This book is about video techniques, not video technology. To deal with the latter would be a thankless task, as by the time the book was published it would be out of date, given the rapid rate of development of video hardware. However, these technological advances do help to make it an exciting field. As Joe Riley says in Chapter 1, 'Advances in video technology continually produce improvements in performance and reductions in both the cost and size of equipment, so it seems certain that the technique will prove to be an even more useful resource . . . in the future. ' In selecting the topics and authors represented in this book, I have tried to encompass most of the behavioural and ecological uses to which video is likely to be put over the next decade or so. I believe the book has captured the invaluable accumulated experience of the most active practitioners of the medium in this research area. The idea for the book arose from two workshops on the use of video in ecology and behaviour held at Southampton University, UK, during the 1980s. Three learned societies were involved in these meetings: the Association of Applied Biologists, the British Ecological Society and the Society for Experimental Biology.
This book is about video techniques, not video technology. To deal with the latter would be a thankless task, as by the time the book was published it would be out of date, given the rapid rate of development of video hardware. However, these technological advances do help to make it an exciting field. As Joe Riley says in Chapter 1, 'Advances in video technology continually produce improvements in performance and reductions in both the cost and size of equipment, so it seems certain that the technique will prove to be an even more useful resource . . . in the future. ' In selecting the topics and authors represented in this book, I have tried to encompass most of the behavioural and ecological uses to which video is likely to be put over the next decade or so. I believe the book has captured the invaluable accumulated experience of the most active practitioners of the medium in this research area. The idea for the book arose from two workshops on the use of video in ecology and behaviour held at Southampton University, UK, during the 1980s. Three learned societies were involved in these meetings: the Association of Applied Biologists, the British Ecological Society and the Society for Experimental Biology.
Image Analysis in Earth Sciences is a graduate level textbook for researchers and students interested in the quantitative microstructure and texture analysis of earth materials. Methods of analysis and applications are introduced using carefully worked examples. The input images are typically derived from earth materials, acquired at a wide range of scales, through digital photography, light and electron microscopy. The book focuses on image acquisition, pre- and post-processing, on the extraction of objects (segmentation), the analysis of volumes and grain size distributions, on shape fabric analysis (particle and surface fabrics) and the analysis of the frequency domain (FFT and ACF). The last chapters are dedicated to the analysis of crystallographic fabrics and orientation imaging. Throughout the book the free software Image SXM is used.
This is the classic guide for analog photography enthusiasts interested in high-quality darkroom work. The fourth edition from darkroom master Steve Anchell is packed with techniques for silver-based processing. In addition to "recipes" for darkroom experiments, this book contains invaluable information on developers, push-processing, reversal processing, enlarged negatives, pyro formulas, printing, and toning prints. The Darkroom Cookbook also offers advice about where to get darkroom equipment, how to set up a darkroom, safe darkroom working spaces, and more. Key features of this revised edition include: Over 200 step-by-step or do-it-yourself formulas Tips for mastering the "ingredients" of analog photography processing, namely the chemicals used to develop, fix, stop and tone Special technique contributions and stunning black and white imagery by professionals such as Bruce Barnbaum, Tim Rudman, John Sexton, and more.
True creativity, the making of a thing which has not been in the world previously, is originality by definition. But while many claim to crave originality, they feel an obscure revulsion when confronted with it. The really new is uncomfortable and disturbing. Repetition of the familiar is preferred. The hailing of old ideas as original lowers the standard for invention and robs most creative people of the drive to do anything interesting, let alone seek out the universe of originality which is waiting, drumming its fingers, wondering why nobody calls. This is a book for all those who care not for the fashionable simulacra of the media creative, but for an understanding of the hard road to true originality. Part manual, part history of ideas, part manifesto – this a unique experimental journey around the outer limits of our culture. It debunks myths, contradicts familiar shiboleths and wages war on cliché and platitude as it has never been waged before. A rallying cry and disruptive book for those bored with merely thinking outside the box.
Use color to improve your storytelling, deliver critical emotional cues, and add impact to you videos. This book shows you how to analyze color correction problems and solve them- whatever NLE or plugin you use. Experienced editors and colorists in their own right, the authors also include the wisdom of top colorists, directors of photography, and color scientists to deliver this insightful and authoritative presentation of the theory and practice of color correction. The book provides technical insight into how to effectively color correct your video, also delving into how color can impact storytelling and deliver critical emotional cues. The new edition also includes 2 new "Quickstart Tutorials", a new chapter on how color impacts storytelling, information on the impact HD has had on the correcting process, and updated application specifications. The downloadable resources feature new and more robust tutorial media.
Increased yields, markets, and profitability have led to changes in crop husbandry. Since its first publication in 1966, revised editions of Lockhart & Wiseman's Crop Husbandry Including Grassland have upheld and increased the book's good reputation. This ninth edition maintains its status as the standard textbook for many agricultural courses. Part one covers the principles of crop production with chapters concerning plants, climate, soil management, fertilizers, manures, weeds, and diseases threatening farm crops. Part two surveys crop husbandry techniques. Environmental impact has been addressed in greater detail in this edition. This section looks at issues such as sustainable crop management, precision farming, and organic crop husbandry. The way these general techniques apply to individual crops is explained in part three. This part considers a range of cereals, combinable break crops, root crops, industrial crops, and fresh produce crops. Part four looks at the use of grassland and forage crops, with chapters considering arable forage crops, the characteristics of grassland, and the corresponding methods for establishing and improving grassland. This part also includes information regarding equine grassland management and conservation of grass and forage crops. This ninth edition of Lockhart and Wiseman's Crop Husbandry Including Grassland is relevant for students throughout the United Kingdom and Europe. It is a useful reference book for agriculture National Diploma courses, Foundation Degrees, and BSc degrees, and is important for Masters level students entering agriculture from another discipline. The previous edition has been widely expanded and remains the standard text for general agriculture, land management, and agri-business courses Includes new chapters on cropping techniques, integrated crop management and quality assurance, seed production and selection, and the influence of climate Discusses basic conditions for crop growth, how techniques are applied to particular crops, the influence of weather, and the use of grassland
The Film Developing Cookbook, 2nd edition is an up-to-date manual for photographic film development techniques. This book concentrates on films, their characteristics, and the developers each requires for maximum control of the resulting image. For two decades The Film Developing Cookbook has helped photographers acquire a working knowledge of photographic chemistry—what photo chemicals do and why—for black and white film developing. Now reissued in a revised and fully updated edition, this must-have manual for photographic film development techniques covers films, their characteristics, and the developers each require for maximum control of the resulting image. Readers will learn how to mix and use photographic solutions from scratch, and even how to create new ones. Includes invaluable information about films, developer ingredients, formulas, speed increasing, mixing and storing stock solutions, stop baths, fixers, washing, and chemical safety. A must-have for analog photography enthusiasts and any photography students using the darkroom. For in-depth discussion and questions on all things film or darkroom join the Darkroom Cookbook Forum, www.darkroomcookbook.com
Traces the history of view cameras, discusses lenses, shutters, and accessory equipment, and offers practical advice on working with large format cameras
on the occasion of a solo exhibition at the Institute of Contemporary Art, Boston and the Museum of Contemporary Art Detroit. curated by Helen Molesworth
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.