From its blood-chilling opening scene, White Darkness will grab you by the throat and keep on squeezing. On the island nation of Haiti, the shadowy Colonel Hugo Ferray is making another of his surprise nighttime visits. While he sits in the elegant dining room entertaining Mr. and Mrs. Dalwani and their three teen-age daughters with witty conversation, his armed troops outside are silently snipping the telephone wires and surrounding the house. When preparations are complete, the colonel slowly and mercilessly transforms his polite social call into a sadistic ritual of pillage, rape, arson and murder. Fabrice Lacroix works for the wealthy Jouvier family. He spends his days tending their garden and daydreaming about living in America with his girlfriend Antoinette. But a terrifying, late night confrontation with Colonel Ferray will propel Fabrice on a journey toward America more harrowing than he could ever have imagined. His escape will leave his precious Antoinette to face the colonel's savage fury alone. Both Fabrice and Antoinette will place their lives in the hands of the l'wahs, the revered Voodoo spirits who are the living gods of Haiti. At thirty-nine, More Rosen is struggling to maintain the family jewelry store in a once elegant Brooklyn neighborhood now crowded with West Indian immigrants— people whose language, customs and beliefs he does not understand. When Moe rescues his Haitian neighbor from a brutal mugging, he will be drawn into her strange, alien, darkly superstitious world where romance and success will lead to violence, kidnapping and the very real threat of death. After methodically destroying all traces of his former life, Colonel Ferray will relocate to America and assume a new identity. When he discovers that much of his stored treasure has been stolen, his lust for vengeance will take him straight to the West Indian section of Brooklyn. Rather than subduing his vicious impulses, the change of scene will actually increase his appetite for innocent women and orchestrated bloodshed. As the evil of the island seeps into the streets of New York, a deadly clash involving the colonel, Moe Rosen, Fabrice Lacroix and the mystical spirits of Haitian Voodoo will become inevitable. In settings that range from the high seas of the Caribbean to the canyons of New York, from a poverty-stricken Haitian village to a Miami bank vault filled with stolen gold, from a shootout on a lonely West Indian mountaintop to an authentic Voodoo ceremony in a crowded Brooklyn basement, White Darkness tells the story of men and women whose love, strength and courage will be tested to their limits in a final battle that will either destroy them or set them free. Praise for Steven D. Salinger's Behold the Fire: "It would be hard to pack more suspenseful action into these pages..." — People "Debut thrillers don't get much better than this." — Chicago Tribune "Jolting...impressive....sees a lot of action and covers a lot of ideological ground without losing a grip on itself...Salinger writes as if language were his lifeline to a new world." — The New York Times "The best first novel I've ever reviewed." — Philadelphia Inquirer
From Plato to Freud to ecocriticism, the book illustrates dozens of stimulating-and sometimes notoriously complex-perspectives for approaching literature and film. The book offers authoritative, clear, and easy-to-follow explanations of theories that range from established classics to the controversies of current theory. Each chapter offers a conversational, step-by-step explanation of a single theory, critic, or issue, accompanied by concrete examples for applying the concepts and engaging suggestions for related literary readings. Following a section on the foundations of literary theory, the book is organized thematically, with an eye to the best way to develop a real, working understanding of the various theories. Cross-references are particularly important, since it's through the interaction of examples that readers most effectively advance from basic topics and arguments to some of the more specialized and complicated issues. Each chapter is designed to tell a complete story, yet also to reach out to other chapters for development and debate. Literary theorists are hardly unified in their views, and this book reflects the various traditions, agreements, influences, and squabbles that are a part of the field. Special features include hundreds of references to and quotations from novels, stories, plays, poems, movies, and other media. Online resources could also include video and music clips, as well as high-quality examples of visual art mentioned in the book. The book also includes periodic "running" references to selected key titles (such as Frankenstein) in order to illustrate the effect of different theories on a single work.
Factory Made: Warhol and the Sixties is a fascinating look at the avant-garde group that came together—from 1964 to 1968—as Andy Warhol’s Silver Factory, a cast that included Lou Reed, Nico, Edie Sedgwick, Gerard Malanga, Paul Morrissey, Joe Dallesandro, Billy Name, Candy Darling, Baby Jane Holzer, Brigid Berlin, Ultra Violet, and Viva. Steven Watson follows their diverse lives from childhood through their Factory years. He shows how this ever-changing mix of artists and poets, musicians and filmmakers, drag queens, society figures, and fashion models, all interacted at the Factory to create more than 500 films, the Velvet Underground, paintings and sculpture, and thousands of photographs. Between 1961 and 1964 Warhol produced his most iconic art: the Flower paintings, the Marilyns, the Campbell’s Soup Can paintings, and the Brillo Boxes. But it was his films—Sleep, Kiss, Empire, The Chelsea Girls, and Vinyl—that constituted his most prolific output in the mid-1960s, and with this book Watson points up the important and little-known interaction of the Factory with the New York avant-garde film world. Watson sets his story in the context of the revolutionary milieu of 1960s New York: the opening of Paul Young’s Paraphernalia, Truman Capote’s Black and White Ball, Max’s Kansas City, and the Beautiful People Party at the Factory, among many other events. Interspersed throughout are Watson’s trademark sociogram, more than 130 black-and-white photographs—some never before seen—and many sidebars of quotes and slang that help define the Warholian world. With Factory Made, Watson has focused on a moment that transformed the art and style of a generation.
Dennis Palumbo's Head Wounds is a spectacular ride." —THOMAS PERRY, New York Times bestselling author "This is a book that'll make you lock your doors and check your computer's security settings." —JOSEPH FINDER, New York Times bestselling author Psychologist Dr. Daniel Rinaldi consults with the Pittsburgh Police. His specialty is treating victims of violent crime—those who've survived an armed robbery, kidnapping, or sexual assault, but whose traumatic experience still haunts them. Head Wounds picks up where Rinaldi's investigation in Phantom Limb left off, turning the tables on him as he, himself, becomes the target of a vicious killer. "Miles Davis saved my life." With these words Rinaldi becomes a participant in a domestic drama that blows up right outside his front door, saved from a bullet to the brain by pure chance. In the chaos that follows, Rinaldi learns his bad-girl, wealthy neighbor has told her hair-triggered boyfriend Rinaldi is her lover. As things heat up, Rinaldi becomes a murder suspect. But this is just the first act in this chilling, edge-of-your-seat thriller. As one savagery follows another, Rinaldi is forced to relive a terrible night that haunts him still. And to realize that now he—and those he loves—are being victimized by a brilliant killer still in the grip of delusion. Determined to destroy Rinaldi by systematically targeting those close to him—his patients, colleagues, and friends—computer genius Sebastian Maddox strives to cause as much psychological pain as possible, before finally orchestrating a bold, macabre death for his quarry. How ironic. As Pittsburgh morphs from a blue-collar town to a tech giant, a psychopath deploys technology in a murderous way. Enter two other figures from Rinaldi's past: retired FBI profiler Lyle Barnes, once a patient who Rinaldi treated for night terrors; and Special Agent Gloria Reese, with whom he falls into a surprising, erotically charged affair. Warned by Maddox not to engage the authorities or else random innocents throughout the city will die, Rinaldi and these two unlikely allies engage in a terrifying cat-and-mouse game with an elusive killer who'll stop at nothing in pursuit of what he imagines is revenge. A true page-turner, Head Wounds is the electrifying fifth in a critically acclaimed series of thrillers by Dennis Palumbo. Formerly a Hollywood screenwriter, Dennis Palumbo is now a licensed psychotherapist in private practice.
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