Describes and analyses the propaganda and violence of the four Cambodian parties to the 1991 Paris peace agreements. This volume explores Cambodia during the UNTAC period and sets the events within the larger context of Khmer politics, history and culture.
This report identifies constraints and opportunities for the restoration of economic exchange after nuclear war. Four survival scenarios are postulated based on high or low levels of damage to (1) institutions that signal trading opportunities, reduce transaction costs, and regulate and enforce contracts, and (2) resources that are used to create and define wealth. The four scenarios are Best case, Worst Case, Resource Abundance, and an Institution Intensive case. Discussed in depth are such items as property rights, barter, currency, trust, credit, supply and demand, and trust as related to authority.
The ultimate guide for bong-hitting movie buffs, with over 420 entries—plus contributions from Snoop Dogg, Cheech & Chong, Margaret Cho, and more. From the authors of Pot Culture, Reefer Movie Madness is the most extensive guide ever to movies for and about stoners, going well beyond Harold and Kumar and Pineapple Express. In addition to entries on more than 420 films, there are contributions and Q&As from actors, movie directors, musicians, and celebrities, including Jason Mraz, comedian Andy Milonakis, Snoop Dogg, Doug Benson, and Cheech & Chong. Reefer Movie Madness covers it all, from pot-fueled comedies and druggy dramas to sci-fi flicks and 1960s artifacts to documentaries, musicals, and blockbusters—including lots of photos, sidebars, and lists.
Bea Arthur as the owner of the Mos Eisley Cantina. Long scenes entirely of Wookies bleating at each other, without subtitles. Harvey Korman, in drag, as a four-armed Space Julia Child. Six minutes of Jefferson Starship performing for Art Carney and a bored Imperial Guard. Mark Hamill, fresh from his near-fatal motorcycle accident, slathered in pancake makeup. A salacious holographic burlesque from Diahann Carroll. Even by the standards of the 1970s, even compared to Jar-Jar Binks, the legendary 1978 Star Wars Holiday Special is a peerlessly cringeworthy pop-culture artifact. George Lucas, who completely disowned the production, reportedly has said, “If I had the time and a sledgehammer, I would track down every copy of that show and smash it.” Just how on earth did this thing ever see the light of day? To answer that question, as Steven Kozak shows in this fascinating and often hilarious inside look into the making of the Special, you have to understand the cultural moment in which it appeared—a long, long time ago when cheesy variety shows were a staple of network television and Star Wars was not yet the billion-dollar multimedia behemoth that it is today. Kozak explains how the Special was one piece of a PR blitz undertaken by Lucas and his colleagues as they sought to protect the emerging franchise from hostile studio executives. He shows how, despite the involvement of some of the most talented people in the business, creative differences between movie and television writers led to a wildly uneven product. He gives entertaining accounts of the problems that plagued production, which included a ruinously expensive cantina set; the acrimonious departure of the director and Lucas himself; and a furious Grace Slick, just out of rehab, demanding to be included in the production. Packed with memorable anecdotes, drawing on extensive new interviews with countless people involved in the production, and told with mingled affection and bewilderment, this never-before-told story gives a fascinating look at a strange moment in pop-culture history that remains an object of fascination even today.
All over the world, the statues of Mary are miraculously crying. In the meantime, a journalist in Washington D.C. is diverted away from her own personal demons when she takes it upon herself to question why the Vatican is not declaring these occurrences as miracles after witnessing the unexplainable phenomena herself. The journalist suspects her nightly barage of haunting nightmares about the violent murders of countless women from five thousand year old priestesses to women accused of being witches in the seventeenth century may have something to do with the answer, as she investigates the biggest story of her life. Women all over the world in the 21st century are feeling "the awakening" as the discovery of ancient artifacts are disproving the beliefs set forth by patriarchal religions for thousands of years. When the journalist receives a visitation from a beautiful Goddess who at first appears to be the Virgin Mary, she suddenly realizes that an ancient religious and political cover up has grossly distorted some very important historical truths. As the journalist investigates and begins to publicly write about what she has uncovered, death threats and terror follow next as powerful members of the world's patriarchal religions and the age old male-run organizations that support them fight viciously to keep one of the world's oldest and most deceptive societal form of control against women hidden from the world. But as intimidation and threats increase, so too do the miracles and visitations from the real Sleeping Goddess, as she awakens once again, to bless and protect the world while igniting the hearts and souls of oppressed women everywhere.
Describes and analyses the propaganda and violence of the four Cambodian parties to the 1991 Paris peace agreements. This volume explores Cambodia during the UNTAC period and sets the events within the larger context of Khmer politics, history and culture.
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