On paper Steve Katz’s career rivals anyone’s except the 1960s’ and ’70’s biggest stars: the Monterey Pop Festival with the legendary Blues Project, Woodstock with Blood, Sweat & Tears, and even producing rock’s most celebrated speed addict, Lou Reed. There were world tours, and his résumé screams “Hall of Fame” — it won’t be long before BS&T are on that ballot. He has three Grammies (ten nominations), three Downbeat Reader’s Poll Awards, three gold records, one platinum record, and one quadruple platinum platter (the second Blood, Sweat & Tears album), not to mention three gold singles with BS&T. All together, he’s sold close to 29 million records. He had affairs with famous female folk singers, made love to Jim Morrison’s girlfriend Pam when Jim was drunk and abusive, partied with Elizabeth Taylor and Groucho Marx, dined with Rudolf Nureyev, conversed with Martin Luther King, Jr. and Tennessee Williams, hung out with Andy Warhol, jammed with everyone from Mose Allison to Jimi Hendrix, and was told to get a haircut by both Mickey Spillane and Danny Thomas. But his memoir is more Portnoy’s Complaint than the lurid party-with-your-pants-down memoir that has become the norm for rock ’n’ roll books. It’s an honest and personal account of a life at the edge of the spotlight—a privileged vantage point that earned him a bit more objectivity and earnest outrage than a lot of his colleagues, who were too far into the scene to lay any honest witness to it. Set during the Greenwich Village folk/rock scene, the Sixties’ most celebrated venues and concerts, and behind closed doors on international tours and grueling studio sessions, this is the unlikely story of a rock star as nerd, nerd as rock star, a nice Jewish boy who got to sit at the cool kid’s table and score the hot chicks.
Literary Nonfiction. Memoir. Time's Wallet is a memoir written in discrete pieces, "memoirrhoids." The 54 short bits cover the variety and extent of a life from 1935 to the present, from Manhattan by various routes to Denver, Colorado. The work presents itself not as a narrative arc, but as memory itself occurs, in brief stories rising more or less at random in the mind. Each remembered narrative is allowed to resolve itself through its own form, and that variety creates a different overall texture. Each of the "stories" is transparent in itself, but they add up to a fertile opacity that is the ineluctable vitality of a life, and the impenetrable presence, the "here it is," of art.
This collection—derived from many impulses but unified through one distinctive sensibility—contains passionate subversive acts of language, oblique takes on American life, outbursts of comic genius, long meditations on the cruelty of contemporary customs, and funny, disturbing glimpses of daily life. Reality is rendered pitilessly real, and fantasy bares its teeth. At once playful and devastatingly serious, the works in this collection employ a variety of forms—genres, anti-genres, fantasies, games—while highlighting the dangers and delights of contemporary life: Hollywood, tsunamis, war, the art world, AIDS, ambition, weapons of mass destruction, family values, perverse sexualities, urban violence, small change and big bucks, are all used to chum the waters of imagination and truth.
Saw" is a milestone novel of the seventies. It is the first work of fiction ever to hide a hippopotamus. For the first time what has come to be recognized as a common modern neurosis, astronaut angst, gets full play in the fictional universe. For the first time anywhere in the history of fiction, in one of the most passionate encounters ever written, Eileen mates with a Sphere. Solid geometry finally has a face. The Cylinder is a nemesis, and its terrifying accomplishments roll on like a nightmare for this astronaut. This is a work of science fiction, geometric fiction, irrefutable fact and gourmand fantasies.
Steve Katz travels to South Africa where he was born. On arrival in Johannesburg he takes a train to Doonesfontein, hoping to meet the father he has not seen since he was 14 years old. On the slow train across the high veldt, Katz meets Dinewi, a vivacious African girl. Soon they are enjoying sex together. Dinewi is as amoral as Katz himself. In Doonesfontein Steve Katz learns that his father died a year earlier, apparently committing suicide in his own hotel. He seeks out Sol Isaacs, an old friend of his father's. Sol insists that David Katz did not commit suicide but was in fact murdered. Steve decides to investigate. He finds a wall of silence. The question is: will he find the truth before he is deported from the country? Or killed himself!It is a race against time, and time is short for Steve Katz to wreak vengeance on whoever killed his father.
Written by a pioneering leader in vitreoretinal surgery, this volume is a comprehensive how-to guide to all vitreoretinal procedures. The book describes in detail clinically proven methods for managing the anterior and posterior segment vitreous surgery patient in a systematic manner. Dr. Charles emphasizes the decision making process involved in evaluating the best treatment for a patient. With the assistance of Adam Katz, MD, Dr. Charles provides numerous algorithms for intraoperative decision-making, based on knowledge of physical principles and comparative risks of various techniques. More than 100 three-dimensional full-color illustrations, created by Byron Wood, enable surgeons to clearly visualize the techniques. This edition has been completely rewritten with a greatly expanded art program. A Brandon-Hill recommended title.
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