Over the last 160 years, a great dilemma has been hatching out of Western spiritual consciousness. In our modern existence, we have lost faith in the traditional routes by which human beings have come to experience the Divine, and an acceptance of oneself as having a place in the order of the universe. In Spiritual Atheism, Steve Antinoff argues that the dilemma burning within the West has been given its most fundamental expression by Kirilov in Dostoyevsky's The Possessed: "God is necessary, and so must exist . . . Yet I know that he doesn't exist, and can't exist . . . But don't you understand that a man with two such ideas cannot go on living?" According to Antinoff, spiritual atheism begins with three realizations: that our experience of ourselves and our world leaves us ultimately dissatisfied, that our dissatisfaction is intolerable and so must be broken through, and that there is no God. Continuing where such writers as Christopher Hitchens and Sam Harris left off, Antinoff's unique and prescient take on deity and spirituality makes this book a critical contribution to the understanding of the quest for salvation and enlightenment in a world full of chaos and need.
Four decades ago—aged twenty—the author experienced what he calls a "negative satori," a fundamental and irrefutable realization not of enlightenment, but of himself as a predicament only enlightenment could resolve. This, shaped by the hammer blows of a singular American professor, Richard DeMartino, brought him to Zen, and to Japan. Yet over time, of far greater import than his bungling efforts were the wonderful occupants of the Zen world he encountered: Toyoshima–san, the meditation Prometheus whose superhuman efforts astounded and inspired all while he remained impaled on the cliff's edge; the Thief, chief monastery monk who stole the world from whoever he encountered and whose yawns and the brushing of his teeth shot sparks of Absolute Meaning; Hisamatsu, the great lay Zen Master who at age 16 overheard a doctor tell his mother he'd be dead in six months, only to awaken ten years later and become the most delighted man in Japan; Bunko, the monk kind to others but ferocious with himself, whose daily state of Oneness in meditation left him dissatisfied because despite all exertion he could not crush it to pieces and break beyond it. These are among the sitters for the portraits in Reports From the Zen Wars, Steve Antinoff's attempt to bear witness to what for him has been The Greatest Show on Earth, price of admission one lotus position.
This book is written for those inspired by the musical and movie versions of Les Misérables who have not yet tackled Victor Hugo's 1200-page masterpiece. The novel is pervaded by two central conflicts. The first is the conflict between love and justice. Love is championed by the bishop and, later, by Valjean. Justice is the supreme god of the fanatical Police Inspector Javert. The second is the conflict between love and egotism. Found within the heart of Jean Valjean himself, it is barely discernable in the Jean Valjean of the musical; but without it, the central character of Hugo's novel and its adaptations in the performing arts cannot be fully understood. All human beings, in experiencing the world, unavoidably find themselves as the center of their world. Self-centeredness therefore is tenacious. Yet what is commonly termed the "me generation" fell in love with a musical about a selfless man. Why is that? Is it not because there is in each of us an intimation that the highest form of self is to be selfless? Going to the heart of Victor Hugo's magnificent novel, Steve Antinoff's book reveals the depth and beauty of its conception and throws new light on its central characters that inspired the authors of musical and film versions as well as a growing, world-wide public.
Over the last 160 years, a great dilemma has been hatching out of Western spiritual consciousness. In our modern existence, we have lost faith in the traditional routes by which human beings have come to experience the Divine, and an acceptance of oneself as having a place in the order of the universe. In Spiritual Atheism, Steve Antinoff argues that the dilemma burning within the West has been given its most fundamental expression by Kirilov in Dostoyevsky's The Possessed: "God is necessary, and so must exist . . . Yet I know that he doesn't exist, and can't exist . . . But don't you understand that a man with two such ideas cannot go on living?" According to Antinoff, spiritual atheism begins with three realizations: that our experience of ourselves and our world leaves us ultimately dissatisfied, that our dissatisfaction is intolerable and so must be broken through, and that there is no God. Continuing where such writers as Christopher Hitchens and Sam Harris left off, Antinoff's unique and prescient take on deity and spirituality makes this book a critical contribution to the understanding of the quest for salvation and enlightenment in a world full of chaos and need.
This book is written for those inspired by the musical and movie versions of Les Misérables who have not yet tackled Victor Hugo's 1200-page masterpiece. The novel is pervaded by two central conflicts. The first is the conflict between love and justice. Love is championed by the bishop and, later, by Valjean. Justice is the supreme god of the fanatical Police Inspector Javert. The second is the conflict between love and egotism. Found within the heart of Jean Valjean himself, it is barely discernable in the Jean Valjean of the musical; but without it, the central character of Hugo's novel and its adaptations in the performing arts cannot be fully understood. All human beings, in experiencing the world, unavoidably find themselves as the center of their world. Self-centeredness therefore is tenacious. Yet what is commonly termed the "me generation" fell in love with a musical about a selfless man. Why is that? Is it not because there is in each of us an intimation that the highest form of self is to be selfless? Going to the heart of Victor Hugo's magnificent novel, Steve Antinoff's book reveals the depth and beauty of its conception and throws new light on its central characters that inspired the authors of musical and film versions as well as a growing, world-wide public.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.