Silence in Philosophy, Literature, and Art demonstrates how silence as a form of indirect discourse provides us with access to hitherto inaccessible aspects of human experience.
Silence exists at the edge of the world, where words break off and meaning fades into ambiguity. The numerous treatments of silence in Steven L. Bindeman’s Silence in Philosophy, Literature, and Art question the misleading clarity of certainty, which persists in the unreflective discourse of common experience. Significant philosophical problems, such as the limits of language, the perception of sound and the construction of meaning, the dynamics of the social realm, and the nature of the human self, all appear differently as a consequence of this questioning. Silence is shown to have two modes, disruptive and healing, which work together as complementary stages within a creative process. The interaction between these two modes of silence serves as the dynamic behind the entire work.
Historians of the early Republic are just beginning to tell the stories of the period&’s ethnic minorities. In Foreigners in Their Own Land, Steven M. Nolt is the first to add the story of the Pennsylvania Germans to that larger mosaic, showing how they came to think of themselves as quintessential Americans and simultaneously constructed a durable sense of ethnicity. The Lutheran and Reformed Pennsylvania German populations of eastern Pennsylvania, Maryland, and the Appalachian backcountry successfully combined elements of their Old World tradition with several emerging versions of national identity. Many took up democratic populist rhetoric to defend local cultural particularity and ethnic separatism. Others wedded certain American notions of reform and national purpose to Continental traditions of clerical authority and idealized German virtues. Their experience illustrates how creating and defending an ethnic identity can itself be a way of becoming American. Though they would maintain a remarkably stable and identifiable subculture well into the twentieth century, Pennsylvania Germans were, even by the eve of the Civil War, the most &"inside&" of &"outsiders.&" They represent the complex and often paradoxical ways in which many Americans have managed the process of assimilation to their own advantage. Given their pioneering role in that process, their story illuminates the path that other immigrants and ethnic Americans would travel in the decades to follow.
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Recent scientific advances have revolutionized cancer research and practice, creating a body of molecular biology information that is important to research scientists and clinical oncologists alike. Cancer: Principles and Practice of Oncology: Primer of the Molecular Biology of Cancer, 3rd Edition, keeps you up to date with all that’s new in this rapidly changing field. Derived from DeVita, Hellman, and Rosenberg’s Cancer: Principles and Practice of Oncology – widely regarded as the definitive clinical reference in oncology – the third edition of this popular Primer provides a single-volume, highly focused reference on every important frontier in the molecular biology of cancer.
Silence exists at the edge of the world, where words break off and meaning fades into ambiguity. The numerous treatments of silence in Steven L. Bindeman’s Silence in Philosophy, Literature, and Art question the misleading clarity of certainty, which persists in the unreflective discourse of common experience. Significant philosophical problems, such as the limits of language, the perception of sound and the construction of meaning, the dynamics of the social realm, and the nature of the human self, all appear differently as a consequence of this questioning. Silence is shown to have two modes, disruptive and healing, which work together as complementary stages within a creative process. The interaction between these two modes of silence serves as the dynamic behind the entire work.
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