One of the most hotly debated issues in the historical study of race relations is the question of how the Civil War and Reconstruction affected social relations in the South. Did the War leave class and race hierarchies intact? Or did it mark the profound disruption of a long-standing social order? Yankee Town, Southern City examines how the members of the southern community of Lynchburg, Virginia experienced four distinct but overlapping events--Secession, Civil War, Black Emancipation, and Reconstruction. By looking at life in the grog shop, at the military encampment, on the street corner, and on the shop floor, Steven Elliott Tripp illustrates the way in which ordinary people influenced the contours of race and class relations in their town.
Ty Cobb called baseball a “red-blooded game for red-blooded men,” warning that “molly coddles had better stay out.” By this, Cobb meant that baseball was the ultimate expression of the masculine ideal – a game of aggression, rivalry, physical and mental dexterity, self-reliance, and primal honor. For over twenty years, Cobb expressed his fierce brand of manhood in ballparks throughout the American Northeast, gaining for himself a level of celebrity that was unsurpassed in the early twentieth century. Fans idolized Cobb not only because he was the best player in the game, but because his boisterous and combative style of play satisfied their desire for exhibitions of visceral manhood. They found in Cobb an antidote for what they feared were the corrupting influences of over-civilization. With balance, precision, and empathy, Steven Elliott Tripp brings the era to life in a narrative Publisher’s Weekly has called “stunning.” In contrast to recent biographies of Cobb that have tried to minimize his more brutish behavior and minimize his racial antipathies, Tripp contextualizes Cobb, placing him squarely within the cultural milieu of both the rural South of his birth and the Northern sporting culture of his professional career. Moreover, Tripp’s reconstruction of early twentieth-century sporting culture isolates an important source of modern America’s culture of hyper-masculinity. Ty Cobb, Baseball, and American Manhood is both an important work of social and cultural history and an absorbing tale of ambition and the quest for dominance. Tripp has written the rare narrative that is as appealing to scholars as it is to general readers and sports enthusiasts.
Drawing on accounts of people's everyday experience, demonstrates that no one group was able to maintain control of the social structure in the Virginia city during the four overlapping but distinct events of Secession, Civil War, black emancipation, and Reconstruction. Particularly focuses on how blacks and lower- class whites defied the elite's prescription for race relations to express their frustration with elite rule. Annotation copyrighted by Book News, Inc., Portland, OR
Ty Cobb called baseball a “red-blooded game for red-blooded men,” warning that “molly coddles had better stay out.” By this, Cobb meant that baseball was the ultimate expression of the masculine ideal – a game of aggression, rivalry, physical and mental dexterity, self-reliance, and primal honor. For over twenty years, Cobb expressed his fierce brand of manhood in ballparks throughout the American Northeast, gaining for himself a level of celebrity that was unsurpassed in the early twentieth century. Fans idolized Cobb not only because he was the best player in the game, but because his boisterous and combative style of play satisfied their desire for exhibitions of visceral manhood. They found in Cobb an antidote for what they feared were the corrupting influences of over-civilization. With balance, precision, and empathy, Steven Elliott Tripp brings the era to life in a narrative Publisher’s Weekly has called “stunning.” In contrast to recent biographies of Cobb that have tried to minimize his more brutish behavior and minimize his racial antipathies, Tripp contextualizes Cobb, placing him squarely within the cultural milieu of both the rural South of his birth and the Northern sporting culture of his professional career. Moreover, Tripp’s reconstruction of early twentieth-century sporting culture isolates an important source of modern America’s culture of hyper-masculinity. Ty Cobb, Baseball, and American Manhood is both an important work of social and cultural history and an absorbing tale of ambition and the quest for dominance. Tripp has written the rare narrative that is as appealing to scholars as it is to general readers and sports enthusiasts.
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