Strange Shadows opens a window into the dark, visionary worlds of Clark Ashton Smith, whose verbal black magic was a significant force in the American science fiction and fantasy movement of the 1930s. This annotated collection of his previously unpublished works provides a unique opportunity to savor the full range of Smith's literary contribution. Featuring fantasies and ironic short stories, prose-poems, plays, unfinished stories, and more than 100 story synopses, it offers valuable documentation and commentary on the work of one of the most distinctive and consistently interesting modern masters of the fantasy genre. An introduction by Robert Bloch (the author of Psycho) examines Smith's work and places it in historical perspective. Among the highlights of the collection are the satirical title story; variant drafts of two of Smith's most famous stories--The Coming of the White Worm and The Beast of Averoigne--and a play entitled The Dead Will Cuckold You, which has been hailed as a masterpiece. The editor's annotations include extensive quotations from Smith's correspondence to H. P. Lovecraft, August Derleth, and other important fantasy authors, together with textual commentary and discussion of connections between published and unpublished works. Information on lost writings and lists of published story titles, characters, and place names are supplied. An important resource for fantasy readers and scholars, this book will appeal to those with an interest in dark fantasy, science fiction, and the history of American science fiction.
Have you ever taken your children on a maths walk? Are your pupils shape detectives? How to be Inventive When Teaching Primary Mathematics is a pocket guide to inspire primary teachers to become confident, effective, imaginative teachers who enjoy teaching, and whose pupils enjoy learning. It is packed with exciting, creative, unexpected ideas, to help teachers and pupils open their eyes to the mathematical world around them. It gives teachers the tools to develop their own classroom activities and experiences, supporting learners as they move fluently between mathematical ideas and develop their ownership of mathematics: Take your pupils on a maths walk, meet dinosaurs, visit art galleries, learn your destiny number, create your first human graph in the playground and learn how to be an algebra magician. Written by Steve Humble, expert teacher, teacher trainer and, as Dr Maths, advocate for the power and potential of mathematics, this friendly, stimulating guide offers a fresh, practical approach to teaching mathematics, based on the best research and practice, and years of experience in the field. Focussing on five key mathematical topics - number, geometry, measurement, statistics and algebra – it is structured in the form of a journey, introducing historical facts, ideas for innovative and inventive classroom activities and explorations of the key misconceptions for each topic. How to be Inventive When Teaching Primary Mathematics will challenge you to think about your own beliefs and how they influence your practice, and help you understand how best to transform your teaching to stimulate children’s emotions to improve knowledge, learning and enjoyment of the beauty of maths.
Strange Shadows opens a window into the dark, visionary worlds of Clark Ashton Smith, whose verbal black magic was a significant force in the American science fiction and fantasy movement of the 1930s. This annotated collection of his previously unpublished works provides a unique opportunity to savor the full range of Smith's literary contribution. Featuring fantasies and ironic short stories, prose-poems, plays, unfinished stories, and more than 100 story synopses, it offers valuable documentation and commentary on the work of one of the most distinctive and consistently interesting modern masters of the fantasy genre. An introduction by Robert Bloch (the author of Psycho) examines Smith's work and places it in historical perspective. Among the highlights of the collection are the satirical title story; variant drafts of two of Smith's most famous stories--The Coming of the White Worm and The Beast of Averoigne--and a play entitled The Dead Will Cuckold You, which has been hailed as a masterpiece. The editor's annotations include extensive quotations from Smith's correspondence to H. P. Lovecraft, August Derleth, and other important fantasy authors, together with textual commentary and discussion of connections between published and unpublished works. Information on lost writings and lists of published story titles, characters, and place names are supplied. An important resource for fantasy readers and scholars, this book will appeal to those with an interest in dark fantasy, science fiction, and the history of American science fiction.
It's a common thought that it's wise "to meet people where they are." But what if we don't know where we are? This book entertains the idea that, although humans can dock two fantastically complex machines in space and manage all manner of equally complex coordinates in the process, we may not know our own coordinates. The machines in space may be secured while we are adrift. How is it that we are so skilled at feats of engineering yet so alienated from ourselves that we aren't where we think we are? This book aims to shed light on how we arrive at such self-estrangement and how to begin clarifying where we actually are. The clarity, I hope, will make it easier for us to connect with one another so that our relationships are less troubled and are more likely to be transformed into sanctuary.
Mindful of the time constraints of everyday living, Ginger Garrett has put together an entire year of juicy discussions and pampering pleasures for mothers and daughters. Using the book of Esther as a springboard for topics such as respect, romance, and confidence, you get to share pieces of not only yourself but of your faith as well.
You Know the Way is a fitting tribute to the memory of a great teacher who brought us comfort and joy when we were disturbed, but who was also fearless in disturbing us when he thought we were too comfortable. In this way, his homilies will continue to inspire us. — Don Klene Steve always questioned himself and challenged himself to grow and become a better Christian and a better human being. His preaching was just a simple sharing of the questions he asked himself. He spoke as one human to other humans, friends and companions on the journey, all of us struggling to grow and become our better selves. — Janice Braun The times in the last 35 years that I spent with Steve in the deaconate, he impressed me very much. But mostly the non-deaconate instances of being witness to the truth and violations of the Gospel by those in society that should uphold it are what I remember and cherish. This is the real deaconate, this spirit of God that I look for and Steve had it. — A note written by fellow Deacon after Steve’s death
In Crying for a Vision, British-born poet, musician and performance artist Steve Scott offers a challenge to artists and a manifesto for the arts. This new edition includes an introduction and study guide, four newly-collected essays and an interview with the author. Steve Scott is the author of Like a House on Fire: Renewal of the Arts in a Post-modern Culture and The Boundaries. "Steve Scott is a rare individual who combines a deep love and understanding of Scripture with a passion for the arts." -Steve Turner, author of Jack Kerouac: Angelheaded Hipster. "Steve Scott links a number of fields of inquiry that are usually perceived as unrelated. In doing so he hopes to open wider possibilities for Christians in the arts, who may perhaps be relieved to find that, in many ways, they were right all along." -Rupert Loydell, author of The Museum of Light. Cover art by Michael Redmond
If asked "do you like sex" what would be your answer? Is it the sex you like or the 3 to 5 seconds of "going away" that occurs at the climax of sex? To climax is to stop. The sex stops at the arrival of the 3 to 5 seconds of the "going away." If the 3 to 5 seconds of "going away" is absent would you engage in sex for any other reason than to procreate? So is it the sex or the "going away" you like? It is not noticed yet they are separate events. Today you "go away" for 3 to 5 seconds and return, is it possible to "go away" and not return? Sure, it is very simple. You simply have not been shown. If asked "what is behind the mind," will your response be "nothing"? Have you ever has a "knowing" come to your mind? Where did it come from if not from behind the mind? You are the proof that there is something behind the mind. The book you are holding is about you. The only thing missing from your life is YOU.
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