The following is a book of poems based on the lives of several classic and contemporary painters, including Michelangelo, Caravaggio, Rembrandt, Goya, Monet, Renoir, Magritte and many others. While the poems participate in the tradition of ekphrastic poetry, they also engage with each painters' biography, as a lens through which to see each work. In the poems, many of the painters are reacting to a dramatic loss, transforming the pain of personal tragedy into art.
The following is a book of poems based on the lives of several classic and contemporary painters, including Michelangelo, Caravaggio, Rembrandt, Goya, Monet, Renoir, Magritte and many others. While the poems participate in the tradition of ekphrastic poetry, they also engage with each painters' biography, as a lens through which to see each work. In the poems, many of the painters are reacting to a dramatic loss, transforming the pain of personal tragedy into art.
In Crying for a Vision, British-born poet, musician and performance artist Steve Scott offers a challenge to artists and a manifesto for the arts. This new edition includes an introduction and study guide, four newly-collected essays and an interview with the author. Steve Scott is the author of Like a House on Fire: Renewal of the Arts in a Post-modern Culture and The Boundaries. "Steve Scott is a rare individual who combines a deep love and understanding of Scripture with a passion for the arts." -Steve Turner, author of Jack Kerouac: Angelheaded Hipster. "Steve Scott links a number of fields of inquiry that are usually perceived as unrelated. In doing so he hopes to open wider possibilities for Christians in the arts, who may perhaps be relieved to find that, in many ways, they were right all along." -Rupert Loydell, author of The Museum of Light. Cover art by Michael Redmond
Mindful of the time constraints of everyday living, Ginger Garrett has put together an entire year of juicy discussions and pampering pleasures for mothers and daughters. Using the book of Esther as a springboard for topics such as respect, romance, and confidence, you get to share pieces of not only yourself but of your faith as well.
Filled with compelling photos of the most important teams, games, players and events as determined by the officials of the Pro Football Hall of Fame, this fascinating and in-depth book will enthrall sports fans.
A conflict that erupted between Roman legions and some Judaeans in late A.D. 66 had an incalculable impact on Rome's physical appearance and imperial governance; on ancient Jews bereft of their mother-city and temple; and on early Christian fortunes. Historical scholarship and cinema alike tend to see the conflict as the culmination of long Jewish resistance to Roman oppression. In this volume, Steve Mason re-examines the war in all relevant contexts (e.g., the Parthian dimension, Judaea's place in Roman Syria) and phases, from the Hasmoneans to the fall of Masada. Mason approaches each topic as a historical investigation, clarifying problems that need to be solved, understanding the available evidence, and considering scenarios that might explain the evidence. The simplest reconstructions make the conflict more humanly intelligible while casting doubt on received knowledge.
No field of study is livelier than the history of Roman-era Judaea (ca. 200 BC to AD 400). Bold reinterpretations of texts and new archaeological discoveries prompt us constantly to rethink assumptions. What kind of religion was Judaism? How did Jews--and Christians--relate to Roman imperial power? Should we speak of Judaism or Judaisms? How should the finds at Qumran affect our understanding? Did Paul and other early Christians remain within Judaism? Should we translate Ioudaioi as "Jews" or "Judaeans"? These debates can leave students perplexed, this book argues, because the participants share only a topic. They are actually investigating different questions using disparate criteria. In the hope of facilitating communication and preparing advanced students, this book explores two basic but neglected problems: What does it mean to do history (if history is what we wish to do)? And how did the ancients understand and describe their world? It is not a history, then, but an orientation to the history of Roman Judaea. Rather than trying to specify which questions are good ones or what one should think about them, the book offers new perspectives to help unleash the historical imagination while reckoning squarely with the nature of our evidence.
You can’t separate football from the man. The game gave him everything and “Bullet Bill” Dudley said as much. But you can separate the man from football. As a husband, father, businessman and citizen, he put far more into this world than he took out. Three years before Bill died, he asked his son-in-law Steve Stinson to write his story. William McGarvey "Bullet Bill" Dudley (December 24, 1921 – February 4, 2010) led a thrilling career as a professional American football player in the National Football League for the Pittsburgh Steelers, Detroit Lions, and Washington Redskins. With humble beginnings in Bluefield, Virginia he made the football team his junior year, and in 1938 he kicked a 35-yard field goal in the season's finale. Dudley was drafted in the 1942 NFL Draft with the first overall pick by the Pittsburgh Steelers. He was inducted into the Pro Football Hall of Fame in 1966 and the Virginia Sports Hall of Fame in 1972. During the 1942 season, he led the league in rushing with 696 yards on 162 carries and was then named to the All-Pro team. Steve Stinson revisits his father-in-law’s journey from Bluefield, Virginia through his retirement from the NFL and shares everything he brought to communities in between each pivotal moment in Dudley’s life.
Rhetoric, Technology, and the Virtues offers a framework for theorizing ethics in digital and networked media. While the field of rhetoric and writing studies has traditionally given attention to Plato’s Gorgias and Phaedrus dialogues, this volume updates Aristotle’s basic framework of hexis for the digital age. According to Aristotle, “When men change their hexeis—their dispositions, habits, comportments, and so on, in relation to an activity—they change their thought.” Rhetoric, Technology, and the Virtues argues that virtue ethics supports postmodern criticisms of rational autonomy and universalism while also enabling a discussion of the actual ethical behaviors that digital users form through their particular communicative ends and various rhetorical purposes. Authors Jared Colton and Steve Holmes extend Aristotle’s hexis framework through contemporary virtue ethicists and political theorists whose writing works from a tacit virtue ethics framework. They examine these key theorists through a range of case studies of digital habits of human users, including closed captioning, trolling, sampling, remixing, gamifying for environmental causes, and using social media, alongside a consideration of the ethical habits of nonhuman actors. Tackling a needed topic with clarity and defined organization, Rhetoric, Technology, and the Virtues carefully synthesizes various strands of ethical thinking, convincingly argues that virtue ethics is a viable framework for digital rhetoric, and provides a practical way to assess the changing hexeis encountered across the network of ethical situations in the digital world.
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