Howard the Duck's classic adventures conclude in this riotous volume! First, Howie and Bev face the geriatric menace of the Grey Panther, and do that voodoo that they do so well! But will a Christmas miracle show Howard it's a wonderful life - or quite the opposite?! He'll win a fortune - and lose a fortune! There will be animal antics with the Gopher and - Spider-Ham?! And Howard will join She-Hulk as they wrap their heads around the Cosmic Squish Principle! Plus: Two Spider-Man team-ups for the price of one! But what the heck are the Elf with a Gun and the Circus of Crime doing here? Waaaugh! Collecting HOWARD THE DUCK MAGAZINE #8-9, MARVEL TEAM-UP (1972) #96, HOWARD THE DUCK (1976) #32-33 and SENSATIONAL SHE-HULK #14-17 - plus material from BIZARRE ADVENTURES #34, MARVEL TALES (1964) #237 and SPIDER-MAN TEAM-UP #5.
Separated by up to thirty years in age, with backgrounds stretching from urban to rural, and with a wide divergence of experience (from drumming in a strip club, to working in a group home, to being fired from a pastorate as a heretic), these five poets' lives converged. Their poetry shows a constancy of outlook while adrift in a fluid, turbulent world
In Crying for a Vision, British-born poet, musician and performance artist Steve Scott offers a challenge to artists and a manifesto for the arts. This new edition includes an introduction and study guide, four newly-collected essays and an interview with the author. Steve Scott is the author of Like a House on Fire: Renewal of the Arts in a Post-modern Culture and The Boundaries. "Steve Scott is a rare individual who combines a deep love and understanding of Scripture with a passion for the arts." -Steve Turner, author of Jack Kerouac: Angelheaded Hipster. "Steve Scott links a number of fields of inquiry that are usually perceived as unrelated. In doing so he hopes to open wider possibilities for Christians in the arts, who may perhaps be relieved to find that, in many ways, they were right all along." -Rupert Loydell, author of The Museum of Light. Cover art by Michael Redmond
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