Jorge Luis Borges is one of the key writers of the twentieth century in the context of both Hispanic and world literature. This Companion has been designed for keen readers of Borges whether they approach him in English or Spanish, within or outside a university context. It takes his stories and essays of the forties and fifties, especially Ficciones and El Aleph, to be his most significant works, and organizes its material in consequence. About two thirds of the book analyzes the stories of this period text by text. The early sections map Borges's intellectual trajectory up to the fifties in some detail, and up to his death more briefly. They aim to provide an account of the context which will allow the reader maximum access to the meaning and significance of his work and present a biographical narrative developed against the Argentine literary world in which Borges was a key player, the Argentine intellectual tradition in its historical context, and the Argentine and world politics to which his works respond in more or less obvious ways. STEVEN BOLDY is Reader in Latin American Literature at the University of Cambridge.
Describing all of Colombia's birds, Steven Hilty and William Brown bring together information on one of the world's largest avifaunas-nearly 1,700 species. Over half of all the species of birds in South America are included, thus making the book useful in regions adjacent to Colombia, as well as in the country itself. The primary purpose of the work is to enable observers to identify the birds of the region, but it also provides detailed species accounts and will serve as an important handbook and reference volume. Fifty-six lavish color plates, thirteen halftone plates, and ninety-nine line drawings in the text illustrate over 85% of the species, including most of the resident birds. Notes on the facing-page of each place, and range maps of 1,475 species, facilitate identification. Written with the field observer in mind, the text gives special attention to comparisons of similar species, transcriptions of voices, and comments on behavior, status, and habitat. It also provides ranges, breeding data, and references. Notes outline taxonomic problems and briefly describe species that eventually may be found in Colombia. Introductory chapters and photographs highlight Colombia's geography, climate, and vegetation, and discuss migration and conservation questions, and the history of Colombian ornithology. Appendices contain a large bibliography, a section on birding locations, and coverage of two of Colombia's far-flung island territories, Isla San Andr s and Providencia. Maps depicting vegetation zones, political boundaries, national parks, and the most text localities are included.
This set offers a representitive collection of the verse satire of the Romantic period, published between the mid-1780s and the mid-1830s. As well as two single-author volumes, from William Gifford and Thomas Moore, there is also a wealth of rare, unedited material.
This study examines the full range of Carlos Fuentes’ art, from the critical realism of his early novels to his highly experimental novels of the late sixties, and to his novels from the eighties where national identities are playfully evoked and largely dismantled through intertextual games, migrations of people and ideas.
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