Forget Ring Lardner, Grantland Rice, and Jerome Holtzman. According to author Steven Travers, Jim Murray of the Los Angeles Times was the greatest sports columnist who ever lived—period. Known for his highly descriptive metaphors and phrasing—a strike zone the size of Hitler's heart, so painfully honest he could spot George Washington two answers in a lie detector test, the only pitcher I know who thinks of Homer as a Greek poet and not a lucky swing by a banjo hitter—Murray was a poet. Time magazine sent the Connecticut native to Hollywood in 1948 to cover the movies. But it was at the Los Angeles Times (1961–1998) that Murray made his mark. Like the city, the paper was experiencing tremendous growth, and he was given free rein to cover virtually any topic in his sports column. Murray defended pitcher Don Drysdale against accusations of poor sportsmanship, waxed rhapsodic about Willie Mays, and praised light-heavyweight champion Archie Moore as the Rembrandt of boxing. But his influence was greatest when he spoke out against segregated college football in the South. After being subjected to several of Murray's public scoldings, the University of Alabama finally allowed Bear Bryant to erase the school's longstanding color line. Steven Travers provides an in-depth look at a man whose influence went far beyond the baseball diamond and the boxing ring.
The true story of Ira Einhorn, the Philadelphia antiwar crusader, environmental activist, and New Age guru with a murderous dark side. During the cultural shockwaves of the 1960s and ’70s, Ira Einhorn—nicknamed the “Unicorn”—was the leading radical voice for the antiwar movement at the University of Pennsylvania. At his side were such noted activists as Abbie Hoffman and Jerry Rubin. A brilliantly articulate advocate for peace in a turbulent era, he rallied followers toward the growing antiestablishment causes of free love, drugs, and radical ecological reform. In 1979, when the mummified remains of his girlfriend, Holly Maddux, a Bryn Mawr flower child from Tyler, Texas, were found in a trunk in his apartment, Einhorn claimed a CIA frame-up. Incredibly, the network of influential friends, socialites, and powerful politicians he’d charmed and manipulated over the years supported him. Represented by renowned district attorney and future senator Arlen Specter, Einhorn was released on bail. But before trial, he fled the country to an idyllic town in the French wine region and disappeared. It would take more than twenty years—and two trials—to finally bring Einhorn to justice. Based on more than two years of research and 250 interviews, as well as the chilling private journals of Einhorn and Maddux, prize-winning journalist Steven Levy paints an astonishing and complicated portrait of a man motivated by both genius and rage. The basis for 1998 NBC television miniseries The Hunt for the Unicorn Killer, The Unicorn’s Secret is a “spellbinding sociological/true crime study,” revealing the dark and tragic dimensions of a man who defined an era, only to shatter its ideals (Publishers Weekly).
Desegregation in Boston and Buffalo examines how the citizens and the political leadership of the two cities dealt with controversial court orders to end the segregation of public schools. Although the cities shared many similarities, they witnessed very dissimilar outcomes. Taylor covers key factors such as inter-ethnic relations and the struggle of various ethnic groups for political empowerment, and focuses on the political development of African American communities in urban environments and the role of Black elected leadership in helping to diffuse potentially volatile situations.
This is a comprehensive ticket to learning more about every aspect of the late-night comedy staple and its storied history." - Library Journal Television history was made on October 11, 1975, when a new generation of young performers welcomed America to the first episode of a new late-night comedy and variety show. Combining cutting-edge humor with a satirical sensibility, Saturday Night Live would go on to become the longest-running series of its kind in television history, shining a light on pop culture as well as contemporary social and political issues. It also became a launching pad for many of the leading comedy performers of the last five decades, including John Belushi, Bill Murray, Gilda Radner, Eddie Murphy, Phil Hartman, Will Ferrell, Tina Fey, Amy Poehler, Seth Meyers, Jimmy Fallon, Maya Rudolph, and Kate McKinnon Celebrating the show’s record-breaking 50 years on the air, The SNL Companion is a fun, fact-filled tribute to a television institution. From the show’s creation by Lorne Michaels through all of the seasons leading up to its golden anniversary, it provides an in-depth look at SNL’s comedic highlights and nadirs, its memorable hosts and musical guests, and its many controversies. Along with a complete episode guide, it explores the characters, sketches, politics, catchphrases, commercial parodies, and viral shorts that have made it a leader in American comedy for over five decades. Vastly revised, updated, and expanded since its original publication in 2013 and packed with photographs and rich encyclopedic detail, The SNL Companion is a one-stop resource for all things SNL.
Super Spy Guy and his sidekick, Shaggy the sheepdog, are the two main characters in this book you shall meet. There are also two bumbling evil spies that are there to make their missions hard to complete. Super Spy Guy is silly and funny too, but he needs his partner, Shaggy, to help him show your child the right things to do. Operation Fear Factor is the mission in this book they are on, using God's Word to help keep your child's heart from harm. Fear of the dark, fear of school, and fear of bullies are real fears that children deal with today. Super Spy Guy and Shaggy are here to share that having God by your side could help their fears go away. Learning God's Word is the main thing this book is trying to teach. Our hope is we do it in such a way that your child's heart we do reach.
In the sweltering heat of September of 1970 on Legion Field, the USC Trojans and the University of Alabama's Crimson Tide played a game that defined the emancipation of the South from its sordid history of racial segregation. When USC's black running backSam "The Bam" Cunningham ran roughshod all over the all-white Crimson Tide, more than a football game was won. Based on interviews with many of the game's participants and thoroughly researched this book presents sports as a metaphor for one of the mostprofound social changes in history.
In all of baseball, one record shines as perhaps the most coveted: four home runs by one player in a single game. If the pinnacle of pitching is the perfect game, then the highpoint of hitting is four home runs, and only eighteen players in the history of the sport can boast this accomplishment. In The Four Home Runs Club: Sluggers Who Achieved Baseball’s Rarest Feat, Steven K. Wagner profiles the select group of men who have accomplished the near impossible. Drawing on interviews with dozens of current and former major-league ballplayers, Wagner chronicles the lives of these few who, in the space of a few hours, left an indelible mark on the game. In doing so, the author draws attention to the unique features that distinguished some of these events: one player homered in three consecutive innings; another did it twice in the same inning; a third hit two inside-the-park home runs; one added a double and a single in the same game; and a fifth player drove in a record-tying twelve runs. Among the men in this elite club are legends Lou Gehrig, Willie Mays, and Mike Schmidt, as well as recent “inductees” Shawn Green, Scooter Gennett, and J. D. Martinez. From the sandlots of Coushatta, Louisiana, to the suburbs of New York City, this book examines the special batsmen who parlayed four mighty swings into baseball immortality. A fascinating look into this extraordinary exploit, The Four Home Runs Club will appeal to baseball fans everywhere.
From Shadow to Light: The Life and Art of Mort Meskin is a coffee table art book and critical biography of one of the twentieth century’s most influential comic book artists. Meskin’s career spanned both the Golden and Silver ages of comics, from the 1940s to the 1960s. His drawing, chiaroscuro technique, and storytelling are considered by connoisseurs of the form to be among the most sophisticated of his time. His passion for his artwork was equaled by his skill, and the quality of his overall oeuvre blurs the artificial distinction between high and low art. Yet he is known mostly among hard-core aficionados today, eclipsed by many of his peers, some of whom he profoundly influenced. Among Meskin’s fans and admirers are Jim Steranko, Joe Kubert, Alex Toth, Carmine Infantino, Steve Ditko, Jerry Robinson, and Jack Kirby. From Shadow to Light: The Life and Art of Mort Meskin will finally give this neglected artist the recognition he’s due.
In this lively history of Southern California football, Steven Travers makes the case that under coach Pete Carroll (54-10), the Trojans have overtaken Notre Dame as the greatest ever collegiate tradition. USC has produced legendary gridiron coaches and stars. They have tied Notre Dame for the most national championships (11) and Heisman Trophy winners (seven); have the best bowl record, the most Rose Bowl victories, the most All-Americans, the most pro players, the most first round draft picks, the most number one draft picks, and more.
The same aspects of American government and society that propelled the United States to global primacy have also hampered its orderly and successful conduct of foreign policy. This paradox challenges U.S. leaders to overcome threats to America's world power in the face of fast-moving global developments and political upheavals at home. The fully updated Fifth Edition of Steven W. Hook’s U.S. Foreign Policy: The Paradox of World Power explores this paradox, identifies its key sources and manifestations, and considers its future implications as it asks whether U.S. foreign policymakers can manage these dynamics in a manner that preserves U.S. primacy.
Dickens is second only to Shakespeare in the range and intensity of critical discussion which his work has provoked. His writing is central to literature and culture across the English-speaking world. In this important new anthology, Steven Connor gathers together representative examples of the range of new critical approaches to Dickens over the last two decades.
A multifaceted portrait of "El Rey", the king of Latin music, this is the first in-depth historical, musical, and cultural study to trace the career and influence of Tito Puente. 57 photos.
Described by famed baseball scribe Roger Angell as looking like “a festive prison yard” during the 1962 World Series, Candlestick was loved and hated by sports teams and fans alike for its 43 years of existence. Built on a landfill above a garbage dump in a city rocked by an 8.6 earthquake only 54 years earlier, it was notorious for the tornadic winds that came off the bay, probably costing Willie Mays at least 100 career home runs. The fogs that rolled in looked like something God sent to pass over His Chosen people. And of course, there was the famous 1989 World Series earthquake that postponed the opening game for 10 days. But it was also home to the greatest run of sustained excellence in pro football history: the 1981–1994 49ers, as well as the exploits of baseball stars such as Mays and Juan Marichal.
On a company golf outing, in Myrtle Beach, computer account executive Mike Anderson encounters clues to a past he never knew he had. Along the way he discovers a new love of the game, but finds something even more important...himself.
This comprehensive musical theatre reference book chronicles the work of Broadway's great composers, from 1904 to 1999. Nine hundred shows and almost 9000 show tunes are included, comprising the entire theatrical output of 36 important Broadway composers along with notable musicals by others.
Pennant races are arguably the most important aspect of baseball. Players, teams, and franchises are all after one goal: to win the pennant and get into the post-season. But what really determines who wins? Statistical analyses of baseball abound: different ways of breaking down everyone's individual performance, from hitters and pitchers to managers and even owners. But surprisingly, team success-what makes some teams winners over an entire season-has never been looked at with the same statistical rigor. In It Ain't Over 'Til It's Over, The Baseball Prospectus Team of Experts introduce the Davenport Method of deciding which races were the most dramatic-the closest, the most volatile-and determine the ten greatest races of modern baseball history. They use these key races (and a few others) to answer the main question: What determines who wins? How important are such things as mid-season trades, how much a manager overworks his pitchers, and why teams have winning and losing streaks? Can one player carry a team? Can one bad player ruin a team? Can one bad play ruin a team's chances? This fascinating and illuminating book will change your perception of the game.
Jazz great Gerald Wilson (1918-2014), born in Shelby, Mississippi, left a global legacy of paramount significance through his progressive musical ideas and his orchestra's consistent influence on international jazz. Aided greatly by interviews that bring Wilson's voice to the story, Steven Loza presents a perspective on what the musician and composer called his "jazz pilgrimage." Wilson uniquely adapted Latin influences into his jazz palette, incorporating many Cuban and Brazilian inflections as well as those of Mexican and Spanish styling. Throughout the book, Loza refers to Wilson's compositions and arrangements, including their historical contexts and motivations. Loza provides savvy musical readings and analysis of the repertoire. He concludes by reflecting upon Wilson's ideas on the place of jazz culture in America, its place in society and politics, its origins, and its future. With a foreword written by Wilson's son, Anthony, and such sources as essays, record notes, interviews, and Wilson's own reflections, the biography represents the artist's ideas with all their philosophical, historical, and cultural dimensions. Beyond merely documenting Wilson's many awards and recognitions, this book ushers readers into the heart and soul of a jazz creator. Wilson emerges a unique and proud African American artist whose tunes became a mosaic of the world.
This third volume of The Papers of Will Rogers documents the evolution of Rogers's vaudeville career as well as the newlywed life of Will and Betty Blake Rogers and the birth of their children. During these years, the Rogerses moved to New York City, and after many years of performing with Buck McKee and horse Teddy, Rogers began a solo act in vaudeville as a talking, roping cowboy. He appeared on the same playbill with such performers as Fred Stone, Eddie Cantor, and Houdini, and his stage career expanded to include an appearance in the Broadway musical comedy "The Wall Street Girl." Volume Three ends with Rogers's successful transition from vaudeville to Broadway, on the brink of his breakthrough as a star of the Ziegfeld Follies.
A biography of Folk (1869-1923), who gained national acclaim for investigating corruption in local government while a district attorney. Along with muckraking journalist Lincoln Steffens, he revealed the extent of wrongdoing and helped establish the idea that public office was a trust rather than an opportunity for personal gain. He was elected governor of Missouri in 1904 and left a legacy of reform. Annotation copyrighted by Book News, Inc., Portland, OR
In Hollywood Left and Right, Steven J. Ross tells a story that has escaped public attention: the emergence of Hollywood as a vital center of political life and the important role that movie stars have played in shaping the course of American politics.Ever since the film industry relocated to Hollywood early in the twentieth century, it has had an outsized influence on American politics. Through compelling larger-than-life figures in American cinema--Charlie Chaplin, Louis B. Mayer, Edward G. Robinson, George Murphy, Ronald Reagan, Harry Belafonte, Jane Fonda, Charlton Heston, Warren Beatty, and Arnold Schwarzenegger--Hollywood Left and Right reveals how the film industry's engagement in politics has been longer, deeper, and more varied than most people would imagine. As shown in alternating chapters, the Left and the Right each gained ascendancy in Tinseltown at different times. From Chaplin, whose movies almost always displayed his leftist convictions, to Schwarzenegger's nearly seamless transition from action blockbusters to the California governor's mansion, Steven J. Ross traces the intersection of Hollywood and political activism from the early twentieth century to the present.Hollywood Left and Right challenges the commonly held belief that Hollywood has always been a bastion of liberalism. The real story, as Ross shows in this passionate and entertaining work, is far more complicated. First, Hollywood has a longer history of conservatism than liberalism. Second, and most surprising, while the Hollywood Left was usually more vocal and visible, the Right had a greater impact on American political life, capturing a senate seat (Murphy), a governorship (Schwarzenegger), and the ultimate achievement, the Presidency (Reagan).
Called the "theater equivalent of longtime New Yorker film critic Pauline Kael" by Matinee Magazine, critic and producer Steven Suskin chronicles the 2001-2002 theater season in his latest installment in the Broadway Yearbook series. Commenting with wit and erudition on each show that opened on Broadway between May 2001 and May 2002, Suskin's vivid descriptions recall Tony winners like Thoroughly Modern Millie and Urinetown and commercial smashes like Mamma Mia! and The Graduate. A great read for theater buffs, the book is also a valuable sourcebook for critics, Broadway historians, and theater professionals, providing an array of statistics on every Broadway production of the season, as well as noteworthy off-Broadway performances. The intelligent and witty Broadway Yearbook, 2001-2002 will engage theater lovers, performers, and critics alike.
Offering a painfully honest insight into the male psyche, 'The 12th Man' is a fascinating account of how there can be far more to a die-hard football fan than meets the eye. Most fans don't choose their football club. In fact, the majority of them don't even choose football itself. Becoming a Leeds United fan was a rite of passage for Steven Dawson, and even had he known the scale of the drama that would unfold after he became a fan, he would never have supported another club.
In an age of ubiquitous music and countless new songs releasing every minute, the Great American Songbook endures. After all, the Songbook—that sprawling canon of popular songs, standards, and show tunes from roughly the 1920s through the 1950s—is a foundational text of American pop music. Rare indeed is the song that doesn’t in some way draw on this magnificent corpus, and rare is the person who hasn’t heard at least a few of its most enduring melodies. Nonetheless, the Songbook is broader and deeper than most listeners can imagine, and on the margins, the question of whether this or that song should be included is the source of regular arguments among scholars and buffs alike. Attempting to plumb its depths can be a daunting prospect. Enter Steven Suskin, who has been writing about music since the days that Rodgers, Arlen, and Berlin still roamed the streets of Manhattan. In this carefully curated and cheerfully opinionated guidebook, Suskin surveys 201 of the most significant selections from the Songbook, ranging from celebrated masterpieces to forgotten gems. Year by year, he puts songwriters and their contributions in their context, and explains what makes each song such a distinctive treat—whether felicitous melody, colorful harmony, compositional originality, or merely the sheer, irreducible joy of listening to it. Old and new favorites await all readers of this painstakingly compiled, enthusiastically written catalog.
The distinguished scholar Steven Feld shaped the field of the anthropology of sound and music. In this new work, he looks at the vernacular cosmopolitanism of a group of jazz players in Ghana, including some who have traveled widely, played with American jazz greats, and blended Coltrane with local instruments and philosophy. He describes their cosmopolitan outlook as an accoustemology, a way of knowing the world through sound. Feld combines memoir, biography, ethnography, and history, telling a story of diasporic intimacy and dialogue that contests both American nationalist and Afrocentric narrations of jazz history.
1966. The year of change. The year of division. The middle of the 1960s, the great dividing line between what America had been, and what it became. All of it, in all its color, glory, and ugliness, came symbolically together on a hot, humid weekend in Austin, Texas. The protagonist? None other John “Duke” Wayne, the larger-than-life movie hero of countless Westerns and war dramas; a swashbuckling, ruggedly macho idol of America; the very embodiment of what the United States had become—the new Rome: the most powerful military, political, and cultural empire in the annals of mankind. Wayne, like the nation itself, stood astride the world in Colossus style, talking tough. Taking no prisoners. In September 1966, John Wayne was in Texas filming War Wagon while the integrated Trojans of the University of Southern California arrived in Austin to do battle with a powerhouse of equal stature, the all-white Texas Longhorns. The Duke, a one-time pulling guard for coach Howard Jones at USC, was there, accompanied by sycophants, and according to rumor, with spurs on. Wayne arrived in Austin the night before the game. Dressed to the nines, he immediately repaired to the hotel bar. He had a full entourage who hung on his every word as if uttered from the Burning Bush. So it was when the Duke ordered his first whiskey. Thus surrounded by sycophants, John Wayne bellowed opinions, bromides, and pronouncements. What happened next is subject to interpretation, for this weekend and many other details of the Duke’s “Trojan wars” are revealed and expounded upon by longtime USC historian Steven Travers. This book is a fly-on-the-wall exploration of this wild weekend and an immersion into the John Wayne mythology: his politics, his inspirations, the plots to assassinate him, his connections to Stalin, Khrushchev, and Chairman Mao, and the death of the Western.
Revelation's Hymns examines the hymnic pericopes in Revelation in light of the cosmic conflict theme. It considers this theme as integral to the development of Revelation's plot. Recognizing that critical studies give interpretative primacy to the political realities that existed at the time of Revelation's composition, Grabiner responds to the need for an examination of the storyline from the perspective of issues that are of narrative importance. Grabiner argues that the cosmic conflict is at the centre of the book's concerns, and attempts to determine the function of the hymns with respect to this. Previous examinations of the hymns have considered them as a response and/or parody to Roman liturgy, examples of God's unquestioned sovereignty, or expressions of thematic overtones found throughout the book. While these approaches make a contribution to a greater understanding of the hymns, the relation to the ever-present conflict theme has not been explored. This study allows the hymnic sections to engage with the larger narrative issue as to who is truly the rightful sovereign of the universe.
From the stages of Berlin to anti-Nazi efforts and silver-screen stardom, Steven Bach reveals the fascinating woman behind the myth surrounding Marlene Dietrich in a biography that will stand as the ultimate authority on a singular star. Based on six years of research and hundreds of interviews—including conversations with Dietrich—this is the life story of one of the century’s greatest movie actresses and performers, an icon who embodied glamour and sophistication for audiences around the globe.
Curtain up! A Must See! proudly presents a visual feast of Broadway ballyhoo. For this compendium of graphic design excellence, theatre historian Steven Suskin combed through rare archives to bring us more than fifty years of plays and 175 compelling pieces of Broadway art. Dazzling shows and their glittering stars spill off the pages in artwork from top illustrators of the day, such as Al Hirshfeld, William Steig, Peter Arno, Alberto Vargas, and even Norman Rockwell. Covering every genre, A Must See! includes great hits (Oklahoma!, A Streetcar Named Desire), ignominious flops (Kelly, Carrie), and assorted delights in between. Throughout, Suskin peppers the text with insider information and juicy asides. Much of this material hasn't been seen since the shows closed eons ago, making A Must See! a bonanza of a browsebook -- shining with well-loved classics and surprising oddities from the beloved world of Broadway.
The United States has become increasingly polarized, although the concept of a two-party system is not new. This book traces the major parties' utter dominance--of the highest elected positions all the way down to "nonpartisan" political offices across the U.S.--from the founding of the Constitution through the 2020 presidential election. Even before the founding of the "modern" Republican Party in 1854 and the next 168-year era of Democratic-GOP dominance, the early decades of American nationhood were ruled in a similar manner by the two major parties of the day. This book is a comprehensive, fast-paced analysis of how the two-party system has grown to be such an affront to the ideals of the Founding Fathers and of the numerous Americans today who appear to accept it as a fact of life.
Since its 1959 debut, The Twilight Zone has been an indelible part of the American cultural fabric and remains one of TV's most influential series. Assembled with the full cooperation of the Rod Serling estate, this fact-filled collectible includes biographies of every principal actor involved in the series, and detailed descriptions of the characters they played. The hundreds who toiled behind the scenes—producer, writers, and directors—enjoy a place of equal prominence. The Twilight Zone Encyclopedia is two books in one: an episode-by-episode guide and a compendium of credits, plot synopses, anecdotes, production details, never-before-seen images, and interviews with nearly everyone still alive who was associated with the show.
Examines movie romance in light of our emotional bond to the actors and characters on screen. Gestures of Love considers the viewers enchantment with charismatic actors in film as the starting point for closely analyzing the performance of love in movies. Written with a thoughtful adoration for the actors who move us, Steven Rybin examines several of cinemas most beloved on-screen movie couples, including Katharine Hepburn and Cary Grant, Myrna Loy and William Powell, Carole Lombard and John Barrymore, Gene Tierney and Dana Andrews, Lauren Bacall and Humphrey Bogart, and Rock Hudson and Dorothy Malone. Using the classical genres of screwball comedy, film noir, and the family melodrama as touchstones, Rybin places the depiction of romance in films into dialogue with the viewers own emotional bond to the actors on the screen. In doing so, he offers rich new analyses of such classic films as Bringing Up Baby, The Thin Man, Twentieth Century, Laura, To Have and Have Not, Tea and Sympathy, Written on the Wind, and more. Steven Rybins Gestures of Love presents a compelling series of close readings focused on cinematic performances from the classical Hollywood eraa series of readings that not only function independently but also build and reflect on one another as the text moves forward. Engagingly written and unapologetically driven by the authors own pleasures, the text will appeal to readers interested in cinephilia, actors in performance, and classical Hollywood more generally. David T. Johnson, author of Richard Linklater Gestures of Love is the first book to explore issues of stardom and performance through the lens of cinephilia studies. Steven Rybin astutely demonstrates how a star couples performance of love may be refracted through a viewers love of performance. Lucid and invigorating, this book reconsiders celebrated duos, from Hepburn and Grant to Bogart and Bacall to Hudson and Malone, as well as the evolution of love in classical Hollywood. Rashna Wadia Richards, author of Cinematic Flashes: Cinephilia and Classical Hollywood
In the months and weeks before the fateful November 22nd, 1963, Dallas was brewing with political passions, a city crammed with larger-than-life characters dead-set against the Kennedy presidency. These included rabid warriors like defrocked military general Edwin A. Walker; the world's richest oil baron, H. L. Hunt; the leader of the largest Baptist congregation in the world, W.A. Criswell; and the media mogul Ted Dealey, who raucously confronted JFK and whose family name adorns the plaza where the president was murdered. On the same stage was a compelling cast of marauding gangsters, swashbuckling politicos, unsung civil rights heroes, and a stylish millionaire anxious to save his doomed city. Bill Minutaglio and Steven L. Davis ingeniously explore the swirling forces that led many people to warn President Kennedy to avoid Dallas on his fateful trip to Texas. Breathtakingly paced, Dallas 1963 presents a clear, cinematic, and revelatory look at the shocking tragedy that transformed America. Countless authors have attempted to explain the assassination, but no one has ever bothered to explain Dallas-until now. With spellbinding storytelling, Minutaglio and Davis lead us through intimate glimpses of the Kennedy family and the machinations of the Kennedy White House, to the obsessed men in Dallas who concocted the climate of hatred that led many to blame the city for the president's death. Here at long last is an accurate understanding of what happened in the weeks and months leading to John F. Kennedy's assassination. Dallas 1963 is not only a fresh look at a momentous national tragedy but a sobering reminder of how radical, polarizing ideologies can poison a city-and a nation. Winner of the PEN Center USA Literary Award for Research Nonfiction Named one of the Top 3 JFK Books by Parade Magazine. Named 1 of The 5 Essential Kennedy assassination books ever written by The Daily Beast. Named one of the Top Nonfiction Books of 2013 by Kirkus Reviews.
Barry Bonds: Baseball Superman is the biography of the game's first four-time Most Valuable Player. In 2001, Bonds broke the greatest record in sports, the all-time single-season home run record held over the years by Babe Ruth, Roger Maris and Mark McGwire, and arguably had the greatest season in baseball history. There is no doubt that for most fans, Barry Bonds is a man of mystery. Author Steven Travers documents the superstar's 2001 campaign as Bonds defied the very bounds of conventional logic and perfected the art of long-ball hitting. Travers also describes Bonds's childhood in Riverside, California, the hometown of his father, Bobby; his successful high school career in the Bay Area, and his All-American career at Arizona State. Skyhorse Publishing, along with our Arcade, Good Books, Sports Publishing, and Yucca imprints, is proud to publish a broad range of biographies, autobiographies, and memoirs. Our list includes biographies on well-known historical figures like Benjamin Franklin, Nelson Mandela, and Alexander Graham Bell, as well as villains from history, such as Heinrich Himmler, John Wayne Gacy, and O. J. Simpson. We have also published survivor stories of World War II, memoirs about overcoming adversity, first-hand tales of adventure, and much more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to books on subjects that are sometimes overlooked and to authors whose work might not otherwise find a home.
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