The single most important event in a person's life is the new birth. Yet, this is also one of the most neglected doctrines in the church. Many Christians would be hard-pressed to describe exactly what the new birth is, let alone what it means to the rest of their walk with God. What happens when we are born again? Does everything in our lives change immediately? Is it just a kind of spiritual do-over, a chance to get it right this time? What happens when we fail? Does it mean we weren't really born again to begin with? With a pastor's heart and a professor's insight, Steven Lawson carefully examines the encounter between Jesus and Nicodemus found in John 3 to uncover the nature of this spiritual rebirth. He shows you the necessity of the new birth, how God changes our hearts through it, and what follows after, from baptism and involvement in a local church to handling doubts and setbacks. This book is perfect for believers who want to understand what happened when they believed and for non-Christians who are curious about what a new life in Christ is all about.
In every generation, the church stands in dire need of God-called people to preach the Word with precision and power. Preachers who will not replace sound theology with culturally palatable soundbites. Preachers who will clearly and faithfully share the gospel and inspire those in their churches to live godly lives. Through in-depth biblical analysis and inspiring examples from church history, Steven J. Lawson paints a picture of God's glory magnified through faithful preaching, reclaiming the high ground of biblical preaching for the next generation. With helpful advice and practical guidance gleaned from 50 years in ministry, Lawson helps aspiring preachers know if they are called to preach; understand the qualifications for ministry; and develop, improve, and deliver strong expository sermons that illuminate the Word of God in a dark world.
What is truth?" Pilate turned to Jesus and asked a profound question. It is a question that continues to be debated in our day. But it is one that God has definitively answered in His written Word and ultimately revealed in the incarnate Word, Jesus Christ. It has been the duty and privilege of each successive generation of Christians to proclaim the truth of the gospel to a world that desperately needs to hear it. In this collection of sermons, Dr. Steven J. Lawson speaks into our cultural moment, helping Christians and skeptics alike to answer Pilate's age-old question.
It's the most important question we can ask: Who is God? The wrong answer could spell our doom, but God has clearly revealed Himself and His majesty in His Word. Just as Moses asked the Lord on the summit of Sinai, we can approach God's Word with the ultimate request: "Show me Your glory." In Show Me Your Glory: Understanding the Majestic Splendor of God, Dr. Steven Lawson takes us to the mountaintop of divine revelation by distilling the Bible's teaching about God Himself. Each chapter delves into the depths of God's awesome attributes, teaching that a deeper knowledge of our Creator can lead us into intimate fellowship with and reverent worship of the One who made us for Himself.
Vital Memory and Affect takes as its subject the autobiographical memories of ‘vulnerable’ groups, including survivors of child sexual abuse, adopted children and their families, forensic mental health service users, and elderly persons in care home settings. In particular the focus is on a particular class of memory within this group: recollected episodes that are difficult and painful, sometimes contested, but always with enormous significance for a current and past sense of self. These ‘vital memories’, integral and irreversible, can come to appear as a defining feature of a person’s life. In Vital Memory and Affect, authors Steve Brown and Paula Reavey explore the highly productive way in which individuals make sense of a difficult past, situated as they are within a highly specific cultural and social landscape. Via an exploration of their vital memories, the book combines insights from social and cognitive psychology to open up the possibility of a new approach to memory, one that pays full attention to the contextual conditions of all acts of remembering. This path-breaking study brings together a unique set of empirical material and maps out an agenda for research into memory and affect that will be important reading for students and scholars of social psychology, memory studies, cultural studies, philosophy, and other related fields.
“The longer you stare at the mountain, the more it seems a refuge above human borders and distinctions and this constant dialogue of violence. Up there, he’d hoped, he and Sophie could step away from trouble for a while.” Lewis Book, a doctor with a history of embroiling himself in conflicts, and his daughter, Sophie, travel to Nepal to join a climbing expedition. One evening, as Sophie sits on the border between China and Nepal, she spots a group of Tibetan refugees fleeing from Chinese soldiers. When shooting starts, Dr. Book rushes toward the ensuing melee, ignoring the objections of Lawson, the expedition leader, who doesn’t want to get involved and spoil his chance to be the first climber to summit Kyatruk. Lawson is further enraged when Amaris, a Chinese-Canadian filmmaker recording the expedition, joins Book with her camcorder in hand. When the surviving Tibetans are captured just short of the border, Lawson and Sophie look on helplessly as Book and Amaris are taken away with them, down the glacier into China. From that point, Lawson continues his ascent, and the fugitives are caught in an explosive and thrilling pursuit that will test their convictions, courage, and endurance. From one of Canada’s finest writers comes a literary page-turner of the highest order. Inspired by an actual event, Every Lost Country is a gripping novel about heroism, human failings, and what love requires. When is it acceptable to be a bystander, and when do life and loyalty demand more?
This book presents and advocates for a framework of competing epistemologies and conceptions of ethics as a way of understanding modernist lifelong learning. These epistemologies are grounded in a recognition of the normative nature of knowledge that informs lifelong learning; each being framed by a different account of the sort of knowledge that is most valued and therefore foregrounded in lifelong learning policy, provision and engagement informed by the epistemology. Each epistemology is also characterised by its constituent conception of ethics. Four such epistemologies and conceptions of ethics are here recognised as having been important in the lifelong learning movement to date: disciplinary, developmental, emancipatory, and design. The authors argue that assumptions about knowledge and moral positions constitute a powerful but not well-understood feature of such arguments: awareness of these assumptions and positions could serve to powerfully advance the overall understanding of what is at stake in lifelong learning and adult education at all levels.
In Hollywood Left and Right, Steven J. Ross tells a story that has escaped public attention: the emergence of Hollywood as a vital center of political life and the important role that movie stars have played in shaping the course of American politics.Ever since the film industry relocated to Hollywood early in the twentieth century, it has had an outsized influence on American politics. Through compelling larger-than-life figures in American cinema--Charlie Chaplin, Louis B. Mayer, Edward G. Robinson, George Murphy, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, and Arnold Schwarzenegger--Hollywood Left and Right reveals how the film industry's engagement in politics has been longer, deeper, and more varied than most people would imagine. As shown in alternating chapters, the Left and the Right each gained ascendancy in Tinseltown at different times. From Chaplin, whose movies almost always displayed his leftist convictions, to Schwarzenegger's nearly seamless transition from action blockbusters to the California governor's mansion, Steven J. Ross traces the intersection of Hollywood and political activism from the early twentieth century to the present.Hollywood Left and Right challenges the commonly held belief that Hollywood has always been a bastion of liberalism. The real story, as Ross shows in this passionate and entertaining work, is far more complicated. First, Hollywood has a longer history of conservatism than liberalism. Second, and most surprising, while the Hollywood Left was usually more vocal and visible, the Right had a greater impact on American political life, capturing a senate seat (Murphy), a governorship (Schwarzenegger), and the ultimate achievement, the Presidency (Reagan).
Film noir reflects the fatalistic themes and visual style of hard-boiled novelists and many émigré filmmakers in 1940s and 1950s America, emphasizing crime, alienation, and moral ambiguity. In The Philosophy of TV Noir, Steven M. Sanders and Aeon J. Skoble argue that the legacy of film noir classics such as The Maltese Falcon, Kiss Me Deadly, and The Big Sleep is also found in episodic television from the mid-1950s to the present. In this first-of-its-kind collection, contributors from philosophy, film studies, and literature raise fundamental questions about the human predicament, giving this unique volume its moral resonance and demonstrating why television noir deserves our attention. The introduction traces the development of TV noir and provides an overview and evaluation of the book's thirteen essays, each of which discusses an exemplary TV noir series. Realism, relativism, and integrity are discussed in essays on Dragnet, Naked City, The Fugitive, and Secret Agent. Existentialist themes of authenticity, nihilism, and the search for life's meaning are addressed in essays on Miami Vice, The Sopranos, Carnivale, and 24. The methods of crime scene investigation in The X-Files and CSI are examined, followed by an exploration of autonomy, selfhood, and interpretation in The Prisoner, Twin Peaks, The X-Files, and Millennium. With this focus on the philosophical dimensions of crime, espionage, and science fiction series, The Philosophy of TV Noir draws out the full implications of film noir and establishes TV noir as an art form in its own right.
A Fields medalist recounts his lifelong transnational effort to uncover the geometric shape--the Calabi-Yau manifold--that may store the hidden dimensions of our universe. Harvard geometer and Fields medalist Shing-Tung Yau has provided a mathematical foundation for string theory, offered new insights into black holes, and mathematically demonstrated the stability of our universe. In this autobiography, Yau reflects on his improbable journey to becoming one of the world's most distinguished mathematicians. Beginning with an impoverished childhood in China and Hong Kong, Yau takes readers through his doctoral studies at Berkeley during the height of the Vietnam War protests, his Fields Medal-winning proof of the Calabi conjecture, his return to China, and his pioneering work in geometric analysis. This new branch of geometry, which Yau built up with his friends and colleagues, has paved the way for solutions to several important and previously intransigent problems. With complicated ideas explained for a broad audience, this book offers readers not only insights into the life of an eminent mathematician, but also an accessible way to understand advanced and highly abstract concepts in mathematics and theoretical physics.
The Inquisition in Hollywood examines the suppression of radical political activity in the film industry from the days of the Great Depression through the tumultuous House Un-American Activities Committee era to the waning days of the infamous blacklist." "Although this thirty-year period of American history is marked by widespread targeting of leftists in all areas of life, those in the film industry - predominately screenwriters - were considered to be in positions of great potential indoctrinating power, and found themselves under intense scrutiny as the cold war hysteria mounted. Ceplair and Englund trace the history of political struggle in Hollywood back to the formation of the Screen Writers Guild in 1933. Many of the blacklisted filmmakers were members of the Communist Party and all of the graylisted filmmakers had expressed their sympathy with progressive (mainly anti-fascist) causes."--BOOK JACKET.
The quiet Sunday morning was shattered as Japanese warplanes screamed toward the U.S. Navy's Pacific Fleet without warning. The attack sent shockwaves around the globe, pushing the United States to enter World War II. Through powerful narrative storytelling, follow the tales of people who experienced the tragedy firsthand. Perfect for Common Core studies of narrative nonfiction and exploring multiple accounts of an event.
New York Times bestselling author Carrie Jones teams up with acclaimed cowriter Steven Wedel in the supernatural mystery, In the Woods... It should have been just another quiet night on the farm when Logan witnessed the attack, but it wasn’t. Something is in the woods. Something unexplainable. Something deadly. Hundreds of miles away, Chrystal’s plans for summer in Manhattan are abruptly upended when her dad reads tabloid coverage of some kind of grisly incident in Oklahoma. When they arrive to investigate, they find a witness: a surprisingly good-looking farm boy. As townsfolk start disappearing and the attacks get ever closer, Logan and Chrystal will have to find out the truth about whatever’s hiding in the woods...before they become targets themselves. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Engaging, informative book for educators, museum staff, and prehistory buffs interested in trying their hands at yucca-leaf lashing, cattail cutting (to build a house, or a hat), or arrow-making with rivercane--to name just of few of the many projects described. Material on administering a primitive skills program with both group and individual activities is included. The book is not indexed. Annotation 2004 Book News, Inc., Portland, OR (booknews.com).
What believer doesn't want to succeed in the Christian life? God's desire is for His people to experience real success—the kind that lasts into eternity and not the world's fleshly substitute. With the help of athletic illustrations both from Scripture and real life, you will learn what it takes to be your best by discovering... what it really means to put God first in all things how to live the Christian life in God's power the essentials for building spiritual endurance effective ways to avoid hindrances and temptation the keys to making the best choices and finishing strong Winning with God makes you a winner in every area of life. No matter what your occupation or background, the principles in this book will enable you to experience God's kind of success—a success that will have a positive impact on all you do.
Based on a detailed study of 35 cases in Africa, Asia, Latin America, and post-communist Eurasia, this book explores the fate of competitive authoritarian regimes between 1990 and 2008. It finds that where social, economic, and technocratic ties to the West were extensive, as in Eastern Europe and the Americas, the external cost of abuse led incumbents to cede power rather than crack down, which led to democratization. Where ties to the West were limited, external democratizing pressure was weaker and countries rarely democratized. In these cases, regime outcomes hinged on the character of state and ruling party organizations. Where incumbents possessed developed and cohesive coercive party structures, they could thwart opposition challenges, and competitive authoritarian regimes survived; where incumbents lacked such organizational tools, regimes were unstable but rarely democratized.
On the night of Sunday, October 16, 1859, hoping to bring about the eventual end of slavery, radical abolitionist John Brown launched an armed attack at Harpers Ferry, Virginia. Among his troops, there were only five black men, who have largely been treated as little more than 'spear carriers' by Brown's many biographers and other historians of the antebellum era. This book brings one such man, John Anthony Copeland, directly to center stage. Copeland played a leading role in the momentous Oberlin slave rescue, and he successfully escorted a fugitive to Canada, making him an ideal recruit for Brown's invasion of Virginia. He fought bravely at Harpers Ferry, only to be captured and charged with murder and treason. With his trademark lively prose and compelling narrative style, Steven Lubet paints a vivid portrait of this young black man who gave his life for freedom.
Exploring American Histories offers an entirely new approach to teaching the U.S. survey that puts investigating sources and thinking about the many stories of American history right at the center of your course. The distinctive format integrates primary documents and a brief narrative into one cost-effective and easy-to-use volume. Available in a number of affordable print and digital options, the text is also integrated with LearningCurve, online quizzing that adapts to what your students need to learn and helps them come to class prepared.
Exploring American Histories offers an entirely new approach to teaching the U.S. survey that puts investigating sources and thinking about the many stories of American history right at the center of your course. The distinctive format integrates primary documents and a brief narrative into one cost-effective and easy-to-use volume. Available in a number of affordable print and digital options, the text is also integrated with LearningCurve, online quizzing that adapts to what your students need to learn and helps them come to class prepared.
Hot Music, Ragmentation, and the Bluing of American Literature examines the diverse ways in which African American "hot" music influenced American culture - particularly literature - in early twentieth-century America. Steven C. Tracy provides a history of the fusion of African and European elements that formed African American "hot" music, and considers how terms like ragtime, jazz, and blues developed their own particular meanings for American music and society. He draws from the fields of literature, literary criticism, cultural anthropology, American studies, and folklore to demonstrate how blues as a musical and poetic form has been a critical influence on American literature. -- from dust jacket.
The Wisden on the Ashes: The authoritative story of cricket's greatest rivalry is a detailed chronological journey through the history of this famous English-Australian contest. With Test reports, scorecards, "Great bowlers of the year" and other fascinating material from the archives, together with new editorial pieces, this is a remarkable record of cricket's most enduring battle. The book begins its journey with England's first tour of Australia in 1876 and the subsequent three series prior to the 1882 tour that led to a mock obituary being placed in the Sporting Times "In affectionate remembrance of English cricket, which died at The Oval on 29th August, 1882. ... The body will be cremated and the ashes taken to Australia." Celebrating the players who made their mark on the game and the controversies that shook the sport, the book covers every series since then through to the most recent series. In 2005 England won a highly competitive series that helped raise the popularity of the sport, and each series since then has attracted huge attention. Beautifully produced, this book will be a welcome addition to all cricket enthusiasts' collections, as well as an ideal gift purchase. This updated edition includes the 2009 series, which saw England regain the Ashes on home soil after the disappointment of the 2005-06 series, and the fantastic, recent 2010-11 series held in Australia. It also includes a colour photo section celebrating the players, the matches and the key moments from an ongoing rivalry.
The twelfth volume of The Collected Works of Langston Hughes contains Hughes's collections of biographies for children and young adults - Famous American Negroes, Famous Negro Music Makers, and Famous Negro Heroes of America - gathered together for the first time. In these works, Hughes sought to remedy decades of historical and cultural neglect by telling the stories of African Americans who had made vital contributions to the construction of the American identity. Hughes made clear his commitment to an inclusive and diverse accounting of the achievements of African Americans on American soil, from vernacular expression to high culture, oratory to combat, geographical exploration to intellectual introspection. His lively and dramatic portraits of African Americans such as Crispus Attucks, Frederick Douglass, Jackie Robinson, and Mahalia Jackson, battling against exclusivity and adversity to achieve their full potential, present a captivating portrait of America. This volume is a valuable record of the emerging African American struggle for civil rights and positive self- determination. It also documents Hughes's interests as he entered the fifth decade of his life and can be read fruitfully alongside his writings for adults at the time, reflecting his sociocultural and political thought.
Gelber's highly readable and lively prose makes clear how this unique economic ritual survived into the industrial twentieth century, in the process adding a colorful and interesting chapter to the history of the automobile.
After surviving the first days of the zombie apocalypse, Sheriff Penny Miller and her friends relax in what's left of Las Vegas. The Army asks Miller and her party to return to Crystal Place, the Top Secret base that was birthplace of the zombies. Even though the mission is to recover data that may lead to a cure for the virus—and Miller herself—she's pretty sure it's a bad idea. The Army assures her that a crack team of mercenaries will be there to protect them every step of the way. When Miller sees weird religious graffiti scrawled in blood on the concrete walls, she's sure their chances of survival have just dropped to damn near zero. Again. Sometimes it sucks being right! “Zombies generated by a government scientist searching for super-soldiers meet up with a good-looking, foul-mouthed female Sheriff…and she’s packin’. Four stars.” —SF Signal “Defines Laugh Out Loud funny. Often inappropriate, rude and utterly epic sarcasm from a completely rock your face off chick! Read this now! You won’t be sorry!” —Bookish Brunette “It’s zombies. A mad scientist. An ass-kicking female sheriff out to save the world. A fun ride. One of the better novels of the undead. Recommended.” —Horror World “Zombie thrillers loaded with sex and smarts.” —Jonathan Maberry “A fun fully loaded brain entrails explosion of a high octane charged zombie story.” —More2Read.com
Lurking in the shadows is a dark tale of murder and intrigue set in Oxford and the sleepy village of Chipping Norton in 1987. It is mainly set around the University area of Oxford a professor named John Logan is brutally murdered just before he was about to deliver a controversial speech about illegal pesticides used by some gardeners in the area especially in the Chipping Norton garden competition that is held every year.
Discusses the aesthetic appeal, production history, philosophical themes, and enduring importance of the groundbreaking 1980s television series. There may be no more iconic image of mid-1980s network television than Sonny Crockett and Ricardo Tubbs speeding down Biscayne Boulevard in Crockett's sleek black Ferrari on Miami Vice. With its unprecedented $1.3 million-per-episode budget and executive producer Michael Mann at the helm, Miami Vice brought feature film production values to prime time and redefined the television police drama. In Miami Vice author Steven Sanders argues that the show's themes, narratives, visual realization, and sound design created a new standard of crime television that has its roots in classic film noir and neo-noir. In chapter 1 Sanders describes the social, political, and cultural background that led Anthony Yerkovich, creator of Miami Vice, and Mann to use Miami and its beaches not merely as a backdrop but as a character in its own right. Along with the show's visual aspects, Sanders identifies themes of ambiguity, alienation, personal identity, and irony that came to define the distinctive "TV noir" style of Miami Vice. In chapter 2, Sanders discusses four key episodes to examine the existentialist and postmodern themes that can be found in their story lines and visual style. In chapter 3, Sanders considers questions of authenticity, redemption, and politics in Miami Vice, with reference to episodes that demonstrate the show's attention to the political corruption and intrigue surrounding the war on drugs. In the final chapter, Sanders offers a novel explanation of why Miami Vice matters to film and video scholars. Miami Vice's visual and musical appeal, cultural resonance, and topicality made it absorbing entertainment in its own day; Sanders proves that its exploration of social, moral, political, and philosophical issues make it worth watching twenty-five years later. Fans of the show and scholars of television history and American popular culture will appreciate this illuminating look at Miami Vice.
Critical international theory encompasses several distinct, radical approaches that focus on identity, difference, hegemonic power, and order. As an applied theory, critical international theory draws on critical social theories to shed light on international processes and global transformations. While this approach has led to increasing interest in formulating an empirically relevant critical international theory, it has also revealed the difficulties of applying critical theory to international politics. What are these difficulties and problems? And how can we move beyond them? This book addresses these questions by investigating the intellectual currents and key debates of critical theory, from Kant and Hegel to Habermas and Derrida, and the recent work of critical international theory, including Robert Cox and Andrew Linklater. By drawing on these debates, the book formulates an original theory of complementarity that brings together critical theory and critical international theory. It argues that complementarity—a governing principle in international law and politics—offers a conceptual framework for working toward two goals: engaging the changing contexts and forms of resistance and redressing some of the difficulties of applying critical theory to international relations. In adopting three critical perspectives on complementarity to analyze the evolving social and political contexts of global justice, this book provides an essential resource for undergraduate and graduate students and scholars interested in the application of critical theory to international relations.
An examination of the policy of the US Administration of Jimmy Carter towards Vietnam between 1977 and 1980. The book focuses on the attempt of the Carter Administration to normalise relations with Vietnam and the reasons for the failure of that effort. Using a belief systems approach to explain the policy choices of key decision-makers the book presents a new explanation of the policy in question and of the decision to abandon the attempt to normalise relations at the end of 1978.
The Stockton Saga continues. Deputy U.S. Marshal Cole Stockton must escort a fugitive who fled to Canada to avoid a murder warrant back to Judge Wilkersons court in Denver. With prisoner in tow, he discovers that his lady friend, horse rancher Laura Sumner, is overdue to deliver remounts to Fort Laramie in the Wyoming Territory. Stockton comes upon devastation. Three of Lauras men are dead, the remaining wranglers wounded and horseless, and Laura is missing. When the lawman searches for Laura and the perpetrators he must also keep reign on his prisoner. In the wilds of Wyoming, he realizes that utilizing the character and skills of the person under warrant are his only hope in the ranchers rescue. From dealing with ambushers who outnumber him twelve to one, to facing a hired killer dispatched to execute him, to organizing and leading the rescue of Lauras trusted ranch hand from an evil Ranchero in Mexico, Cole Stockton embodies justice as he proves himself a man to reckon with. A novel of the Old West, packed with the drama and suspense of wild horse hunts, interpersonal relationships, and outlaws handled with determination and six-gun justice.
At the end of the twentieth century, Britain was a consumer society. Commerce, intoxicating and addictive, had almost entirely colonized modern life. People were immersed in, and ultimately defined by, promotional culture. The things they consumed had overtaken class, religion, geography, or occupation as the primary form of self-identity and self-expression. For much of the twentieth century all forms of brand communication- from political campaigning to product advertising- were based on the theory of rational appeals to rational consumers. There was only one problem with this theory: it was wrong. The Persuasion Industries: The Making of Modern Britain examines develops in marketing, advertising, public relations, and branding. It explores the role they played in the emergence of the consumer society. New ideas from fields of behavioural psychology and economics, together with internal developments such as planning, positioning, and corporate branding allowed persuasion to become the driving force within many commercial enterprises. Together these changes led to the emergence of an alternative emotional model of brand communication. A simple idea that proved so compelling it changed the world we live in.
How effective are election campaign posters? Providing a unique political history, this book traces the impact that these posters - as well as broadsides, banners, and billboards - have had around the world over the last two centuries. It focuses on the use of this campaign material in the United States, as well as in France, Great Britain, Germany, South Africa, Japan, Mexico, and many other countries. The book examines how posters evolved and discusses their changing role in the twentieth century and thereafter; how technology, education, legislation, artistic movements, advertising, and political systems effected changes in election posters and other campaign media, and how they were employed around the world. This comprehensive and original overview of this campaign material includes the first extensive review of the research literature on the topic. Posters, Propaganda, and Persuasion will be useful to scholars and students interested in communications, politics, history, advertising and marketing, art history, and graphic design.
A Dead Calmness' plays host to an unusual and terrifying mixture of stories from one of today's newest horror writers. Bringing together fiendish tales of parental betrayal, evil beings and growing madness, it delves into the places of our minds we'd like to forget ... and brings the darkness to light.Featuring in some of the UK's best-selling anthologies in recent years, this is Steven Deighan's debut horror collection.
To make sense of the rise and fall, origins and nature, of the 1980s West German peace movement requires work that is part political sociology and part social movement theory building. An analysis of the peace movement's organizations, leadership, strategy, goals, tactics, and mobilization comprises the political sociology part of this study. To un
If you think of Knox as the dull Presbyterian, prepare to think again! John Knox is one of the most colourful figures in church history and his impact is still felt around the world. Five hundred years after his death, Steven J. Lawson seeks in this book to ignite our faith for Jesus through Knox's amazing story.
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