Zug um Zug besser, Schlag um Schlag stärker. Nur noch einen Sieg, dann ist Leah Baxter Junior-Schachgroßmeisterin. Zumindest, wenn es nach ihrer ehrgeizigen Mutter und ihrem Coach geht. Doch Leah beginnt ihr eigenes Spiel zu sabotieren, hängt ihre Schachkarriere an den Nagel und wirft alles hin. Doch ihre Leidenschaft holt sie schnell wieder ein. Unter dem Decknamen "Park Girl" nimmt sie an illegalen Wettkämpfen im Schachboxen teil und wird in der Unterwelt Manhattens schnell zum gefürchteten Champion. Mit Hirn, Herz und einem starken rechten Haken kämpft sie ihren wichtigsten Kampf: den für ihr eigenes Leben.
A fabulous collection of ghostly hauntings in Sunderland. It takes the reader into the world of ghosts and spirits in the city, following their footsteps into the unknown.
Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording
In the annals of rock ‘n’ roll there have been a lot of strange characters, but there probably hasn’t been anyone as bizarre as Screamin’ Jay Hawkins, and this is his story. Known mostly for a single record, I Put A Spell On You, and emerging from a coffin to perform on stage, Screamin’ Jay was a whirlwind performer, lusty singer, prolific songwriter and a man who was total stranger to the truth.
1964-1974 was a tumultuous decade. In the first two books of his ‘Music and Politics’ trilogy, Steve Millward traced how the optimism and adventure of 1964 had, by 1970, soured into frustration and uncertainty. Fast Forward: Music and Politics in 1974 brings the story to a climax by showing that while the year was riddled with soul-searching and looking backwards, the future was, in fact, approaching rapidly. As in the previous volumes, Millward links major political developments such as the energy crisis, Watergate, the troubles in Northern Ireland and the rise of the National Front to trends in rock, jazz, folk and classical music. He also explains the part played by music in the revolutions across Africa and in the struggle for civil rights in the USA. James Brown, Neil Young, David Bowie and Bob Marley are among the major names featured, but there is also discussion of the multitude of artists who made crucial but less celebrated contributions, including Millie Jackson, Steve Reich, Billy Cobham and even the poet laureate John Betjeman. Precursors of punk such as Patti Smith, The Ramones, Dr Feelgood and Kilburn and The High Roads are also examined in detail. Finally, Millward weaves into the plot sporting events like the World Cup and the Rumble in the Jungle and the host of excellent films released during the year. Fast Forward: Music and Politics in 1974 offers a multidimensional interpretation of a momentous year – analytical yet accessible, weighty yet witty – and is the perfect addition to any music-lover’s bookcase. It merits the accolade given by Record Collector magazine to its predecessor, Different Tracks (Matador, 2014) – ‘an incisive, all-inclusive discourse...a sharply-delineated time-capsule’.
In 1963, sisters Barbara Ann and Rosa Hawkins and their cousin Joan Marie Johnson traveled from the segregated South to New York City under the auspices of their manager, former pop singer Joe Jones. With their wonderful harmonies, they were an immediate success. To this day, the Dixie Cups’ greatest hit, “Chapel of Love,” is considered one of the best songs of the past sixty years. The Dixie Cups seemed to have the world on a string. Their songs were lively and popular, singing on such topics as love, romance, and Mardi Gras, including the classic “Iko Iko.” Behind the stage curtain, however, their real-life story was one of cruel exploitation by their manager, who continued to harass the women long after they finally broke away from his thievery and assault. Of the three young women, no one suffered more than the youngest, Rosa Hawkins, who was barely out of high school when the New Orleans teens were discovered and relocated to New York City. At the peak of their success, Rosa was a naïve songstress entrapped in a world of abuse and manipulation. Chapel of Love: The Story of New Orleans Girl Group the Dixie Cups explores the ups and downs of one of the most successful girl groups of the early 1960s. Telling their story for the first time, in their own words, Chapel of Love reintroduces the Louisiana Music Hall of Famers to a new audience.
In What a Difference a Day Makes: Women Who Conquered 1950s Music, Steve Bergsman highlights the Black female artists of the 1950s, a time that predated the chart-topping girl groups of the early 1960s. Many of the singers of this era became wildly famous and respected, and even made it into the Rock ’n’ Roll Hall of Fame. However, there were many others, such as Margie Day, Helen Humes, Nellie Lutcher, Jewel King, and Savannah Churchill, who made one or two great records in the 1950s and then disappeared from the scene. The era featured former jazz and blues singers, who first came to prominence in the 1940s, and others who pioneered early forms of rock ’n’ roll. In a companion volume, Bergsman has written the history of white women singers of the same era. Although song styles were parallel, the careers of Black and white female singers of the period ran in very different directions as the decade progressed. The songs of African American vocalists like Dinah Washington and Etta James were segregated to the R&B charts or covered by pop singers in the early and mid-1950s but burst into prominence in the last part of the decade and well into the 1960s. White singers, on the other hand, excelled in the early 1950s but saw their careers decline with the advent of rock music. In this volume, Bergsman takes an encyclopedic look at both the renowned and the sadly faded stars of the 1950s, placing them and their music back in the spotlight.
Covering 282 rare species and sub-species (plus records for a further 18 Category D species) found in Britain and Ireland, around 20,000 individual records of rare birds are listed in diary style, with each individual bird appearing on the date on which it was originally found, along with all the other rare birds found on that date between 1958 and 1994. Rare Birds Day by Day follows three earlier Poyser titles looking at scarce and rare birds recorded in Britain and Ireland, Scarce Migrant Birds in Britain and Ireland (Sharrock, 1974), Rare Birds in Britain and Ireland (Sharrock & Sharrock, 1976) and Rare Birds in Britain and Ireland (Dymond, Fraser & Gantlett, 1989). Like these previous books, this latest rare bird title has been brought to you by well-known and experienced British birders and rare bird finders. This book, however, differs markedly from the earlier volumes, in that it moves away from the traditional presentation of species in systematic order. Each record is listed in county order and is accompanied by the finding site, number of birds (for multiple records) and length of stay (for those birds remaining for more than one day). This new and novel way of presenting rare bird data will prove fascinating to anyone with an interest in finding and watching rare migrant and vagrant species. It will also prove a valuable and fun tool for the keenest rarity hunters, enabling them to use the book as a rare bird predictor, by following closely the birds found on each date over the 36 years covered by the book. The book is enlivened with illustrations by Dave Nurney, most of them specifically prepared for this volume.
1970 signalled the end of an era. The Swinging Sixties came to a crashing halt as the world seemed to be changing for the worse. Ideological and generational rifts became deeper and violent protest more commonplace. Politicians dealt with realities, not dreams. The Vietnam War dragged on. As ever, popular culture mirrored it all with the death of Jimi Hendrix and the break-up of The Beatles. Yet these apparent crises produced a climate in which new ideas could develop, pointing the way to a decade when creativity and tumult went hand-in-hand. In Different Tracks, his follow-up to Changing Times: Music and Politics In 1964, Steve Millward charts the major events of 1970 and the reaction they provoked – from the increased militancy of the Black Panthers, the Baader-Meinhof Gang and the Angry Brigade to the new ways of living advocated by foodists, feminists and futurists. At the same time he makes the connections to a thriving music scene where singer-songwriters such as Joni Mitchell and Nick Drake rubbed shoulders with innovators like Curtis Mayfield and Frank Zappa. He shows how James Brown defined funk, prog bands reached a peak of extravagance and the search was on to fuse rock with jazz, folk and classical music. Different Tracks is the second book in a trilogy spanning 1964-74. It will appeal to all music fans, especially those looking for fresh insights into a turbulent and dynamic epoch.
Notes from the Sick Room is an investigation into the connections between physical illness and creativity. Although there are a number of books investigating mental illness and creativity, there are very few that concentrate on physical illness - cancer, HIV, tuberculosis and disabilities caused by accidents. Incapacity provides time for contemplation and creativity yet pain and discomfort detract from inspiration. Serious illness confronts the individual with the reality of death, the complacency of being is jolted by the shock of non-being. Does one record these incidences or ignore "art" in order to survive?
King George’s Army: British Regiments and the Men who Led Them 1793–1815 will contain five volumes, with coverage given to cavalry regiments (Volume 1), infantry regiments (Volumes 2–4), and Ordnance and other regiments (Volume 5). It is the natural extension to the web series of the same name by the same author which existed one Napoleon Series from 2009 until 2019, but greatly expanded to include substantially more biographical information including biographies of leading political gures concerned with the administration of the army as well as commanders in chief of all major commands. Volume 1 covers in great detail the cavalry regiments that comprised the army of King George III for the period of the Great War with France, and the men who commanded them. Regimental data provided includes shortform regimental lineages, service locations and dispositions for the era, battle honors won, tables of authorized establishments, demographics of the field officer cohorts and of the men. But the book is essentially concerned with the field officers, the lieutenant colonels and majors who commanded the regiments, and Volume 1 alone contains over 1,000 mini-biographies of men who commanded the regiments, including their dates of birth and death, parentage, education, career (including political), awards and honors, and places of residence. Volumes 2 to 5 will extend the coverage to ultimately record over 4,500 biographies across more than 200 regiments. These biographies will show the regimental system in action, officers routinely transferring between regiments for advancement or opportunity, captains who were also (brevet) colonels, many who retired early, some who stayed the distance to become major generals and beyond. Where it has been possible to accurately ascertain, advancement by purchase, exchange or promotion has also been noted. Readers with military ancestors will no doubt find much of interest within, and the author hopes that the work will allow readers to break down a few ‘brick walls’; either through connecting to the officers recorded, or through an understanding of the movements of the regiments around the world, or from the volunteering patterns of the militia regiments into the regular army. Encyclopedic in scope, and aimed to be a lasting source of reference material for the British army that fought the French Revolution and Napoleon between 1793 and 1815, King George’s Army: British Regiments and the Men who Led Them will be a necessary addition to every military and family history library for years to come.
Packed with insider insights, this is the fascinating story of how the company fundamentally changed the industry. An essential read for anybody interested in the UK bus scene.
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