How were blacks in American slavery formed, out of a multiplicity of African ethnic peoples, into a single people? In this major study of Afro-American culture, Sterling Stuckey, a leading thinker on black nationalism for the past twenty years, explains how different African peoples interacted during the nineteenth century to achieve a common culture. He finds that, at the time of emancipation, slaves were still overwhelmingly African in culture, a conclusion with profound implications for theories of black liberation and for the future of race relations in America. By examining anthropological evidence about Central and West African cultural traditions--Bakongo, Ibo, Dahomean, Mendi and others--and exploring the folklore of the American slave, Stuckey has arrived at an important new cross-cultural analysis of the Pan-African impulse among slaves that contributed to the formation of a black ethos. He establishes, for example, the centrality of an ancient African ritual--the Ring Shout or Circle Dance--to the black American religious and artistic experience. Black nationalist theories, the author points out, are those most in tune with the implication of an African presence in America during and since slavery. Casting a fresh new light on these ideas, Stuckey provides us with fascinating profiles of such nineteenth century figures as David Walker, Henry Highland Garnet, and Frederick Douglas. He then considers in detail the lives and careers of W. E. B. Dubois and Paul Robeson in this century, describing their ambition that blacks in American society, while struggling to end racism, take on roles that truly reflected their African heritage. These concepts of black liberation, Stuckey suggests, are far more relevant to the intrinsic values of black people than integrationist thought on race relations. But in a final revelation he concludes that, with the exception of Paul Robeson, the ironic tendency of black nationalists has been to underestimate the depths of African culture in black Americans and the sophistication of the slave community they arose from.
Twenty-five years after its original publication, Oxford has released a new edition of Sterling Stuckey's ground-breaking study, Slave Culture. A leading cultural historian and authority on slavery, Stuckey explains how different African peoples interacted on the plantations of the South to achieve a common culture. He argues that at the time of emancipation, slaves still remained essentially African in culture, a conclusion that has had profound implications for theories of black liberation and race relations in America. Drawing evidence from the anthropology and art history of Central and West African cultural traditions and exploring the folklore of the American slave, Stuckey reveals an intrinsic Pan-African impulse that contributed to the formation of the black ethos in slavery. He presents fascinating profiles of such nineteenth-century figures as David Walker, Henry Highland Garnet, and Frederick Douglass, as well as detailed examinations into the lives and careers of W.E.B. Du Bois and Paul Robeson in this century. The second edition, which includes a Foreword by historian John Stauffer, will reintroduce Stuckey's masterpiece to a wider audience. Stukey provides a new introduction that looks at the life of the book and the impact it has had on the field of African-American scholarship, as well as how the field has changed in the 25 years since its original publication.
Although Herman Melville's masterworks Moby-Dick and Benito Cereno have long been the subject of vigorous scholarly examination, the impact of African culture on these works has received surprisingly little critical attention. Presenting a groundbreaking reappraisal of these two powerful pieces of fiction, Sterling Stuckey reveals how African customs and rituals heavily influenced one of America's greatest novelists. The Melville that emerges in this innovative, intertextual study is one profoundly shaped by the vibrant African-influenced music and dance culture of nineteenth-century America. Drawing on extensive research, Stuckey reveals how celebrations of African culture by black Americans, such as the Pinkster festival and the Ring Shout dance form, permeated Melville's environs during his formative years and found their way into his finest fiction. Also demonstrated is the extent to which the author of Moby-Dick is indebted to Frederick Douglass's depiction of music, especially the blues, in his classic slave narrative. Connections between Melville's work and African culture are also extended beyond America to the African continent itself. With readings of hitherto unexplored chapters in Delano's Voyages and Travels in the Northern and Southern Hemispheres and other nonfiction sources--such as Joseph Dupuis's Journal of a Residence in Ashantee --Stuckey links Benito Cereno and Moby-Dick , pinpointing the sources from which Melville drew to fashion major characters that appear aboard both the Pequod and the San Dominick . Combining inventive literary and historical analysis, Stuckey shows how myriad aspects of African culture coalesced to create the unique vision conveyed in Moby-Dick and Benito Cereno. Ultimately, African Culture and Melville's Art provides a wealth of insight into the novelist's expressive power and the development of his distinct cross-cultural aesthetic.
Casting a wide net, this volume provides personal and professional information on some 445 American and Canadian naturalists and environmentalists, who lived from the late 15th century to the late 20th century. It includes explorers who published works on the natural history of North America, conservationists, ecologists, environmentalists, wildlife management specialists, park planners, national park administrators, zoologists, botanists, natural historians, geographers, geologists, academics, museum scientists and administrators, military personnel, travellers, government officials, political figures and writers and artists concerned with the environment. Some of the subjects are well known. The accomplishments of others are little known. Each entry contains a succinct but careful evaluation of the subject's career and contributions. Entries also include up-to-date bibliographies and information concerning manuscript sources.
This book contains all the known marriages in Marion County, Alabama for a 43-year period between 1887 and 1930. Actual images from the official marriage books from the Hamilton courthouse were examined, abstracted, and presented within these pages. Marion County was established in 1818 with the courthouse at Pikeville. In 1881, the county seat was moved to Hamilton. The courthouse burned in April of 1887 and all the earliest marriage records were destroyed. This volume begins with the records which were kept following the catastrophic fire of 1887. Grooms names are alphabetized and the book contains a full name bride's index. It is hoped this volume contributes to the body of knowledge for Marion County--an important county in Northwest Alabama.
How were blacks in American slavery formed, out of a multiplicity of African ethnic peoples, into a single people? In this major study of Afro-American culture, Sterling Stuckey, a leading thinker on black nationalism for the past twenty years, explains how different African peoples interacted during the nineteenth century to achieve a common culture. He finds that, at the time of emancipation, slaves were still overwhelmingly African in culture, a conclusion with profound implications for theories of black liberation and for the future of race relations in America. By examining anthropological evidence about Central and West African cultural traditions--Bakongo, Ibo, Dahomean, Mendi and others--and exploring the folklore of the American slave, Stuckey has arrived at an important new cross-cultural analysis of the Pan-African impulse among slaves that contributed to the formation of a black ethos. He establishes, for example, the centrality of an ancient African ritual--the Ring Shout or Circle Dance--to the black American religious and artistic experience. Black nationalist theories, the author points out, are those most in tune with the implication of an African presence in America during and since slavery. Casting a fresh new light on these ideas, Stuckey provides us with fascinating profiles of such nineteenth century figures as David Walker, Henry Highland Garnet, and Frederick Douglas. He then considers in detail the lives and careers of W. E. B. Dubois and Paul Robeson in this century, describing their ambition that blacks in American society, while struggling to end racism, take on roles that truly reflected their African heritage. These concepts of black liberation, Stuckey suggests, are far more relevant to the intrinsic values of black people than integrationist thought on race relations. But in a final revelation he concludes that, with the exception of Paul Robeson, the ironic tendency of black nationalists has been to underestimate the depths of African culture in black Americans and the sophistication of the slave community they arose from.
Cullman County was established in 1877 in large part from the west side of Blount and the east side of Winston counties. Today, the few old cemeteries which existed in those counties in the early days are found within the borders of Cullman. The cemetery listings in this four volume set were conducted by the author beginning in 2003 and ending in early 2006. An attempt was made to personally visit every cemetery in Cullman County and record information from each readable monument. Volume 2 of this series covers alphabetically cemeteries E through G, beginning with the East Battleground Missionary Baptist Church Cemetery and concluding with the Garden City Cemetery. It also includes the large Cullman City Cemetery. The volumes are filled with photos of many of the old cemetery sites and notes describing the company and unit of most of the old Civil War era veterans. This set of books is vital to any serious student of Cullman County genealogy and history.
First published in 1998, Black Globalism: The International Politics of a Non-state Nation examines the international political behaviour of African-Americans. From the slave revolts of Denmark Vesey and Nat Turner, to the influence of the Congressional Black Caucus on US foreign policy, the author examines the impact of the domestic racial environment on the international interests and activities of African-Americans. Black Globalism uses three levels of analysis to describe the dimensions of this international activity. At the individual level, the emigration debate which included Frederick Douglass, David Walker, Benjamin Russworm, Paul Cuffee, Martin Delany is considered. Here, the emigration efforts of Chief Alfred Sam, Bishop Henry Turner and Marcus Garvey are examined. The influence of scholar and activist W.E.B. DuBois and the leadership of Malcolm X is examined with respect to their ideological impact on the transnational political activity on organizations such as the National Association for the Advancement of Coloured People, the Nation of Islam, and the Black Panther Party. From the 1869 appointment of Andrew Young to the US Ambassador to the United Nations, the impact of African-Americans on US foreign policy decision making is examined. This includes the Congressional Black Caucus’ influence on president Clinton’s humanitarian intervention in Haiti. This governmental level analysis includes an examination of the history and politics of desegregating the US Department of State. Finally, the relative economic status of African-Americans in the domestic and global economic system is considered with respect to the shrinking of the welfare state and the challenges of the post-cold war global economy.
This book contains all the marriages which took place in Blount County, Alabama between the years 1920 and 1942. Images of the original documents from the Blount County Court House were examined page by page and transcribed. Not only was the primary information recorded, but other significant details were gathered such as names of bondsmen, names of officials performing the ceremony, names and relationships of those granting permission, and the location of the ceremony. Plus, volumes and page numbers were recorded to provide for better documentation. Additionally, details of all licenses returned unexecuted were recorded. Beginning in 1936 the State of Alabama required more information on their marriage licenses including full birthdates and full names of both parents. This information was included if reported. This book is a handy tool for those with ancestors in Blount or adjoining counties.
The Southern Democrat was established by Forney G. Stephens at Blountsville in 1894. After fellow newspaperman Lawrence H. Mathews of the Blount County News-Dispatch died in 1896, Stephens moved the Democrat to Oneonta. When the News-Dispatch folded in 1903, the Democrat was the preeminent Blount County newspaper. Stephens died in 1939, but the Democrat continued to publish in Oneonta for almost 100 years. In 1989 the old Southern Democrat was renamed the Blount Countain. Microfilm for the old Southern Democrat was acquired from the State Archives in Montgomery and studied page by page. Every mention of births, marriages, deaths, obituaries and news important to the history and development of Blount County was reproduced here. This book is vital for any serious student of Blount County, Alabama genealogy and history.
Presenting a groundbreaking reappraisal of these two powerful pieces of fiction, Sterling Stuckey reveals how African customs and rituals heavily influenced one of America's greatest novelists.
The Southern Democrat was established by Forney G. Stephens at Blountsville in 1894. After fellow newspaperman Lawrence H. Mathews of the Blount County News-Dispatch died in 1896, Stephens moved the Democrat to Oneonta. When the News-Dispatch folded in 1903, the Democrat was the preeminent Blount County newspaper. Stephens died in 1939, but the Democrat continued to publish in Oneonta for almost 100 years. In 1989 the old Southern Democrat was renamed the Blount Countain. Microfilm for the old Southern Democrat was acquired from the State Archives in Montgomery and studied page by page. Every mention of births, marriages, deaths, obituaries and news important to the history and development of Blount County was reproduced here. This book is vital for any serious student of Blount County, Alabama genealogy and history.
This sixth volume of news clippings from the historic issues of the Walker County, Alabama, Jasper Mountain Eagle spans the years 1914 through 1917. Only one issue is missing from these years: 23 Dec 1914. These clippings from the Mountain Eagle come from microfilm purchased from the State Archives in Montgomery. Every issue of the Eagle was examined column by column to capture all available information regarding births, deaths, marriage notices, and relevant news items and information regarding the early history of Walker County and the surrounding area. Death notices were compared against available cemetery records at FindAGrave.com and were annotated. The history of Walker County is written in the pages of its early newspapers. This book will be a valuable asset to the serious student of Walker County genealogy and history.
Information comes from over 6,200 Cullman County men who filled out cards and submitted them to the Selective Service System. Information often includes full names (first, middle, last), full birth date, occupation, next of kin, marital status, and number of children. Birth dates range from 1870 to 1901 of service aged men who submitted cards in 1917 - 1919. Most of the birth dates are from the 1880s and 1890s. This book is a good substitute for the missing 1890 Federal Census. Additionally, the data is annotated with hundreds of marriages from Cullman County marriage records.
Arguably the greatest African American poet of the century, Sterling Brown was instrumental in bringing the traditions of African American folk life to readers all over the world. This is the definitive collection of Brown's poems, and the only edition available in the United States.
Essays on African-American politics, literature and music by Sterling A. Brown (1901-1989), which point out the biases against black Americans in white cultural expression and argue for a recognition of the cultural contributions of African Americans.
This second edition contains revised chapters taking into account recent research advances. More advanced exercises have been included, and "Part II The Prolog Language" has been modified to be compatible with the new Prolog standard. This is a graduate level text that can be used for self-study.
Cullman County was established in 1877 in large part from the west side of Blount and the east side of Winston counties. Today, the few old cemeteries which existed in those counties in the early days are found within the borders of Cullman. The cemetery listings in this four volume set were conducted by the author beginning in 2003 and ending in early 2006. An attempt was made to personally visit every cemetery in Cullman County and record information from each readable monument. Volume 3 of this series covers alphabetically cemeteries G through M, beginning with the Good Hope Baptist Church Cemetery and concluding with the Mt. Vernon (West) Baptist Church Cemetery. The volumes are filled with photos of many of the old cemetery sites and notes describing the company and unit of most of the old Civil War era veterans. This set of books is vital to any serious student of Cullman County genealogy and history.
Journalism in Marion County, Alabama got its start in April 1885 with the Marion County Herald. Soon other upstart papers sprang up to compete with the Herald. Over the years several newspapers vied for the dominant spot. This is the third volume of a series of books containing newspaper clippings from the earliest existing papers from Marion County. This volume covers the years 1897 through 1899. While the Marion County Herald began in 1885, the first two years are missing because of the courthouse fire which occurrred in 1887. The clippings contained in this volume concentrate with notes of births, marriages, and deaths. It also contains articles which were important to the history and growth of the county. The history of the county is written in the pages of its earliest newspapers. Read what the ancestors of the people of Marion County were doing and talking about.
The Southern Democrat was established by Forney G. Stephens at Blountsville in 1894. After fellow newspaperman Lawrence H. Mathews of the Blount County News-Dispatch died in 1896, Stephens moved the Democrat to Oneonta. When the News-Dispatch folded in 1903, the Democrat was the preeminent Blount County newspaper. Stephens died in 1939, but the Democrat continued to publish in Oneonta for almost 100 years. In 1989 the old Southern Democrat was renamed the Blount Countian. Microfilm for the old Southern Democrat was acquired from the State Archives in Montgomery and studied page by page. Every mention of births, marriages, deaths, obituaries and news important to the history and development of Blount County was reproduced here. This book is vital for any serious student of Blount County, Alabama genealogy and history.
Journalism in Marion County got its start in April 1885 with the Marion County Herald. Soon other upstart papers sprang up to compete with the Herald. Over the years, several newspapers vied for the dominant spot. This is the fourth volume of a series of books containing newspaper clippings from the earliest existing papers from Marion County. This volume contains the year 1902 through 1904. The clippings in this volume concentrate with notes of births, deaths, and marriages. It also contains articles which were important to the history and growth of the county. The history of the county is written in the pages of its earliest newpapers. Read what the ancestors of the people of Marion County were doing and talking about.
Blount County was carved out of the territory ceded to the State by the Creek Indians following their defeat at the Battle of Horseshoe Bend. The earliest settlers began streaming into the former wilderness as early as 1817. Blount was originally a large county, but over the decades pieces were taken to make up other adjoining counties such as Jefferson, Marshall, Etowah, and Cullman. Every cemetery within the contemporary boundaries of Blount was visited by the author and each readable tombstone was copied to develop the contents of this three volume series. Most of the cemeteries were read in 2002. Volume 1 covers alphabetically H through P, beginning with the Hipp Family Cemetery and concluding with the Phillips Cemetery (sometimes called the Old County Line Cemetery). This book is vital to any serious student of Blount County genealogy and history.
By the turn of the 20th Century, Cullman was firmly established as the preeminent settlement in the hill country between the Tennessee Valley and the mineral region surrounding Birmingham. The Cullman, Alabama Tribune continued to record news of the development of the city, county, and surrounding region. As with the first five books of this series, microfilm was obtained from the State Archives in Montgomery and Wallace College at Hanceville and reviewed, but the originals from the Cullman County Court House was the primary source. A page by page examination of the film and originals was conducted with every birth, death, marriage, obituary, and some news items important to the history and development of Cullman County was recorded. This book is important to any genealogist or historian with connections to Cullman County and contains many rare accounts and mentions of the earliest settlers of the region.
By the turn of the 20th Century, Cullman was firmly established as the preeminent settlement in the hill country between the Tennessee Valley and the mineral region surrounding Birmingham. The Cullman, Alabama Tribune continued to record news of the development of the city, county, and surrounding region. As with the first four books of this series, microfilm was obtained from the State Archives in Montgomery and Wallace College at Hanceville and reviewed, but the originals from the Cullman County Court House was the primary source. A page by page examination of the film and originals was conducted with every birth, death, marriage, obituary, and some news items important to the history and development of Cullman County was recorded. This book is important to any genealogist or historian with connections to Cullman County and contains many rare accounts and mentions of the earliest settlers of the region.
Sterling A. Brown was renowned for his trenchant poetry and scholarship on African American folklife. A contemporary of Langston Hughes, Claude McKay, and Jean Toomer, Brown became the first poet laureate of the District of Columbia. His celebrated works, including Southern Road, address issues of race through collages of narrative and dialect unique to Brown’s unflinching poetic voice. Edited by the late distinguished poet Michael S. Harper, this classic collection includes a new foreword by award-winning poet Cornelius Eady and the original introduction by Michael S. Harper, as well as introductions to Southern Road by James Weldon Johnson and Sterling Stuckey. The result is a tour de force by one of the most distinctive poets in American letters.
Teaches U.S. history, employing the themes: geography; economics; government; citizenship; science, technology and society; culture; Constitutional heritage; and global relations.
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