Considers the history of the American blockbuster—the large-scale, high-cost film—as it evolved from the 1890s to today. The pantheon of big-budget, commercially successful films encompasses a range of genres, including biblical films, war films, romances, comic-book adaptations, animated features, and historical epics. In Epics, Spectacles, and Blockbusters: A Hollywood History authors Sheldon Hall and Steve Neale discuss the characteristics, history, and modes of distribution and exhibition that unite big-budget pictures, from their beginnings in the late nineteenth century to the present. Moving chronologically, the authors examine the roots of today's blockbuster in the "feature," "special," "superspecial," "roadshow," "epic," and "spectacle" of earlier eras, with special attention to the characteristics of each type of picture. In the first section, Hall and Neale consider the beginnings of features, specials, and superspecials in American cinema, as the terms came to define not the length of a film but its marketable stars or larger budget. The second section investigates roadshowing as a means of distributing specials and the changes to the roadshow that resulted from the introduction of synchronized sound in the 1920s. In the third section, the authors examine the phenomenon of epics and spectacles that arose from films like Gone with the Wind, Samson and Deliliah, and Spartacus and continues to evolve today in films like Spider-Man and Pearl Harbor. In this section, Hall and Neale consider advances in visual and sound technology and the effects and costs they introduced to the industry. Scholars of film and television studies as well as readers interested in the history of American moviemaking will enjoy Epics, Spectacles, and Blockbusters.
Discover venerable dining rooms, gas-lit taverns, and old-world apothecaries and tobacconists from the New York of George Washington, Walt Whitman, Mark Twain, Boss Tweed, Harry Houdini, and P.T. Barnum. This old-world guide covers restaurants, gourmet shops, cafes, saloons and bars, hardware stores, and home furnishings stores. Illustrations.
The Killer Wore Cranberry anthology is back with an all-new set of flavorful stories, guaranteed to whet your appetite for both your favorite holiday fare and a tasty crime story. In this collection of humorous short mysteries, see what happens when sisters are pushed over the edge, dentists dine with crime bosses, 1950s private detectives deal with dames and sweet potatoes and a family has a bit of a problem with their future son-in-law. And that's just the tip of the turkey leg! Join us at our table for ten great stories from returning Cranberry authors Big Jim Williams, Lesley A. Diehl, Earl Staggs, Barbara Metzger, Steve Shrott, Laird Long and Barb Goffman. We've brought along some new friends too: Sandra Murphy, Rob Chirico and Debra H. Goldstein. And, again this year, Lisa Wagner presents three recipes in-between the stories that are sure to have your guests killing for seconds! At the head of our table is J. Alan Hartman, the Editor-in-Chief of Untreed Reads Publishing who has curated all four installments of The Killer Wore Cranberry plus the anthologies Year's End, The Untreed Detectives and Moon Shot. So, turn off that football game. Tell Grandma you just don't have time for green bean casserole or gelatin mold. Let Uncle Bernie sleep off the tryptophan in the recliner. Then, find yourself a comfortable spot away from the carving knives and get ready to laugh, solve crimes and experience our fourth meal of pure mayhem!
Mike Donlin was a brash, colorful, and complicated personality. He was the most popular athlete in New York and was a star on the powerful New York Giants teams of 1905 and 1908. Though haunted by tragedy, including the deaths of both of his parents as a boy, Donlin was a charming, engaging, and kind-hearted man who also had successful careers on the stage and in film. One of the early “bad boys” among professional athletes, Donlin’s temper and combativeness—compounded by alcoholism—led to battles with umpires and fans, numerous suspensions from the game, and even jail time. In 1906, when Donlin married vaudeville actress Mabel Hite, his life changed for the better, and their love story captivated the nation. Donlin left baseball after his sensational comeback for the dramatic 1908 season and joined Mabel on the stage, likely losing a Hall of Fame career. Then in 1912, at the age of twenty-nine, Mabel died of intestinal cancer. After making a final comeback as a player in 1914, Donlin starred in baseball’s first feature film. He became a drinking buddy of actors John Barrymore and Buster Keaton and married actress Rita Ross. The couple moved to Hollywood, where Donlin became a beloved figure and appeared in roughly one hundred movies, mostly in minor roles. Despite his Hollywood career, Donlin stayed connected to the game he loved and was seeking a coaching job with the Giants when he died of a heart attack in 1933. At the dawn of the celebrity era of sports, Donlin was one of the nation’s first athletes to capture the public’s attention. This biography by Steve Steinberg and Lyle Spatz shows why.
At the dawn of the roaring twenties, baseball was struggling to overcome two of its darkest moments: the death of a player during a Major League game and the revelations of the 1919 Black Sox scandal. At this critical juncture for baseball, two teams emerged to fight for the future of the game. They were also battling for the hearts and minds of New Yorkers as the city rose in dramatic fashion to the pinnacle of the baseball world. "1921" captures this crucial moment in the history of baseball, telling the story of a season that pitted the New York Yankees against their Polo Grounds landlords and hated rivals, John McGraw's Giants, in the first all-New York Series and resulted in the first American League pennant for the now-storied Yankees' franchise. Lyle Spatz and Steve Steinberg recreate the drama that featured the charismatic Babe Ruth in his assault on baseball records in the face of McGraw's disdain for the American League and the Ruth-led slugging style. Their work evokes the early 1920s with the words of renowned sportswriters such as Damon Runyon, Grantland Rice, and Heywood Broun. With more than fifty photographs, the book offers a remarkably vivid picture of the colorful characters, the crosstown rivalry, and the incomparable performances that made this season a classic.
When New York Giants owner Charles A. Stoneham came home one night in 1918 and told his teenage son, Horace, “Horrie, I bought you a ballclub,” he set in motion a family legacy. Horace Stoneham would become one of baseball’s greatest figures, an owner who played an essential role in integrating the game, and who was a major force in making our pastime truly national by bringing Major League Baseball to the West Coast. Horace Stoneham began his tenure with the Giants in 1924, learning all sides of the operation until he moved into the front office. In 1936, when his father died of kidney disease, Horace assumed control of the Giants at age thirty-two, becoming one of the youngest owners in baseball history. Stoneham played a pivotal role in not just his team’s history but the game itself. In the mid-1940s when the Pacific Coast League sought to gain Major League status, few but Stoneham and Branch Rickey took it seriously, and twelve years later the Giants and Dodgers were the first two teams to relocate west. Stoneham signed former Negro Leaguers Monte Irvin and Hank Thompson, making the Giants the second National League franchise to racially integrate. In the late 1940s, the Giants hired their first Spanish-speaking scout and soon became the leading team in developing Latin American players. Stoneham was shy and self-effacing and avoided the spotlight. His relationships with players were almost always strong, yet for all his leadership skills and baseball acumen, sustained success eluded most of his teams. In forty seasons his Giants won just five National League pennants and only one World Series. The Stoneham family business struggled, and the team was forced to sell off its beloved stars, first Willie Mays, then Willie McCovey, and finally Juan Marichal. Then Stoneham had no choice but to sell the club in 1975. While his tenure came to an unfortunate end, he is heralded as a pioneer and leader whose story tells much of baseball history from the 1930s through the 1970s.
Orpheus in Manhattan is the first comprehensive biography of Schuman that draws heavily upon his writings and on other archival materials. Filled with new discoveries and revisions of the received historical narrative, Orpheus in Manhattan repositions Schuman as a major figure in America's musical life.
Genre and Hollywood provides a comprehensive introduction to the study of genre. In this important new book, Steve Neale discusses all the major concepts, theories and accounts of Hollywood and genre, as well as the key genres which theorists have written about, from horror to the Western. He also puts forward new arguments about the importance of genre in understanding Hollywood cinema. Neale takes issue with much genre criticism and genre theory, which has provided only a partial and misleading account of Hollywood's output. He calls for broader and more flexible conceptions of genre and genres, for more attention to be paid to the discourses and practices of Hollywood itself, for the nature and range of Hollywood's films to be looked at in more detail, and for any assessment of the social and cultural significance of Hollywood's genres to take account of industrial factors. In detailed, revisionist accounts of two major genres - film noir and melodrama - Neale argues that genre remains an important and productive means of thinking about both New and old Hollywood, its history, its audiences and its films.
The Fourth Edition of this highly successful textbook provides a unique and comprehensive introduction to the study and understanding of human relationships. Fresh insights from family studies, developmental psychology, occupational and organizational psychology also combine to bring new perspectives to this thorough survey of the field. Thoroughly updated, with new chapters on: relating difficulty; "small media" technology and relationships, and practical applications, the Fourth Edition offers a fully up-to-date and authoritative review of the field.
This updated edition integrates ethical theory and practice to help strengthen readers' awareness, judgment, and action in organizations by exploring ethical dilemmas in a diverse range of well-known business cases. This volume explores a range of complex issues in today's organizations, addresses ethical concerns, and investigates the fundamentals that enable organizations to be simultaneously productive and ethical. Compiled with a variety of important examples of organizational communication ethics of today, case studies include the discussion of ethical dilemmas faced by Walmart, Toyota, Enron, Mitsubishi, BP, Arthur Andersen, Google, college athletics, and the pharmaceutical industry, among others. Through these case studies, students are able to directly assess ethical and unethical decision making in a rich, diverse, and complex manner that moves beyond simple explanations of ethics. This book is an invaluable resource for students and those interested in organizational communication ethics.
Populism and nationalism in classical music held a significant place between the world wars with composers such as George Gershwin, Aaron Copland, and Leonard Bernstein creating a soundtrack to the lives of everyday Americans. While biographies of these individual composers exist, no single book has taken on this period as a direct contradiction to the modernist dichotomy between the music of Stravinsky and Schoenberg. In Nationalist and Populist Composers: Voices of the American People, Steve Schwartz offers an overdue correction to this distortion of the American classical music tradition by showing that not all composers of this era fall into either the Stravinsky or Schoenberg camps. Exploring the rise and decline of musical populism in the United States, Schwartz examines the major works of George Gershwin, Randall Thompson, Virgil Thomson, Aaron Copland, Roy Harris, Kurt Weill, Morton Gould, and Leonard Bernstein. Organized chronologically, chapters cover each composer’s life and career and then reveal how key works participated in populist and nationalist themes. Written for the both the scholar and amateur enthusiast interested in modern classical music and American social history, Nationalist and Populist Composers creates a contextual frame through which all audiences can better understand such works as Rhapsody in Blue, Appalachian Spring, and West Side Story.
Volumes 3 and 4 of the The Encyclopedia of More Great Popular Song Recordings provides the stories behind approximately 1,700 more of the greatest song recordings in the history of the music industry, from 1890 to today. In this masterful survey, all genres of popular music are covered, from pop, rock, soul, and country to jazz, blues, classic vocals, hip-hop, folk, gospel, and ethnic/world music. Collectors will find detailed discographical data—recording dates, record numbers, Billboard chart data, and personnel—while music lovers will appreciate the detailed commentaries and deep research on the songs, their recording, and the artists. Readers who revel in pop cultural history will savor each chapter as it plunges deeply into key events—in music, society, and the world—from each era of the past 125 years. Following in the wake of the first two volumes of his original Encyclopedia of Great Popular Song Recordings, this follow-up work covers not only more beloved classic performances in pop music history, but many lesser -known but exceptional recordings that—in the modern digital world of “long tail” listening, re-mastered recordings, and “lost but found” possibilities—Sullivan mines from modern recording history. The Encyclopedia of Great Popular Song Recordings, Volumes 3 and 4 lets the readers discover, and, through their playlist services, from such as iTunes toand Spotify, build a truly deepcomprehensive catalog of classic performances that deserve to be a part of every passionate music lover’s life. Sullivan organizes songs in chronological order, starting in 1890 and continuing all the way throughto the present to include modern gems from June 2016. In each chapter, Sullivanhe immerses readers, era by era, in the popular music recordings of the time, noting key events that occurred at the time to painting a comprehensive picture in music history of each periodfor each song. Moreover, Sullivan includes for context bulleted lists noting key events that occurred during the song’s recording
Every day of the year, somewhere in the United States, some sort of holiday or special remembrance is being observed by individuals, organizations, or governments. January 30 is Pennsylvanians with Disabilities Day. On March 26, Hawaii celebrates Prince Janah Kuhio Kalanianaole Day. November 9 is set aside for Women Veterans Day in Alaska, while in Puerto Rico they honor baseball scout Pedrin Zorilla, and as the sun sets, New Jersey holds a Kristallnacht Memorial Night. This book is a detailed reference work about holidays and special observances established by statute in the United States, including American Samoa, the District of Columbia, Guam, the Northern Mariana Islands, Puerto Rico, and the U.S. Virgin Islands. Because the United States is a member state of the United Nations, U.N.-designated holidays and longer periods of time, such as years and decades devoted to important world issues, are also included. Following the day-by-day section, holidays are listed chronologically within their jurisdictions (federally designated observances are first in the list; states and territories follow in alphabetical order). A subject index offers access to particular topics (nursing, education, peace...) and a name index indicates holidays celebrating the lives of individuals.
According to Sir Peter Hall, "The theatre's been dying for two thousand years, and I'm sure will continue to." In the meantime, Hall and other leading figures of the stage have continued to influence theater productions throughout the world. In this collection of interviews, twenty-seven theater artists explore issues of theater theory and practice, illuminated by their wide range of perspectives. From traditional attitudes toward theatre to more avant-garde approaches, every facet of stage performance is addressed. Taken as a whole, these interviews reveal both the strength and extraordinary mutability of theater, as expressed by some of the most honored and well-regarded names of the stage, including Julie Harris, Quentin Crisp, Spalding Gray, Martin Sherman, Karen Finley, Eddie Izzard, Alan Ayckbourn, Robert Brustein, Uta Hagen, John Lahr, Stephen Daldry, and Edward Albee.
Get your way . . . the smart way. Persuasion is the art of changing the way people think, feel, and act through the use of language. The Complete Idiot's Guide® to Persuasion provides strategies for the readers to master the art of persuasion in a positive manner. By using time-honored tools of communication, body language, and psychology, readers can use persuasion to do good things like convince kids to eat their veggies, women to get annual mammograms, and couples to communicate without arguing. • A practical book based on sound academics to help communications and psychology majors as well as businesspeople, salespeople, performers, teachers, and parents • Tips and tactics for writers and public speakers
To most Americans, Steve Allen is a comedian whose ground-breaking work on The Tonight Show and The Steve Allen Show still inspires comics and writers. But Steve Allen is also a tremendously prolific and passionate composer and lyricist who has written some 8,000 songs. Here are collected the lyrics to 100 of his favorites, including "This Could Be the Start of Something Big, " "Gravy Waltz, " "The South Rampart Street Parade, " and the themes to Picnic, On the Beach, and Bell, Book, and Candle. From Dixieland to jazz to blues, Allens lyrics resonate with romance and insight, often punctuated by humor. Allen provides a commentary for each song. The foreword is contributed by noted author, critic, and jazz historian Gene Lees.
Steve Shone’s Women of Liberty explores the many overlaps between ten radical, feminist, and anarchist thinkers: Tennie C. Claflin, Noe Itō, Louise Michel, Rose Pesotta, Margaret Sanger, Elizabeth Cady Stanton, Mollie Steimer, Lois Waisbrooker, Mercy Otis Warren, and Victoria C. Woodhull. In an age of great and understandable dissatisfaction with governments around the world, Shone illuminates both the lost wisdom of the anarchists and the considerable contribution of women to intellectual thought, influences that are currently missing from many classes documenting the history of political theory.
The must – read guidebook for entrepreneurs looking to get into accelerator programs and to build and scale their startups with speed Accelerator programs have become one of the most powerful and valuable resources for entrepreneurs seeking to learn rapidly, build powerful networks, raise capital, build their startups and do this at speed and scale. In recent years, the number of accelerator programs around the world has grown at an incredible rate, propelling startups such as AirBnB, Uber, DropBox, Reddit, and others — many to billion-dollar valuations. The number of accelerators, the differences in accelerator program offerings and the unique benefits and costs of different accelerator locations makes choosing the right accelerator a challenge. Selecting the wrong accelerator, failing to be accepted in the right one, or not fully taking advantage of all the accelerator has to offer can be costly, sometimes fatal. With the stakes so high, entrepreneurs need to understand all their options, choose carefully and do the right things to maximize their chances of success. Startup Accelerators is the go to guide for any entrepreneur, providing a firsthand look into the acceptance criteria and inner workings of different accelerator programs. Written by entrepreneurs for entrepreneurs, this indispensable resource explains what different accelerator programs offer, how to get accepted, what to do during the program, how to raise money during accelerators, what to do after the program ends, and much more. Packed with real-world case studies and advice from leading experts on startup accelerator programs, this one-stop resource provides step-by-step guidance on the entire accelerator process. Reveals how accelerators help founders navigate different challenges in the startup journey Describes the differences in the benefits and costs of different accelerator programs Explains how to prepare accelerator applications Discloses what actions to take during an accelerator to make the most of it Depicts case studies of entrepreneurs’ accelerator applications, experiences and outcomes across different accelerators Features interviews with accelerator program managers, founders who went through accelerators, and investors in companies going through or having gone through accelerators Includes insightful data and reflections from entrepreneurship education researchers and academics Startup Accelerators: A Field Guide will prove to be invaluable for startup founders considering or going through accelerators, as well as aspiring entrepreneurs, educators, and other startup accelerator stakeholders.
Bringing people together in a brotherly and sisterly way to share ideas on improving the quality of our life experiences is what Coffee Chat has been about. It is my hope that this book will inspire you to share your ideas with others as well.
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
(Book). In this funny and insightful investigation, Steve Karmen dubbed the "King of the Jingle" by People magazine takes us back to a time when consumers happily sang along to "Pepsi Cola Hits the Spot," "This Bud's for You," and "Hershey Is the Great American Chocolate Bar," and brings us to the era of borrowed melodies, electronic sounds, and lyrics that never mention the name of the product. Did Madison Avenue get too sophisticated for its own good? Too cheap? Too sneaky? In its quest to combat the technology that allows viewer to "zap" the commercials, "tune out," or eliminate advertising, did the advertising world invent "integration" (putting the product into the programming) rather than make the commercials lovable, hummable units of entertainment themselves? Karmen explores the demise of the advertising music business and why the future of advertising is so precarious.
The fifties marks the moment when a heterosexual/homosexual dualism came to dominate U.S. culture's thinking about masculinity. The films of this era record how gender and sexuality did not easily come together in a normative manhood common to American men. Instead these films demonstrate the widely held perception of a crises of masculinity. Masked Men documents how movies of the fifties represented masculinity as a multiple masquerade. Hollywood's star system positioned the male actor as a professional performer and as a body intended to solicit the erotic interest of male and female viewers alike. Drawing on publicity, poster art, fan magazines, and the popular press as a means of following the links between fifties stars, their films, and the social tensions of the period, Cohan juxtaposes Hollywood's narratives of masculinity against the personae of leading men like Cary Grant, Humphrey Bogart, John Wayne, Charlton Heston, Yul Brynner, William Holden, Montgomery Clift, Marlon Brando, and Rock Hudson. Masked Men focuses on the gender and sexual masquerades that organized their performances of masculinity on and off screen.
A groundbreaking investigation of how and why, from the 18th century to the present day, American resistance to our ruling elites has vanished. From the American Revolution through the Civil Rights movement, Americans have long mobilized against political, social, and economic privilege. Hierarchies based on inheritance, wealth, and political preferment were treated as obnoxious and a threat to democracy. Mass movements envisioned a new world supplanting dog-eat-dog capitalism. But over the last half-century that political will and cultural imagination have vanished. Why? The Age of Acquiescence seeks to solve that mystery. Steve Fraser's account of national transformation brilliantly examines the rise of American capitalism, the visionary attempts to protect the democratic commonwealth, and the great surrender to today's delusional fables of freedom and the politics of fear. Effervescent and razorsharp, The Age of Acquiescence is provocative and fascinating.
With truly startling statistics and a wealth of anecdotes, Silbiger reveals the cultural principles that form the bedrock of Jewish success in America.
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