A comprehensive exploration of revolutionary Chapman Stick and it's accompanying tap techniques. A primer on theory will explain all the musical logistics enabling the student to fully gasp the concepts in this book. Mr. Chapman's unique approach to his 12 string invention will be explained by Steve Adelson in respect to chords, melody, improvisations, rhythmic capabilities, counterpoint and bass lines. Novel and standard techniques enabling the player maximum creativity will be outlined in detail with many examples in the text. All levels of playing will be considered and will be helpful for beginner, intermediate as well as advanced playing. This book will bring all these elements together, presenting a thorough study of this very new and exciting instrument. Includes access to online video
Wall Street: no other place on earth is so singularly identified with money and the power of money. And no other American institution has inspired such deep moral, cultural, and political ambivalence. Is the Street an unbreachable bulwark defending commercial order? Or is it a center of mad ambition? This book recounts the colorful history of Americas love-hate relationship with Wall Street. Steve Fraser frames his fascinating analysis around the roles of four iconic Wall Street typesthe aristocrat, the confidence man, the hero, and the immoralistall recurring figures who yield surprising insights about how the nation has wrestled, and still wrestles, with fundamental questions of wealth and work, democracy and elitism, greed and salvation. Spanning the years from the first Wall Street panic of 1792 to the dot.com bubble-and-bust and Enron scandals of our own time, the book is full of stories and portraits of such larger-than-life figures as J. P. Morgan, Cornelius Vanderbilt, and Michael Milken. Fraser considers the conflicting attitudes of ordinary Americans toward the Street and concludes with a brief rumination on the recent notion of Wall Street as a haven for Everyman.
“Big, boisterous, biting, and brilliant, this cultural history of Wall Street exposes Americans’ naughty ambition to worship both God and mammon.” —Walter A. McDougall, Pulitzer Prize–winning author Americans have experienced a love-hate relationship with Wall Street for two hundred years. Long an object of suspicion, fear, and even revulsion, the Street eventually came to be seen as an alluring pathway to wealth and freedom. Steve Fraser tells the story of this remarkable transformation in a brilliant, masterfully written narrative filled with colorful tales of confidence men and aristocrats, Napoleonic financiers and reckless adventurers, master builders and roguish destroyers. Penetrating and engrossing, this is an extraordinary work of history that illuminates the values and the character of our nation. “A rollicking history . . . Fraser affords us a panoramic view of decades of high endeavor and low greed.” —Harold Evans, The New York Times Book Review “Steve Fraser’s remarkable book on Wall Street explores nothing less than the history of capitalist culture in the United States.” —Sean Wilentz, Dayton-Stockton Professor of History, Princeton University “Written with verve, passion, and a remarkable command of vast historical literature, Every Man a Speculator illuminates Americans’ tortured relationship with Wall Street, from the days of Alexander Hamilton to the bubbles and frauds of the last few years.” —Eric Foner, DeWitt Clinton Professor of History, Columbia University “An illuminating tour of how the United States has perceived its financial center over two centuries through the eyes of its political leaders, novelists, moviemakers, preachers, cartoonists, ordinary citizens and a host of others.” —The Washington Post
Steve Fraser's epic book is a passionate, critical history of the most powerful financial district in the world. It can also be read as the story of capitalism in America, and of the great turning points in American history, but it is much more than a narrative of politics and economics.
No political image in recent American history has enjoyed the impact of the "limousine liberal." It has managed to mobilize an enduring politics of resentment directed against everything from civil rights to women's liberation, from the war on poverty to environmental regulation. Coined in 1969 by New York City mayoralty candidate Mario Procaccino, the term took aim at what he and his largely white lower middle class and blue collar following considered the repellent hypocrisy of well-heeled types who championed the cause of the poor, especially the black poor, but who had no intention of bearing the costs of their plight. The metaphor zeroed in on liberal elites who preferred to upset rather than defend the status quo not only in race relations, but in the sexual, moral, and religious order and had little interest in looking after the needs of working people. In The Limousine Liberal, the acclaimed historian Steve Fraser argues that it is impossible to understand American politics without coming to grips with this image, where it originated, why it persists, and where it may be taking us. He reveals that the limousine liberal had existed in all but name long before Procaccino gave it one. From Henry Ford decrying an improbable alliance of Jews, bankers, and Bolsheviks in the 1920s to the Tea Party's vehement hatred of Hillary Clinton, the fear of the limousine liberal has stoked right-wing populism for nearly a century. Today it fuses together disparate elements of the conservative movement. Sunbelt entrepreneurs on the rise, blue collar ethnics and middle classes in decline, heartland evangelicals, and billionaire business dynasts have found common cause, despite their real differences, in shared opposition to liberal elites. The Limousine Liberal tells an extraordinary story of why the most privileged and powerful elements of American society were indicted as subversives and reveals the reality that undergirds that myth. It goes to the heart of the great political transformation of the postwar era: the rise of the conservative right and the unmaking of the liberal consensus.
Drawing on an impressive roster of experts in the field, Fundamentals of Computer Graphics, Fourth Edition offers an ideal resource for computer course curricula as well as a user-friendly personal or professional reference. Focusing on geometric intuition, the book gives the necessary information for understanding how images get onto the screen by using the complementary approaches of ray tracing and rasterization. It covers topics common to an introductory course, such as sampling theory, texture mapping, spatial data structure, and splines. It also includes a number of contributed chapters from authors known for their expertise and clear way of explaining concepts. Highlights of the Fourth Edition Include: Updated coverage of existing topics Major updates and improvements to several chapters, including texture mapping, graphics hardware, signal processing, and data structures A text now printed entirely in four-color to enhance illustrative figures of concepts The fourth edition of Fundamentals of Computer Graphics continues to provide an outstanding and comprehensive introduction to basic computer graphic technology and theory. It retains an informal and intuitive style while improving precision, consistency, and completeness of material, allowing aspiring and experienced graphics programmers to better understand and apply foundational principles to the development of efficient code in creating film, game, or web designs. Key Features Provides a thorough treatment of basic and advanced topics in current graphics algorithms Explains core principles intuitively, with numerous examples and pseudo-code Gives updated coverage of the graphics pipeline, signal processing, texture mapping, graphics hardware, reflection models, and curves and surfaces Uses color images to give more illustrative power to concepts
With contributions by Michael Ashikhmin, Michael Gleicher, Naty Hoffman, Garrett Johnson, Tamara Munzner, Erik Reinhard, Kelvin Sung, William B. Thompson, Peter Willemsen, Brian Wyvill. The third edition of this widely adopted text gives students a comprehensive, fundamental introduction to computer graphics. The authors present the mathematical foundations of computer graphics with a focus on geometric intuition, allowing the programmer to understand and apply those foundations to the development of efficient code. New in this edition: Four new contributed chapters, written by experts in their fields: Implicit Modeling, Computer Graphics in Games, Color, Visualization, including information visualization Revised and updated material on the graphics pipeline, reflecting a modern viewpoint organized around programmable shading. Expanded treatment of viewing that improves clarity and consistency while unifying viewing in ray tracing and rasterization. Improved and expanded coverage of triangle meshes and mesh data structures. A new organization for the early chapters, which concentrates foundational material at the beginning to increase teaching flexibility.
When the 82nd Fighter Group was organized in March 1942, most of its initial pilot cadre was comprised of newly graduated staff sergeant pilots of Class 42-C – enlisted men! They learned to fly the P-38 at Muroc, in California's Mojave Desert, and then moved to the Los Angeles area to continue their training and to serve as part of its air defence. In September 1942 the group was transported to the East Coast, from where it shipped out to Ireland on the Queen Mary. By this time all its remaining sergeant pilots had been commissioned. As of VE-Day the 82nd Fighter Group's score of confirmed aerial victories stood at 548 aircraft shot down, plus a huge amount of enemy materiel – including aircraft – destroyed on the ground and the sea. It had been awarded three Distinguished Unit Citations. The cost of this success was high, however, for around 250 of the group's pilots had either been killed in action or captured.
This unique reader presents a broad approach to the study of American Indians through the voices and viewpoints of the Native Peoples themselves. Multi-disciplinary and hemispheric in approach, it draws on ethnography, biography, journalism, art, and poetry to familiarize students with the historical and present day experiences of native peoples and nations throughout North and South America–all with a focus on themes and issues that are crucial within Indian Country today. For courses in Introduction to American Indians in departments of Native American Studies/American Indian Studies, Anthropology, American Studies, Sociology, History, Women's Studies.
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