What comes first to mind when one thinks of political trials in South Africa are the Rivonia Trial of 1956–61 and the Treason Trial of 1963–64. Rarely, if ever, is the 1976 SASO/BPC trial mentioned in the same breath and yet it was perhaps the most political trial of all. The defendants, all members of the South African Students Organisation, or the Black People’s Convention, were in the dock for having the temerity to think; to have opinions; to envisage a more just and humane society. It was a trial about ideas, but as it unfolded it became a trial of the entire philosophy of Black Consciousness and those who championed its cause. On 2 May 1976, senior counsel for the defence in the trial of nine black activists in Pretoria called to the witness stand Stephen Bantu Biko. Although Biko was known to the authorities, and indeed was serving a banning order, not much about the man was known by anyone outside of his colleagues and the Black Consciousness Movement. That was about to change with his appearance as a witness in the SASO/BPC case. He entered the courtroom known to some, but after his four-day testimony he left as a celebrity known to all.
The most potent weapon in the hands of the oppressor is the mind of the oppressed." Like all of Steve Biko's writings, those words testify to the passion, courage, and keen insight that made him one of the most powerful figures in South Africa's struggle against apartheid. They also reflect his conviction that black people in South Africa could not be liberated until they united to break their chains of servitude, a key tenet of the Black Consciousness movement that he helped found. I Write What I Like contains a selection of Biko's writings from 1969, when he became the president of the South African Students' Organization, to 1972, when he was prohibited from publishing. The collection also includes a preface by Archbishop Desmond Tutu; an introduction by Malusi and Thoko Mpumlwana, who were both involved with Biko in the Black Consciousness movement; a memoir of Biko by Father Aelred Stubbs, his longtime pastor and friend; and a new foreword by Professor Lewis Gordon. Biko's writings will inspire and educate anyone concerned with issues of racism, postcolonialism, and black nationalism.
On 12th September 1977, Steve Biko was murdered in his prison cell. He was only 31, but his vision and charisma - captured in this collection of his work - had already transformed the agenda of South African politics. This book covers the basic philosophy of black consciousness, Bantustans, African culture, the institutional church and Western involvement in apartheid.
Presents the life and thoughts of Steve Biko. It is compiled by Robin Malan and published in association with Mayibuye Books, University of the Western Cape, Bellville.
Gathers articles, lectures, trial testimonies, letters, and selected writings by an outspoken critic of apartheid of died of a head injury while in the custody of the South African police
This title is published in commemoration and celebration of the life and legacy of Steve Biko, in the hope that it will contribute to realising the purpose for which he lived and died - restoring people to their true humanity.
What comes first to mind when one thinks of political trials in South Africa are the Rivonia Trial of 1956–61 and the Treason Trial of 1963–64. Rarely, if ever, is the 1976 SASO/BPC trial mentioned in the same breath and yet it was perhaps the most political trial of all. The defendants, all members of the South African Students Organisation, or the Black People’s Convention, were in the dock for having the temerity to think; to have opinions; to envisage a more just and humane society. It was a trial about ideas, but as it unfolded it became a trial of the entire philosophy of Black Consciousness and those who championed its cause. On 2 May 1976, senior counsel for the defence in the trial of nine black activists in Pretoria called to the witness stand Stephen Bantu Biko. Although Biko was known to the authorities, and indeed was serving a banning order, not much about the man was known by anyone outside of his colleagues and the Black Consciousness Movement. That was about to change with his appearance as a witness in the SASO/BPC case. He entered the courtroom known to some, but after his four-day testimony he left as a celebrity known to all.
On 12th September 1977, Steve Biko was murdered in his prison cell. He was only 31, but his vision and charisma - captured in this collection of his work - had already transformed the agenda of South African politics. This book covers the basic philosophy of black consciousness, Bantustans, African culture, the institutional church and Western involvement in apartheid.
SOUND OF THE CROWD: A DISCOGRAPHY OF THE '80s is the ultimate record collector's guide to the 1980s. In the era of multi-formatting, picture discs, coloured vinyl, multiple remixes, funny shaped records and tiny CDs you could lose down the back of the sofa, this book lists every format of every single, EP and album released in the UK in the 1980s by over 140 of the decade's biggest acts, from ABBA to Paul Young. This fourth edition has been fully revised and expanded to include even more acts than ever before, with additional sections to cover Band Aid-style charity congregations and compilation albums from the early '80s K-Tel efforts through to the Now That's What I Call Music series and its competitors. Compiled by Steve Binnie, editor of the '80s music website Sound of the Crowd and writer, producer and co-host of the unconventional '80s chart show Off The Chart, broadcast weekly on Mad Wasp Radio.
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.
Travels in the United States, The United Kingdom and Spain are the backdrops for the unique observations that have been documented in this new collection of poems and writings by the author. From homeless people relieving themselves in dark alleys and drug addicts feeding their demons to travels abroad and memories revisited, this anthology of raw and insightful poetry with selected writings is sure to stimulate the mind of what one part everyday modern life has become.
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