Governor General's Literary Award finalist and bestselling author Steven Heighton's considerable dramatic lyric powers reach a new sophistication and intensity in his astonishing collection Patient Frame. From the court of Medici to the My Lai massacre; from love for a daughter and mother, through nightmare and displacement, to moments of painful acceptance; from erotic passion to situations of deep moral failure, these poems are part of an ongoing search, a scanning of our human horizons for moments of lasting value. Heighton's work has long shown a resolve to achieve some viable rapprochement between the mind's cold structures and the earthbound drives of the body. Dynamic, vigorous, tender poems as engaged with the moment as they are with traditions of East and West. Patient Frame brings together more of Heighton's vital translations of poets as diverse as Jorge Luis Borges and Horace.
From the award-winning, multi-genre author and musician Steven Heighton, Songbook brings together Heighton’s lyrics and music for the first time in a single volume, including his final songs, which have never been heard or seen until now. When Steven Heighton died suddenly of cancer in 2022, he was in the middle of an intensely creative period of songwriting. He released his first album of original material, The Devil’s Share, in 2021, and was preparing to record his second album. Known first as a poet, Heighton had always held that “music and poetry are two words for the same thing.” As in his songwriting, in Songbook Heighton moves fluidly between genres and subjects, from political songs like “The Butcher’s Bill,” about the carelessness of nations sending their youth to war, to reimagining the myth of Orpheus (“I'll hold my breath the whole way down / And find your soul in the undertown”), to blues tunes like “Last Living Woman Alive,” and a tribute to the late John Prine, the “Buddha of Song.” With the chords accompanying the lyrics, readers and musicians have the ability to bring the songs to life with their own interpretations. The music in Songbook was the final work of Heighton’s life, and it is not only a gift to have his lyrics and chords, but an invitation from Heighton himself, challenging his readers to answer the call and keep singing along.
Poet-boxer Sevigne Torrins struggle to find his place in the world as he experiences a series of professional and sexual misadventures that take him from his youth on the shores of Lake Superior, to trendy Toronto, to Egypt.
Governor General's Literary Award finalist and bestselling author Steven Heighton's considerable dramatic lyric powers reach a new sophistication and intensity in his astonishing collection Patient Frame. From the court of Medici to the My Lai massacre; from love for a daughter and mother, through nightmare and displacement, to moments of painful acceptance; from erotic passion to situations of deep moral failure, these poems are part of an ongoing search, a scanning of our human horizons for moments of lasting value. Heighton's work has long shown a resolve to achieve some viable rapprochement between the mind's cold structures and the earthbound drives of the body. Dynamic, vigorous, tender poems as engaged with the moment as they are with traditions of East and West. Patient Frame brings together more of Heighton's vital translations of poets as diverse as Jorge Luis Borges and Horace.
FINALIST FOR THE 2020 HILARY WESTON WRITERS’ TRUST PRIZE FOR NONFICTION • A New York Times New & Noteworthy Book • A CBC Best Nonfiction Book of 2020 • A Globe and Mail Top 100 Book for 2020 “Combining his poetic sensibilities and storytelling skills with a documentarian’s eye, [Heighton] has created a wrenching narrative.”—2020 Hilary Weston Writers’ Trust Prize for Nonfiction Jury In the fall of 2015, Steven Heighton made an overnight decision to travel to the frontlines of the Syrian refugee crisis in Greece and enlist as a volunteer. He arrived on the isle of Lesvos with a duffel bag and a dubious grasp of Greek, his mother's native tongue, and worked on the landing beaches and in OXY-—a jerrybuilt, ad hoc transit camp providing simple meals, dry clothes, and a brief rest to refugees after their crossing from Turkey. In a town deserted by the tourists that had been its lifeblood, Heighton-—alongside the exhausted locals and under-equipped international aid workers—-found himself thrown into emergency roles for which he was woefully unqualified. From the brief reprieves of volunteer-refugee soccer matches to the riots of Camp Moria, Reaching Mithymna is a firsthand account of the crisis and an engaged exploration of the borders that divide us and the ties that bind.
Based on a true story, a stray dog befriends an orphan boy in a refugee camp on a Greek island. The fishermen on Lesvos call her Kanella because of her cinnamon color. She’s a scrawny, nervous stray — easily intimidated by the harbor cats and the other dogs that compete for handouts on the pier. One spring day a dinghy filled with weary, desperate strangers comes to shore. Other boats follow, laden with refugees who are homeless and hungry. Kanella knows what that is like, and she follows them as they are taken to a makeshift refugee camp. There she comes to trust a bearded man, an aid worker, and gradually settles into a contented routine. Kanella grows healthy and confident. She has a job now — to keep watch over the people in her camp. One day, a little boy arrives and does not leave like the others. He seems to have no family and, like Kanella, he is taken in by the workers. He sleeps on a cot in the food hut, and Kanella keeps him warm and calm. When two new adults come to the camp. Kanella is ready to defend the boy from them, until she is pulled away by the bearded man. They are the boy’s parents, and now he must go with them. Eventually, the camp is dismantled, and Kanella finds herself homeless again. Until one night, huddled in the cold, she awakens to see two bright lights shining in her eyes — the headlights of a car. The bearded man has come back for her, and soon Kanella is on a journey, too, to a new home of her own. Key Text Features maps illustrations author's note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described.
From acclaimed writer Steven Heighton comes an utterly compelling story set in an age of rising nationalism and growing intolerance. Afterlands re-imagines the true story of two men and a woman who, along with sixteen unlucky companions, were cast adrift on an ice floe after the 1872 Polaris expedition failed. Roland Kruger, a German immigrant, finds himself drawn to the mysterious Inuit woman Tukulito, while George Tyson, the compromised leader of the expedition, faces a mutiny as supplies run low. But it is only when Tyson publishes his dangerously dishonest account of the polar events a few years afterward that the full effects of those tragic months of hardship and deprivation are felt. Afterlands is a novel rich with unrequited love, divided loyalty and unsettled scores. This novel is a triumph of storytelling from one of Canada’s most acclaimed writers. Gripping and beautiful, it is a scintillating exploration of the extremes of human experience. Afterlands brilliantly examines both a devastating encounter with the natural world and the unrelenting demands of the human heart.
From internationally acclaimed and Governor General’s Award-winning author Steven Heighton comes a passionate novel of buried secrets, the repercussions of war and finding love among the ruins Elias Trifannis is desperate to belong somewhere. To make his dying ex-cop father happy, he joins the military—but in Afghanistan, by the time he realizes his last-minute bid for connection was a terrible mistake, it’s too late and a tragedy has occurred. In the aftermath, exhausted by nightmares, Elias is sent to Cyprus to recover, where he attempts to find comfort in the arms of Eylül, a beautiful Turkish journalist. But the lovers’ reprieve ends in a moment of shocking brutality that drives Elias into Varosha, once a popular Greek-Cypriot resort town, abandoned since the Turkish invasion of 1974. Hidden in the lush, overgrown ruins is a community of exiles and refugees living resourcefully but comfortably. Thanks to the cheerfully corrupt Colonel Kaya, who turns a blind eye, they live under the radar of the Turkish authorities. As he begins to heal, Elias finds himself drawn to the enigmatic and secretive Kaiti while he learns at last to “simply belong.” But just when it seems he has found sanctuary, events he himself set in motion have already begun to endanger it.
A fresh and provocative picture of what it means to create literature, this collection of Steven Heighton's notes to himself as he writes peeks into the mind of an acclaimed author. The short pieces reveal Heighton's pointed, cutting take on his own work and materialize the musings and meditations that come to him as he scribbles. Offering new perspectives and insights into the creative process, this wholly original book shows what lies outside the pages of the bestsellers written by this Canadian author.
An astoundingly original and tightly curated collection of stories from the award-winning author of Every Lost Country and Afterlands. It is remarkably easy to accept Al Purdy's assertion that Steven Heighton—renowned for his craftsmanship, risk-taking, insight and range—"is one of the best writers of his generation, maybe the best." The Dead Are More Visible highlights his strengths at writing fiction that does not sacrifice humour, depth and emotion for the sake of brevity. These 11 profoundly moving and finely crafted stories encapsulate wildly divergent themes of love and loss, containment and exclusion. In the title story, a parks & rec worker faces an assailant who does not leave the altercation intact. A medical researcher and his claustrophobic fiancée are locked in the trunk of their car after a failed carjacking (the thief can't drive standard). A young woman enters a pharmaceutical trial in the outer reaches of suburbia and slips between sleeping and waking with increasingly alarming ease. Pairing the cultural acuity of Lost in Translation with the compassion and reach of The World According to Garp, Heighton breathes new life into the short story, a genre that is finally coming into its own.
“The longer you stare at the mountain, the more it seems a refuge above human borders and distinctions and this constant dialogue of violence. Up there, he’d hoped, he and Sophie could step away from trouble for a while.” Lewis Book, a doctor with a history of embroiling himself in conflicts, and his daughter, Sophie, travel to Nepal to join a climbing expedition. One evening, as Sophie sits on the border between China and Nepal, she spots a group of Tibetan refugees fleeing from Chinese soldiers. When shooting starts, Dr. Book rushes toward the ensuing melee, ignoring the objections of Lawson, the expedition leader, who doesn’t want to get involved and spoil his chance to be the first climber to summit Kyatruk. Lawson is further enraged when Amaris, a Chinese-Canadian filmmaker recording the expedition, joins Book with her camcorder in hand. When the surviving Tibetans are captured just short of the border, Lawson and Sophie look on helplessly as Book and Amaris are taken away with them, down the glacier into China. From that point, Lawson continues his ascent, and the fugitives are caught in an explosive and thrilling pursuit that will test their convictions, courage, and endurance. From one of Canada’s finest writers comes a literary page-turner of the highest order. Inspired by an actual event, Every Lost Country is a gripping novel about heroism, human failings, and what love requires. When is it acceptable to be a bystander, and when do life and loyalty demand more?
From the award-winning, multi-genre author and musician Steven Heighton, Songbook brings together Heighton’s lyrics and music for the first time in a single volume, including his final songs, which have never been heard or seen until now. When Steven Heighton died suddenly of cancer in 2022, he was in the middle of an intensely creative period of songwriting. He released his first album of original material, The Devil’s Share, in 2021, and was preparing to record his second album. Known first as a poet, Heighton had always held that “music and poetry are two words for the same thing.” As in his songwriting, in Songbook Heighton moves fluidly between genres and subjects, from political songs like “The Butcher’s Bill,” about the carelessness of nations sending their youth to war, to reimagining the myth of Orpheus (“I'll hold my breath the whole way down / And find your soul in the undertown”), to blues tunes like “Last Living Woman Alive,” and a tribute to the late John Prine, the “Buddha of Song.” With the chords accompanying the lyrics, readers and musicians have the ability to bring the songs to life with their own interpretations. The music in Songbook was the final work of Heighton’s life, and it is not only a gift to have his lyrics and chords, but an invitation from Heighton himself, challenging his readers to answer the call and keep singing along.
A Pulitzer Prize–winning historian’s "breathtakingly original" (Junot Diaz) reinterpretation of the eight decades surrounding the Civil War. "Capatious [and] buzzing with ideas." --The Boston Globe Volume 3 in the Penguin History of the United States, edited by Eric Foner In this ambitious story of American imperial conquest and capitalist development, Pulitzer Prize–winning historian Steven Hahn takes on the conventional histories of the nineteenth century and offers a perspective that promises to be as enduring as it is controversial. It begins and ends in Mexico and, throughout, is internationalist in orientation. It challenges the political narrative of “sectionalism,” emphasizing the national footing of slavery and the struggle between the northeast and Mississippi Valley for continental supremacy. It places the Civil War in the context of many domestic rebellions against state authority, including those of Native Americans. It fully incorporates the trans-Mississippi west, suggesting the importance of the Pacific to the imperial vision of political leaders and of the west as a proving ground for later imperial projects overseas. It reconfigures the history of capitalism, insisting on the centrality of state formation and slave emancipation to its consolidation. And it identifies a sweeping era of “reconstructions” in the late-nineteenth and early twentieth centuries that simultaneously laid the foundations for corporate liberalism and social democracy. The era from 1830 to 1910 witnessed massive transformations in how people lived, worked, thought about themselves, and struggled to thrive. It also witnessed the birth of economic and political institutions that still shape our world. From an agricultural society with a weak central government, the United States became an urban and industrial society in which government assumed a greater and greater role in the framing of social and economic life. As the book ends, the United States, now a global economic and political power, encounters massive warfare between imperial powers in Europe and a massive revolution on its southern border―the remarkable Mexican Revolution―which together brought the nineteenth century to a close while marking the important themes of the twentieth.
This book serves several purposes, all very much needed in today's embattled situation of the humanities and the study of literature. First, in Chapter One, the author proposes that the discipline of Comparative Literature is a most advantageous approach for the study of literature and culture as it is a priori a discipline of cross-disciplinarity and of international dimensions. After a "Manifesto" for a New Comparative Literature, he proceeds to offer several related theoretical frameworks as a composite method for the study of literature and culture he designates and explicates as the "systemic and empirical approach." Following the introduction of the proposed New Comparative Literature, the author applies his method to a wide variety of literary and cultural areas of inquiry such as "Literature and Cultural Participation" where he discusses several aspects of reading and readership (Chapter Two), "Comparative Literature as/and Interdisciplinarity" (Chapter Three) where he deals with theory and application for film and literature and medicine and literature, "Cultures, Peripheralities, and Comparative Literature" (Chapter Four) where he proposes a theoretical designation he terms "inbetween peripherality" for the study of East Central European literatures and cultures as well as ethnic minority writing, "Women's Literature and Men Writing about Women"(Chapter Five) where he analyses texts written by women and texts about women written by men in the theoretical context of Ethical Constructivism, "The Study of Translation and Comparative Literature" (Chapter Six) where after a theoretical introduction he presents a new version of Anton Popovic's dictionary for literary translation as a taxonomy for the study of translation, and "The Study of Literature and the Electronic Age" (Chapter Seven), where he discusses the impact of new technologies on the study of literature and culture. The analyses in their various applications of the proposed New Comparative Literature involve modern and contemporary authors and their works such as Dorothy Richardson, Margit Kaffka, Mircea Cartarescu, Robert Musil, Alfred Döblin, Hermann Hesse, Péter Esterházy, Dezsö Kosztolányi, Michael Ondaatje, Endre Kukorelly, Else Seel, and others.
“The longer you stare at the mountain, the more it seems a refuge above human borders and distinctions and this constant dialogue of violence. Up there, he’d hoped, he and Sophie could step away from trouble for a while.” Lewis Book, a doctor with a history of embroiling himself in conflicts, and his daughter, Sophie, travel to Nepal to join a climbing expedition. One evening, as Sophie sits on the border between China and Nepal, she spots a group of Tibetan refugees fleeing from Chinese soldiers. When shooting starts, Dr. Book rushes toward the ensuing melee, ignoring the objections of Lawson, the expedition leader, who doesn’t want to get involved and spoil his chance to be the first climber to summit Kyatruk. Lawson is further enraged when Amaris, a Chinese-Canadian filmmaker recording the expedition, joins Book with her camcorder in hand. When the surviving Tibetans are captured just short of the border, Lawson and Sophie look on helplessly as Book and Amaris are taken away with them, down the glacier into China. From that point, Lawson continues his ascent, and the fugitives are caught in an explosive and thrilling pursuit that will test their convictions, courage, and endurance. From one of Canada’s finest writers comes a literary page-turner of the highest order. Inspired by an actual event, Every Lost Country is a gripping novel about heroism, human failings, and what love requires. When is it acceptable to be a bystander, and when do life and loyalty demand more?
This collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner The Waking Comes Late, showcases a defining lyric poet of his generation. Selected Poems 1983–2020 is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, The Waking Comes Late. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.” Heighton’s debut collection, Stalin’s Carnival,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.
Most people go through life chasing illusions of success, fame, wealth, happiness, and few things are more painful than the reality-revealing loss of an illusion. But if illusions are negative, why is the opposite, being disillusioned, also negative? In this essay based on his inaugural writer-in-residence lecture at Athabasca University, internationally acclaimed writer Steven Heighton mathematically evaluates the paradox of disillusionment and the negative aspects of hope. Drawing on writers such as Herman Melville, Leonard Cohen, Kate Chopin, and Thich Nhat Hanh, Heighton considers the influence of illusions on creativity, art, and society. This meditation on language and philosophy reveals the virtues of being disillusioned and, perhaps, the path to freedom.
Steven Heighton is already recognized as one of the best writers to come to the fore in the nineties, a winner of numerous literary awards, whose work is widely translated. In The Shadow Boxer, he delivers a stunning portrait of the artist in the tradition of such great tales as Jude the Obscure, Candide and even Don Quixote, and gives literary life to the Northern Ontario landscape of "the Soo", and the demanding, muscular life of Lake Superior where giant ore-barges make their way over the grave of The Edmund Fitzgerald. Intricately patterned and multi-layered, this is the story of Sevigne Torrins, poet and boxer, who sets off into the world to make it, and whose romantic and professional misadventures take him as far as Egypt before he finds his way back to the Great Lakes. But the classic writerly dream that Sevigne pursues turns out in practice to have a different and darker reality than any he had foreseen. A passionate love story, a gripping narrative, The Shadow Boxer is also about the power of dreams and regret. It heralds a major new Canadian novelist and a master storyteller.
From acclaimed writer Steven Heighton comes an utterly compelling story set in an age of rising nationalism and growing intolerance. Afterlands re-imagines the true story of two men and a woman who, along with sixteen unlucky companions, were cast adrift on an ice floe after the 1872 Polaris expedition failed. Roland Kruger, a German immigrant, finds himself drawn to the mysterious Inuit woman Tukulito, while George Tyson, the compromised leader of the expedition, faces a mutiny as supplies run low. But it is only when Tyson publishes his dangerously dishonest account of the polar events a few years afterward that the full effects of those tragic months of hardship and deprivation are felt. Afterlands is a novel rich with unrequited love, divided loyalty and unsettled scores. This novel is a triumph of storytelling from one of Canada’s most acclaimed writers. Gripping and beautiful, it is a scintillating exploration of the extremes of human experience. Afterlands brilliantly examines both a devastating encounter with the natural world and the unrelenting demands of the human heart.
From internationally acclaimed and Governor General’s Award-winning author Steven Heighton comes a passionate novel of buried secrets, the repercussions of war and finding love among the ruins Elias Trifannis is desperate to belong somewhere. To make his dying ex-cop father happy, he joins the military—but in Afghanistan, by the time he realizes his last-minute bid for connection was a terrible mistake, it’s too late and a tragedy has occurred. In the aftermath, exhausted by nightmares, Elias is sent to Cyprus to recover, where he attempts to find comfort in the arms of Eylül, a beautiful Turkish journalist. But the lovers’ reprieve ends in a moment of shocking brutality that drives Elias into Varosha, once a popular Greek-Cypriot resort town, abandoned since the Turkish invasion of 1974. Hidden in the lush, overgrown ruins is a community of exiles and refugees living resourcefully but comfortably. Thanks to the cheerfully corrupt Colonel Kaya, who turns a blind eye, they live under the radar of the Turkish authorities. As he begins to heal, Elias finds himself drawn to the enigmatic and secretive Kaiti while he learns at last to “simply belong.” But just when it seems he has found sanctuary, events he himself set in motion have already begun to endanger it.
FINALIST FOR THE 2020 HILARY WESTON WRITERS’ TRUST PRIZE FOR NONFICTION • A New York Times New & Noteworthy Book • A CBC Best Nonfiction Book of 2020 • A Globe and Mail Top 100 Book for 2020 “Combining his poetic sensibilities and storytelling skills with a documentarian’s eye, [Heighton] has created a wrenching narrative.”—2020 Hilary Weston Writers’ Trust Prize for Nonfiction Jury In the fall of 2015, Steven Heighton made an overnight decision to travel to the frontlines of the Syrian refugee crisis in Greece and enlist as a volunteer. He arrived on the isle of Lesvos with a duffel bag and a dubious grasp of Greek, his mother's native tongue, and worked on the landing beaches and in OXY-—a jerrybuilt, ad hoc transit camp providing simple meals, dry clothes, and a brief rest to refugees after their crossing from Turkey. In a town deserted by the tourists that had been its lifeblood, Heighton-—alongside the exhausted locals and under-equipped international aid workers—-found himself thrown into emergency roles for which he was woefully unqualified. From the brief reprieves of volunteer-refugee soccer matches to the riots of Camp Moria, Reaching Mithymna is a firsthand account of the crisis and an engaged exploration of the borders that divide us and the ties that bind.
Based on a true story, a stray dog befriends an orphan boy in a refugee camp on a Greek island. The fishermen on Lesvos call her Kanella because of her cinnamon color. She’s a scrawny, nervous stray — easily intimidated by the harbor cats and the other dogs that compete for handouts on the pier. One spring day a dinghy filled with weary, desperate strangers comes to shore. Other boats follow, laden with refugees who are homeless and hungry. Kanella knows what that is like, and she follows them as they are taken to a makeshift refugee camp. There she comes to trust a bearded man, an aid worker, and gradually settles into a contented routine. Kanella grows healthy and confident. She has a job now — to keep watch over the people in her camp. One day, a little boy arrives and does not leave like the others. He seems to have no family and, like Kanella, he is taken in by the workers. He sleeps on a cot in the food hut, and Kanella keeps him warm and calm. When two new adults come to the camp. Kanella is ready to defend the boy from them, until she is pulled away by the bearded man. They are the boy’s parents, and now he must go with them. Eventually, the camp is dismantled, and Kanella finds herself homeless again. Until one night, huddled in the cold, she awakens to see two bright lights shining in her eyes — the headlights of a car. The bearded man has come back for her, and soon Kanella is on a journey, too, to a new home of her own. Key Text Features maps illustrations author's note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.5.6 Describe how a narrator's or speaker's point of view influences how events are described.
First published in 1983, Murder in the Dark is Margaret Atwood's seventh work of fiction or her tenth book of poetry, depending on how you slice it. These short prose forms range from fictionalized autobiography through prose-poetry, mini-romance, and mini–science fiction. A feast of comic entertainment, Murder in the Dark is Atwood at her wittiest, most thoughtful, and most provoking.
This collection of new and previously published poems by Steven Heighton, author of the Governor General’s Literary Award winner The Waking Comes Late, showcases a defining lyric poet of his generation. Selected Poems 1983–2020 is Steven Heighton’s seventh volume of poetry and the first since his Governor General’s Literary Award–winning collection, The Waking Comes Late. Incorporating a grouping of previously unpublished poetry and a selection of key poems from his six previous acclaimed collections, this timely volume showcases a generational talent whose work has been described by critics as “exhilarating,” “genuine,” and “arrestingly beautiful.” Heighton’s debut collection, Stalin’s Carnival,won the Gerald Lampert Award for Best First Book of Poetry in 1990. Subsequent books, which include bestselling novels, essays, and critical writings, confirmed Heighton as an exciting and important voice in Canadian letters. Heighton’s poetry is recognised for its technical skill and musicality, its erudition, and its empathy and unvarnished emotion.
Features poems by F.R. Scott, Earle Birney, Milton Acorn, Russell Thornton, David Zieroth, Lorna Crozier, Tom Wayman, Phil Hall, George Bowering, Peter Trower, Howard White, Cornelia Hoogland, Doug Beardsley, Patrick Lane, Susan Musgrave, Bruce Cockburn, Rodney DeCroo, Steven Heighton, James Arthur, Sadiqa de Meijer, Nicholas Bradley, Doug Paisley, Autumn Richardson and many more.
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