Some thirty years ago the small Metropolitan County of Grotton found itself bathed in the bright glare of publicity as The Grotton Papers lifted the lid on the inner workings of the six planning departments of this hitherto little remarked corner of England. The intervening years have seen Grotton's County Council aim at the admirable and mostly achievable target of becoming "average with moderate prospects of remaining average" in the Government rankings, and the struggles of the District Councils to come to terms with planning in the late twentieth – let alone twenty-first – century are once again under the spotlight. The original authors of The Grotton Papers have come together once more to offer an experienced and surprisingly unjaundiced look at the way the British planning system works. Their comprehensive survey allows real lessons to be learnt from what Grotton has – and just as importantly hasn't – done since they were last in town. Grotton Revisited is without doubt the finest (and indeed the only) satirical book on this vitally important subject. It is suitable for planners of all ages and abilities, and will be essential reading for anyone who has ever had contact with the planning system, or thinks they may know someone who has. First class entertainment and education for professionals and general readers alike. Published in association with the RTPI.
ÿSteve Ankers? wife Margaret and big brother John have been vets all their lives, so Steve has spent a large part of his life helping one or other of them, sometimes both, through amusing, harrowing and occasionally disgusting encounters with creatures of all varieties, shapes and sizes. The experience has given him a hilarious fund of tales about adventures with animals and their owners, from llamas, wallabies and escaped alligators to dodgy greyhound trainers and the cat that ate a Chihuahua. Sometimes moving and often extremely funny, this is a very well-written account of life working closely ? sometimes TOO closely - with animals.
He was the final addition to Universal's "royal family" of movie monsters: the Creature from the Black Lagoon. With his scaly armor, razor claws and a face only a mother octopus could love, this Amazon denizen was perhaps the most fearsome beast in the history of Hollywood's Studio of Horrors. But he also possessed a sympathetic quality which elevated him fathoms above the many aquatic monsters who swam in his wake. Everything you ever wanted to know about the Gill Man and his mid-1950s film career (Creature from the Black Lagoon, Revenge of the Creature, The Creature Walks Among Us) is collected in this book, packed to the gills with hour-by-hour production histories, cast bios, analyses, explorations of the music, script-to-screen comparisons, in-depth interviews and an ocean of fin-tastic photos.
This book, the first of two volumes, will provide a major new history of the British B film, tracing the development of the low-budget supporting feature from the 1927 Films Act (which introduced a quota system for the distribution and exhibition of indigenous product) to the age of television, when B film producers channelled their energies into making TV programmes. Along the way, the authors will address leading producers and studios, B film stars, distributors, the genres and themes that tended to dominate B film production (comedy, horror, crime and fantasy). 'Quota Quickies' will include a case study of the B films of Michael Powell. The authors' argument is that the B film was hugely important in British cinema history in offering an opportunity for British actors and technicians to develop their careers, and that the films themselves provided an outlet for the exploration of peculiarly British cultural concerns in an industry traditionally dominated by Hollywood output. They also contend that some of the films stand up well to contemporary viewing and are deserving of critical re-evaluation.
During the Silent Era, when most films dealt with dramatic or comedic takes on the "boy meets girl, boy loses girl" theme, other motion pictures dared to tackle such topics as rejuvenation, revivication, mesmerism, the supernatural and the grotesque. A Daughter of the Gods (1916), The Phantom of the Opera (1925), The Magician (1926) and Seven Footprints to Satan (1929) were among the unusual and startling films containing story elements that went far beyond the realm of "highly unlikely." Using surviving documentation and their combined expertise, the authors catalog and discuss these departures from the norm in this encyclopedic guide to American horror, science fiction and fantasy in the years from 1913 through 1929.
The historic powerhouses of the Sierras have been powering much of California's growth for the past hundred years or so. Located in canyons where water can be dropped thousands of feet from ridges above, they were California's first source of electrical power. The oldest powerhouses were built by survivors of the original gold rush, who turned metalworking and pipe-fitting skills to the task of generating electricity. The resulting machines were curious amalgamations of steam valves, riveted pipes, waterwheels, and rudimentary electrical devices imported from the East Coast. These views show how miners chipped out a small ledge on a granite cliff hundreds of feet below Spaulding Lake dam to create an anchor point for a powerhouse that seems embedded in the rock itself. They also celebrate the genius of mining-camp tinkerer Lester Pelton, who, in 1880, invented a more efficient waterwheel capable of spinning a generator shaft at high speed. His invention bore his name, and the basic design is used to this day throughout the world.
ÿSteve Ankers? wife Margaret and big brother John have been vets all their lives, so Steve has spent a large part of his life helping one or other of them, sometimes both, through amusing, harrowing and occasionally disgusting encounters with creatures of all varieties, shapes and sizes. The experience has given him a hilarious fund of tales about adventures with animals and their owners, from llamas, wallabies and escaped alligators to dodgy greyhound trainers and the cat that ate a Chihuahua. Sometimes moving and often extremely funny, this is a very well-written account of life working closely ? sometimes TOO closely - with animals.
Some thirty years ago the small Metropolitan County of Grotton found itself bathed in the bright glare of publicity as The Grotton Papers lifted the lid on the inner workings of the six planning departments of this hitherto little remarked corner of England. The intervening years have seen Grotton's County Council aim at the admirable and mostly achievable target of becoming "average with moderate prospects of remaining average" in the Government rankings, and the struggles of the District Councils to come to terms with planning in the late twentieth – let alone twenty-first – century are once again under the spotlight. The original authors of The Grotton Papers have come together once more to offer an experienced and surprisingly unjaundiced look at the way the British planning system works. Their comprehensive survey allows real lessons to be learnt from what Grotton has – and just as importantly hasn't – done since they were last in town. Grotton Revisited is without doubt the finest (and indeed the only) satirical book on this vitally important subject. It is suitable for planners of all ages and abilities, and will be essential reading for anyone who has ever had contact with the planning system, or thinks they may know someone who has. First class entertainment and education for professionals and general readers alike. Published in association with the RTPI.
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