of her body? What causes the fever that rages in her? And one thing she wants to know above all. Should she thank the people who did this–or kill them?
A critical examination of the wrongdoing underlying the 2008 financial crisis An unprecedented breakdown in the rule of law occurred in the United States after the 2008 financial collapse. Bank of America, JPMorgan, Citigroup, Goldman Sachs, and other large banks settled securities fraud claims with the Securities and Exchange Commission for failing to disclose the risks of subprime mortgages they sold to the investing public. But a corporation cannot commit fraud except through human beings working at and managing the firm. Rather than breaking up these powerful megabanks, essentially imposing a corporate death penalty, the government simply accepted fines that essentially punished innocent shareholders instead of senior leaders at the megabanks. It allowed the real wrongdoers to walk away from criminal responsibility. In The Case for the Corporate Death Penalty, Mary Kreiner Ramirez and Steven A. Ramirez examine the best available evidence about the wrongdoing underlying the financial crisis. They reveal that the government failed to use its most powerful law enforcement tools despite overwhelming proof of wide-ranging and large-scale fraud on Wall Street before, during, and after the crisis. The pattern of criminal indulgences exposes the onset of a new degree of crony capitalism in which the most economically and political powerful can commit financial crimes of vast scale with criminal and regulatory immunity. A new economic royalty has seized the commanding heights of our economy through their control of trillions in corporate and individual wealth and their ability to dispense patronage. The Case for the Corporate Death Penalty shows that this new lawlessness poses a profound threat that urgently demands political action and proposes attainable measures to restore the rule of law in the financial sector.
Ruby Navarro, a bright, funny fourteen-year-old girl who loves shoes and horror movies, is on an insane mission to get her parents back together. But she can't do it alone. She needs her two best friends, her dog, an arrogant filmmaker, a bizarre collection of actors, and a chainsaw-wielding movie killer. What could possibly go wrong?
Tecnológico de Monterrey and RAND Corporation researchers help develop an adaptive water management strategy for Mexico's third-largest metropolitan area, Monterrey, using RAND's Robust Decision Making (RDM) methods.
Thanks to his wife, Holly, recovering alcoholic Dave Pulaski is getting his life back. Then a contagion decimates the town, turning its victims into shrieking flesh-eaters. Now Dave and Holly must find a way to survive. But Dave is THIS CLOSE to drinking again. A woman he cheated with--and no longer human--is after him. The hordes of undead are growing and security forces are outnumbered. Hell has arrived in Tres Marias.TELL ME WHEN I'M DEAD (Book One of TELL ME WHEN I'M DEAD) is about an antihero haunted by all the mistakes of his life. Facing a terrifying future, Dave must decide whether to die drunk or fight for those he cares about most. And strength alone won't be enough--he'll need Faith. If you like your thrillers dark and fast-paced, then follow Dave and Holly as they fight against looters, paramilitary crazies and the undead. "A hard-hitting splattergore zombie thriller, told by the ultimate antihero" (Travis Luedke).
After months of fighting the undead ravaging the town of Tres Marias, Dave Pulaski and his wife, Holly, catch a break when Black Dragon Security suddenly shows up to rescue them. But things are about to get worse. The virus is mutating. Now, driven to discover the truth behind the contagion while struggling to protect Holly and those closest to him, Dave is pushed beyond the limits of faith and reason.DEAD IS ALL YOU GET (Book Two of TELL ME WHEN I'M DEAD) combines the best elements of horror, dark fantasy and sci-fi, taking the reader on a relentless, tortured journey of survival that tests the strength of one man's character and delves into the role Faith plays when he is confronted by the worst kind of evil--the evil in humans. If you like your thrillers dark and fast-paced, then read this mind-blowing sequel. And leave the lights on. "A shoot first then shoot again horror thriller of the highest order" (Simon Oneill).
This is the first of a three-volume anthology of Edo- and Meiji-era urban literature that includes An Edo Anthology: Literature from Japan’s Mega-City, 1750–1850 and A Tokyo Anthology: Literature from Japan’s Modern Metropolis, 1850–1920. The present work focuses on the years in which bourgeois culture first emerged in Japan, telling the story of the rising commoner arts of Kamigata, or the “Upper Regions” of Kyoto and Osaka, which harkened back to Japan’s middle ages even as they rebelled against and competed with that earlier era. Both cities prided themselves on being models and trendsetters in all cultural matters, whether arts, crafts, books, or food. The volume also shows how elements of popular arts that germinated during this period ripened into the full-blown consumer culture of the late-Edo period. The tendency to imagine Japan’s modernity as a creation of Western influence since the mid-nineteenth century is still strong, particularly outside Japan studies. A Kamigata Anthology challenges such assumptions by illustrating the flourishing phenomenon of Japan’s movement into its own modernity through a selection of the best examples from the period, including popular genres such as haikai poetry, handmade picture scrolls, travel guidebooks, kabuki and joruri plays, prose narratives of contemporary life, and jokes told by professional entertainers. Well illustrated with prints from popular books of the time and hand scrolls and standing screens containing poems and commentaries, the entertaining and vibrant translations put a spotlight on texts currently unavailable in English.
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